Lillemor Mannerheim for Gefle Keramik, Dixie, Mangania Series Sculptural Flask Vase, 1957
Regular price£295.00
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This striking and sculptural work of mid-century Swedish Modernistic design is by Lillemor Mannerheim (b. 1927 - d. 1994). Mannerheim was a countess, ceramicist, and illustrator who designed this Dixie vase in 1957 for Gefle Keramiks, together with a number of her other well-known series such as Kulisaner, Labyrint, Mambo, Singoalla and Pärlor.
This elegant Dixie vase features Mannerheim's gentle swelling design characteristic which tapers into fluted rim to create the flask form. This form is overlaid with the rich, semi-matte Onyx black glaze called Mangania that was a feature of many of Mannerheim's most popular series. The piece is finished with hand glazed gold angular and linear accents serves to further elevate the piece.
The combination of the form, glaze and Modernistic accents gives the overall piece a stylistically timeless presence. And yet the design of this piece is completely suited to the Atomic Design period that it's from, when space exploration and futuristic influences were at the forefront of world news.
CONDITION Excellent. No chips, cracks, or repairs. There is mild use wear, predominantly in the form of movement marks on the underside of the base that is commensurable with the age of the piece. The underside of the base bears 'Gefle' and 'Lillemor' stamp and inscribed with the model number 'M43'.
MEASUREMENTS Height: c. 11.4" / 29 cm tall (from base to rim) x c. 3.9" / 10 cm diameter (across widest point). Rim measurements: c. 4.6" / 11.7 cm x c. 1.6" / 4 cm. Base Measurements: c. 2" / 5.2 cm x c. 2.2" / 5.7 cm. Unpackaged weight: c. 0.6 kg / 630 g
A BIT OF HISTORY Lillemor Mannerheim (b. 1927 - d. 1994) Ingeborg Aina Sophie Constance "Lillemor" Mannerheim-Klingspor was a countess, a ceramicist and illustrator who began her studies into art and design in 1945, at the end of WWII. Mannerheim began her career at Gefle in 1949, designing a number of popular series such as Kulisaner, Dixie, Labyrint, Mambo, Pärlor, Föl, Solros and Singoalla. She also designed a number of figurines and sculptures during her time at Gefle where she remained until 1957.
Mannerheim spent time studying in Italy and France at the end of the 1950s before taking her career to the next step at Rorstrand in 1960. Her art is represented in a number of museums in France, Sweden and Finland.
Ingrid Atterberg for Upsala Ekeby, 1957 'Chamotte' Series Sculptural Modernist Centrepiece Bowl
Regular price£795.00
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This statement work of Mid Century Modern design is by Ingrid Atterberg, (b. 1920 - d. 2008) a celebrated epitome for illustrious 20th century Swedish ceramic design. Atterberg was also a leading designer for Upsala Ekeby for whom she designed this centrepiece.
This hand-thrown and hand-glazed piece comes from Atterberg's Chamotte series designed in 1957, the series would go on to be very well known during this time. The series was comprised of 13 earthenware bowls and vases characterised by textured earthenware in juxtaposed gloss glaze and matte glaze.
This particular piece is elegantly lengthy, providing an excellent canvas for the hand-glazed decor. The colour palette is a composition of muted Ink and Midnight navy, Stone whites, Powdered Mint green, and Electric blue that is offset against the matte Mocha brown. The glaze is overlaid with bold geometric accents in Jet black as is the exterior of the bowl.
A stunning piece that is majestic in size with excellent condition and in a Modernist design that is classic of its time yet also contemporarily timeless.
CONDITION Excellent. No chips, cracks, or repairs. There is mild wear to the exterior of the bowl that is commensurable with the age of the piece. Please refer to the photographs as they form part of the condition report. The underside is inscribed and stamped with 'UE, 2308 and Atterberg's 'Abg' initials. The interior of the dish also bears the original Upsala Ekeby label.
MEASUREMENTS Height: c. 3.1" / 8 cm tall (from base to rim) x c. 7.5" / 19 cm width x c. 16.5" / 42 cm length (across widest and longest points) Depth c. 3" / 7.5 cm Base: c. 5.9" / 15 cm x c. " 2.6 / 6.5 cm. Unpackaged weight: c. 1.4 kg / 1,395 g
NOTES Bowl will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Ingrid Magdalena Atterberg-Göransson (b. 1920 - d. 2008) was a celebrated epitome of illustrious Swedish ceramic design of the 20th century and a leading designer for Upsala Ekeby in the 1950s and 1960s. Atterberg is represented at the Swedish National Museum of Art and Design.
In 1944, she was employed at Upsala Ekeby, where appreciation for her works as a ceramicistcontinued to growover the years. She was known for using 'manganese clay' in the 1940s and chamotte in the 1950s, and successfully developed her own glazes. In the late 1940s, her own collection called "Ekeby Verkstad" was born with a numbered series that began at 100.
During her career, Atterberg had several exhibitions and received a gold medal for her work in Italy as well as completing a number of public commissions.
Ingrid Atterberg for Upsala Ekeby, 1957 'Chamotte' Series Sculptural Modernist Floor Vase, Sweden
Regular price£1,295.00
Save £-1,295.00
his statement work of Mid Century Modern design is by Ingrid Atterberg, (b. 1920 - d. 2008) a celebrated epitome for illustrious 20th century Swedish ceramic design. Atterberg was also a leading designer for Upsala Ekeby for whom she designed this vase.
This hand-thrown and hand-glazed piece comes from Atterberg's Chamotte series designed in 1957, the series would go on to be very well known during this time. The series was comprised of 13 earthenware bowls and vases characterised by textured earthenware in juxtaposed gloss glaze and matte glaze.
This particular piece is elegantly lengthy, providing an excellent canvas for the hand-glazed decor. The colour palette is a composition of Powdered Mint Green, Stone whites, and Electric blue with bold geometric accents in Jet black. A stunning piece that is majestic in size with excellent condition and in a Modernist design that is classic of its time yet also contemporarily timeless.
CONDITION Excellent. There is mild wear to the underside of the vase that is commensurable with the age of the piece. The base is further protected by 4 protective felt pads. Please refer to the photographs as they form part of the condition report. The underside is inscribed and stamped with 'UE, 2316 and Atterberg's 'Abg' initials.
MEASUREMENTS Height: c. 15.7" / 40 cm tall (from base to rim) x c. 2" / 5 cm x c. 1.8" / 4.5 cm rim diameter. Diameter: c. 5.5" / 14 cm (across widest point. Base diameter: c. 3.2" / 8.2 cm. Unpackaged weight: c. 2.8 kg / 2,810 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Ingrid Magdalena Atterberg-Göransson (b. 1920 - d. 2008) was a celebrated epitome of illustrious Swedish ceramic design of the 20th century and a leading designer for Upsala Ekeby in the 1950s and 1960s. Atterberg is represented at the Swedish National Museum of Art and Design.
In 1944, she was employed at Upsala Ekeby, where appreciation for her works as a ceramicistcontinued to growover the years. She was known for using 'manganese clay' in the 1940s and chamotte in the 1950s, and successfully developed her own glazes. In the late 1940s, her own collection called "Ekeby Verkstad" was born with a numbered series that began at 100.
During her career, Atterberg had several exhibitions and received a gold medal for her work in Italy as well as completing a number of public commissions.
Gunnar Nylund for Rorstrand, Chamotte 'Hedgehog' Series, Sculpted Topaz Vase, 1940s-50s, Swedish
Regular price£795.00
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This viviacious work of Swedish Modernist design is the 'Igelkott' ('Hedgehog') vase that comes from the larger 'Chamott' (Chamotte) series designed between 1936 to 1948. The series was designed by the celebrated Swedish ceramicist and designer Gunnar Nylund (b.1904 - d.1997) for Rörstrand.
The vases were made in 5 colours (Emerald, Topaz, (Mustard), Turquoise, White, and Yellow) with 3 different forms to the vases. This Topaz piece comes from the 'Al' form and is the medium size of the 3 available sizes at 16 cm in height (small 12cm, medium 16cm, large 21cm). Nylund became well known for his Chamotte sculptures, designing the series during his time as artistic director at Rörstrand.
Handworked, the rugged yet polished décor makes this an exceptionally tactile piece and the highly textured surface with the glossily glazed décor is a fabulous juxtaposition. Stylistically timeless and contemporary, this work is an outstanding example of Scandinavian mid-century Modern design.
CONDITION Very Good. There is light use wear to the underside of the base and the glaze décor that is commensurable with the age of the piece. The underside is stamp-inscribed with "Rorstrand, Sverige, Chamotte, Nylund".
MEASUREMENTS Height: c. 6.3" / 16 cm (from base to rim). Width: c. 4.9" / 12.5 cm (across widest point). Rim diameter: c. 2" / 5 cm. Base diameter: c. 2.4" / 6.2 cm. Unpackaged weight: c. 1.4 kg / 1,350 g
A BIT OF HISTORY Gunnar Nylund (b. 1904 – d.1997) Nylund was a Swedish ceramic designer since the 1930s and is perhaps best known as the artistic director of Rörstrand and was already a well-established ceramic artist in Denmark - first at the Bing & Grøndahl Porcelain factory in Copenhagen and later at Saxbo.
Nylund was resident at Rörstrand from 1931–1955 and for the majority of this time, as artistic director. He became well known for his new matte feldspar glazed stoneware in hare’s fur and crystal glazes and for his stoneware animal sculptures. Over five decades, Nylund crafted some 30 reliefs and sculptures commissioned for public spaces, including Europe’s largest stoneware fountain the “Scanisarius” in Bromölla, Sweden.
Most of Nylund’s original sculptures in stoneware chamotte ended up in museums, as did much of his other work. Sculptures such as the “Lion Head” is found at the National Museum in Stockholm, “Blue Bird” is at the Sèvres museum in Paris, his antelope head “Abyssinian mountain nyala”, is at the Röhsska museet in Gothenburg and the “Hamadryas Baboon” is at the Malmö Museum.
His piece “Bulls head in oxblood” was bought by the Ateneum museum in Helsinki. And a lot of his other work can be found at other museums around the world.
Kjell Engman 'Bon Bon' series, Kosta Boda, Candied Sapphire and Coquelicot Vase, Sweden, Signed
Regular price£498.00
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This delicious handblown work of Post Modern art glass is by leading Swedish glass artist Kjell Engman (b. 1946 -), accoladed with the name 'Glass Wizard' for his unlimited imagination with art glass.
This piece is from the popular series named Bon Bon, designed by Engman in 1989. It's easy to see why this series was named Bon Bon, with the candy-coloured pieces ranging from pairing Lavender lilac with Lemon yellow to Marmalade orange with Sky blue.
The central part of this particular piece is spheroid shaped, beautifully curved, and toned in a Candied Sapphire blue. Fused into the spheroid is the pitcher stem in striped tones of Coquelicot and Coral orange, the mergng between the two colours is finished with light sand texture. This work is further accented with an organically shaped Lemon yellow handle and finished with a disc of clear glass for the base.
The overall composition of this work is of great harmony, demonstrated in the stunning blending of colour with form and size, makes this a statement piece.
CONDITION Excellent. No chips, cracks, or repair. There is negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece - please see photos as they form part of the condition report. The underside of the base is signed, denoting 'Kosta Boda, K Engman, 89066'
MEASUREMENTS Height: c. 14" / 36 cm tall (from base to rim) x c. 8.1" / 20.5 cm in width (across widest point). Depth: c. 3.7" / 9.5 cm. Rim: c. 2.3" / 5.8 cm. Base: c. 3.9" / 10 cm. Unpackaged weight: 1.9 kg / 1,880 g
NOTES Pitcher vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Kjell Engman (b. 1946 -), accoladed with the name 'Glass Wizard' for his unlimited imagination with art glass and known for being one of ten highly talented artists. Since joining Kosta Boda in 1978, Engman has designed a number of iconic series, drawing inspiration from diverse sources such as the animal kingdom, the world of music and entertainment.
Engman's style is distinctive and immediately recognisable. Common characteristics to his work include being bold, bright and colourful, ranging from the playful to the delicate to the sensuous. It could almost be described as Dali-esque and does not conform to preconceptions of simple, minimalist Swedish design.
Engman has often been commissioned at home in Sweden and abroad, designing works for public display and even famous pieces such as the 2008 Eurovision Song Contest trophy. Engman's latest works and installations can be found at his dedicated website: http://www.kjellengman.com/
Georgia Jacob, Corolle Series Sculptural Modernist Handkerchief Lamp Base, 1980s-90s, French
Regular price£595.00
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This majestically sculptural lamp is of French design by Georgia Jacob's company (1988 - 2012). This particular piece comes from the Corolle series, one of many series where Jacob explored shape and form exclusively through the arrangement of drape.
The overall composition is characterised by exceptionally tactile and organic qualities, with a core arrangement of 16 folds that are encircled by an outer band of 19 ruffles made of the Saffron Mango toned resin. This piece is finished with an elegant resin marble base, further accentuating the subtle luxury of the design.
Standing at half a metre tall, this stunning statement piece brings sophisticated Minimalism to its surroundings.
CONDITION Excellent. No chips, cracks, or repairs. There is faint wear to the surface that is commensurate with the age of the piece, please see photographs as they form part of the condition report. The underside of the base is labeled with the original label. Lamp takes a 40w candle screw bulb with the length of the cord being c. 6 ft / 183 cm.
MEASUREMENTS Height: c. 21" / 53 cm high. Width c. 9.8" / 25 cm (across the widest point). Base measurements: c. 5.1" / 13 cm diameter. Weight: c. 1.4 kg / 1,395 g. Lamp takes a 40w candle screw bulb with the length of the cord being c. 6 ft / 183 cm.
A BIT OF HISTORY Georgia Jacob International (1988 - 2012) Georgia Jacob International was founded in 1988 in Wasselonne, a small commune in the north of France, c. 26 km from Strasbourg. Jacob only produced handkerchief and flaming torch design lamps made of resin (polyester), fibreglass or acrylic with several different bases made in marble, brass, metal, wood, or resin. Lamp series included the Corolle, Kali, Athena, Ella, Ophélie, Fruit d’Ange (angel fruit). Sadly not much more is known about the company and records trace the company as discontinuing in 2012 due to insufficient assets.
NOTES Lamp will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Iwatsu Hineri, Sculpted Apricot, Scarlet and Azure Striped Twist Vase, 1960s-70s, Japanese
Regular price£118.00
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This striking and vibrant work of mid-century handblown art glass is of Japanese art glass design and by the glassworks Iwatsu, who were also known to have produced art glass under the labels of Hineri and Art Glass.
Graceful and organic, the central twist to the vase creates ripples that are highly tactile and invite touch. The colours of Apricot, Scarlet red and Azure blue swirl gloriously from the centre of the vase and outwards in alternating bands. The red and blue tones are translucent, creating stunning refractions when placed in the path of bright light. The work is finished with a clear glass 'Sommerso' casing at the base.
Stylistically timeless and majestic in size, there is an air of vivacious vitality to this work that remains constant whatever the season.
CONDITION Very Good. There are no cracks, only mild wear on the surface of this piece and age-related fleabites at the base and underside of the vase that is commensurable with the age. Please refer to the photos as they form part of the condition report. The underside of the base has a concave pontil that is a known finishing touch of Iwatsu.
MEASUREMENTS Height: c. 11.4" / 29 cm (base to rim) Diameter: c. 4.8" / 12.3 cm (across widest point). Base diameter: c. 3.4" / 8.6 cm. Unpackaged weight: c. 2.1 kg / 2,120 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Iwatsu Glassworks Unfortunately, little is known about Iwatsu despite being one of the largest glassmakers in Japan, the commonly cited and understood reason is due to language barriers. However, Iwatsu is deemed to have produced art glass under the Hineri and Art Glass labels before closing in the 1990s. Iwatsu were known to have been based in Osaka in Japan, producing colourful art glass during the 1970s. The quality and style of their work rivalled and is often mistaken for, Italian Murano glass and Czech glass from the same period.
This exceptionally sculptural work of Italian mid-century Modern design by theBertoncello Ceramiche D'Arte (estd. c.1956 - c.1999). The form is that of a 3D crescent moon partially embedded into the surface the piece rests upon. Further elevating this piece is the richly silky glaze that invites touch, this glaze is one of two Bertoncello signature glazes called the Screziato. This particular shade is the Screziato Tabacco, a sumptuously glaze that is silky to touch, visually, it presents as a refined blending of rich, Golden Ochre, tinged with Sienna which gives added depth. Take a step back to view this piece as a whole and the glaze effect resembles leather or marbled stone.
Like many other Italian potteries that were popular during the mid-century period, little is known about the pottery but the exceptional quality of design undeniably speaks for itself.
This work would suit a space with Modernist, Minimalist and Mid Century décor, either as a standalone work of art ceramic or functionally as a vase or planter. The majestic size, refined form and overall condition of this piece makes it a rare find.
CONDITION Excellent. No chips, cracks, or repairs. Most notable wear are the movement marks on the underside of the base that is commensurable with the age of the piece. Please refer to photographs as they form part of the condition report. The base bears model number '972'.
MEASUREMENTS Height: c. 10.2" / 26 cm. Length c. 11.4" / 29 cm (across body's longest point). Depth: c. 4.7" / 12 cm. Base measurements: c. 6" / 15.2 cm x c. 3" / 7.7 cm. Unpackaged weight: c. 1.3 kg / 1,250 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Bertoncello Ceramiche D'Arte was founded in Schiavon, Italy around 1956 and was first known as LBP, an acronym created with the first letters of the founders surnames Mr Lini, Giovanni Bertoncello and Mr Pizzato.
For many years it was run solely by Giovanni Bertoncello (b. 1930 - d. 2011) and his brother Felice after Mr Lini left the company a few years after the pottery's founding. By the 1970s the pottery had grown to a staff of around 30 with Giovanni being the creative driving force behind the forms and glazes. In the early years Giovanni benefited from some support by a Venetian teacher, Mr. Boatto. Sadly not a lot is known about the company as all its catalogues and archives were destroyed when the company closed in 1999, however, the legacy of Bertoncello's design is undeniable in the history of Italian mid century art ceramics.
Bertoncello's signature designs are often very sculptural, with echoes from geometricism and modern architecture. Dramatic curves, rounded edges and corners, pierced forms and an organic feel are recurring features.
Shorter & Son, Art Deco Bauhaus Geometric Décor Raw Ocean Jasper Palette Planter, English, 1920s-30s
Regular price£77.00
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This striking work of Art Deco design is by the English pottery Shorter and Son (estd. c. 1900 - c. 1964). The sculpted and abstract jardiniere form firmly displays architectural influences of Art Deco Bauhaus geometricism. The overall shape is that of an oval slice that is an excellent canvas for the tactile décor.
The décor is an alternating pattern arranged with the triangular ridges. The horizontal ridges stagger in height as they wrap around the body and are further complimented by vertical ridges of staggered height. Further elevating this piece is the sumptuous glaze that is a blended flow of Cream, Caramel, Mocha brown tones which are offset by the Steel grey-blue. The glaze palette is similar to that of Raw Ocean Jasper. The visual appeal of this piece is timeless in style but also very much a piece of Art Deco history.
CONDITION Very Good. No chips, cracks, or repairs. The most notable wear are mild marks on the interior of the planter and a minor flake to the glaze on the underside of the base that are commensurable with the age of the piece. Please refer to photographs as they form part of the condition report. The base bears Shorter and Son's stamp denoting 'Shorter and Son, Stoke on Trent, Made in England".
MEASUREMENTS Height: c. 3.3" / 8.5 cm. Width: c. 7.1" / 17.8 cm (across widest point) x c. 6.1" / 15.6 cm (across deepest point). Unpackaged weight: c. 0.9 kg / 860 g
NOTES Jardiniere planter will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Before the 1920s, Shorter and Son (c. 1900 - 1964) produced Edwardian Majolica ware, creating a broad range of domestic and ornamental ware such as jardinieres, umbrella holders, bowls and vases. From the 1920s onward, their range only broadened however, they would adapt their designs to the burgeoning influences of the period. The design of their tableware and accessories for example reflected the Art Deco influences of the greats such as Clarice Cliff and Mabel Leigh designed for Shorter and Son from 1933 to 1935.
Sadly, in the early 1960s, the company faced the death of a director Arthur Colley Shorter as well as the loss of a factory in Copeland Street to a road development scheme. Finally, there were significant expenses to convert to smokeless firing to conform with the Clean Air Act. These factors resulted in a decision to accept an offer from S. Fielding & Co. Ltd the owners of Crown Devon around 1964.
Mari Simmulson for Upsala Ekeby, 1956-57 Iris Series, Blue and White Stripe Polka, Wide Brim Vase
Regular price£216.00
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This delicious work of Swedish Mid Century Modern design is by Mari Simmulson (b. 1911- d. 2000) for Upsala Ekeby. Simmulson was a celebrated Swedish ceramics designer and ceramicist, known for many series she designed at Upsala Ekeby which went on to become classics. This hand-thrown and hand-glazed work comes from Simmulson's Iris series, these earthenware works were designed around 1956 to 1957. The series is characterised by the delightfully organic blue and white stripes that are edged with Vanilla cream dots. There is firm delineation between the stripes and dots combined with the glossy glaze gives this piece a very touchable, tactile quality. The combination of the organic lines in black, the 'sprinkled' blue and pink speckled white glaze that is highlighted by the cheerful cream dots makes brings a joyful vibe to the overall piece.
This design is typically more difficult to source and the great condition this particular piece is in makes it an even rarer find. Stylistically, this work is timeless and is suitable for standalone display or functionally as a vase, a bowl or even as a tealight lantern.
CONDITION Excellent - there are no chips, cracks or repairs on the exterior of the vase. Mentioned for completeness: there is a single chip on the underside of the 'frog' (flowerholder) c. 1cm x 0.6cm that is not visible during display. The underside of the base is inscribed with Upsala Ekebys 'Ekeby' and Simmulson's 'ms' monogram as well as the model number '328'.
MEASUREMENTS Height: c. 4.3" / 11 cm tall (from base to rim). Rim measurements: c. 7.2" / 18.2 cm (across widest point). 'Frog' (flower holder) diameter: c. 3.1" / 7.8 cm Base measurements: c. 3.5" / 8.8 cm. Depth: c. 3.7" / 9.3 cm (from rim). Unpackaged weight: c. 0.8 kg / 760 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Mari Peterson Särgava, ceramicist and textile artist (b. 1911- d. 2000) began her career with an internship with Arabia in Finland and it was during this time she married Gustaf Simmulson.
Simmulson moved to Sweden in 1944 and began working with Wilhelm Kåge at Gustavsbergs, staying until 1949. Her career took her to Uppsala Ekeby in 1949, where she designed vases, figures, reliefs and wall paintings, many of them noted as unique pieces. She became a leading designer at Uppsala Ekeby where she remained until the early 1970s. Simmulson also received commissions for public pieces including at Luleå Kol, Upplandsbanken and Pharmacia.
Duif Keramiek Sculptural Globe, Statement Jug Vase in Nutmeg Speckled Stoneware Cream Glaze, 1970s
Regular price£396.00
Save £-396.00
This charmingly chic and sculptural statement piece is of Seventies Modernist design by Dutch company Duif Keramiek. Crafted from white clay, the form of this piece is that of a polished globe shape that has been lightly 'shaved' at two sides and then rounded inwards to create the handle of the vase. The composition is finished with a 'stand-up collar' rim. The simple but elegant form makes this an excellent piece for the beautiful glaze that is a cream-beige accented with Nutmeg brown speckles. The imposing Statement size and design, combined with the palette and condition of the piece makes it an exceptionally rare find.
This timelessly elegant and very Modernist piece would suit a Minimalist, Modernist or even Contemporary décor themed room.
CONDITION Excellent. No chips, damage or repairs. There is mild use wear that is most evident in movement marks on the underside of the base. Please do refer to photos as they form part of the condition report.
MEASUREMENTS Height: c. 9.1" / 23 cm x diameter: c. 7.7" / 19.5 cm (across widest point). Rim opening: c. 3.9" / 10 cm. Base diameter: c. 4.6" / 11.7 cm. Unpackaged weight: c. 2.4 kg / 2,390 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Duif Keramiek (1956 – present) Duif Keramiek was founded by Joop Duivenvoorden who began his career by driving up and down the Netherlands selling flowers every day. It was this connection to flowers that helped him see great potential in mini vases. From this, he decided to start his own business and founded Duif’s Keramiek BV on 1 February 1956. Originally based in a garage, he began his one-man business selling mini vases to florists.
Duif’s developed into a modern ceramics business with 15 employees, with sales reps selling directly out of their lorries. Later, they started visiting clients and attending trade fairs across the Netherlands. Duivenvoorden’s two sons, John and Marcel, joined the family business in the early 1980s and in 1984, Duif’s opened a store at Cultra. Duif’s continued to experience success over the years, expanding to importing and exporting - not just ceramics but glassware too. The company became Duif’s international in 2016, with its import and export range extended to other materials such as metals and decorative products such as silk flowers.
Lisa Larson Phoenix (Fenix) series for K-studion, Trio of Fingal, Gottfrid and Tekla Sculptures
Regular price£636.00
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This trio of sweetly adorable and hand-decorated bird sculptures is by leading Swedish ceramicist and designer Lisa Larson (b. 1931 - ) designed in the early 1990s. Originally designed for Larson's exhibition, the production of the figures were by Larsons pottery studio Keramikstudion Gustavsberg. Larson is famous for her Modernistic animal sculpture designs that has created many popular series such as Stora (Large Zoo), Lilla (Little Zoo), and Skansen (Nordic Zoo) for Gustavsberg Ceramics.
The elegantly rounded yet sleek forms with inquisitive expressions really bring these works to life. The trio's Modernistic forms are beautifully complimented by the silky smooth, semi-matte Warm Sand glaze with the bare minimum of detail depicted in the hand painted eyes or dustings of shadow. These sculptures are further elevated by the gold glaze detail. There are 4 Fenix designs in total, ranging from: Fingal (tallest), Gottfrid (roundest), Ossian and Tekla (smallest). These sculptures have been decorated in different colours including the Warm Sand of this trio, Cobalt blue and Charcoal black. Beautifully modern and charming, these works bring elevated simplicity and warmth to their surroundings.
CONDITION Excellent. No chips, cracks or repair. There is mild wear of movement marks on the underside of the base for the figures, please refer to photos as they form part of the condition report. The underside of the bases are signed with Larson's "LISA L" with the Gottfrid's wooden base bearing the full 'K-studion Gustavberg' signature
MEASUREMENTS - Fingal (Tallest) - Height: c. 7.6" / 19.2 cm tall (from base to tallest point ). Width c. 3.7" / 9.5 cm (across widest point). Base c. 2.8" / 7 cm (across widest point). - Gottfrid (Roundest) - Height: c. 7.5" / 19 cm tall (from wood base to tallest point ). Width: c. 4.6" / 11.6 cm (across widest point). Base c. 2.7" / 6.8 cm. - Tekla (Smallest) - Height: c. 4.5" / 11.5 cm tall (from base to tallest point ). Width: c. 3.5" / 9 cm (across widest point). Base c. 2.1" / 5.3 cm depth. Unpackaged weight [Trio]: c. 1.3 kg / 1,250 g
NOTES Sculptures will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Lisa Larson (b.1931) is a Swedish ceramicist and designer. She is well known for many sculptures series including Stora (Large Zoo), Lilla (Little Zoo), and Skansen (Nordic Zoo), 'ABC-girls', 'Africa' and 'Children of the World'. Larson is well known for her warm-hearted, humorous, sometimes subtly ironic design and is represented at the Swedish National Museum of Art and Design.
Crown Devon, att. Ditmar Urbach, Art Deco Stylised Stitch Tree Décor Globe Lamp Base, 1920s-30s
Regular price£126.00
Save £-126.00
This beautifully stylised work of Art Deco design was made by English pottery Crown Devon. Designed and made during Clarice Cliff's Bizarre era. The stylised tree and landscape verdure décor in this piece echoes that of which appears in Cliff's iconic Orange Roof Cottage series. The décor is further elevated by the addition of the tube-lined and tactile dotted 'stitching'. The origin of design can be attributed to the Czechoslovakian pottery Ditmar Urbach, from which Crown Devon developed its own interpretation.
The subtly striking décor sits against the canvas of the spherical globe form, displaying its timeless style and carrying its c. 85 years of Art Deco history.
CONDITION Very Good. There are 3 negligible chips to the glaze and light use wear to the underside of the base. Mentioned for completeness: there mild crazing all over. The light wear is commensurable with the age of the piece, please refer to photos as they form part of the condition report. The base bears Crown Devon's stamp and model number 'M206'. Length of cord: c. 70" / 178 cm and is fitted with a British plug. Lamp takes a 'B22' light bulb.
MEASUREMENTS Height: c. 6.3" / 16 cm (excluding bulb holder) height: c. 9.3" / 23.5 cm (including bulb holder). Diameter: c . 6.3" / 16 cm (across widest point). Base diameter: c. 3" / 7.5 cm. Unpackaged weight: c. 0.9 kg / 945 g
NOTES Lamp will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Crown Devon Fieldings (1870 - 1982) The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.
