Amano by Scheurich, Zen Minimalist, Oxblood on Matte Charcoal Palette Torpedo Vase, 1990s
Regular price£79.00
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This stunning West German Pottery vase is crafted by Amano, a renowned brand associated with Scheurich, a prominent West German pottery company.
The Charcoal grey glaze covering the torpedo form is matte, providing a fantastic offset to the abstract handpainted hoops in high-gloss Oxblood red.
This particular piece is a testament to design excellence, blending functionality with aesthetic appeal and at an impressive 16 inches, making it a striking centerpiece for any room.
CONDITION Excellent. No chips, cracks, or repairs. There is negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece - please see photos as part of the condition report. The underside of the base is stamped with Amano symbol, 'AMANO, 629-40, Made in Germany'
MEASUREMENTS Height: c. 16" / 40.6 cm (from base to rim) x c. 5.3" / 13.5 cm in width (across widest point). Base measurements: c. 4" / 10.2 cm. Unpackaged weight: c. 1,540 kg / 1.5 g
A BIT OF HISTORY The history of Amano by Scheurich is not extensively documented however, it is known that Scheurich produced ceramics under Amano. Particularly in the context of mid-century modern designs, such as the oxblood red vases, which were popular during the 1950s to 1970s.
Scheurich itself was founded in 1928 and began producing ceramics in 1948. The company became well-known for its high-quality ceramics, often featuring distinctive glazes which remain highly sought after today.
Bjorn Wiinblad, 1959 Centaur and Dryad Candleholder Sculpture, Signed and Monogrammed, V Early, Rare
Regular price£3,498.00
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This hand-built and exquisitely illustrated work is by celebrated Danish illustrator and glass, silver, textiles, ceramics designer Bjorn Wiinblad (b. 1918 - d. 2006). We know that this piece was personally handled by Wiinblad as it is signed with both Wiinblad's signature and his artist caricuture icon. Per the dating of the piece, it is attributed to have been made for Wiinblad's very first ceramic workshop 'Værksted' in Copenhagen Denmark.
The carefully crafted form of this piece is that of a centaur and from the botanical adornments, a dryad sits astride the centaurs back. Highly romantic, Wiinblad applied his exceptional creativity and imagination to both the tactile as well as the expressive line details all over both figures.
From the mildly rounded eyes to the raised leaf crowns and prominent centaur horns, attention is given right down to the pink tipped beak, crested head and tail of the small bird held between the hands of the two figures.
Handpainted onto the form is the slate-grey, blue design with complimented beautifully by intricate detailing of tiny pink rosettes, tendrils, and leaf detail.
Stylistically timeless, the combination of the design and exceptional condition of this piece as well as Wiinblad's full signature with the beret-wearing artist caricature makes it a particularly rare and noteworthy find of Wiinblad's early work.
CONDITION Excellent. No chips, cracks, or repairs. There is mild wear that is most evident in the form of faint movement marks on the underside that is commensurable with the age of the piece. The underside bears the signature 'Bjorn Wiinblad, 59 [year of production], 363 [design number], DANMARK' and artist caricature.
MEASUREMENTS Height c. 11.4" / 29 cm (from base to rim) x width c. 4.9" / 12.5 cm (across widest point). Length: c. 8.9" / 22.5 cm (longest point). Unpackaged weight: c. 1.3 kg / 1,255 g
NOTES Sculpture will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Bjorn Wiinblad (b. 1918 - d. 2006) Born in 1918 in Copenhagen, Bjorn Wiinblad began his training and path to success in 1935. Wiinblad sought the path to his first passion of art and enrolled in graphic school at the Royal Academy of Fine Arts, debuting in 1945 with an extensive exhibition in Palægade, Copenhagen. He met and became firm friends with Jacob E. Bang around this time, who engaged him to work for Nymølle Pottery.
From the beginnings at Nymolle, Wiinblad received multiple commissions, from designing textile and embroidery patterns to drawing posters, books, and magazine illustrations. Wiinblad drew for the United Nations in Paris and designed costumes and stages for several theatrical performances. His fame grew in Denmark but soon would extend to Norway and Sweden and in 1950 his ceramics were exhibited at Bonnier's in New York, which specialised in Scandinavian design.
Wiinblad's recognition and acclaim would continue to grow, bringing him a silver medal at the first international ceramics festival in 1955 in Cannes, France, and appointment as artistic director for Rosenthal in 1960. During the 1960s, Wiinblad would become the owner of a number of ceramic studios including Vaerksted, Nymolle, and Det Blaa Hus. He would make Det Blaa Hus his workshop and home until his death in 2006.
Wiinblad's successes did not stop in the Sixties, his continued achievements and international success were extensively documented and celebrated.
Japanese Postmodern Brutalist Toyo Ito Style, Architectural Ceramic Studio Vase, 1980s
Regular price£338.00
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Discover the intersection of art and design with this Japanese studio work. On prominent display are echoes of Toyo Ito's visionary design ethos, and the evident appreciation for innovative structural and construction approaches. A seamless blend of Postmodern and Brutalist design, the central feature appearing on both sides of the vase is the highly tactile graduated steps in hues of gloss Charcoal overlaid onto the base of pale Sandstone tone. The layout of the steps carries design whispers of Escher and an almost Bionic quality. This is offset and complimented by an equally organic semi-matte Cyberpunk net in the ethereal golden tones resting on the opposing shoulder of the vase.
A firm statement piece in excellent condition.
CONDITION Excellent. No chips or repairs. There are faint movement marks on the underside of the base commensurable with the age of the piece. Please refer to the photos as they form part of the condition report. The body of the vase bears the artist's mark that has yet to be identified.
MEASUREMENTS Height: c. 8.8" / 22.3 cm tall x c. 11" / 28 cm length (across widest point). Depth: c. 3.9" / 10 cm. Unpackaged weight: c. 1.3 kg / 1,330 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Marian Zawadski for Tilgmans Keramik 1966 Mid Century Modern Sgraffito Sculptural Bottle Floor Vase
Regular price£1,695.00
Save £-1,695.00
This striking work of Swedish Mid-Century Modernist design the signed work of Marian Zawadski (b. 1912 - d. 1978) a professor, artist, and ceramist who became artistic director for Tilgmans Keramik of Gothenburg, Sweden during the 1950s.
Zawadski's experimentation with the Sgraffito technique brought great popularity and appreciation for Tilgman's ceramics and his work became exemplary for Tilgmans.
Zawadski's stylised use of the Sgraffito technique is a significant feature in this piece, with deep incisions creating the heavily arched, angular, and textured décor. True to the roots of Modernist design, the simple bottle form with boldly geometric décor overlaid onto the base material speaks to an honest expression of the natural earthenware. From the incised décor to the glaze to the earthenware, all aspects are highly tactile. The unglazed sections create a confident contrast against the individually glazed sections of boldly geometric, Sgraffito décor. The vase is finished with an interior of gloss glaze that is coloured in Powdered Duck Egg tone.
This Swedish Modernist work is stylistically bold and timeless, making it suitable as a statement feature for its surrounding space.
CONDITION Superb. No cracks or repairs. There are minor, negligible chips on the exterior which are commensurate with the age of the piece, and mild use wear on the interior. Please refer to the photos as they form part of the condition report. The base of the body is incised with Zawadski's signature 'A.M.Z' and dated '1966'. The underside of the base of the vase is stamped with 'Tilgmans Keramik' and 'Made in Sweden' stamp and model number '620'.
MEASUREMENTS Height: c. 22.2" / 56.5 cm tall (from base to rim) x c. 4.5" / 11.5 cm rim diameter. Base diameter: c. 6.1" / 15.5 cm. Unpackaged weight: c. 5.8 kg / 5,800 g.
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Marian Zawadski (b. 1912 - d. 1978) Antoni Marian Zawadski (sometimes known as 'Zawadzki' or 'Zawadsky') was an associate professor, artist, and ceramist, was born in Poland in 1912 who, as a refugee, moved to Gothenburg in Sweden in 1953. In Gothenburg, he worked as an artistic director at Tilgmans Keramik. Zawadski is best known for his richly decorated objects in the Sgraffito technique.
His works included lamp bases, vases, bowls, urns and wall plates and he would receive commissions for public, municipal, and private buildings. Zawadski would leave Tilgman's Ceramics in 1970, moving to Vallda outside Kungsbacka where he opened his own workshop, Vallda Keramik. The production in his own workshop is very similar to his work at Tilgmans.
Bertil Vallien for Boda Glassworks, Handblown Iridescent Sandblast Art Glass Bowl, Unique, 1960s-71
Regular price£735.00
Save £-735.00
This striking handblown work of Swedish art glass design is by Bertil Vallien (b. 1938 - ), celebrated glass artist, sculptor, ceramist, and designer. Vallien's career in glass began at Boda Glassworks in 1963, upon his return to Sweden from his studies in art and ceramics, both in Sweden and the US. Vallien's experimentation with sand-casting glass techniques would eventually bring him fame and this fascination is evident even in this exploratory piece.
The exterior surface of this piece is undulating, uneven, and with a base colour of pearlescent green. The next layer is a dappling in rich Inky Indigo which encircles the bowl interspersed with what appears to be a Powdered Peach tone. The iridescence is underpinned with lava-rock-like texture and the whole piece is finished with a dusted Peridot-toned 'pebble'. The interior of the bowl is a smooth, semi-matte and frosted layer of glass overlaid in iridescence.
The overall effect is quite spectacular, giving the air of a delicate bowl carved from an extraterrestrial iridescent geode of quartz crystal and lava.
This particular piece is numbered and marked as 'Unik', indicating that it is a unique piece and when combined with the design, craftsmanship and condition, makes this piece a rare find.
CONDITION Excellent, no chips, cracks or repairs. Age-commensurate wear, most prominently on the underside of the bowl, please refer to photos as they form part of the condition report. The bowl is inscribed with 'BODA UNIK 3645 B.VALLIEN. The exterior also bears the silver label 'Handmade Boda Sweden'.
MEASUREMENTS Height: c. 3.2" / 8.2 cm x c. 4.1" / 10.4 cm diameter (across widest point). Base diameter: c. 2" / 5cm. Unpackaged weight: c. 0.3 kg / 275 g.
NOTES Bowl will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Born in 1938, Bertil Vallien was only 15 when he left home, drawn by the allure of the big city. After a series of occasional jobs, as a window-dresser at one of the main department stores in Stockholm, and as an apprentice in his father's decorating firm, Vallien would eventually decide to become an artist which would lead him into the world of ceramics. The guidance he received in his early career included that of Stig Lindberg - one of Sweden's foremost designers of ceramic art and one of the leading designers for Rörstrand in the 1970s.
Today, Vallien is one of the most well-known representatives of 20th-century Swedish ceramic and art glass design and is represented at the Swedish National Museum of Art and Design as well as abroad at the Everson Museum of Art of New York.
Vallien's works have only become more collectable over the years with sculptures from his Head and Journey (Boat) series fetching up to $20,000 USD.
This elegant work of Swedish Mid Century Modern design is by Hjördis Oldfors (b. 1920 - d. 2014) for Upsala Ekeby. Oldfors was a celebrated Swedish ceramicist, painting, and textile artist, known for many series she designed at Upsala Ekeby which went on to become classics.
This hand-glazed work comes from Oldfors popular Kokos series, for which there are ten works of earthenware dishes, bowls and vases designed in 1954 and in production until 1958. The series is characterised by the clean-lined, swelling forms and the deliciously tactile decor. The decor is an arrangement of sgraffito bands of glossy Dandelion yellow glaze alternating with the unglazed Dark Chocolate earthenware. The combination of the silky smooth glaze bands and the unglazed elements present a striking and tactile contrast.
The form of this piece and of the series is undeniably Modernist in design, highlighting the seamless harmony of function, form, and raw materials
CONDITION Excellent - there are no chips, cracks or repairs. There is mild and age-commensurate surface wear to the exterior. The underside of the base is inscribed with Upsala Ekebys 'UE' and Oldfors 'HJ' monogram and the model number '5026'.
MEASUREMENTS Height: c. 3.3" / 8.5 cm tall (from base to rim). Rim measurements: c. 6" / 15.3 cm x c. 5.8" / 14.8 cm. Base diameter measurements: c. 2" / 5 cm. Unpackaged weight: c. 0.3 kg / 315 g
NOTES Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Hjördis Hanna Maria Oldfors (b. 1920 - d. 2014) was a celebrated Swedish ceramicist, painting, and textile artist. Oldfors is known for many series she designed at Upsala Ekeby which went on to become classics; including Poäng (Points), Kokos (Coconut), Trio (Trio), Palma (Palma), and Granit (Granite). Oldfors is represented at a number of museums including; National Museum (Sweden), Röhsska Museum, and at the Nordenfjeldske Konstindustrimuseum.
Though Oldfors was a late arrival to her ceramics career, beginning her studies in 1947 in Gothenburg, she became incredibly successful. Her career at Upsala Ekeby began in 1950 when she was 30 and she would go on to set up her own studio 'Bränd Form' with a number of exhibitions representing Upsala Ekeby and her own studio. The curators of the day are notably known to have said "She has an astonishing certainty in the abstract decor and its adaptation to the form. In this area, she does not have many competitors in our ceramics."
Vicke Lindstrand 'Colora' series for Kosta, Modernist Lapis and Cobalt Blue Vase, 1950s
Regular price£300.00
Save £-300.00
This sleek work of Scandinavian Modern art glass is by Vicke Lindstrand (b. 1904 - d. 1983). Lindstrand is considered one of the most influential 20th-century glass artists and a glass art pioneer. His prolific career held many design highlights, including his ability to excel at a technique called Sommerso in which a vividly coloured or patterned section of glass is surrounded by and seemingly floats within a clear crystal body.
This particular piece comes from the Colora series, named after the technique pioneered by Lindstrand. The technique applied to this piece involved carefully layering the Cobalt, Lapis coloured glass, reheating and manipulating the layered glass to form the final shape before encasing it in the clear, crystal casing and magnifying the underlying pattern. The piece is finished with a bevelled around the rim and base, giving the effect of a polished gem.
The design of this work embodies the tenets of simplicity, minimalism and functionality influences of the Scandinavian Modern design movement.
CONDITION Excellent. No chips, cracks, or repairs. There is negligible surface wear and movement marks on the underside of the base that are commensurable with the age of the piece - please see photos as part of the condition report. The underside of the base is signed with the inscription 'Kosta' and the model number: '06085'
MEASUREMENTS Height: c. 6.6" / 16.7 cm (from base to rim) x c. 3.4" / 8.6 cm in diameter (across widest point). Base measurements: c. 3.4" / 8.6 cm. Unpackaged weight: c. 1.5 kg / 1,500 g
A BIT OF HISTORY This sleek work of Scandinavian Modern art glass is by Vicke Lindstrand (b. 1904 - d. 1983). Lindstrand is considered one of the most influential 20th-century glass artists and a glass art pioneer. Lindstrand, together with his peer Edvin Öhström, pioneered a new glass-colouring process called the Ariel technique.
Lindstrand's prolific career began in commercial illustration before finding employment at the glass manufactory Orrefors. He would join Kosta Boda 1950, remaining there until 1973. Beyond his commercial work, he also produced several massive public sculptures around the world. Today, his works are in many museum collections, such as the Victoria and Albert Museum in London, the Museum of Fine Arts in Houston, and The Museum of Modern Art in New York.
Kosta Boda, Sweden’s oldest glass company, was founded in 1742 and would only begin making art glass — that is, unique and limited edition pieces — with the hiring of the painter Gunnar Wennerberg in 1898. Kosta Boda enjoys a reputation as the country’s most artistic and experimental glassworks, featuring artists and sculptors. Two post-war Kosta Boda designers stand foremost in the minds of collectors, one is Vicke Lindstrand, who excelled at a technique of 'Sommerso', or cased glass. The other is Erik Höglund, who had an almost artisanal eye for glass shapes, and liked to produce glass that had a textured, warped look.
Bertil Vallien for Kosta Boda, Att. Silver Boat Series, Sand Cast Art Glass Sculpture, Limited Edition
Regular price£1,800.00
Save £-1,800.00
This striking work of Swedish art glass design is by Bertil Vallien (b. 1938 - ), a celebrated glass artist, sculptor, ceramist, and designer. This piece is attributed as a variation of the Columbus series which Vallien created for Kosta Boda and is 1 of 100 pieces.
Suspended inside the sculpture are symbols through which Vallien communicates, icons, and mythological expression. This boat tells the journey from yesterday to tomorrow. The ship forms an encapsulated timeline where the stern is the past, and the bow is what is to come. The center of the boat bears the passenger, ladder, and a celestial body. The bow is clear, as the future is unwritten and hopeful. The piece is finished with solid clear interior created by the pouring of molten glass and silver plating on the exterior.
Vallien's sand casting technique has brought him worldwide acclaim. Using wooden models, he creates a hollow in the sand which is then filled with various powdered oxides giving finishings from textures to frosted patterns of colour. The 'story' is created by Vallien with the placement of the symbols and icons before molten glass is poured into the sand moulds.
CONDITION Excellent, no chips, cracks or repairs. Age-commensurate wear, most prominently on the exterior silver plating, please refer to photos as they form part of the condition report. The sculpture is inscribed with '7520114 Kosta Boda, Lim. ['Limited Edition'] B Vallien ' and labelled on the exterior with the 'KOSTA BODA, Sweden 1742' label.
MEASUREMENTS Height: c. 2.3" / 5.8 cm x c. 9.8" / 25 cm in length x c. 2.6" / 6.5 cm width. Unpackaged weight: c. 1.2 kg / 1,205 g
NOTES Sculpture will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Born in 1938, Bertil Vallien was only 15 when he left home, drawn by the allure of the big city. After a series of occasional jobs, as a window-dresser at one of the main department stores in Stockholm, and as an apprentice in his father's decorating firm, Vallien would eventually decide to become an artist which would lead him into the world of ceramics. The guidance he received in his early career included that of Stig Lindberg - one of Sweden's foremost designers of ceramic art and one of the leading designers for Rörstrand in the 1970s.
Today, Vallien is one of the most well-known representatives of 20th-century Swedish ceramic and art glass design and is represented at the Swedish National Museum of Art and Design as well as abroad at the Everson Museum of Art of New York.
Vallien's works have only become more collectable over the years with sculptures from his Head and Journey (Boat) series fetching up to $20,000 USD.
Crown Devon, Art Deco, Powdered Verdigris and Latte Palette, Tapered Vase, 1930s
Regular price£63.00
Save £-63.00
This elegantly glamourous work of Art Deco design is by the British Pottery Crown Devon. Like much of Art Deco design, there is a focus on shape and absence of extravagance, however, the form of this piece also carries strong echoes of the Art Deco Odeon style.
Art Deco Odeon style references the revolution in British style brought about by the c.260 Odeon cinemas that sprung up across the UK from the late 1920s. Over 13 years, Oscar Deutsch created a circuit of cinemas where the buildings celebrated Art Deco Modernism with sweeping, simple yet strongly defined lines.
The central feature of the vase is the plinthed conical form that is complimented by the strongly defined straight and curved 'struts' on either side. The glaze across the entire palette of Powdered Verdigris, Latte and Slate-Blue is semi-matte, giving understated refinement to the stylised leaf design.
Timeless in style and when combined with the featured design; the size and overall condition of this piece make this a rare find.
CONDITION Excellent. There are no chips or repairs. There is mild surface wear to movement marks on the underside of the base that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base bears Crown Devon's stamp and the model number '2406'.
MEASUREMENTS Height: c. 7.6" / 19.3 cm (from base to rim) x c. 5.5" / 14 cm diameter (across widest point). Base diameter: c. 4.1" / 10.5 cm. Unpackaged weight: c. 0.7 kg / 725 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY
Crown Devon Fieldings (1870 - 1982) The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.
This subtly bold work of Modernist design is British pottery Beswick. Strong curves arch asymmetrically to form the handles on either side of the central vent defining the overall form as a superb backdrop for the contrasting glaze decor.
The base tone of the glaze is the high-quality semi-matte glaze in Buttermilk cream. Overlaid onto the base glaze are handpainted geometric delineations in tones of Dark Chocolate, Apricot, Mint, and Powdered Violet.
The various elements in the design bring sleek sophistication and elegance suiting a room with decor inspired by Modernist, Art Deco, or Contemporary design influences.
CONDITION Excellent, no chips or cracks. There is light wear that is most evident on the underside of and interior that is commensurable with the age of the piece, please see photos as part of the condition report. The underside bears the stamp 'BESWICK, MADE IN ENGLAND' and faintly imprinted the model number '190'.
MEASUREMENTS Height: c. 7.5" / 19 cm tall (from base to rim) x c. 4.8" / 12.3 cm in length (across the widest point). Unpackaged weight: c. 0.7 kg / 700 g
A BIT OF HISTORY Beswick Pottery The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tablewares and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.
Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox . These works were often decorated in 'satin matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000's.
Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in their Art Deco pieces as they survive in very good condition. They also justify Beswick's annoucement in a 1930's advertisement of "a sound body, with a brilliant, non-crazing glaze fashioned in hundreds of shapes".
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Beswick Pottery, Clarice Cliff Era, Art Deco Footed Jug Vase, Cobalt, Flax and Sienna Drip Glaze
Regular price£80.00
Save £-80.00
This subtly bold work of Art Deco design is British pottery Beswick. With strong curves that infer Streamline Moderne, the international style of Art Deco that emerged in the 1930s was inspired by aerodynamic design. The elevated and sharp overlapping fins that form the triangular mouth of this piece capture attention with its presence. The overall form is a superb backdrop for the contrasting glaze decor.
The interior of the mouth is a striking Mint green which beautifully compliments the semi-matte drip glaze composition of Cobalt Blue, Flax Yellow that is finished with an accent of Sienna brown. The flow of the glaze beautifully contrasts against the strongly defined geometric lines of the piece.
The various elements in the design bring sleek sophistication and elegance suiting a room with decor inspired by Modernist, Art Deco, or Contemporary design influences. The excellent condition, model and palette of this work are a rare find.
CONDITION Excellent, no chips or cracks. There is mild crazing to the glaze and light wear that is most evident on the underside of the feet which is commensurable with the age of the piece, please see photos as part of the condition report. The underside of the feet is faintly embossed with 'BESWICK ENGLAND' and only the belly underside, the model number '178'.
MEASUREMENTS Height: c. 7.5" / 19 cm tall (from base to rim) x c. 7.1" / 18 cm in length (across the widest point). Unpackaged weight: c. 1.0 kg / 980 g
A BIT OF HISTORY Beswick Pottery The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tablewares and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.
Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox . These works were often decorated in 'satin matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000's.
Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in their Art Deco pieces as they survive in very good condition. They also justify Beswick's annoucement in a 1930's advertisement of "a sound body, with a brilliant, non-crazing glaze fashioned in hundreds of shapes".
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Albert Hallam for Beswick Pottery, MCM Modernist Triangular Footed Ceramic Dish, 1960s-70s
Regular price£135.00
Save £-135.00
This subtly bold work of Modernist design influence is by designer and modeller Albert Hallam. The elevated and sharp Right Triangle form of this piece captures attention with its presence and difficult to avoid wherever it is displayed. The form is a superb backdrop for the contrasting glaze decor.
The interior decor is a glossy golden mustard that is not particularly loud on its own. However, when paired with the matte yet iridescent black lustre glaze on the exterior, it becomes a necessity for emphasising the sharply geometric form of the piece.
The various elements in the design bring sleek sophistication and elegance suiting a room with decor inspired by Modernist, Retro, Contemporary, or Industrial design influences. The excellent condition and design of this work are a rare find.
CONDITION Excellent, no chips or cracks. There is mild use wear that is most evident on the underside of the feet that is commensurable with the age of the piece, please see photos as part of the condition report. The underside of the dish is debossed with 'BESWICK ENGLAND' and the model number '1985' with production period dated to between 1964 to 1972.
MEASUREMENTS Height: c. 3.9" / 10 cm tall (from base to rim) x c. 14.6" / 37 cm in length x c. 9" / 23 cm in width. Unpackaged weight: c. 1.1 kg / 1,071 g
A BIT OF HISTORY Albert Hallam (b. 1912 - d. 1975/76) Albert Hallam joined Beswick in 1926 at the age of fourteen as apprentice mould maker and in due course became the head of mould making and an important modeller in his own right. The growth of his influence followed the retirement of Arthur Gredington and Hallam was instrumental in maintaining Beswick’s high standard of modelling and figure creation.
Beswick Pottery The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tablewares and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.
Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox . These works were often decorated in 'satin matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000's.
Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in their Art Deco pieces as they survive in very good condition. They also justify Beswick's annoucement in a 1930's advertisement of "a sound body, with a brilliant, non-crazing glaze fashioned in hundreds of shapes".
NOTES Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Tremaen Studio Pottery, Gwarra Series, Sculptural Cornish Ceramic Lamp Base, 1974-1980, British
Regular price£168.00
Save £-168.00
This elegantly sculptural, hand-built, and glazed studio art ceramic lamp is of British Modernist design by Peter Ellery for his Cornish pottery studio Tremaen Pottery (1965 - 1988). Ellery's work is heavily influenced by the Cornish environment where the Tremaen studio was based. Influences such as sea-washed pebbles, rocks, and boulder-shaped forms, and Cow Parsley from abundant hedgerows inspired the décor, as are traces of rough-hewn stone harbour walls and whitewashed fishermen's cottages. Many pieces have an organic feel, being deliberately weathered or textured.
This particular piece comes from the 'Gwarra' series. 'Gwarra' is the Cornish word for 'higher' and is believed to relate to the Cornish coastal feature 'Pol Gwarra' or 'Pol Gwartha' [tr. 'Higher Pool']. The decor of this lamp reflects the influences and textural references from the Cornish coastal and countryside landscape. The overall composition is characterised by the tactile, organic qualities with the lamp body shaped like a pebble worn smooth by the ocean tide and the textured decor resembling trails in the wet sand. The glaze is silky and touch-inviting, with the colour palette comprising of rich, semi-matte Dark Chocolate, Mocha browns blended with Cappuccino Foam and Creams.
This stunning piece brings to life many key principles of Modernist design, with a focus on combining function with bringing forth the beauty in the natural material.
CONDITION Excellent. No chips, cracks, or repairs. There is faint wear to the protective felting on the underside of the base that is commensurate with the age of the piece. Please see photographs as they form part of the condition report. The underside of the base is fitted with protective felting and also bears Tremaen's original label. The lamp takes standard European A-series Bayonet bulb.
MEASUREMENTS Height: c. 7.9" / 20 cm high (excluding bulb holder) c. 9.8" / 25 cm (including bulb holder). Width c. 4.5" / 11.5 cm (across the widest point) x depth: c. 3.1" / 8 cm. Base measurements: c. 4.9" / 12.5 cm x c. 3.3" / 8.5 cm. Weight: c. 1 kg / 970 g. The lamp takes a standard A-series Bayonet bulb with a British plug fitting.
A BIT OF HISTORY Peter Ellery, Tremaen Pottery (1965 - 1988) Tremaen Pottery was founded by Peter Ellery in Marazion, UK in 1965, typically creating large-scale pieces using unconventional techniques in both construction and glazing. His work quickly gained appreciation and popularity, and within 2 years Tremaen Pottery moved to larger premises in Newlyn with the workforce expanding to twelve to cope with demand.
Although work continued to be by hand, the range of pieces produced by Tremaen expanded to include smaller-scale and figural pieces. Tremaen's work maintained its popularity but sadly, the recession of the early 1980s created increasing economic difficulties. Ellery sustained Tremaen's production until 1988 when he made the decision to close the pottery.
Tajima Glass, Watermelon Tourmaline Palette, Sculpted Handkerchief Dish, 1960s-70s, Japanese
Regular price£45.00
Save £-45.00
This striking and romantically joyful work of handblown Japanese mid-century art glass is by the glassworks Tajima, who was known to have produced art glass under the label of Best Art Glass.
Elegant and graceful, the curves that shape the 3 lobed 'petals' creates an organic 'unfurling' from the centre. The palette is a striped arrangement of Sakura pink followed by Cobalt blue and Emerald green, handblown into a swirling pattern to create the main featured colouring of the piece. The gem-like tones vary in intensity and finish with an accent of clear glass at the base.
CONDITION Excellent. There are no chips or cracks, only mild wear on the surface that is commensurable with age. Please refer to the photos as they form part of the condition report. The underside of the base has a concave pontil that is a known finishing touch of Japanese art glass.
MEASUREMENTS Height: c. 3.1" / 7.8 cm (base to rim) Diameter: c. 7.4" / 18.8 cm (across widest point). Base diameter: c. 3.1" / 8 cm. Unpackaged weight: c. 1 kg / 970 g
NOTES Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items
A BIT OF HISTORY Tajima Glassworks Unfortunately, little is known about Tajima Glass. However, it is known that the glass studio was founded in 1956, in Tokyo, Japan, by Matsutaro Tatsuta. They are known for coloured, textured and often mould-blown or hot-worked art glass. Tajima Glass are still operating today. The quality and style of their work are similar to other Japanese glassworks, rivalling and often mistaken for Italian Murano glass and Czech glass from the same period.
This vibrant handblown work of mid-century Japanese 'Fazzoletto' art glass is by Hokuyo Glassworks. Glass collectors familiar with the Murano technique Fazzoletto (translation 'handkerchief) will know that this is the art of crafting glass to mimic the elegant flowing folds of fabric.
Elegant and graceful, the curves that shape the 6 lobed 'petals' rise and fall asymmetrically to create an organic 'unfurling'. The Hokuyo interpretation of the Fazzoletto technique, the exterior of this piece has the palette of rich Scarlet red with light swathes of Charcoal ending in a clear casing at the base. The interior is a sumptuous Milk-white strikingly offsetting the red exterior.
Amongst collectors, the skill and quality applied in creating Japanese art glass is very much known to rival its Western counterparts and can often be more difficult to find.
CONDITION Excellent. There are faint movement marks that are on the underside of the base. All wear is commensurable with age. Please refer to the photos as they form part of the condition report. The underside of the base has a concave pontil, a known finishing touch of many Japanese glassworks.
MEASUREMENTS Height: c. 8.5" / 21.5 cm (base to rim). Width: c. 7.1" / 18 cm (across widest point). Base measurement: c. 3.3" / 8.3 cm (across widest point). Unpackaged weight: c. 1.6 kg / 1,555 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Hokuyo Glassworks Founded in 1949 in the prefecture of Aomori in Japan, Hokuyo built a reputation for producing glass floats for fishing and eventually became known as a top producer by the early 1970s. Around this time, the glassworks also became known for producing Tsugaru Bidoro (Tsugaru glass) and experimenting with vibrant art glass.
Tsugaru Bidoro is created by a 'free-blown' technique of glass-blowing originating in the 1st Century BC. Over the years, Hokuyo has continued to experiment with molding technology and coloured glass that today, emphasises the four seasons with colour as well as the 'creator's feelings and passion'.
This vivid work of mid-century handblown Japanese art glass design is by Iwatsu Hineri glassworks. Glass collectors familiar with the Murano technique Sommerso (translation 'submerged) will know that this is the art of capturing segments of solid colour in clear glass.
The graceful, extending corners with one flourishing curl are a classic to Hineri interpretation of mid-century art glass, just as the capturing of the Scarlet red, Tangelo orange and Violet within the clear cased triangular base is a rival to the Sommerso technique. The interior of the dish enables a view of the swirling colours as they whirl outwards into varying intensities of colour into the extended corners.
Amongst collectors, the skill and quality applied in creating Japanese art glass is very much known to rival its Western counterparts and can often be more difficult to find. Hineri vases and 4-petalled dishes in this palette are common but the tricorn form of this piece makes it a particularly rare find.
CONDITION Very good. No chips and cracks to the exterior. There is negligible surface wear and a micro bruise on the underside of the base that is commensurable with age. Please refer to photos as they form part of the condition report. The concave pontil on the underside of the base is a known finishing touch of Iwatsu.
MEASUREMENTS Height: c. 4.6" / 11.8 cm (base to rim). Width: c. 10" / 25.5 cm (across widest point). Base measurements: c. 3.7" / 9.4 cm (across widest point). Unpackaged weight: c. 1.3 kg / 1,315 g
NOTES Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Hineri Iwatsu Glassworks Unfortunately, little is known about Hineri Iwatsu despite being one of the largest glassmakers in Japan, the commonly cited and understood reason is due to language barriers. However, Iwatsu is deemed to have produced art glass under the Hineri and Art Glass labels before closing in the 1990s. Iwatsu were known to have been based in Osaka in Japan, producing colourful art glass during the 1970s. The quality and style of their work rivalled and is often mistaken for, Italian Murano glass and Czech glass from the same period.
Ingrid Atterberg for Upsala Ekeby, 1957-59 'Chamotte' Series Sculptural Modernist Vase, Sweden
Regular price£185.00
Save £-185.00
This awesome work of Mid-Century Modern design is by Ingrid Atterberg, (b. 1920 - d. 2008) a celebrated epitome for illustrious 20th-century Swedish ceramic design. Atterberg was also a leading designer for Upsala Ekeby for whom she designed this vase.
This hand-thrown and hand-glazed piece comes from Atterberg's Chamotte series designed in 1957 and in production between 1957-1959. The series would go on to be very well-known during this time. The series is comprised of earthenware bowls and vases, characterised by raw textured earthenware juxtaposing the gloss and matte glaze.
This particular piece is beautifully rounded, an excellent canvas for the hand-glazed decor. The chamotte earthenware is incised with sgraffito bands that are filled with the Milk white glaze and a wash all over the bottle form creates the semi-gloss glaze dapple effect. The piece is finished with a band of gloss Iris purple around the belly of the vase as well as the neck.
A Modernist design piece that is classic of its time yet also contemporarily timeless.
CONDITION Excellent. No chips, cracks, or repairs. There is mild wear to the underside of the vase that is commensurable with the age of the piece. Please refer to the photographs as they form part of the condition report. The underside is inscribed and stamped with 'UE, 3030 and '547'.
MEASUREMENTS Height: c. 7.5" / 19 cm tall (from base to rim) x c. 1.2" / 3 cm rim diameter. Diameter: c. 4.9" / 12.5 cm (across widest point. Base diameter: c. 4.7" / 12 cm. Unpackaged weight: c. 0.7 kg / 720 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Ingrid Magdalena Atterberg-Göransson (b. 1920 - d. 2008) was a celebrated epitome of illustrious Swedish ceramic design of the 20th century and a leading designer for Upsala Ekeby in the 1950s and 1960s. Atterberg is represented at the Swedish National Museum of Art and Design.
In 1944, she was employed at Upsala Ekeby, where appreciation for her works as a ceramicist continued to grow over the years. She was known for using 'manganese clay' in the 1940s and chamotte in the 1950s and successfully developed her own glazes. In the late 1940s, her own collection called "Ekeby Verkstad" was born with a numbered series that began at 100.
During her career, Atterberg had several exhibitions and received a gold medal for her work in Italy as well as completing a number of public commissions.
Beswick Pottery, Ciro Series, Art Deco Ruskin-Style Dimpled Vase with Stylised Flora Decor, 1930s
Regular price£45.00
Save £-45.00
This gorgeous work of original Art Deco design is by the British company Beswick Pottery. From the softly geometric, chasing triangles in raised relief decor to the classic ginger urn form with the twist of added depressions of 'dimples', the form of this piece is clean and elegant and classically Art Deco. The excellent form is complimented by a semi-matte Pale-Grey dappled on Stone base glaze complimented by the handpainted, stylised flora decor in powdered tones of Teal, Buttercup, Cornflower and Lilac.
CONDITION Excellent. No chips, cracks or repairs. There is natural and mild crazing all over and light use wear on the interior of the vase that is commensurate with the age of this piece. The underside of the base is inscribed with 'Beswick Ware, MADE IN ENGLAND' and the impressed model number '70'.
MEASUREMENTS Height: c. 7" / 18 cm tall (from rim to base) x c. 5.3" / 13.5 cm wide (across widest point). Base diameter: c. 3.5" / 9 cm. Weight: c. 0.8 kg / 750 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY The Beswick firm was founded around the 1890s by John Beswick in Staffordshire, UK. His son James would take over upon his death, introducing a new range of jugs, bowls and vases decorated with new matt glazes. Responding to the modernist influence in design, many of these highly distinctive shapes were designed by Mr Symcox and decorated in 'satin matt' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000s.
Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in these Art Deco pieces as they survive in very good condition.
