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This joyful work of iconically Swedish Mid Century design is by Mari Simmulson (b. 1911- d. 2000) for Upsala Ekeby. Simmulson was a celebrated Swedish ceramics designer and ceramicist, known for many series she designed at Upsala Ekeby which went on to become classics. This hand-thrown and hand-glazed work comes from Simmulson's well-known Salix series, these earthenware works were designed in 1953.

The series is characterised by the delightfully simple form, like that of an abstract 60s pinafore dress, the glossy glaze is a palette of Chocolate brown, with 'dot' discs of Pineapple yellow on Milk white. The form of this piece and palette is undeniably exuberant, striking and vivacious, combined with the size - makes this a particularly rare find. 

CONDITION
Excellent - there are no chips or repairs. There is a single hairline crack on the interior of the rim that does not appear on the exterior of the vase. There is age commensurate wear in the form on crazing on the interior of the vase. The underside of the base is inscribed with Upsala Ekebys 'UE Sweden' and Simmulson's 'ms' monogram as well as the model number '4130'.

MEASUREMENTS
Height: c.14" / 35.2 cm tall (from base to rim). Rim measurements: c. 3.7" / 9.5 cm x c. 3.1" / 8 cm. Diameter: c. 5" / 12.6 cm (across widest point). Base measurements: c. 5" / 12.6 cm. Unpackaged weight: c. 1.7 kg / 1,715 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Mari Peterson Särgava, ceramicist and textile artist (b. 1911- d. 2000) began her career with an internship with Arabia in Finland and it was during this time she married Gustaf Simmulson.

Simmulson moved to Sweden in 1944 and began working with Wilhelm Kåge at Gustavsbergs, staying until 1949. Her career took her to Uppsala Ekeby in 1949, where she designed vases, figures, reliefs and wall paintings, many of them noted as unique pieces. She became a leading designer at Uppsala Ekeby where she remained until the early 1970s. Simmulson also received commissions for public pieces including at Luleå Kol, Upplandsbanken and Pharmacia.

This exquisitely intricate Totai Shippo piece is dated to c.1880 from the Japanese Meiji era (1868-1912 ).

Totai Shippo is the technique of applying Cloisonné enamel to ceramic believed to have been discovered by Sukamoto Kaisuke (b.1828 - d.1887) some time around 1868. Traditional Cloisonné of using thin wire or metal to contain different coloured enamels applied to a metal vessel itself is already a revered technique. Totai Shippo elevates the technique to another level when you consider the detailed wired sections of this piece is as small as 1-2mm in width.

This particular piece bears two 'faces', a panel on each side that displays the detailed design of butterflies, Chrysanthemums and Anemones in tones of Dusted Powder and Cobalt Blue, Oxblood Red and Apple Green. Encircling the panels are features of Sakura buds and blossom interwoven with the Teal patterned background. 

This excellent work of art makes for a superbly decorative and highly collectable art feature.

CONDITION
Very Good. There is age-related wear to the enamel and crazing on the non-enamelled sections that is commensurable with the age of the piece, please see photos as they form part of the condition report.

MEASUREMENTS
Height: c. 3.9" / 10 cm by c. 3.4" / 8.6 cm diameter (across widest point). Base diameter: c. 1.9" /  4.7 cm. Rim diameter: c. 1.6" / 4.1 cm. Unpackaged weight: c. 0.2 kg / 220 g

NOTES
Jar will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Japanese Cloisonne enamelware is a technique introduced to Japan around the Tokugawa period during the 16th century.

Cloisonne or 'Cloisonné' are metalwork objects with decoration that is applied by creating separating sections using wire or thin metal. The sections are filled with different coloured enamels to create a visual image or pattern and the whole piece be fired multiple times to realise the colours.

This stylised work of British art pottery piece is of English late-Art Deco design from the 1930s, with a colour palette similar to that of Monet's 'Wisteria' Impressionist painting.

Beautifully sculptural and seemingly simple, this piece is a manifestation of the significant technique needed to result in its evenly hand-formed body. The Art Deco accents appear most prominently in the softly geometric, diamond form. The hand-painted, silky, semi-matte glaze décor on the interior is a beautifully dappled blending of Azure blue tones with Golden Sand, Teal Green and Chocolate Brown. The exterior décor is a reflection of the interior with the same tones that is edged at the base with the Chocolate Brown. 

This piece has a gracefully elegant presence, an embodiment of English Art Deco design from c. 85 years ago. The combination of its form, colour palette and condition makes it a particularly rare find.

CONDITION
Superb. There are no chips, cracks or repairs. There mild age-wear in the form of movement marks on the underside of the base that is commensurate with the age of the piece. Please refer to photographs as they form part of the condition report. The underside of the base is unmarked. 

MEASUREMENTS
Height: c. 3.5" / 9 cm by c. 12.4" / 31.5 cm length (across longest point). Width c. 8.3" / 21 cm (across widest point). Base measurements: c. 6.1" / 15.5 cm x  3.9" / 10 cm. Weight: c. 0.6 kg / 600 g

NOTES
Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

Wadeheath Ceramics 1867 - present
Wadeheath Ceramics was originally founded in 1867, in Burslem, England, a collective of different pottery companies that specialised in earthenware and porcelain.

The original companies were:

• Wade & Myatt (later became George Wade & Son, which made industrial ceramics and Wade Whimsies). Established 1867.
• John Wade & Co (later Wade Heath & Co, which made decorative ware, particularly Art Deco vases in the 1930s). Established 1867.
• J & W Wade (later AJ Wade Ltd, which made tiles, notably the original tiles for the London Underground). Established 1891.

Wade made its way into history with beautiful ceramic art ware known as Flaxman Ware in the Art Deco style by Wade Heath & Co and its figure collection known as Wade Whimsies that became hugely popular in the UK and America in the 1950s.

This elegant work of Swedish Mid Century Modern design is by Hjördis Oldfors (b. 1920 - d. 2014) for Upsala Ekeby. Oldfors was a celebrated Swedish ceramicist, painting, and textile artist, known for many series she designed at Upsala Ekeby which went on to become classics.

This hand-thrown and hand-glazed work comes from Oldfors popular Kokos series, for which there are ten works of earthenware bowls and vases designed in 1954. The series is characterised by the clean-lined, swelling forms and the deliciously tactile decor. The decor is an arrangement of sgraffito bands of glossy Dandelion yellow glaze alternating with the unglazed Dark Chocolate earthenware. The combination of the silky smooth glaze bands and the unglazed elements present a striking and tactile contrast.

The form of this piece and of the series is undeniably Modernist in design, highlighting the seamless harmony of function, form, and the raw materials

CONDITION
Excellent - there are no chips, cracks or repairs. There is mild and age-commensurate wear to the body and faint movement marks on the underside of the base. The underside of the base is inscribed with Upsala Ekebys 'UE' and Oldfors 'HJ' monogram and the model number '5080'.

MEASUREMENTS
Height: c. 5.5" / 14 cm tall (from base to rim). Rim measurements: c. 4.3" / 11 cm x c. 2.8" / 7 cm. Diameter: c. 5.7" / 14.6 cm (across widest point). Base measurements: c. 1.9" / 4.7 cm. Unpackaged weight: c. 0.8 kg / 795 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Hjördis Hanna Maria Oldfors (b. 1920 - d. 2014) was a celebrated Swedish ceramicist, painting, and textile artist. Oldfors is known for many series she designed at Upsala Ekeby which went on to become classics; including Poäng (Points), Kokos (Coconut), Trio (Trio), Palma (Palma), and Granit (Granite). Oldfors is represented at a number of museums including; National Museum (Sweden), Röhsska Museum, and at the Nordenfjeldske Konstindustrimuseum.

Though Oldfors was a late arrival to her ceramics career, beginning her studies in 1947 in Gothenburg, she became incredibly successful. Her career at Upsala Ekeby began in 1950 when she was 30 and she would go on to set up her own studio 'Bränd Form' with a number of exhibitions representing Upsala Ekeby and her own studio. The curators of the day are notably known to have said "She has an astonishing certainty in the abstract decor and its adaptation to the form. In this area, she does not have many competitors in our ceramics."

This delicious work of Swedish Mid Century Modern design is by Mari Simmulson (b. 1911- d. 2000) for Upsala Ekeby. Simmulson was a celebrated Swedish ceramics designer and ceramicist, known for many series she designed at Upsala Ekeby which went on to become classics. 

This hand-thrown and hand-glazed work comes from Simmulson's well-known Ringo series, there are eighteen works of earthenware bowls and vases that were designed in 1965. The series is characterised by the delightfully textured Chocolate Cookies unglazed earthenware body that is overlaid with the Dark Chocolate striped bands of semi matte glaze. The silky Dark Chocolate glaze is also beautifully featured on the neck, shoulders and underside of the vase, juxtaposing the earthenware. This particular piece is finished with a circle of semi-matte Pale Lemon dots, an iconic accent to the series. The form of this piece and of the series is undeniably Modernist in design, highlighting the seamless harmony of function, form and the raw materials. 

CONDITION
Excellent - there are no chips, cracks or repairs. There is age commensurate wear in the form of faint movement marks on the underside of the base. The underside of the base is inscribed with Upsala Ekebys 'UE Sweden' and Simmulson's 'ms' monogram as well as the model number '5059M'.

MEASUREMENTS
Height: c. 5,1" / 13 cm tall (from base to rim). Rim measurements: c. 2.6" / 6.7 cm. Diameter: c. 4.3" / 11 cm (across widest point). Base measurements: c. 3.5" / 8.8 cm. Unpackaged weight: c. 0.6 kg / 615 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Mari Peterson Särgava, ceramicist and textile artist (b. 1911- d. 2000) began her career with an internship with Arabia in Finland and it was during this time she married Gustaf Simmulson.

Simmulson moved to Sweden in 1944 and began working with Wilhelm Kåge at Gustavsbergs, staying until 1949. Her career took her to Uppsala Ekeby in 1949, where she designed vases, figures, reliefs and wall paintings, many of them noted as unique pieces. She became a leading designer at Uppsala Ekeby where she remained until the early 1970s. Simmulson also received commissions for public pieces including at Luleå Kol, Upplandsbanken and Pharmacia. 

This elegantly ethereal duo of handblown Swedish art glass miniatures is by Bertil Vallien, (b. 1938 - ), internationally celebrated Swedish glass artist, sculptor, ceramist, and designer for Kosta Boda, one of Sweden's leading glassworks.

Those familiar with the process of hand-blowing or hot working glass will know that glass needs to reach 1,320 °C (2,400 °F) to melt and even the working temperature is 1,090 °C (2,000 °F). This knowledge helps to appreciate the care, effort, and skill required to create these miniature works of art glass.

The blue pipe vase bearing the signature winding stripes is from Vallien's Rainbow series, designed in the 1980s. However, it is created in the uncommon and translucent Pale Powdered blue with traces of a golden-sand toned frit glass interwoven into the body.

The lidded pot is even more unusual and has not been attributable to a series, though it is a Vallien signed piece with its original label intact. The body and lid are also in an airy, Pale Powdered blue tone, very similar to the tone used in Vallien's Starlight series. The piece is finished with a clear curl finial on the lid.

Both pieces carry labels that display the parent company of Kosta Boda AB, this name came into use in 1976 before changing to Orrefors Kosta Boda AB in 1989.

CONDITION
Excellent. No chips, cracks, or repairs, please see photos as they form part of the condition report.
- Blue Rainbow Vase - the piece is inscribed with "BODA, ARTIST COL, B VALLIEN, 48282"
- Starlight Blue Lidded pot - the piece is inscribed with "Kosta Boda, B Vallien"

MEASUREMENTS
- Blue Rainbow Vase: Height: c. 2.5" / 6.3 cm x c. 1.8" / 4.6 cm rim diameter. Base diameter: c. 1.3" / 3.2 cm.
- Starlight Blue Lidded pot: Height: c. 4.1" / 10.5 cm (including lid). Diameter: c. 2.3" / 5.9 cm.
Unpackaged weight [all pieces]: c. 0.2 kg / 225 g

NOTES
Duo will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Born 1938, Bertil Vallien was only 15 when he left home, drawn by the allure of the big city. After a series of occasional jobs, as a window-dresser at one of the main department stores in Stockholm, and as an apprentice in his father's decorating firm, Vallien would eventually decide to become an artist which would lead him into the world of ceramics. The guidance he received in his early career included that of Stig Lindberg - one of Sweden's foremost designers of ceramic art and one of the leading designers for Rörstrand in the 1970's.

Today, Vallien is one of the most well-known representatives of 20th century Swedish ceramic and art glass design and is represented at the Swedish National Museum of Art and Design as well as abroad in the Everson Museum of Art of New York. Vallien's works have only become more collectable over the years with sculptures from his Head and Journey (Boat) series fetching up to $20,000 USD.

This elegant trio of handblown Swedish art glass miniatures is by three of Kosta Boda's famously celebrated glass artists: Bertil Vallien, Ulrica Hyd-Vallien and Monika (Monica) Backstrom.

In this trio:
- The charming white frit glass and hand-painted bowl is by Ulrica Hyd-Vallien from her 1979 series 'Butterfly'.
- The white frit glass, abstract flask-form vase, with delicate and tactile netted surface pattern is by Bertil Vallien from his 1978 series 'Network'.
- The elegant abstract bottle vase in tactile grey scavo and smooth, clear crystal casing is by Monika Backstrom attributed to her 1989 series Sunny. This piece is trimmed in Cerulean blue as opposed to the usual Scarlet red.

Both the Butterfly bowl and Network vase is from The Artist Collection, a concept was introduced by Vallien to give glass artists the freedom for personal, creative expression and to remove the 'mass produced' feeling. The final piece is from Kosta Boda Atelier collections. Whether pieces were created as part of The Artist Collection or Atelier, they are limited edition studio works and individual to the artist that created them. As each piece is handblown, this also makes the final décor of each piece unique.

Those familiar with the process of hand-blowing or hot working glass will know that glass needs to reach 1,320 °C (2,400 °F) to melt and even the working temperature is 1,090 °C (2,000 °F). This knowledge alone is enough to appreciate the care, effort and skill required to create these miniature works of art glass.

CONDITION
Excellent. No chips, cracks or repairs, please see photos as they form part of the condition report.
- Network White Flask - piece is inscribed with "BODA, ARTIST COL, B VALLIEN, 48012"
- Sunny Grey Bottle - piece is bears label with "KOSTA BODA SWEDEN, ATELIER BY MONIKA BACKSTROM"
- Butterfly White Bowl - piece is signed with "Ulrica H.V" and further inscribed with "Boda, Artist Col. 58236"

MEASUREMENTS
- Network White Flask: Height: c. 3.8" / 9.7 cm x c. 0.8" / 2 cm rim diameter. Base measurements: c. 2" / 5 cm x c. 1" / 2.5 cm.
- Sunny Grey Bottle : Height: c. 3.3" / 8.3 cm x c. 0.7" / 1.7 cm rim diameter. Diameter: c. 1.6" / 4 cm. Base diameter: c. 0.8" / 2 cm.
- Butterfly White Bowl: Height: c. " / 4.7 cm x c. " / cm rim diameter. Diameter: c. 2.4" / 6.2 cm. Base diameter: c. 1" / 2.6 cm.

Unpackaged weight [all pieces]: c. 0.2 kg / 230 g

NOTES
Trio will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Kosta Boda, Sweden’s oldest glass company, was founded as 'Kosta' in 1742 and began making art glass — that is, unique and limited edition pieces — with the hiring of the painter Gunnar Wennerberg in 1898. Kosta has a strong history for many well-known glass artists such as Ewald Dahlskog, Vicke Lindstrand, Erik Höglund, Bertil Vallien and many many more.

Kosta Boda was formed in 1976 when the merger of Kosta, Boda and Åfors glass communities took place. Kosta Boda enjoys a reputation as Sweden's most artistic and experimental glassworks, featuring artists and sculptors.

These charming works of Mid Century British design are by SylvaC Pottery.

Reflecting the Modernist design influences of its time, these pieces are a simple celebration of organic form and function with light-giving paler colours.

The abstract bottle forms each bear a mildly flaring rim, are even and well balanced. The glossy foam glaze is a rich graduating blend that starts with a Warm pink at the rim that progresses to a deeper Coral orange before ending with a Powdered Pine green at the base. The application of the glaze is in a dappled, foam manner.

CONDITION
Excellent. There are no chips, cracks, or repairs. There is mild use wear on the interior and the underside of the base that is commensurable with the age of the pieces. Please refer to photos as they form part of the condition report. The underside of the base is stamped with Sylvac's mark in use around the 1950s of 'SYLVAC, MADE IN ENGLAND', and the model number '2446' and 'B'.

MEASUREMENTS
Height: c. 6.3" / 16 cm x c. 3.1" / 8 cm rim diameter. Width: c. 4.3" / 11 cm (across widest point). Base diameter: c. 3.2" / 8.2 cm. Unpackaged weight [both vases]: c. 0.8 kg / 840 g

A BIT OF HISTORY
SylvaC (with a deliberate capital C at the end) was founded in 1894 by William Copestake and William Shaw, originally named Shaw & Copestake. It would be 1937 till a merging of companies formed under the name of Sylvac. Central to its history were figurines of animals, and rabbits in particular, and the company was known for its relatively inexpensive and widely available tableware and decorative works. SylvaC continued its production until the early 1980s.

NOTES
Vases will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

This exquisite work of 70s Modernist studio art ceramic is by master ceramist Reiner Gehrig (b. 1938 - ) Grünstadt Studio. Gehrig owned Grünstadt, enjoying a long and successful career before retiring in 2013.

This brilliantly executed work is a shining example of Gehrig's signature style, a fusion of a sculpted, lightly geometric, polished form combined with a touch-inviting, sumptuous running glaze. 

The deceptively simple bottle form is crafted with inflection points which create the three softly geometric segments and is finished with an elegantly tapered neck. The base glaze to this piece is a rich hares fur glaze of matte brown tones from deep Umber to tones of warm Cedar, Cinnamon and Coffee. Overlaid onto the base glaze is resplendent running blue glaze in tones of Azure, Cobalt, Aegean and Indigo which intersperses with earthy hues of Cedar and Blonde. 

CONDITION
Excellent- no chips, cracks or repairs. There is mild wear on the underside of the base that is commensurate with the age of the piece. Mentioned for completeness: there is the polishing on the underside of the base that is from the production process and is not damage. Please see photos as they form part of the condition report. The underside also bears Gehrig's signature 'g' pottery mark.

MEASUREMENTS
Height: c. 7.5" / 19 cm tall by c. 4.9" / 12.5 cm wide (across the body's widest point). Base diameter: c. 1.9" / 4.8 cm. Rim diameter: c. 0.6" / 1.6 cm. Unpackaged weight: c. 0.6 kg / 630 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Gehrig began apprenticing with ceramics in 1954, at the age of 16. He would work his way through apprenticeship to journeyman until he attended and graduated in 1961 from the master class with Hubert Griemert (b. 1905 - d. 1990) in Höhr-Grenzhause. Griemert was an important figure in the German studio pottery world, a professor, master potter who often designed for KPM Berlin. 

After graduating, Gehrig spent some years working for recognised names such as JLKnödgen,  Van Daalen, Ulmer Keramik, Steingutfabrik Grünstadt before establishing his own studio in 1974. 

Gehrig is known for having quickly and confidently developed his own style, becoming particularly proficient with turning difficult forms. He was known to work in ceramic, porcelain, stoneware and developing a rich range of glazes, from running to salt glaze.

In his long career, Gehrig was awarded the Palatinate Prize for arts and crafts and his work features in collections at the Deidesheim, Museum of Modern Ceramics, Höhr-Grenzhausen, and the Ceramic Museum Westerwald Mainz, Ministry of Culture.

THE ITEM
This stunning work is of Modernist art glass is a celebration of the highly skilled Murano Sommerso technique. Sommerso is one of the most famous Murano techniques, ['Sommerso' translation: 'submerged']. Sommerso is used to create several layers of glass (usually with different contrasting colours) inside a single object, giving the illusion of immersed' colours without mixing. This technique is easily recognisable; characterised by an outer 'casing' of clear glass and the thick 'bands' of coloured glass inside it.

This particular piece has the sought after triple-layer Sommerso, beginning with a core of Apple green, the next layer is vibrant Ocean blue and the final layer is a graduating Magenta pink. The work is finished with the wings of Azure blue which flourish with a flare at the rim.

The cased layers are arranged in an abstract pitcher shape with a gently exaggerated rim. The effect of each colour is similar to freezing the moment in time when a paintbrush is dipped into water and the colour ripples outwards.

This exceptional piece is unique as it features Kintsugi golden seams following a careful repair and highlighting process and even rarer as Kintsugi is typically applied to repairing ceramics rather than glass. The Kintsugi technique used is modern and has been applied in a tactile manner, a striking compliment to the colour palette of this piece.

CONDITION
Excellent. This piece has been carefully repaired using a robust water-resistant and durable resin. There is natural and very mild surface wear that is commensurate with the age of the piece.

MEASUREMENTS
Height: c. 7.8" / 20 cm tall by c. 4.3" / 11 cm width (across body's widest point). Base diameter: c. 1.8" / 4.5 cm. Depth: c. 2.4" / 6 cm. Unpackaged weight: c. 1.1 kg / 1,135 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

Kintsugi is a Japanese philosophy with similarities to the philosophy of Wabi-Sabi, which includes ideas surrounding the embracing of the flawed or imperfect. The art of Kintsugi ("golden joinery") is typically the repairing of broken pottery with lacquer dusted or mixed with powdered gold, silver, or platinum. The aesthetics of this philosophy values breakage and repair as part of the history of an object, rather than something to disguise.

This richly detailed yet simply silhouetted studio ceramic sculpture is a work of contemporary French design.

Featured is a strong composition and fusion of techniques upon the clay as well as within the glaze. From the Sgrafitto-like etched accents, print impression to the clay to the layers of glaze which have been brush-painted and dripped. The colour palette is a harmonious blend of earth tones. The colours range across a spectrum of browns with some emphasised in a metallic tint and extends into the glossy Red Earth hues.

The sculpture features a combination of design influences from the Modernist celebration of functional form to the Brutalist ' celebration of raw materials. Crafted with a centralised reservoir, this piece is well suited to function as an Ikebana and indeed, both the form and colours hint at Japanese Raku pottery.

CONDITION
Excellent. There is mild use wear in the form of movement marks on the underside of the base that is commensurate with the age of the piece. Mentioned for completeness: There is a hairline fracture on the underside of the base, however, this is from the crafting process and not damage or defect, it is also not visible when the piece is upright and on display. Please refer to photographs as they form part of the condition report. The piece is signed towards the base of one side panel.

MEASUREMENTS
Height: c. 5.5" / 14 cm tall (from base to tallest point) x c. 3.5" / 8.8 cm width (across widest point). Depth: c. 2" / 5.1 cm (from front to back). Unpackaged weight: c. 0.5 kg / 500 g

NOTES
Sculpture will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

This chicly fun, Modernist Op Art work that is brimming with Summery vibes is of mid-century German design.

Crafted from white clay, the form of this piece is that of a stylised Moon Flask. The two 'faces' of the vase bears a finishing of lightly ingrained concentric circles, which give a tactile, rippling effect. The subtle but elegant form makes this an excellent piece for the art of Ikebana [tr. 'making flowers alive'.] and a superb canvas for the beautiful glaze. The base gloss glaze is a cool Sky blue that has been overlaid with a free-flowing Daisy white upon which is an infusion of coloured sprinklings in tones Blueberry, Strawberry, Lemon and Lime. 

This piece will emit its reminders of Summer fun whatever the season. 

CONDITION
Excellent. No chips, damage or repairs. There is mild use wear that is most evident in movement marks on the underside of the base, please refer to photos as they form part of the condition report. 

MEASUREMENTS
Height: c. 8.3" / 21 cm x Width: c. 5.7" / 14.6 cm (across widest point). Depth c. 3.1" /  8 cm. Rim opening c. 1.6" / 4 cm. Base measurements: c. 3.1" / 7.8 cm x c. 1.8" / 4.5 cm. Unpackaged weight: c. 0.6 kg / 550 g

NOTES
Vase will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

This exceptional work of French Art Nouveau cameo glass is by one of the most prominent glassworks Daum, based in the city of Nancy (1878 - present). The Daum studio creates their art in crystal and remains as one of the only studios who use the pâte de verre process for art glass and crystal sculptures.

Designed and crafted in the 1900s, the form and glowing ethereal palette of this piece is a rare combination that has made it a feature in the dedicated book "Daum - Maitres Verriers" by Edita Denoel, (Edita S.A. Lausanne, 1980, p. 61). The base colour palette is composed of cool and faintly opalescent pale blue tones, which has been overlaid with the tactile golden-hued Zucchini leaves, stems, flower buds and tendrils in high relief.

CONDITION
Excellent. No chips, cracks or repairs. There is mild wear to the surface that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The vase bears the Daum Nancy signature with the Croix de Lorraine mark.

MEASUREMENTS
Height c. 9.8" / 25 cm by c. 3.9" / 10 cm diameter (across widest point). Rim (opening) diameter: c. 2.4" / 6.2 cm. Base diameter: c. 3" / 7.7 cm. Unpackaged weight: c. 0.8 kg / 825 gm.

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Founded in 1878 by Jean Daum, the studio rose to prominence during the Art Nouveau and Art Deco period (1890 - 1910, 1908 - 1935), capturing the attention and imagination of collectors all over the world. Daum would exhibit at Paris International Exhibition in 1889, a pivotal event which marked the birth of the French Art Nouveau movement. With leading artists such as Henri Berge, Almaric Walter, Charles Schneider and Jacques Gruber, the studio would go on to win their first ‘Grand Prix’ in 1900.

The studio continued its ascent to international fame around this time, which further elevated when they began to create their art with pâte-de-verre, a glass-making technique first used over five thousand years ago in the early world. Fueled by international success, the studio would broaden their range to glass art objects and enter into a period of phenomenal development. The studio revolutionised techniques by experimenting with materials such as acids, colour powders, fluorine hydrogen and enamel. Collaboration with leading designers was also a common aspect of Daum's exploration and creativity, working with names such as Louis Majorelle, Eugene Galles, Emile Wirts and Salvador Dali.

Today, Daum is well known for creating pieces in high quality, crystal glass.

THE ITEM
This charming mid-century piece with its romantically moody Steel blue is crafted from Lucite (also known as Plexiglas). Lucite became widely available in the late 1930s as a lightweight alternative to glass and this particular piece is cool to touch as glass is as well as ringing with glass-like tones when gently tapped.

The footed form of this piece is well-balanced and functionally versatile, and also lends itself to excellent refractions. Crafted in a cool-toned Steel blue, it is further decorated with an overlay of handpainted sweeping and swirling bands in Lemon yellow and Tangerine Orange.

This retro Modernist piece will make an excellent accent piece to a room with similarly themed Mid Century, Modernist or Retro decor.

CONDITION
Excellent. No chips or cracks or repairs. There is mild wear that is predominantly in the form of wear to the underside of the vase and negligible wear to the exterior body. There are a few minor inclusions from the production process and have been mentioned for completeness, please refer to photos as they form part of the condition report.

MEASUREMENTS
Height c. 4.3" / 11 cm x width: c. 4.7" / 12 cm (across the widest point). Base diameter: c. 2.2" / 5.6 cm. Rim (opening) diameter: c. 4.3" / 11 cm. Unpackaged weight: 0.1 kg / 126 g

NOTES
Bowl vase will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

THE ITEM
This intricately painted work is Cantonese Enamelware, a technique of hand-painting and firing enamel introduced to China around the18th century. Cantonese Enamelware is different from Cloisonne or 'Cloisonné' technique, which is metalwork decorated with enamel applied to sections separated by wire or thin metal.

This particular set comprises of a matchbox cover, two ashtrays and a storage tin made of copper. The set is rare as all pieces are decorated in the same design and colour palette. What is rarer is that although the pieces are in delicate condition, the wear on the decor is relatively light.

The design theme present on all pieces is the striking Lapis blue background which is overlaid with stylised peaches and peach blossom. The design is typical of the Art Deco and Art Nouveau period when design often included influences from the East. Each piece is further decorated with their own ancient familial scenes. The interior and undersides of the tin and ashtrays are decorated with a pale Turquoise blue.

CONDITION
Good. Apparent wear is present to the enamel of each piece that is commensurable with the age. Please refer to photos as they form part of the condition report.

MEASUREMENTS
- Storage Tin. Height (including lid): c. 2.2" / 5.6 cm x c. 4.1" / 10.5 cm length. Width: c. 3" / 7.5 cm.
- Matchbox Cover. Height: c. 0.9" / 2.3 cm x c. 2.3" / 5.8 cm length. Width: c. 1.6" / 4 cm.
- Ashtray. Height: c. 0.6" / 1.5 cm x c. 3.3" / 8.3 cm length. Width: c. 2.4" / 6 cm.
Unpackaged weight [full set]: c. 0.3 kg / 268 g

NOTES
Set will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

THE ITEM
This vivaciously spirited and tactile composition is by German artist Bea Schröder from Atelier MicMac, Düsseldorf, Germany.

This particular piece is an earlier work that incorporates a broad spectrum of techniques as well as multiple media types, brought together to create an expression of Schröder's pictographic and symbol-based 'MicMac' art form.

Schröder's MicMac repertoire includes translations of hieroglyphs, petroglyphs from the ancient times, modern iconographic signs of our time, as well as symbols from the Mi'kmaq Indians, one of the First Nations who still live in Canada.

From an interview with the artist; "You don't need an ethnologist to decipher it. You just have to listen to your inner voice." “You recognize the signs, even if you don't know them. The brain begins to work with them and develop their own interpretations.”

CONDITION
Superb. There is negligible age wear that is commensurable with the age of the piece, please refer to photos as they form part of the condition report. The bottom right corner of the painting is signed with Schröder's signature and dated to 1996.

MEASUREMENTS
Height: c. 19.7" / 50 cm tall x c. 19.7" / 50 cm width. Depth: c. 1.2" / 3 cm. Unpackaged weight: c. 1.6 kg / 1,630 gm.

NOTES
Painting will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Schröder has been a freelance artist since 1992 and enjoyed such success that she went on to establish her own art studio Atelier MicMac in Dusseldorf, Germany.

In Schröder's own words, her art form is MicMac, inspired by her first encounter with the emotional power of symbols used by the Mi'kmaq Indians, one of the First Nations who still live in Canada.

She has incorporated many of the Mi'kmaq symbols into her art as well as being inspired by the bright colours and simple symbols from the Neolithic caves, which were originally used by people to communicate within their communities. Schroder says “Today's caves are homes and workplaces" and translates hieroglyphs and petroglyphs from ancient times into contemporary symbolic languages. She sees her art of communication and motivation as "cave painting for the 21st century".

This exceptional and rare work of Art Nouveau, Art Deco art glass is by Bohemian glassworks Kralik. The decor of this piece is the well documented 'Draped', which as the name suggests, has the effect of draped fabric. The textured, 'draped' surface effect is combined with the gold-toned iridescence of the art glass gives the effect of draped Cranberry pink satin.

The piece is finished with a silver collar accent (hallmarked to Birmingham Assay Office 1903-1904), which complements its elegant bottle form and was common to art glass design during the Art Nouveau period.

BIT OF HISTORY
The Kralik glassworks, full name Wilhelm Kralik Sohne, was originally founded by Josef Meyr in 1815, in Bohemia. The factory was originally called Adolfshutte. When Josef died, his son Jan took over the company. By this time, the company owned four glass factories. Jan died in 1841, and his two nephews Josef Taschek and Wilhelm Kralik became the owners. The company name was changed to J. Meyr's Neffen, and when Josef died in 1862, the name changed to J. Meyr's Neffe.

Wilhelm Kralik died in 1877, and left the company to his 4 sons. The company was split in two - Heinrich and Johann took the name Wilhelm Kralik Sohne, Hugo and Karl used the name Meyr's Neffe. Meyr's Neffe merged with Moser in 1922. Wilhelm Kralik Sohne continued to produce glassware until World War II.

CONDITION
Superb. There are no chips, cracks or repair to the glass, there is the mild sanding at the rim that is visible as a result of the wear to the silver collar and is from the production process. There is a single bubbling measuring c. 0.2 mm which is from the production process and has been mentioned for completeness. There is significant and visible wear to the silver collar which can be left untouched for its antique charm or replaced if preferred. Please see photos as they form part of the condition report. The silver collar is hallmarked to the Birmingham Assay Office, 1903-1904, the silversmith mark is unclear but has been attributed as 'AHD', Alfred Horatio Darby who was active from 1895 to 1933.

MEASUREMENTS
Height: c. 7.3" / 18.5 cm (from base to rim) x max diameter: c. 2.9" / 7.5 cm. Rim diameter: c. 1" / 2.7 cm. Base diameter: c. 1.8" / 4.5 cm. Unpackaged weight: c. 0.2 kg / 228 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

THE ITEM
This elegant pair of hand-illustrated and painted works are from Amsterdam by Dutch artist T Wagner.

Crafted from red clay, the shape of these plates are smoothly spun and very mildly concave. Both dishes are overlaid with a thickly applied, smooth Stone hued glaze which operates as a canvas. Delicately illustrated on one plate with a deep navy-black is a spirited, galloping horse which has been painted in a palette of Turquoise teal and Lemon Sherbet yellow. Illustrated on the other plate in a similarly delicate manner with a deep Sepia, is the horse and carriage scene which has been painted in a matching colour palette of deep navy-black, Turquoise teal and Lemon Sherbet yellow. Both plates are finished with a clear, gloss glaze.

These finely composed pieces resemble watercolour paintings, works of art captured in ceramic and bring with them charming, idyllic vibes.

CONDITION
Excellent. No chips, damage or repairs. There is mild age wear that is most evident in the mild crazing all over, please refer to photos as they form part of the condition report. The reverse side of both plates is signed with the initials of 'TW' and have the necessary notches for threading hanging cords.

MEASUREMENTS
- Horse plate: Height c. 0.9" / 2.3 cm x diameter: c. 6.4" / 16.3 cm (across widest point).
- Carriage plate: Height c. 1" / 2.5 cm x diameter: c. 6.3" / 16 cm (across widest point).
Unpackaged weight [pair]: c. 0.5 kg / 498 g

NOTES
Wallplates will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

THE ITEM
This richly coloured 9 piece set of Swedish Modern design is by glass designer Lennart Anderssen (b. 1918 - d. 1999) for Gullaskruf glassworks.

The jewel-like colour palette of the set consists of a vibrant Cobalt blue, Ruby red, Ocean green and Grape purple. The form of the bowls is beautifully silhouetted with rounded angles, as is characteristic to Modern design with matching plates that have a gentle inversion and is otherwise smoothly disc-like. Each piece is finished with an accent of dotted reliefs arranged in 3 concentric circles.
This set gives an incredible pop of colours to compliment the dining table.

CONDITION
Superb. No significant damage such as cracks or repairs to the set, the following negligible wear and has been mentioned for completeness:
- Large serving bowl: small chip on the rim measuring c. 0.2 mm.
- Blue plate: very mild scratches.
Please refer to photos as they form part of the condition report. The gold foil Gullaskruf label denoting 'GULLASKRUF, SWEDEN' is present on all pieces except for the small blue bowl.

MEASUREMENTS
- Large Serving Bowl: Height c. 4.8" / 12.2 cm x c. 8" / 20.3 cm width (across widest point). Base diameter c. 2.5" / 6.3 cm.
- Small Bowl: Height c. 2.3" / 5.8 cm x c. 4.2" / 10.6 cm width (across widest point). Base diameter c. 1.8" / 4.5 cm.
- Saucer / Plate: Height c. 0.8" / 2 cm x c. 5.9" / 15 cm diameter (across widest point).
Unpackaged weight [Full Set]: c. 2.3 kg / 2,291 g

NOTES
Set will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Gullaskrufs glassworks (1927 - 1983) was a Swedish glassworks founded in Gullaskruv in by William Stenberg, glass production began in 1927. By 1930 Gullaskruf would exhibit their works at the Stockholm exhibition and around the same time, the glassworks came into contact with the foreign market. At that time, exports accounted for 45% of Gullaskruf's production and in addition to the USA and England, glass was exported to Norway, Denmark, Switzerland, Canada, South America, Australia and South Africa.

Over the years, the glassworks would be resident to many great glass designers and artists, some of who became artistic director for Gullaskruf. Designers and artists included: Hugo Gehlin (b. 1889 - d. 1953), Lennart Andersson (b. 1918 - d. 1999), Arthur Percy (b. 1886 - d. 1976) and Kjell Blomberg (b. 1931 - d. 1989).

THE ITEM
This bold and eyecatching piece of 1960s Pop Art ceramic is attributed to being of Belgian design.

The Paisley form is stylised and chic and an excellent canvas for the highly decorative glaze. The colourful gloss glaze is composed of shades of Caramel brown, Golden brown, Raspberry red, Pumpkin orange and Cerulean blue that is typical of the time. The exterior is glazed with an enamelled silver black which has been traced along the rim and allowed to run down the edge.

This striking piece makes a superb accent piece for a console or coffee table and would suit a Retro, Pop Art or Contemporary decor themed room.

CONDITION
Very Good. There is gentle crazing to the glaze all over the dish and mild wear that is predominantly on the underside of the dish, both of which is commensurable with the age of the piece. Please refer to the photos as they form part of the condition report.

MEASUREMENTS
Height: c. 1.2" / 3 cm tall (from base to rim) x Length (max): c.13.4" / 34 cm. Width: c. 4.8" / 12.3 cm (across widest point). Unpackaged weight: 0.45 kg / 446 g

NOTES
Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

This charming bohemian work of mid-century design, produced around the 1970s is by the Polish Reflex Craft Cooperative, 'Spółdzielnia Rzemieślnicza Reflex', based in Warsaw. 

The design was named the 'Wazon Sowa', which translates as the 'Owl Vase' although the sweeping twist on both sides suggests a stylised fox peering out from behind its upswept tail. 

The glossy glaze carries rich tones of chocolate brown and a warm, deep red - hence the reference to 'Cherry Chocolate - as well as accents of Cream and Caramel. 

CONDITION
Excellent. No chips, cracks or repairs. There is mild crazing all over and negligible use wear on the interior and the exterior that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the vase base bears the Reflex Craft Cooperative's original paper label. 

MEASUREMENTS
Height: c. 8.5" / 21.5 cm tall by 3.9" / 10 cm diameter (across widest point). Rim opening width: c. 2.4" / 6 cm. Base diameter: c.  2.8" / 7 cm. Unpackaged weight: c. 0.6 kg / 602 g

NOTES
Vase will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

THE ITEM
This stunning work of mid-century design is by Czech pottery Ditmar Urbach. The elegant tower form is softly geometric from its square base and is an excellent canvas for the poured, running glaze decor. The base glossy glaze is a semi-matte silken Black glaze, over which is poured and blended the layers of translucent as well as opaque teal, green, blue and grey gloss glaze. The curves of the vase helps to create the beautiful flowing trails. 

CONDITION
Excellent. No chips, cracks or repairs. There is mild and negligible use wear on the interior and the exterior that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the vase base is marked with Ditmar Urbach's stamp and retains the original paper label denoting 'Keramické Závody Teplice' which loosely translates as 'Ceramic Works Teplice'.

MEASUREMENTS
Height: c. 11.2" / 28.6 cm tall by 3.1" / 8 cm diameter (across widest point). Rim Opening diameter: c. 1.3" / 3.2 cm. Base diameter: c.   2.6" / 6.6 cm. Unpackaged weight: c. 1 kg / 954 g

NOTES
Vase will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

A BIT OF HISTORY
Ditmar-Urbach AG Porcelain Factories operated under various names in Turn-Teplitz, Bohemia (later Trnovany, Czechoslovakia), from 1882 to 1938. The pottery began as Brothers Urbach. It merged with a factory owned by Rudolf Ditmar's heirs in 1919 and became Ditmar-Urbach.

The Nazis took over the factory from the Jewish owners in 1938 and it became part of Ostmark-Ceramic. It was nationalized after the end of the war in 1945. In 1947 Kurt Lichtenstern - heir to Ditmar Urbach's previous owner Richard Lichtenstern - who had emigrated to the U.S. and changed his name to Conrad H. Lester, took back the company. The final change was when the company was eventually taken over in 1967 by the Keramik Holding Laufen, which is now part of the ROCA group.

Ditmar Urbach produced in a broad range of styles for their decor and are well known for their handpainted Art Deco animal-themed kitchenalia and 'Alienware' series, named by collectors for their unusual combination of shapes, colours and glazes. 

THE ITEM
This charming 1950s piece is by British company Beswick Pottery. The shape is the more difficult to find design of a single bloom resting on a leaf. 

The glaze decor is in a Pastel colour scheme which was hugely popular in the 1950s. The dappled glazing gives the variegated effect found on leaves and consists of pastel peach-pink, turquoise, yellow, and blue.

This piece suits display as a standalone piece or as a serving dish. 

A BIT OF HISTORY
Beswick Pottery 1892 - 2002
The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tableware and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.

Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox. These works were often decorated in 'satin-matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000s.

CONDITION
Very Good - Excellent. There is mild crazing all over that is commensurable with the age of the piece. There is a minor hairline crack that is an imperfection from the manufacturing process. The underside of the base is stamped with Beswick's 'Beswick Ware, MADE IN ENGLAND'. Please refer to photos as they form part of the condition report.

MEASUREMENTS
Height: c. " / 6.3  cm tall (from base to rim) x c. " / 24 cm in width (across widest point) x length: c. " / 32 cm (from flower to leaf tip). Unpackaged weight: 0.8 kg / 803 g

NOTES
Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

THE ITEM
This exceptional work of Murano mid-century Modern design is by the Mazzega glassworks. This simple silhouette of this piece is beautifully elegant yet deceptively clean as there is a remarkable amount of detail within the decor of this piece.

The body of composed from clear Pulegoso glass which has the effect of closely striated bubbles and is created from a technique that includes chemicals into the glass melting process. Within the clear glass, there are also undulating bands of teal blue glass that are edged with amber.

The basic form of this piece is a pendant, however, there is an additional ring layered at the top which the chrome fitting secures into. There is also a feature of an internal layer, the base is retracted into inwards and forms a smaller mogul-like sculpture within the dome.

CONDITION
Excellent. No chips, cracks or repairs. There is mild age wear, predominantly at where the cable connects to the rim of the chrome fitting, which is commensurable with the age of the piece. Please refer to photos as they form part of the condition report. Chrome fitting secures to glass with three screw pins.

MEASUREMENTS
Height (including chrome fitting): c. 12" / 30.5 cm. Height (glass only, excluding chrome fitting): c. 9.8" / 25 cm. Diameter: (across widest point): c 12.2" / 31 cm. Unpackaged weight: c. 2.9 kg / 2,228 g

NOTES
Light will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

THE ITEM
This delicious work of mid-century Modernist design is by Emons & Sohne, ES Keramik of Germany.

The simple Solifleur bud vase form is an excellent canvas for the glaze decor. The base glaze is a matte charcoal brown that is visible through Sgrafitto decor that sits on the collar of the vase. The Sgraffito decor is an interlocking of soft lemon sherbert yellow and mint green gloss glaze.

The remainder of the vase is overlaid with the matte stone-coloured and tightly bubbled foam lava and the piece is finished with an accent of the yellow glaze on the interior of the vase.

This piece makes an elegant addition to any lava or drip glaze collection and would suit a room with Vintage, Mid Century or Modernist theme inspired decor.

CONDITION
Excellent, no chips, cracks or crazing as might be expected for a piece of this age; there is light use wear on the interior of the vase that is commensurate with the age of the piece - please see photos as part of the condition report. 

MEASUREMENTS
c. 6.4" / 16.2 cm tall x c. 1.6" / 4 cm diameter across the base of the vase. Width (across widest point): c. 3.1" / 8 cm. Unpackaged weight: c. 0.2 kg / 230 g

NOTES
Vase will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

A BIT OF HISTORY
ES Keramik was founded in Rheinbach in 1921 by Josef Emons & Söhne. The studio began producing art ceramics began during the 1950s with Willi Hack as the main designer. Hans Kraemer was also another designer who began working for ES from 1952 until 1968, producing 15-20 designs per year. ES employed around 70 people at its height and was known for their high quality, beautiful glazes.

THE ITEM
These beautiful pieces of Mid Century Modernist pitcher and tumblers are by pottery studio Fritz Van Daalen, Germany.

These high-quality pieces glazed on the exterior with a silky, glossy red that is lightly mottled with brown. The interior is glazed with a glossy white, beautifully contrasting the red.

The forms of the pitcher and tumblers are of an elegantly simple design, staying true to the Modernist design principle of providing an honest and beautiful expression to the natural materials. The form and glaze combination is a rare find, especially in such superb condition.  

A BIT OF HISTORY
Van Daalen Keramiks was founded in 1938 by Fritz van Daalen in Schwäbisch Gmünd and later moved to Aalen in the 1950s, from the mid-1950s Fritz van Daalen's son produced may of the decors. Van Daalen was an outstanding ceramicist who began his craft just before World War 2 however, it is unknown when he retired from his works. 

CONDITION

Excellent. No chips, cracks or repairs, please see photos as part of the condition report. The underside of the pitcher is marked with the form number, 'W GERMANY' and the 'Van Daalen' logo.  

MEASUREMENTS
Pitcher Jug: c. 8.8" / 22.3 cm tall x c.  7" / 18 cm wide - from handle,  3.9" / 10 cm diameter across base. Tumblers: 3.5" / 9 cm tall by 2.6" / 6.5 cm diameter. Unpackaged weight (full set): c. 1.7 kg / 1,745 g

NOTES
Set will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

THE ITEM
This exceptional work of mid-century Modernist design is by the renowned ceramic artist and designer Gunnar Nylund, (b.1904 - d.1997). Nylund became well known for his 'matte feldspar' glazed stoneware, crystal glazes and for his stoneware animal sculptures. This piece was designed during his time as artistic director at Rörstrand.

This sculpture is flowing in form, with beautifully sculpted minimalist contours which quietly highlights its muscular feinting posture. The piece is glazed using the matte black on pale green glaze used in Nylunds 'Caolina' series.

Both the form and the glaze of this piece is a rarely seen combination by Nylund, the silky smooth glazed decor and form makes this a very tactile piece. This sculpture would be well suited to a room with decor inspired by Mid Mod, Modernist, Contemporary or even Industrialist themes.

CONDITION
Excellent. No chips, cracks or repairs - please refer to photos as part of the condition report. The base bears the inscribed Rörstrand stamp that bears the inscription of 'Rorstrand' and Nylund's initials 'GN'.  

MEASUREMENTS
Height: c. 4.5" / 11.5 cm by c. 7.8" / 20 cm in length (from nose to tail) by c. 3.6" / 9.1 cm in width (across body's widest point). Unpackaged weight: 0.8 kg / 845 g

NOTES
Sculpture will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Gunnar Nylund (b. 1904 – d.1997) Nylund was a Swedish ceramic designer since the 1930s and is perhaps best known as the artistic director of Rörstrand and was already a well-established ceramic artist in Denmark - first at the Bing & Grøndahl Porcelain factory in Copenhagen and later at Saxbo.

Nylund was resident at Rörstrand from 1931–1955 and for the majority of this time, as artistic director. He became well known for his new matte feldspar glazed stoneware in hare’s fur and crystal glazes and for his stoneware animal sculptures. Over five decades, Nylund crafted some 30 reliefs and sculptures commissioned for public spaces, including Europe’s largest stoneware fountain the “Scanisarius” in Bromölla, Sweden.

Most of Nylund’s original sculptures in stoneware chamotte ended up in museums, as did much of his other work. Sculptures such as the “Lion Head” is found at the National Museum in Stockholm, “Blue Bird” is at the Sèvres museum in Paris, his antelope head “Abyssinian mountain nyala”, is at the Röhsska museet in Gothenburg and the “Hamadryas Baboon” is at the Malmö Museum.

His piece “Bulls head in oxblood” was bought by the Ateneum museum in Helsinki. And a lot of his other work can be found at other museums around the world.

This exceptional sculpture of handblown stylised art glass is by the glass master Licio Zanetti.This work is crafted from Alexandrite Neodymium glass and the technique used is likely Masello, given the weight, size and delicate elements of the sculpture and favoured by Licio. 

The allurement of this piece extends beyond the craftsmanship and that is in the Neodymium glass, a chemical element that is incorporated into the glass during the crafting process. Neodymium is sometimes known as Alexandrite, which changes colour from lilac under incandescent light or daylight and blue under fluorescent, household lights.

A BIT OF HISTORY
Founded in 1956 by Oscar Zanetti, Zanetti Murano Glassworks is a true family-run business and has since been handed down father to son for four generations. The glassworks quickly distinguished itself from the artistic quality of master Licio Zanetti's glass sculptures.

The glass studio soon took its place among the most prestigious companies on the island and has become one of the most important furnaces on Murano. Today, sculptures are sold through exclusive galleries in the city of Venice and selected partners around the world.

Massello is the technique used in Murano since the 1930s. The technique gives shape to hot glass held by a rod and uses the same tools as is used in blown glass-working. It's a technique with a strong visual impact, where the glass master uses precise movements.

CONDITION
Excellent, no chips, cracks or repairs, there is minimal wear in the form of mild movement marks on the underside of the base that is commensurable with age. Please refer to photographs as they form part of the condition report. The underside of the base bears Licio Zanetti's signature 'Zanetti L'. 

MEASUREMENTS
c. 17.7" / 45 cm in height x 13.7" / 35 cm width from beak to tail. Base diameter: 3.9" / 10 cm. Unpackaged weight: c. 2.3 kg / 2,259 g

NOTES
Sculpture will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.