This magnificently hand-built and illustrated work of art ceramic is by celebrated Danish illustrator and glass, silver, textiles, ceramics designer Bjorn Wiinblad (b. 1918 - d. 2006). This particular piece was created for the prestigious Illums Bolighus [Denmark's first concept department store] 1 year after Wiinblad became the first artist to exhibit there.
The form of this piece is the bust of Titania, Queen of Fairies from the Midsummer Night's Dream series. Highly romantic, Wiinblad applied his exceptional creativity and imagination to tactile details beyond facial anatomy. Individual rosettes and leaves are elegantly placed to bring to life Titania's high floral crown with an exquisitely curved tapering that creates a leaf shape of its own for the rim of the vase.
Handpainted onto the form is the illustrated design, seamlessly applied to the crown and the upper torso, creating the visual effect that blurs the separation between flora and foliage and Titania herself.
The combination of the statement size, palette, and excellent condition of this piece makes it a noteworthy find of Wiinblad's early work.
CONDITION Excellent. There is negligible use wear, most evident in the form of movement marks on the underside of the vase and mild crazing to the handpainted glaze all over that are commensurable with the age of the piece. The underside bears Wiinblad's 'BW' monogram, the 'V21' model number and '63' denoting the year of production. The underside also bears the original Illums Bolighus label.
MEASUREMENTS Height c. 14.8" / 37.7 cm (from base to rim) x width c. 6.5" / 16.5 cm (across widest point). Depth: c. 5.5" / 14 cm (shallowest). Base: c. 3.5" / 9 cm. Unpackaged weight: c. 1.5 kg / 1,490 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Bjorn Wiinblad (b. 1918 - d. 2006) Born in 1918 in Copenhagen, Bjorn Wiinblad began his training and path to success in 1935. Wiinblad sought the path to his first passion of art and enrolled in graphic school at the Royal Academy of Fine Arts, debuting in 1945 with an extensive exhibition in Palægade, Copenhagen. He met and became firm friends with Jacob E. Bang around this time, who engaged him to work for Nymølle Pottery.
From the beginnings at Nymolle, Wiinblad received multiple commissions, from designing textile and embroidery patterns to drawing posters, book, and magazine illustrations. Wiinblad drew for the United Nations in Paris and designed costumes and stages for several theatrical performances. His fame grew in Denmark but soon would extend to Norway and Sweden and in 1950 his ceramics were exhibited at Bonnier's in New York, which specialised in Scandinavian design.
Wiinblad's recognition and acclaim would continue to grow, bringing him a silver medal at the first international ceramics festival in 1955 in Cannes, France, and appointment as artistic director for Rosenthal in 1960. During the 1960s, Wiinblad would become the owner of a number of ceramic studios including Vaerksted, Nymolle, and Det Blaa Hus. He would make Det Blaa Hus his workshop and home until his death in 2006.
Wiinblad's successes did not stop in the Sixties, his continued achievements and international success were extensively documented and celebrated: https://www.rosendahl.com/en/intl/bjoern-wiinblad/stories/about-bjorn-wiinblad
This exquisitely illustrated work of art porcelain is by celebrated Danish illustrator and glass, silver, textiles, ceramics designer Bjorn Wiinblad (b. 1918 - d. 2006) who designed them for Rosenthal in the 1960s.
The illustrated design is from the Samuramat or Sammuramat series, inspired by the tales of the powerful queen of the Babylonian Empire c. 850 BC. The form is sleek, elegant, and simplistic, which is often referred to as a pillow vase that is an excellent canvas' to showcase the incredible detail of the Goldfire glaze. Applied to this is the iridescent glaze to Wiinblad's illustrated design. Wiinblad's unmistakable style with its romantic, charming, and fantastical characteristics is very much evident in these collectible pieces.
CONDITION Excellent. There is negligible use wear, most evident in the form of movement marks on the underside of both vases. The undersides bear Rosenthal's Studio Line stamp with logo, model number and Wiinblad's printed signature. Wiinblad's signature underscores the front-facing illustration.
MEASUREMENTS - Pillow Vase - Height c. 8.5" / 21.6 cm (from base to rim) x length c. 8.5" / 21.6 cm (across longest point). Depth: c. 3" / 7.7 cm. Base: c. 4.9" / 12.5 cm x c. 2.4" / 6cm. Unpackaged weight: c. 0.9 kg / 910 g
A BIT OF HISTORY Born in 1918 in Copenhagen, Bjorn Wiinblad began his training and path to success in 1935. Wiinblad sought the path to his first passion of art and enrolled in graphic school at the Royal Academy of Fine Arts, debuting in 1945 with an extensive exhibition in Palægade, Copenhagen. He met and became firm friends Jacob E. Bang around this time, who engaged him to work for Nymølle Pottery.
From the beginnings at Nymolle, Wiinblad received multiple commissions, from designing textile and embroidery patterns to drawing posters, book and magazine illustrations. Wiinblad drew for the United Nations in Paris and designed costumes and stages for several theatrical performances. His fame grew in Denmark but soon would extend to Norway and Sweden and in 1950 his ceramics were exhibited at Bonnier's in New York, which specialised in Scandinavian design.
Wiinblad's recognition and acclaim would continue to grow, bringing him a silver medal at the first international ceramics festival in 1955 in Cannes, France and appointment as artistic director for Rosenthal in 1960. During the 1960s, Wiinblad would become owner to a number of ceramic studios including Vaerksted, Nymolle and Det Blaa Hus. He would make Det Blaa Hus his workshop and home until his death in 2006.
Wiinblad's successes did not stop in the Sixties, his continued achievements and international success were extensively documented and celebrated on the dedicated website: https://www.bjornwiinblad-denmark.dk/om-bjoern-wiinblad
This exceptionally sculptural work of Italian mid-century Modern design by theBertoncello Ceramiche D'Arte (estd. c.1956 - c.1999). The form is that of a 3D crescent moon partially embedded into the surface the piece rests upon. Further elevating this piece is the richly silky glaze that invites touch, this glaze is one of two Bertoncello signature glazes called the Screziato. This particular shade is the Screziato Tabacco, a sumptuously glaze that is silky to touch, visually, it presents as a refined blending of rich, Golden Ochre, tinged with Sienna which gives added depth. Take a step back to view this piece as a whole and the glaze effect resembles leather or marbled stone.
Like many other Italian potteries that were popular during the mid-century period, little is known about the pottery but the exceptional quality of design undeniably speaks for itself.
This work would suit a space with Modernist, Minimalist and Mid Century décor, either as a standalone work of art ceramic or functionally as a vase or planter. The majestic size, refined form and overall condition of this piece makes it a rare find.
CONDITION Excellent. No chips, cracks, or repairs. Most notable wear are the movement marks on the underside of the base that is commensurable with the age of the piece. Please refer to photographs as they form part of the condition report. The base bears model number '972'.
MEASUREMENTS Height: c. 10.2" / 26 cm. Length c. 11.4" / 29 cm (across body's longest point). Depth: c. 4.7" / 12 cm. Base measurements: c. 6" / 15.2 cm x c. 3" / 7.7 cm. Unpackaged weight: c. 1.3 kg / 1,250 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Bertoncello Ceramiche D'Arte was founded in Schiavon, Italy around 1956 and was first known as LBP, an acronym created with the first letters of the founders surnames Mr Lini, Giovanni Bertoncello and Mr Pizzato.
For many years it was run solely by Giovanni Bertoncello (b. 1930 - d. 2011) and his brother Felice after Mr Lini left the company a few years after the pottery's founding. By the 1970s the pottery had grown to a staff of around 30 with Giovanni being the creative driving force behind the forms and glazes. In the early years Giovanni benefited from some support by a Venetian teacher, Mr. Boatto. Sadly not a lot is known about the company as all its catalogues and archives were destroyed when the company closed in 1999, however, the legacy of Bertoncello's design is undeniable in the history of Italian mid century art ceramics.
Bertoncello's signature designs are often very sculptural, with echoes from geometricism and modern architecture. Dramatic curves, rounded edges and corners, pierced forms and an organic feel are recurring features.
This striking work of mid-century Modern Italian ceramic is by Bertoncello Ceramiche D'Arte (estd. c. 1956 - c. 1999). The sculpted and abstract footed cachepot form is sleek and undulating, and further accented with twist-ring decorative handles.
Further elevating this piece is the high-gloss, sumptuous base glaze in seamlessly blended tones of Sunshine yellow and Demerara brown. This base glaze is overlaid with tactile trails in Talc white, Sienna brown and Powdered Artichoke. Like many other Italian potteries that were popular during the mid-century period, little is known about the pottery but the exceptional quality of design undeniably speaks for itself.
The stylised form, eye-catching glaze palette and excellent condition of this piece makes it a rare find that can be displayed as a standalone piece of functionally as a cachepot.
CONDITION Excellent. No chips, cracks, or repairs. Most notable wear are the movement marks on the underside of the base that are commensurable with the age of the piece. Please refer to photographs as they form part of the condition report. The base bears model number '849v'.
MEASUREMENTS Height: c. 7.2" / 18.3 cm x c. 4.8" / 12.3 cm width (across widest point). Depth: c. 5.5" / c. 14 cm. Base measurements: c. 3.7" / c. 9.4 cm x c. 3.7" / c. 9.5 cm. Unpackaged weight: c. 0.5 kg / 540 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Bertoncello Ceramiche D'Arte was founded in Schiavon, Italy around 1956 and was first known as LBP, an acronym created with the first letters of the founders surnames Mr Lini, Giovanni Bertoncello and Mr Pizzato.
For many years it was run solely by Giovanni Bertoncello (b. 1930 - d. 2011) and his brother Felice after Mr Lini left the company a few years after the pottery's founding. By the 1970s the pottery had grown to a staff of around 30 with Giovanni being the creative driving force behind the forms and glazes. In the early years Giovanni benefited from some support by a Venetian teacher, Mr. Boatto. Sadly not a lot is known about the company as all its catalogues and archives were destroyed when the company closed in 1999, however, the legacy of Bertoncello's design is undeniable in the history of Italian mid century art ceramics.
Bertoncello's signature designs are often very sculptural, with echoes from geometricism and modern architecture. Dramatic curves, rounded edges and corners, pierced forms and an organic feel are recurring features.
Duif Keramiek Sculptural Globe, Statement Jug Vase in Nutmeg Speckled Stoneware Cream Glaze, 1970s
Regular price£396.00
Save £-396.00
This charmingly chic and sculptural statement piece is of Seventies Modernist design by Dutch company Duif Keramiek. Crafted from white clay, the form of this piece is that of a polished globe shape that has been lightly 'shaved' at two sides and then rounded inwards to create the handle of the vase. The composition is finished with a 'stand-up collar' rim. The simple but elegant form makes this an excellent piece for the beautiful glaze that is a cream-beige accented with Nutmeg brown speckles. The imposing Statement size and design, combined with the palette and condition of the piece makes it an exceptionally rare find.
This timelessly elegant and very Modernist piece would suit a Minimalist, Modernist or even Contemporary décor themed room.
CONDITION Excellent. No chips, damage or repairs. There is mild use wear that is most evident in movement marks on the underside of the base. Please do refer to photos as they form part of the condition report.
MEASUREMENTS Height: c. 9.1" / 23 cm x diameter: c. 7.7" / 19.5 cm (across widest point). Rim opening: c. 3.9" / 10 cm. Base diameter: c. 4.6" / 11.7 cm. Unpackaged weight: c. 2.4 kg / 2,390 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Duif Keramiek (1956 – present) Duif Keramiek was founded by Joop Duivenvoorden who began his career by driving up and down the Netherlands selling flowers every day. It was this connection to flowers that helped him see great potential in mini vases. From this, he decided to start his own business and founded Duif’s Keramiek BV on 1 February 1956. Originally based in a garage, he began his one-man business selling mini vases to florists.
Duif’s developed into a modern ceramics business with 15 employees, with sales reps selling directly out of their lorries. Later, they started visiting clients and attending trade fairs across the Netherlands. Duivenvoorden’s two sons, John and Marcel, joined the family business in the early 1980s and in 1984, Duif’s opened a store at Cultra. Duif’s continued to experience success over the years, expanding to importing and exporting - not just ceramics but glassware too. The company became Duif’s international in 2016, with its import and export range extended to other materials such as metals and decorative products such as silk flowers.
Crown Devon Art Deco - Hollywood Regency Moderne - Iridescent Feather Fan Vase, British, 1930s, Rare
Regular price£68.00
Save £-68.00
This elegant and glamourous work of Art Deco, Hollywood Regency design is by the British Pottery Crown Devon. Like that of Art Deco, there is a focus on shape and absence of superfluity, however, Hollywood Regency (sometimes known as Regency Moderne) accentuates the use of bold colour and often contrasts with metallic accents to signify opulence. The curves and lines of this piece are streamlined and softly but beautifully exaggerated to represent a stylised feather fan resting on a golden base, finishing with a curled tip accent on both sides. The exterior décor is a rich iridescent and pearlised glossy glaze, amplifying the tones of luxury and grandeur.
This refined piece is stylistically glamourous, timeless and the combination of the design with the colour palette makes it a particularly rare find.
CONDITION Excellent. There are no chips or repairs. There is insignificant wear to the gold gilt glaze and general crazing all over that is commensurate with the age of the piece. There are mild, age-commensurate movement marks to the underside of the base. Please refer to photos as they form part of the condition report.
MEASUREMENTS Height: c. 7.9" / 20 cm (from base to rim) x c. 5.7" / 14.5 cm rim (across widest point). Width: c. 6.3" / 16 cm (across widest point). Base diameter: c. 4.3" / 11 cm. Unpackaged weight: c. 0.6 kg / 560 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Crown Devon Fieldings (1870 - 1982) The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.
Bjorn Wiinblad for Rosenthal, Duo of Samuramat Series, Porcelain Noire Gold Gilding Vases, 1970s
Regular price£298.00
Save £-298.00
This exquisitely illustrated pair of porcelain noire art is by celebrated Danish illustrator and glass, silver, textiles, ceramics designer Bjorn Wiinblad (b. 1918 - d. 2006) who designed them for Rosenthal in the 1960s.
Both pieces are from The Samuramat or Sammuramat series, inspired by the tales of the powerful queen of the Babylonian Empire c. 850 BC. The forms are sleekly elegant and simplistic; one is of a pillow vase and the other a oval cylinder, which are excellent canvas' to showcase the incredible detail of the gold gilding. Wiinblad's unmistakable style with its romantic, charming and fantastical characteristics is very much evident in these collectable pieces.
CONDITION Excellent. There is negligible use wear, primarily in the form of movement marks on the underside of both vases. The undersides bear Rosenthal's Studio Line stamp with logo and model number. Wiinblad's signature underscore the front facing illustrations.
MEASUREMENTS - Oval Cylinder Vase - Height c. 8.3" / 21.2 cm (from base to rim) x Width c. 3.1" / 8 cm (across widest points). Depth: c. 2" / 5 cm. - Pillow Vase- Height c. 4.5" / 11.5 cm (from base to rim) x Width c. 5" / 12.8 cm (across widest point). Depth: c. 2.4" / 6 cm. Unpackaged weight [pair]: c. 0.7 kg / 740 g
NOTES Vases will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Born in 1918 in Copenhagen, Bjorn Wiinblad began his training and path to success in 1935. Wiinblad sought the path to his first passion of art and enrolled in graphic school at the Royal Academy of Fine Arts, debuting in 1945 with an extensive exhibition in Palægade, Copenhagen. He met and became firm friends Jacob E. Bang around this time, who engaged him to work for Nymølle Pottery.
From the beginnings at Nymolle, Wiinblad received multiple commissions, from designing textile and embroidery patterns to drawing posters, book and magazine illustrations. Wiinblad drew for the United Nations in Paris and designed costumes and stages for several theatrical performances. His fame grew in Denmark but soon would extend to Norway and Sweden and in 1950 his ceramics were exhibited at Bonnier's in New York, which specialised in Scandinavian design.
Wiinblad's recognition and acclaim would continue to grow, bringing him a silver medal at the first international ceramics festival in 1955 in Cannes, France and appointment as artistic director for Rosenthal in 1960. During the 1960s, Wiinblad would become owner to a number of ceramic studios including Vaerksted, Nymolle and Det Blaa Hus. He would make Det Blaa Hus his workshop and home until his death in 2006.
Wiinblad's successes did not stop in the Sixties, his continued achievements and international success were extensively documented and celebrated on the dedicated website: https://www.bjornwiinblad-denmark.dk/om-bjoern-wiinblad
Kamei Glassworks, Handblown Sculpted Handkerchief Vase In Blue and White, 1960s-70s, Japanese
Regular price£36.00
Save £-36.00
This joyful work of mid-century handblown art glass is by Japanese art glass studio Kamei glassworks. There is an air of graceful elegance in its form, particularly with the hot-worked unfurling and rippling rim that is seminal to Kamei's glass art expertise. The form of the main body proudly displays the evenly curved segments with the overlapping Cobalt Blue interwoven with the White.
CONDITION Excellent. No chips or cracks or repairs, with few and mild movement marks on the underside of the vase base that is commensurable with age. Please refer to photos as they form part of the condition report.
MEASUREMENTS Height: c. 5.7" / 14.5 cm (base to rim) Rim measurements: c. 5.2" / 13.2 cm x c. 4.9" / 12.5 cm (across widest points). Base diameter: c. 2" / 5 cm. Unpackaged weight: c. 0.4 kg / 360 g.
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Fun fact: the literal translation of the word 'Kamei' is 'Turtle well' and is, in fact, a Japanese surname. The Kamei glassworks was founded in Osaka, Japan in the 1910s.
Sadly, little is known about the glass artists resident at the glassworks. Perhaps it is due to the language barrier but it is well known amongst the avid glass collectors community that there are many Chinese and Japanese glassmakers whose skill and techniques rival the famous Murano, Czech and Scandinavian makers of the Western world. The styles in which the glass was produced were similar to that of their Western counterparts but like all things, they had subtle differences, such as the finishing technique and colour palettes (a tendency for more vivid colours).
This striking and highly-tactile work of Art Deco design is by British company Beswick Pottery. The form of this piece is clean and elegant, following the classic design principles of Art Deco. The simple form is enhanced by the carved décor that is a pattern of stylised spirals, flora and verdure, interlaced with overlapping circular segments, arcs and curves. The refined design is further elevated by Beswick's Satin Matt glaze applied in a manner of techniques, from hand painted to daubed. The radiant palette consists of powdered sherbet tones; including Peach, Turquoise, Lemon Yellow, Sky and Cerulean Blue, Tan and Heather.
This beautiful work is stylistically timeless, contemporary but yet also very Art Deco making this work suitable for standalone display or for functional use.
CONDITION Excellent. No chips, cracks or repairs. There is light use wear on the interior and underside of the base with mild crazing all over that is commensurate with the age of this piece. The underside of the base is inscribed with 'Made in England', model number '116M' and Beswick's back stamp.
MEASUREMENTS Height: c. 7.1" / 18 cm tall (from rim to base). Diameter: c. 6.7" / 17 cm (across widest point). Depth: c. 6.7" / 17 cm. Rim diameter: c. 4.8" / 12.3 cm. Base diameter: c. 3.1" / 8 cm. Weight: c. 1 kg / 1,020 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY The Beswick firm was founded around the 1890s by John Beswick in Staffordshire, UK. His son James would take over upon his death, introducing a new range of jugs, bowls and vases decorated with new matt glazes. Responding to the modernist influence in design, many of these highly distinctive shapes were designed by Mr Symcox and decorated in 'satin matt' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000s.
Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in these Art Deco pieces as they survive in very good condition.
Wade (Heath) Art Deco Calla Lily Vase in Tangerine, Mint and Cerulean Palette Lava Glaze, 1920s-30s
Regular price£126.00
Save £-126.00
This stylised work of British art pottery is of English Art Deco design from the 1920s to 1930s is by Wadeheath. The shape and décor of this vase reflects the influences of the Art Deco Moderne design, emphasising movement and sleekness with bolder, brassiness.
In the form of the piece, the Moderne design is echoed most prominently in the fluted collar rim, like that of a stylised Calla Lily with an irresistibly arched rise and fall to the curves. The hand-painted, glaze décor is a flowing cascade of glaze, applied in a wax-resist technique and in a palette of Tangrine orange, Mint Green and Cerulean blue.
The combination of the electric colour palette with the graceful form creates a striking presence and is an embodiment of English Art Deco design from c. 85 years ago. The combination of its form, colour palette, design and condition makes it a particularly rare find.
CONDITION Very Good. There is gentle wear to the glaze, mild crazing all over and movement marks on the underside of the base that are commensurate with the age of the piece. The underside of the base is stamped with 'WADES ENGLAND' in use c.1927 and the form number '3277'.
MEASUREMENTS Height: c. 7.5" / 19.1 cm. Depth: c. 5.5" / 14 cm. Width: c. 8.6" / 21.8 cm x c. 5.9" / 15 cm (across widest points). Base diameter: c. 4.3" / 11 cm. Weight: c. 0.9 kg / 875 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A LITTLE BIT OF HISTORY Wadeheath Ceramics 1867 - present Wadeheath Ceramics was originally founded in 1867, in Burslem, England, a collective of different pottery companies that specialised in earthenware and porcelain.
The original companies were: - Wade & Myatt (later became George Wade & Son, which made industrial ceramics and Wade Whimsies). Established 1867. - John Wade & Co (later Wade Heath & Co, which made decorative ware, particularly Art Deco vases in the 1930s). Established 1867. - J & W Wade (later AJ Wade Ltd, which made tiles, notably the original tiles for the London Underground). Established 1891.
Wade made its way into history with beautiful ceramic art ware known as Flaxman Ware in the Art Deco style by Wade Heath & Co and its figure collection known as Wade Whimsies that became hugely popular in the UK and America in the 1950s.
Park Rose Pottery, Postmodern Ombre Cotton Candy Palette Textured Wave Vase, 1980s, British
Regular price£66.00
Save £-66.00
This vivid work of 1980s Postmodern design is by British pottery Park Rose. Postmodern art and design are known for directly or indirectly borrowing from a range of design styles from the past. The form of this vase is a streamlined, Modern, and gently inverted tube shape that is an excellent canvas for the décor that echoes mid-century Op Art and Psy Art influences. The base glaze is a glossy white and juxtaposing this is the two, textured faces decorated in a cotton candy palette. The palette of Powdered Apple green, Lemon yellow, and Marshmallow pink is applied in an Ombre manner, where the textured wave pattern leads the colours to fade into one another:
This charming piece is stylistically contemporary and yet also prominently of its time, this piece works excellently for standalone display and for functional use.
CONDITION Excellent. There are no chips or repairs. The most significant wear is movement marks that is on the underside of the base and mild crazing all over that are commensurable with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base bears the stamp 'Park Rose, Bridlington, England'.
MEASUREMENTS Height: c. 8" / 20.3 cm. Width: c. 5.1" / 13.1 cm (across widest point). Rim measurements: c. 5.1" / 13.1 cm x c. 3.5" / 9 cm. Depth: c. 3.5" / 9 cm. Base measurements: c. 3.1" / 8 cm x c. 2.4" / 6 cm. Unpackaged weight: c. 1.0 kg / 960 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Park Rose Pottery 1982 - 2012 The Park Rose Pottery was founded by Anthony Kusmirek and Noel Rawson in 1982 with the original range consisting of vases, plant pot holders and ceramic lamp bases. The pottery went on to produce and sell a successful range of designer ware in their own right. Sadly, Park Rose Pottery ceased to trade in 2012 and it is unclear as to the reasons behind the closure.
