Sanyu Glassworks Citrine Amber, Emerald Green with Gold and Silver Avventurine Vase, 1960s-70s
Regular price£295.00
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This beautifully sculpted and handblown piece is the work of mid-century Japanese glassworks Sanyu with the iconic Citrine Amber and Emerald Green. This classic Sanyu palette is accentuated with a cradling of rich Lapis Lazuli Blue at the base of the vibrant green. Wrapped around this central well of colour is a diagonal ribbon of alternating gold and silver avventurrine.
Last but absolutely not least, enveloping the jewel-like colour is the handblown clear crystal casing, shaped with a gentle twist. The highly tactile and undulating form gives this piece a brilliantly prismatic ability. The hidden prismatic magic in this piece is very apparent when it is placed in the pathway of sunlight and surfaces light up from the refractions thrown.
Whilst the Amber and Green is a common Sanyu colour combination, the addition of the blue, the gold avventurine and the arched form makes this piece a rare find.
CONDITION Excellent. No chips or cracks or damage, There is very mild wear of movement marks on the underside of the base that is commensurate with age. Please refer to photos as they form part of the condition report.
MEASUREMENTS Height: c. 9" / 23 cm tall x c. 4.7" / 12 cm width (across widest point). Base: c. 2.4" / 6 cm (across widest point). Unpackaged weight c. 1.8 kg / 1,800 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Sanyu Glass Co. is based in Osaka, Japan and has been producing art glass since the 1950s. Similar to other better known Japanese glassworks of Iwatsu and Hineri, the quality and style is often mistaken for Murano and Czech glass from the same era.
Though knowledge of the Japanese glassworks is scarce in the Western countries, what is known is that the quality of Japanese art glass during the 1950s to the 1970s rivalled that of Murano, Scandinavian, and Czech glass production. Recognition has been relatively low and most pieces imported into the Western market are often simply marked with the word 'Foreign' or not at all. It is rare to discover pieces with the original glassworks or importing company's label.
Japanese Postmodern Brutalist Toyo Ito Style, Architectural Ceramic Studio Vase, 1980s
Regular price£338.00
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Discover the intersection of art and design with this Japanese studio work. On prominent display are echoes of Toyo Ito's visionary design ethos, and the evident appreciation for innovative structural and construction approaches. A seamless blend of Postmodern and Brutalist design, the central feature appearing on both sides of the vase is the highly tactile graduated steps in hues of gloss Charcoal overlaid onto the base of pale Sandstone tone. The layout of the steps carries design whispers of Escher and an almost Bionic quality. This is offset and complimented by an equally organic semi-matte Cyberpunk net in the ethereal golden tones resting on the opposing shoulder of the vase.
A firm statement piece in excellent condition.
CONDITION Excellent. No chips or repairs. There are faint movement marks on the underside of the base commensurable with the age of the piece. Please refer to the photos as they form part of the condition report. The body of the vase bears the artist's mark that has yet to be identified.
MEASUREMENTS Height: c. 8.8" / 22.3 cm tall x c. 11" / 28 cm length (across widest point). Depth: c. 3.9" / 10 cm. Unpackaged weight: c. 1.3 kg / 1,330 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Marian Zawadski for Tilgmans Keramik 1966 Mid Century Modern Sgraffito Sculptural Bottle Floor Vase
Regular price£1,695.00
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This striking work of Swedish Mid-Century Modernist design the signed work of Marian Zawadski (b. 1912 - d. 1978) a professor, artist, and ceramist who became artistic director for Tilgmans Keramik of Gothenburg, Sweden during the 1950s.
Zawadski's experimentation with the Sgraffito technique brought great popularity and appreciation for Tilgman's ceramics and his work became exemplary for Tilgmans.
Zawadski's stylised use of the Sgraffito technique is a significant feature in this piece, with deep incisions creating the heavily arched, angular, and textured décor. True to the roots of Modernist design, the simple bottle form with boldly geometric décor overlaid onto the base material speaks to an honest expression of the natural earthenware. From the incised décor to the glaze to the earthenware, all aspects are highly tactile. The unglazed sections create a confident contrast against the individually glazed sections of boldly geometric, Sgraffito décor. The vase is finished with an interior of gloss glaze that is coloured in Powdered Duck Egg tone.
This Swedish Modernist work is stylistically bold and timeless, making it suitable as a statement feature for its surrounding space.
CONDITION Superb. No cracks or repairs. There are minor, negligible chips on the exterior which are commensurate with the age of the piece, and mild use wear on the interior. Please refer to the photos as they form part of the condition report. The base of the body is incised with Zawadski's signature 'A.M.Z' and dated '1966'. The underside of the base of the vase is stamped with 'Tilgmans Keramik' and 'Made in Sweden' stamp and model number '620'.
MEASUREMENTS Height: c. 22.2" / 56.5 cm tall (from base to rim) x c. 4.5" / 11.5 cm rim diameter. Base diameter: c. 6.1" / 15.5 cm. Unpackaged weight: c. 5.8 kg / 5,800 g.
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Marian Zawadski (b. 1912 - d. 1978) Antoni Marian Zawadski (sometimes known as 'Zawadzki' or 'Zawadsky') was an associate professor, artist, and ceramist, was born in Poland in 1912 who, as a refugee, moved to Gothenburg in Sweden in 1953. In Gothenburg, he worked as an artistic director at Tilgmans Keramik. Zawadski is best known for his richly decorated objects in the Sgraffito technique.
His works included lamp bases, vases, bowls, urns and wall plates and he would receive commissions for public, municipal, and private buildings. Zawadski would leave Tilgman's Ceramics in 1970, moving to Vallda outside Kungsbacka where he opened his own workshop, Vallda Keramik. The production in his own workshop is very similar to his work at Tilgmans.
Crown Devon, Art Deco, Powdered Verdigris and Latte Palette, Tapered Vase, 1930s
Regular price£63.00
Save £-63.00
This elegantly glamourous work of Art Deco design is by the British Pottery Crown Devon. Like much of Art Deco design, there is a focus on shape and absence of extravagance, however, the form of this piece also carries strong echoes of the Art Deco Odeon style.
Art Deco Odeon style references the revolution in British style brought about by the c.260 Odeon cinemas that sprung up across the UK from the late 1920s. Over 13 years, Oscar Deutsch created a circuit of cinemas where the buildings celebrated Art Deco Modernism with sweeping, simple yet strongly defined lines.
The central feature of the vase is the plinthed conical form that is complimented by the strongly defined straight and curved 'struts' on either side. The glaze across the entire palette of Powdered Verdigris, Latte and Slate-Blue is semi-matte, giving understated refinement to the stylised leaf design.
Timeless in style and when combined with the featured design; the size and overall condition of this piece make this a rare find.
CONDITION Excellent. There are no chips or repairs. There is mild surface wear to movement marks on the underside of the base that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base bears Crown Devon's stamp and the model number '2406'.
MEASUREMENTS Height: c. 7.6" / 19.3 cm (from base to rim) x c. 5.5" / 14 cm diameter (across widest point). Base diameter: c. 4.1" / 10.5 cm. Unpackaged weight: c. 0.7 kg / 725 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY
Crown Devon Fieldings (1870 - 1982) The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.
This subtly bold work of Modernist design is British pottery Beswick. Strong curves arch asymmetrically to form the handles on either side of the central vent defining the overall form as a superb backdrop for the contrasting glaze decor.
The base tone of the glaze is the high-quality semi-matte glaze in Buttermilk cream. Overlaid onto the base glaze are handpainted geometric delineations in tones of Dark Chocolate, Apricot, Mint, and Powdered Violet.
The various elements in the design bring sleek sophistication and elegance suiting a room with decor inspired by Modernist, Art Deco, or Contemporary design influences.
CONDITION Excellent, no chips or cracks. There is light wear that is most evident on the underside of and interior that is commensurable with the age of the piece, please see photos as part of the condition report. The underside bears the stamp 'BESWICK, MADE IN ENGLAND' and faintly imprinted the model number '190'.
MEASUREMENTS Height: c. 7.5" / 19 cm tall (from base to rim) x c. 4.8" / 12.3 cm in length (across the widest point). Unpackaged weight: c. 0.7 kg / 700 g
A BIT OF HISTORY Beswick Pottery The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tablewares and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.
Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox . These works were often decorated in 'satin matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000's.
Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in their Art Deco pieces as they survive in very good condition. They also justify Beswick's annoucement in a 1930's advertisement of "a sound body, with a brilliant, non-crazing glaze fashioned in hundreds of shapes".
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Beswick Pottery, Clarice Cliff Era, Art Deco Footed Jug Vase, Cobalt, Flax and Sienna Drip Glaze
Regular price£80.00
Save £-80.00
This subtly bold work of Art Deco design is British pottery Beswick. With strong curves that infer Streamline Moderne, the international style of Art Deco that emerged in the 1930s was inspired by aerodynamic design. The elevated and sharp overlapping fins that form the triangular mouth of this piece capture attention with its presence. The overall form is a superb backdrop for the contrasting glaze decor.
The interior of the mouth is a striking Mint green which beautifully compliments the semi-matte drip glaze composition of Cobalt Blue, Flax Yellow that is finished with an accent of Sienna brown. The flow of the glaze beautifully contrasts against the strongly defined geometric lines of the piece.
The various elements in the design bring sleek sophistication and elegance suiting a room with decor inspired by Modernist, Art Deco, or Contemporary design influences. The excellent condition, model and palette of this work are a rare find.
CONDITION Excellent, no chips or cracks. There is mild crazing to the glaze and light wear that is most evident on the underside of the feet which is commensurable with the age of the piece, please see photos as part of the condition report. The underside of the feet is faintly embossed with 'BESWICK ENGLAND' and only the belly underside, the model number '178'.
MEASUREMENTS Height: c. 7.5" / 19 cm tall (from base to rim) x c. 7.1" / 18 cm in length (across the widest point). Unpackaged weight: c. 1.0 kg / 980 g
A BIT OF HISTORY Beswick Pottery The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tablewares and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.
Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox . These works were often decorated in 'satin matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000's.
Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in their Art Deco pieces as they survive in very good condition. They also justify Beswick's annoucement in a 1930's advertisement of "a sound body, with a brilliant, non-crazing glaze fashioned in hundreds of shapes".
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
This vibrant handblown work of mid-century Japanese 'Fazzoletto' art glass is by Hokuyo Glassworks. Glass collectors familiar with the Murano technique Fazzoletto (translation 'handkerchief) will know that this is the art of crafting glass to mimic the elegant flowing folds of fabric.
Elegant and graceful, the curves that shape the 6 lobed 'petals' rise and fall asymmetrically to create an organic 'unfurling'. The Hokuyo interpretation of the Fazzoletto technique, the exterior of this piece has the palette of rich Scarlet red with light swathes of Charcoal ending in a clear casing at the base. The interior is a sumptuous Milk-white strikingly offsetting the red exterior.
Amongst collectors, the skill and quality applied in creating Japanese art glass is very much known to rival its Western counterparts and can often be more difficult to find.
CONDITION Excellent. There are faint movement marks that are on the underside of the base. All wear is commensurable with age. Please refer to the photos as they form part of the condition report. The underside of the base has a concave pontil, a known finishing touch of many Japanese glassworks.
MEASUREMENTS Height: c. 8.5" / 21.5 cm (base to rim). Width: c. 7.1" / 18 cm (across widest point). Base measurement: c. 3.3" / 8.3 cm (across widest point). Unpackaged weight: c. 1.6 kg / 1,555 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Hokuyo Glassworks Founded in 1949 in the prefecture of Aomori in Japan, Hokuyo built a reputation for producing glass floats for fishing and eventually became known as a top producer by the early 1970s. Around this time, the glassworks also became known for producing Tsugaru Bidoro (Tsugaru glass) and experimenting with vibrant art glass.
Tsugaru Bidoro is created by a 'free-blown' technique of glass-blowing originating in the 1st Century BC. Over the years, Hokuyo has continued to experiment with molding technology and coloured glass that today, emphasises the four seasons with colour as well as the 'creator's feelings and passion'.
Iwatsu Hineri, Buttercup, Scarlet and Electric Blue Stripe Flower Vase,1960s-70s, Japanese
Regular price£110.00
Save £-110.00
This vibrant handblown work of mid-century Japanese 'Fazzoletto' art glass is by Iwatsu Hineri glassworks. Glass collectors familiar with the Murano technique Fazzoletto (translation 'handkerchief) will know that this is the art of crafting glass to mimic the elegant flowing folds of fabric.
Elegant and graceful, the curves that shape the 5 lobed 'petals' create an organic 'unfurling' from the centre. The Iwatsu Hineri interpretation of the Fazzoletto technique, this particular piece has the rarer colour palette of Buttercup yellow, Scarlet red and Electric blue vs the more common Apricot peach, Scarlet red and Violet purple palette.
The colours swirl gloriously from the centre within the clear-cased base with the capturing of colour rival to the Murano Sommerso ['submerged'] technique. The interior of the vase enables a view of the swirling into the varying intensities of colour into the folds and lobes of the vase.
Amongst collectors, the skill and quality applied in creating Japanese art glass is very much known to rival its Western counterparts and can often be more difficult to find.
CONDITION Excellent. There are faint movement marks that are on the underside of the base. All wear is commensurable with age. Please refer to photos as they form part of the condition report. The underside of the base has a concave pontil that is a known finishing touch of Iwatsu.
MEASUREMENTS Height: c. 5.8" / 14.7 cm (base to rim). Width: c. 7.4" / 18.8 cm (across widest point). Base measurement: c. 2.2" / 5.7 cm (across widest point). Unpackaged weight: c. 1.2 kg / 1,205 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Iwatsu Glassworks Unfortunately, little is known about Iwatsu despite being one of the largest glassmakers in Japan, the commonly cited and understood reason is due to language barriers. However, Iwatsu is deemed to have produced art glass under the Hineri and Art Glass labels before closing in the 1990s. Iwatsu were known to have been based in Osaka in Japan, producing colourful art glass during the 1970s. The quality and style of their work rivalled and is often mistaken for, Italian Murano glass and Czech glass from the same period.
Beswick Pottery, Ciro Series, Art Deco Ruskin-Style Dimpled Vase with Stylised Flora Decor, 1930s
Regular price£45.00
Save £-45.00
This gorgeous work of original Art Deco design is by the British company Beswick Pottery. From the softly geometric, chasing triangles in raised relief decor to the classic ginger urn form with the twist of added depressions of 'dimples', the form of this piece is clean and elegant and classically Art Deco. The excellent form is complimented by a semi-matte Pale-Grey dappled on Stone base glaze complimented by the handpainted, stylised flora decor in powdered tones of Teal, Buttercup, Cornflower and Lilac.
CONDITION Excellent. No chips, cracks or repairs. There is natural and mild crazing all over and light use wear on the interior of the vase that is commensurate with the age of this piece. The underside of the base is inscribed with 'Beswick Ware, MADE IN ENGLAND' and the impressed model number '70'.
MEASUREMENTS Height: c. 7" / 18 cm tall (from rim to base) x c. 5.3" / 13.5 cm wide (across widest point). Base diameter: c. 3.5" / 9 cm. Weight: c. 0.8 kg / 750 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY The Beswick firm was founded around the 1890s by John Beswick in Staffordshire, UK. His son James would take over upon his death, introducing a new range of jugs, bowls and vases decorated with new matt glazes. Responding to the modernist influence in design, many of these highly distinctive shapes were designed by Mr Symcox and decorated in 'satin matt' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000s.
Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in these Art Deco pieces as they survive in very good condition.
Pair of Kurt Tschörner for Ruscha Keramik, Sculptural Abstract 321 Jug Vases, 1960s-70s, WGP
Regular price£675.00
Save £-675.00
These sleek and chic works of iconic mid-century Modern art pottery are by celebrated and prominent designer Kurt Tschörner (b. 1912 - d. 1987) for the influential West German Pottery studio of Ruscha Keramik (1905 - 1996).
The form features gently exaggerated curves and arches all over, reminiscent of popular works of Italian art potteries such as Bertoncello Ceramiche and Roberto Rigon with echoes of architectural geometricism worked into the design. The form is an excellent canvas for the semi-matte and textured lava glaze with similarly bold, hand-painted curves, delineation, charming florals, and colour palette.
With the seamlessly blended echoes of Italian mid-century art pottery design and earlier Art Deco and Picasso-Cubist-esque influences to the form, it's easy to see why this form is sought after.
The combination of the form, condition, sizes, and palette makes this duo an even rarer find. These statement works are excellent for stand-alone display.
CONDITION Excellent. No chips, cracks, or repair. There is negligible surface wear and movement marks on the underside of the bases that is commensurable with the age of the pieces - please see photos as part of the condition report. The underside of the bases are signed - the taller: '321/4, Ruscha, Handgemalt (Handmade) M' and the smaller '321/3, Ruscha, Handgemalt (Handmade) Ed'.
MEASUREMENTS 321/4 Height: c. 9.6" / 24.3 cm (from base to rim) x c. 6.5" / 16.5 cm in length (across longest point). Width: c. 4.3" / 11 cm. Base measurements: c. 3.5" / 9 cm.
321/3 Height: c. 7.9" / 20 cm (from base to rim) x c. 5.1" / 13 cm in length (across longest point). Width: c. 3.9" / 10 cm. Base measurements: c. 2.9" / 7.3 cm. Unpackaged weight [Pair]: c. 1.2 kg / 1,215 g
A BIT OF HISTORY Ruscha (established 1906 - 1996) Originally founded in Rheinbach by Georg Schardt, it was known as Klein & Schardt until 1948. Rudolf Schardt would take over the company and rename it to Ruscha, the name created from the first letters of his fore and surname. As Ruscha entered the ceramics boom in the 1950s, the pottery was joined by art pottery director Cili Wörsdörfer who made her handpainted designs for series such as Milano and Zebra wildly popular. Otto Gerharz was the production director, designing innovative glazes such as Vulkano.
Ruscha would later add to its success with Kurt Tschörner joining in the 1960s, designing whimsical and daring forms such as the 313 and 321 jug vase that became and remain sought-after hits.
Other greats who joined Ruscha included Ernst Borens, Hans Welling and Adele Bolz. Unfortunately, the pottery's success came to an end in the 1990s, when it finally closed its doors in 1996, selling its name and many designs to Scheurich who produced vintage-inspired designs under the 'Ruscha Art' brand.
Fratelli Fanciullacci, Stylised Town Series, Sgraffito on Clay, Gloss and Lava Glaze Décor Vase
Regular price£435.00
Save £-435.00
This rare and stunning work of Italian mid-century Modern art pottery is by Fratelli Fanciullacci (1862-1988) from the stylised Town series that was designed and in production between the 1950s to 1960s, during the Italian ceramics boom.
The Town series* is characterised by its highly tactile Sgraffito on raw clay décor that is beautifully juxtaposed against the gloss, semi-matte and lava glaze techniques. The base is a rich and matte Cookie-toned earthenware, upon which is incised the geometric town buildings and landscape silhouettes. The vibrant colour palette of Lime green, Tomato Red and Dandelion yellow is boldly offset against the tones of Chocolate, Cookie browns and Milk white. The interior is further gloss glazed in white which enables this to be used functionally.
Timeless in aesthetic style yet very representative of the mid-century Italian Modern design movement, this piece is in excellent condition with the design and form being particularly rare find.
*Reference: Page: 121, Alla Moda, Italian Ceramics of 1950s-70s, Mark Hill, Published 2012
CONDITION Excellent, there are no cracks, or repairs. There is mild surface wear to the glaze that is commensurate with age. The underside of the vase is noted with the model number '7852'.
MEASUREMENTS Height: c. 8.4" / 21.3 cm tall (from base to tallest point). Rim diameter: c. 3.2" / 8.2 cm. Diameter (across widest point): c. 5.9" / 15 cm. Base measurements: c. 4" / 10.2 cm. Unpackaged weight: c. 1.0 kg / 985 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Fratelli Fanciullacci (f. 1862 - c. 1988) came from an illustrious lineage with family members having worked for the Ginori porcelain company since the 1700s. Founded as Ceramich Capraia by Raffaello Fanciullacci, it would be the late 1870s before being renamed as Fratelli Fanciullacci.
As early as the 1910s, Fanciullacci became the single largest employer in Montelupo Fiorentino offering over 1,000 different forms and a plethora of patterns and glazes by 1914. During the 1920s-30s, the team included Aldo Londi (who would go on to found Bitossi). Fanciullacci was known for reflecting public desires and contemporary taste in their work. Modern design was introduced shortly after WWII with inspiration taken from Modern art offering a profusion of clean-lined, geometrically influenced forms in a vivacious rainbow of colours. During the mid-century period, over 90% of Fanciullacci's production was exported abroad.
Sadly, the natural disaster of the River Arno flooding in November 1966 meant widespread destruction, forced closure and redundancies for over a year. Though Fanciullacci rallied in the 1970s, cheaper production abroad resulted in loss of market share and after a number of falterings, Fanciullacci would eventually close in 1988.
This striking and romantically joyful work of handblown Japanese mid-century art glass is by the glassworks Tajima, who was known to have produced art glass under the label of Best Art Glass.
Elegant and graceful, the curves that shape the 5 lobed 'petals' creates an organic 'unfurling' from the centre. The palette is a striped arrangement of Sakura pink followed by Cobalt blue and Emerald green, handblown into a swirling pattern to create the main featured colouring of the piece. The gem-like tones vary in intensity as they trace every fold and curve of the lobes and finish with an accent of clear glass at the base.
This excellent piece is stylistically timeless making it suitable for standalone display as a centrepiece or functional use.
CONDITION Excellent. There are no chips or cracks, only mild wear on the surface that is commensurable with age. Please refer to the photos as they form part of the condition report. The underside of the base has a concave pontil that is a known finishing touch of Japanese art glass and bears the original label 'Best Art Glass, Foreign' with the 'Foreign' being an indicator of glass imported into the UK during this period.
MEASUREMENTS Height: c. 8.3" / 21 cm (base to rim) Diameter: c. 5.7" / 14.5 cm (across widest point). Base diameter: c. 2.8" / 7 cm. Unpackaged weight: c. 1.3 kg / 1,275 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items
A BIT OF HISTORY Tajima Glassworks Unfortunately, little is known about Tajima Glass. However, it is known that the glass studio was founded in 1956, in Tokyo, Japan, by Matsutaro Tatsuta. They are known for coloured, textured and often mould-blown or hot-worked art glass. Tajima Glass are still operating today. The quality and style of their work are similar to other Japanese glassworks, rivalling and often mistaken for Italian Murano glass and Czech glass from the same period.
