AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase
AnyesAttic Glass Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase

Antique 1900s Kralik Draped Decor, Iridescent Cranberry and Silver Collared Bohemian Art Glass Vase

£92.00 Save £-92.00
1 in stock

This exceptional and rare work of Art Nouveau, Art Deco art glass is by Bohemian glassworks Kralik. The decor of this piece is the well documented 'Draped', which as the name suggests, has the effect of draped fabric. The textured, 'draped' surface effect is combined with the gold-toned iridescence of the art glass gives the effect of draped Cranberry pink satin.

The piece is finished with a silver collar accent (hallmarked to Birmingham Assay Office 1903-1904), which complements its elegant bottle form and was common to art glass design during the Art Nouveau period.

BIT OF HISTORY
The Kralik glassworks, full name Wilhelm Kralik Sohne, was originally founded by Josef Meyr in 1815, in Bohemia. The factory was originally called Adolfshutte. When Josef died, his son Jan took over the company. By this time, the company owned four glass factories. Jan died in 1841, and his two nephews Josef Taschek and Wilhelm Kralik became the owners. The company name was changed to J. Meyr's Neffen, and when Josef died in 1862, the name changed to J. Meyr's Neffe.

Wilhelm Kralik died in 1877, and left the company to his 4 sons. The company was split in two - Heinrich and Johann took the name Wilhelm Kralik Sohne, Hugo and Karl used the name Meyr's Neffe. Meyr's Neffe merged with Moser in 1922. Wilhelm Kralik Sohne continued to produce glassware until World War II.

CONDITION
Superb. There are no chips, cracks or repair to the glass, there is the mild sanding at the rim that is visible as a result of the wear to the silver collar and is from the production process. There is a single bubbling measuring c. 0.2 mm which is from the production process and has been mentioned for completeness. There is significant and visible wear to the silver collar which can be left untouched for its antique charm or replaced if preferred. Please see photos as they form part of the condition report. The silver collar is hallmarked to the Birmingham Assay Office, 1903-1904, the silversmith mark is unclear but has been attributed as 'AHD', Alfred Horatio Darby who was active from 1895 to 1933.

MEASUREMENTS
Height: c. 7.3" / 18.5 cm (from base to rim) x max diameter: c. 2.9" / 7.5 cm. Rim diameter: c. 1" / 2.7 cm. Base diameter: c. 1.8" / 4.5 cm. Unpackaged weight: c. 0.2 kg / 228 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

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THE ITEM

Presenting a excellent piece of Art Nouveau influenced design. 

The funnel form vase bears the Papaver poppy design, which was popular during the height of the Art Nouveau movement. There are two open poppies wrapping round the body of the vase, a bud and a smaller half open poppy with unfurling leaves complimenting the blooms. The decor has been crafted in raised relief, making this piece very tactile. 

A elegant piece suited to a room with Art Nouveau, Vintage / Brocante inspired decor. 

A BIT OF HISTORY

Engelbert Kayser (1840-1911) - an art dealer, entrepreneur, and ambitious artist - founded the trademark of the same name in 1894. Kayserzinn produced high-quality tin and pewter items in Jugendstil Art Nouveau style until 1920.

Kayserzinn's main designer and artistic director was Hugo Leven (1874-1956), a name to be compared with that of Liberty's main pewter designer, Archibald Knox. Leven was very successful as a designer, participating in world exhibitions and strongly influencing the German Jugendstil style with his designs. 

CONDITION
Very good.  No damage, however, there is age-wear - wear which is commensurable with the age of the piece, please see photos as part of condition report.

MEASUREMENTS
Height: c. 8" / 20 cm by c. 4.3" /  11 cm (rim diameter) 

Base diameter: c. 2.8" / 7 cm 

Unpackaged weight: c. 0.8 kg / 781 g

NOTES
Vase will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique

£163.52 Save £-163.52
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne 6 Lobed Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique

This exquisitely intricate, Japanese Cloisonné enamel piece is dated to c.1900 from the Meiji era (1868-1912) by Takahara Komajiro 高原駒次郎 of Kyoto.

Currently held on consignment at Andrews Oakville

Takahara is referenced as the most well-known and consistent maker of Kyoto-Jippo (tr. 'Cloisonné') wares, founding a workshop in 1894. The Cloisonné technique is revered for hand-applying thin wire or metal and different coloured enamels. The technique has been elevated to astounding heights in this piece when you consider the detailed wired sections are as thin as 1mm in width.

Also present are Takahara's signature design characteristics despite being unsigned; most notably the floral patterns and the 'Takara-mono' (tr. 'treasured items') featured in the roundels. Further indications of Takahara's style can be seen in the green overlapping scales and band of dotted red circlets brocading the foot and rim of the vase. From delicate sprigs of Sakura Cherry Blossom to Moutan Peonies and Wisteria, the Cloisonné flourishes with elements of jewel-coloured enamel in a joyful celebration of flora in bloom.

The exceptional skill in delicately applying the cloisonne in such a diminutive size is a true wonder and the condition of the enamel décor makes this piece a rare find. Not only did Takahara's Cloisonné skill contend with creating the enamel art in minute detail, but it was also applied to the rise and fall of each curve for the 6 lobes. This fantastic work of art makes a superbly decorative and highly collectable art feature.

CONDITION
Very Good. There is mild surface bruising with traces of enamel loss, minor impressions to the rim and base, as well as some natural enamel pitting that is commensurable with age, please see the photos as part of the condition report. 

MEASUREMENTS
Height: c. 3.7" / 9.5 cm x c. 1.8" / 4.5 cm diameter (across widest point). Base diameter: c. 1" /  2.5 cm. Rim diameter: c. 0.7" / 1.7 cm. Unpackaged weight [pair]: c. 0.1 kg / 65 g


A BIT OF HISTORY
Japanese Cloisonne enamelware is a technique introduced to Japan around the Tokugawa period during the 16th century.

Cloisonne or 'Cloisonné' are metalwork objects with decoration that is applied by creating separating sections using wire or thin metal. The sections are filled with different coloured enamels to create a visual image or pattern and the whole piece is fired multiple times to realise the colours.

Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique

£172.96 Save £-172.96
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique

Currently held on consignment at Andrews Oakville

This exquisitely intricate, Japanese Cloisonné enamel piece is dated to c.1900 from the Meiji era (1868-1912) by Takahara Komajiro 高原駒次郎 of Kyoto.

Takahara is referenced as the most well-known and consistent maker of Kyoto-Jippo (tr. 'Cloisonné') wares, founding a workshop in 1894. The Cloisonné technique is revered for hand-applying thin wire or metal and different coloured enamels. The technique has been elevated to astounding heights in this piece when you consider the detailed wired sections are as thin as 1mm in width.

Also present are Takahara's signature design characteristics despite being unsigned; most notably the floral patterns and the 'Takara-mono' (tr. 'treasured items') featured in the roundels. Further indications of Takahara's style can be seen in the green overlapping scales and band of dotted red and black circlets brocading the foot and rim of the vase. From delicate sprigs of Sakura Cherry Blossom to Chrysanthemums, Anemones, Wisteria and even a butterfly, the Cloisonné flourishes with elements of jewel-coloured enamel in a joyful celebration of flora in bloom.

The exceptional skill in delicately applying the cloisonne in such a diminutive size is a true wonder and the condition of the enamel décor makes this piece a rare find. Not only did Takahara's Cloisonné skill contend with creating the enamel art in minute detail, but it was also applied to the curving and thin-stemmed form. This fantastic work of art makes a superbly decorative and highly collectable art feature.

CONDITION
Excellent. No chips, cracks or repairs. There is some natural enamel pitting that is commensurable with the age of the piece, please see photos as part of the condition report. 

MEASUREMENTS
Height: c. 5" / 12.6 cm by c. 3.1" / 8 cm diameter (across widest point). Base diameter: c. 1.4" /  3.6 cm. Rim diameter: c. 1.1" / 2.8 cm. Unpackaged weight: c. 0.1 kg / 105 g



A BIT OF HISTORY
Japanese Cloisonne enamelware is a technique introduced to Japan around the Tokugawa period during the 16th century.

Cloisonne or 'Cloisonné' are metalwork objects with decoration that is applied by creating separating sections using wire or thin metal. The sections are filled with different coloured enamels to create a visual image or pattern and the whole piece be fired multiple times to realise the colours.

Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese

£248.43 Save £-248.43
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese
Asian Art Metals Pair of Takahara Komajiro Cloisonne Faceted Bud Vases, Kyoto-Jippo ware, Late Meiji Era, Japanese

Currently held on consignment at Andrews Oakville

This pair of exquisitely intricate, Japanese Cloisonné enamel pieces are dated to c.1900 from the Meiji era (1868-1912) by Takahara Komajiro 高原駒次郎 of Kyoto.

Takahara is referenced as the most well-known and consistent maker of Kyoto-Jippo (tr. 'Cloisonné') wares, founding a workshop in 1894. The Cloisonné technique is revered for using thin wire or metal to contain different coloured enamels. The technique has been elevated to astounding heights in these pieces when you consider the detailed wired sections are as thin as 1mm in width.

Also present are Takahara's signature design characteristics despite being unsigned; most notably the floral patterns and the 'Takara-mono' (tr. 'treasured items') featured in the roundels. Further indications of Takahara's style can be seen in the band of dotted red circlets brocading the foot and rim of the vases. From delicate sprigs of Sakura Cherry Blossom to Chrysanthemums, Anemones and Wisteria, the Cloisonné flourishes with elements of jewel-coloured enamel in a joyful celebration of flora in bloom.

The exceptional skill in delicately applying the cloisonne in such a diminutive size is a true wonder and the condition of the enamel décor make these pieces a rare find. Not only did Takahara's Cloisonné skill contend with creating the enamel art in minute detail, but it was also applied to the curving and faceted forms. These fantastic works of art would make a superbly decorative and highly collectable art feature.

CONDITION
Good. There is surface bruising with traces of enamel loss, minor impressions to the rim and base, as well as some natural enamel pitting that is commensurable with age, please see the photos as part of the condition report. 

MEASUREMENTS
Height: c. 4.7" / 12 cm by c. 2.2" / 5.6 cm diameter (across widest point). Base diameter: c. 1.4" /  3.5 cm. Rim diameter: c. 1.0" / 2.5 cm. Unpackaged weight [pair]: c. 0.2 kg / 165 g



A BIT OF HISTORY
Japanese Cloisonne enamelware is a technique introduced to Japan around the Tokugawa period during the 16th century.

Cloisonne or 'Cloisonné' are metalwork objects with decoration that is applied by creating separating sections using wire or thin metal. The sections are filled with different coloured enamels to create a visual image or pattern and the whole piece is fired multiple times to realise the colours.

Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique

£157.23 Save £-157.23
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique
Asian Art Metals Takahara Komajiro Cloisonne Bud Vase, Kyoto-Jippo ware, Late Meiji Era, Japanese, Antique

Currently held on consignment at Andrews Oakville

This exquisitely intricate, Japanese Cloisonné enamel piece is dated to c.1900 from the Meiji era (1868-1912) by Takahara Komajiro 高原駒次郎 of Kyoto.

Takahara is referenced as the most well-known and consistent maker of Kyoto-Jippo (tr. 'Cloisonné') wares, founding a workshop in 1894. The Cloisonné technique is revered for hand-applying thin wire or metal and different coloured enamels. The technique has been elevated to astounding heights in this piece when you consider the detailed wired sections are as thin as 1mm in width.

Also present are Takahara's signature design characteristics despite being unsigned; most notably the floral patterns and the 'Takara-mono' (tr. 'treasured items') featured in the roundels. Further indications of Takahara's style can be seen in the green overlapping scales and band of dotted red and black circlets brocading the foot and rim of the vase. From delicate sprigs of Sakura Cherry Blossom to Chrysanthemums, Anemones, Wisteria and even a butterfly, the Cloisonné flourishes with elements of jewel-coloured enamel in a joyful celebration of flora in bloom.

The exceptional skill in delicately applying the cloisonne in such a diminutive size is a true wonder and the condition of the enamel décor makes this piece a rare find. Not only did Takahara's Cloisonné skill contend with creating the enamel art in minute detail, but it was also applied to the curving and thin-stemmed form. This fantastic work of art makes a superbly decorative and highly collectable art feature.

CONDITION
Good. There is a single hairline crack with traces of enamel loss and 2 minute and non-obvious losses to the enamel and natural enamel pitting that is commensurable with the age of the piece, please see photos as part of the condition report. 

MEASUREMENTS
Height: c. 5" / 12.6 cm by c. 3.1" / 8 cm diameter (across widest point). Base diameter: c. 1.4" /  3.6 cm. Rim diameter: c. 1.1" / 2.8 cm. Unpackaged weight: c. 0.1 kg / 105 g

A BIT OF HISTORY
Japanese Cloisonne enamelware is a technique introduced to Japan around the Tokugawa period during the 16th century.

Cloisonne or 'Cloisonné' are metalwork objects with decoration that is applied by creating separating sections using wire or thin metal. The sections are filled with different coloured enamels to create a visual image or pattern and the whole piece be fired multiple times to realise the colours.

Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique

£88.00 Save £-88.00
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique
Asian Art Metals Late Meiji Era c.1880, Totai Shippo - Cloisonne on Ceramic, Floral Ginger Jar, Japanese, Antique

This exquisitely intricate Totai Shippo piece is dated to c.1880 from the Japanese Meiji era (1868-1912 ).

Totai Shippo is the technique of applying Cloisonné enamel to ceramic believed to have been discovered by Sukamoto Kaisuke (b.1828 - d.1887) some time around 1868. Traditional Cloisonné of using thin wire or metal to contain different coloured enamels applied to a metal vessel itself is already a revered technique. Totai Shippo elevates the technique to another level when you consider the detailed wired sections of this piece is as small as 1-2mm in width.

This particular piece bears two 'faces', a panel on each side that displays the detailed design of butterflies, Chrysanthemums and Anemones in tones of Dusted Powder and Cobalt Blue, Oxblood Red and Apple Green. Encircling the panels are features of Sakura buds and blossom interwoven with the Teal patterned background. 

This excellent work of art makes for a superbly decorative and highly collectable art feature.

CONDITION
Very Good. There is age-related wear to the enamel and crazing on the non-enamelled sections that is commensurable with the age of the piece, please see photos as they form part of the condition report.

MEASUREMENTS
Height: c. 3.9" / 10 cm by c. 3.4" / 8.6 cm diameter (across widest point). Base diameter: c. 1.9" /  4.7 cm. Rim diameter: c. 1.6" / 4.1 cm. Unpackaged weight: c. 0.2 kg / 220 g

NOTES
Jar will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Japanese Cloisonne enamelware is a technique introduced to Japan around the Tokugawa period during the 16th century.

Cloisonne or 'Cloisonné' are metalwork objects with decoration that is applied by creating separating sections using wire or thin metal. The sections are filled with different coloured enamels to create a visual image or pattern and the whole piece be fired multiple times to realise the colours.

Back to Antique (1918 or before)