Art Deco

This elegantly glamourous work of Art Deco design is by the British Pottery Crown Devon. Like much of Art Deco design, there is a focus on shape and absence of extravagance, however, the form of this piece also carries strong echoes of the Art Deco Odeon style.

Art Deco Odeon style references the revolution in British style brought about by the c.260 Odeon cinemas that sprung up across the UK from the late 1920s. Over 13 years, Oscar Deutsch created a circuit of cinemas where the buildings celebrated Art Deco Modernism with sweeping, simple yet strongly defined lines.

The central feature of the vase is the plinthed conical form that is complimented by the strongly defined straight and curved 'struts' on either side. The glaze across the entire palette of Powdered Verdigris, Latte and Slate-Blue is semi-matte, giving understated refinement to the stylised leaf design.

Timeless in style and when combined with the featured design; the size and overall condition of this piece make this a rare find. 

CONDITION
Excellent. There are no chips or repairs. There is mild surface wear to movement marks on the underside of the base that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base bears Crown Devon's stamp and the model number '2406'.

MEASUREMENTS
Height: c. 7.6" / 19.3 cm (from base to rim) x c. 5.5" / 14 cm diameter (across widest point). Base diameter: c. 4.1" / 10.5 cm. Unpackaged weight: c. 0.7 kg / 725 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items. 

A BIT OF HISTORY

Crown Devon Fieldings (1870 - 1982) The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.

This gorgeous work of original Art Deco design is by the British company Beswick Pottery. From the softly geometric, chasing triangles in raised relief decor to the classic ginger urn form with the twist of added depressions of 'dimples', the form of this piece is clean and elegant and classically Art Deco. The excellent form is complimented by a semi-matte Pale-Grey dappled on Stone base glaze complimented by the handpainted, stylised flora decor in powdered tones of Teal, Buttercup, Cornflower and Lilac.

CONDITION
Excellent. No chips, cracks or repairs. There is natural and mild crazing all over and light use wear on the interior of the vase that is commensurate with the age of this piece. The underside of the base is inscribed with 'Beswick Ware, MADE IN ENGLAND' and the impressed model number '70'.

MEASUREMENTS
Height: c. 7" / 18 cm tall (from rim to base) x c. 5.3" / 13.5 cm wide (across widest point). Base diameter: c. 3.5" / 9 cm. Weight: c. 0.8 kg / 750 g

NOTES
Vase will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

A BIT OF HISTORY
The Beswick firm was founded around the 1890s by John Beswick in Staffordshire, UK. His son James would take over upon his death, introducing a new range of jugs, bowls and vases decorated with new matt glazes. Responding to the modernist influence in design, many of these highly distinctive shapes were designed by Mr Symcox and decorated in 'satin matt' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000s.

Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in these Art Deco pieces as they survive in very good condition.

This striking work of Art Deco design is by the English pottery Shorter and Son (estd. c. 1900 - c. 1964). The sculpted and abstract jardiniere form firmly displays architectural influences of Art Deco Bauhaus geometricism. The overall shape is that of an oval slice that is an excellent canvas for the tactile décor.

The décor is an alternating pattern arranged with the triangular ridges. The horizontal ridges stagger in height as they wrap around the body and are further complimented by vertical ridges of staggered height. Further elevating this piece is the sumptuous glaze that is a blended flow of Cream, Caramel, Mocha brown tones which are offset by the Steel grey-blue. The glaze palette is similar to that of Raw Ocean Jasper. The visual appeal of this piece is timeless in style but also very much a piece of Art Deco history.

CONDITION
Very Good. No chips, cracks, or repairs. The most notable wear are mild marks on the interior of the planter and a minor flake to the glaze on the underside of the base that are commensurable with the age of the piece. Please refer to photographs as they form part of the condition report. The base bears Shorter and Son's stamp denoting 'Shorter and Son, Stoke on Trent, Made in England".

MEASUREMENTS
Height: c. 3.3" / 8.5 cm. Width: c. 7.1" / 17.8 cm (across widest point) x c. 6.1" / 15.6 cm (across deepest point). Unpackaged weight: c. 0.9 kg / 860 g

NOTES
Jardiniere planter will be securely packaged and shipping will be insured. Shipping will be combined for multiple items. 

A BIT OF HISTORY
Before the 1920s, Shorter and Son (c. 1900 - 1964) produced Edwardian Majolica ware, creating a broad range of domestic and ornamental ware such as jardinieres, umbrella holders, bowls and vases. From the 1920s onward, their range only broadened however, they would adapt their designs to the burgeoning influences of the period. The design of their tableware and accessories for example reflected the Art Deco influences of the greats such as Clarice Cliff and Mabel Leigh designed for Shorter and Son from 1933 to 1935. 

Sadly, in the early 1960s, the company faced the death of a director Arthur Colley Shorter as well as the loss of a factory in Copeland Street to a road development scheme. Finally, there were significant expenses to convert to smokeless firing to conform with the Clean Air Act. These factors resulted in a decision to accept an offer from S. Fielding & Co. Ltd the owners of Crown Devon around 1964.

This beautifully stylised work of Art Deco design was made by English pottery Crown Devon. Designed and made during Clarice Cliff's Bizarre era. The stylised tree and landscape verdure décor in this piece echoes that of which appears in Cliff's iconic Orange Roof Cottage series. The décor is further elevated by the addition of the tube-lined and tactile dotted 'stitching'. The origin of design can be attributed to the Czechoslovakian pottery Ditmar Urbach, from which Crown Devon developed its own interpretation. 

The subtly striking décor sits against the canvas of the spherical globe form, displaying its timeless style and carrying its c. 85 years of Art Deco history. 

CONDITION
Very Good. There are 3 negligible chips to the glaze and light use wear to the underside of the base. Mentioned for completeness: there mild crazing all over. The light wear is commensurable with the age of the piece, please refer to photos as they form part of the condition report. The base bears Crown Devon's stamp and model number 'M206'. Length of cord: c. 70" / 178 cm and is fitted with a British plug. Lamp takes a 'B22' light bulb.

MEASUREMENTS
Height: c. 6.3" / 16 cm (excluding bulb holder) height: c. 9.3" / 23.5 cm (including bulb holder). Diameter: c . 6.3" / 16 cm (across widest point). Base diameter: c. 3" / 7.5 cm. Unpackaged weight: c. 0.9 kg / 945 g

NOTES
Lamp will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Crown Devon Fieldings (1870 - 1982)
The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.

This striking and highly-tactile work of Art Deco design is by British company Beswick Pottery. The form of this piece is clean and elegant, following the classic design principles of Art Deco. The simple form is enhanced by the carved décor that is a pattern of stylised spirals, flora and verdure, interlaced with overlapping circular segments, arcs and curves. The refined design is further elevated by Beswick's Satin Matt glaze applied in a manner of techniques, from hand painted to daubed. The radiant palette consists of powdered sherbet tones; including Peach, Turquoise, Lemon Yellow, Sky and Cerulean Blue, Tan and Heather. 

This beautiful work is stylistically timeless, contemporary but yet also very Art Deco making this work suitable for standalone display or for functional use.

CONDITION
Excellent. No chips, cracks or repairs. There is light use wear on the interior and underside of the base with mild crazing all over that is commensurate with the age of this piece. The underside of the base is inscribed with 'Made in England', model number '116M' and Beswick's back stamp. 

MEASUREMENTS
Height: c. 7.1" / 18 cm tall (from rim to base). Diameter: c. 6.7" / 17 cm (across widest point). Depth: c. 6.7" / 17 cm. Rim diameter: c. 4.8" / 12.3 cm. Base diameter: c. 3.1" / 8 cm. Weight: c. 1 kg / 1,020 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
The Beswick firm was founded around the 1890s by John Beswick in Staffordshire, UK. His son James would take over upon his death, introducing a new range of jugs, bowls and vases decorated with new matt glazes. Responding to the modernist influence in design, many of these highly distinctive shapes were designed by Mr Symcox and decorated in 'satin matt' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000s.

Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in these Art Deco pieces as they survive in very good condition.

This elegantly glamourous work of Art Deco design is by the British Pottery Crown Devon. Like much of Art Deco design, there is a focus on shape and absence of superfluity, however, the form of this piece also carries strong echoes of the Art Deco Odeon style. Art Deco Odeon style references the revolution in British style brought about by the c.260 Odeon cinemas that sprung up across the UK from the late 1920s. Over 13 years, Oscar Deutsch created a circuit of cinemas where the buildings celebrated Art Deco Modernism with sweeping, simple yet strongly defined lines.

The elegant form is an excellent canvas for the matt-satin glaze décor. The colour palette of the glaze is a rich base of Cream that is smoothly blended into a Powdered Verdigris green and overlaid with dapples of Pale Lemon yellow and Pale Periwinkle blue.

CONDITION
Excellent. There are no chips or repairs. There are movement marks on the underside of the base, ruffling to the glaze along the edge of the base and general crazing all over that are commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base bears Crown Devon's stamp and the inscribed model number '471 s/s'. 

MEASUREMENTS
Height: c. 4.5" / 11.5 cm (from base to rim) x c. 5.9" / 15 cm diameter (including handles). Width: c. 4.5" / 11.5 cm (excluding handles). Depth: c. 4.3" / 11 cm. Base diameter: c. 3.1" / 8 cm. Unpackaged weight: c. 0.4 kg / 430 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Crown Devon Fieldings (1870 - 1982)
The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.

This elegantly stylised work of Art Deco design is by the English pottery Shorter and Son (est. c. 1900 - c. 1964). The sculpted and abstract jardiniere form firmly displays architectural influences of Art Deco geometricism and echoes from the Art Nouveau period. The overall shape is that of a tiered and asymmetrically rounded-rectangle that is an excellent canvas for the tactile décor.

The décor is a touch-inviting pattern of stylised geometric accents; from the rounded angular borders trimming the tiers to the scalloped borders and flower-like segments. Further elevating this piece is the sumptuous glaze that is a blended dappling of Powdered Peach, Mint green, and Pale Indigo blue tones. The visual appeal of this piece is timeless in style but yet also very much a piece of Art Deco history.

CONDITION
Very Good. No chips, cracks, or repairs. The most notable wear is a glaze-flaw, where the glaze was applied unevenly and subsequently created a wear. Please refer to photographs as they form part of the condition report. The base bears Shorter and Son's stamp denoting 'Shorter and Son Ltd, Stoke on Trent, Made in Great Britain".

MEASUREMENTS
Height: c. 3.7" / 9.5 cm. Width: c. 8.6" / 21.8 cm (across widest point) x c. 4.5" / 11.5 cm (into deepest point). Unpackaged weight: c. 0.6 kg / 615 g

NOTES
Jardiniere planter will be securely packaged and shipping will be insured. Shipping will be combined for multiple items. 

A BIT OF HISTORY
Before the 1920s, Shorter and Son (c. 1900 - 1964) produced Edwardian Majolica ware, creating a broad range of domestic and ornamental ware such as jardinieres, umbrella holders, bowls and vases. From the 1920s onward, their range only broadened however, they would adapt their designs to the burgeoning influences of the period. The design of their tableware and accessories, for example, reflected the Art Deco influences of the greats such as Clarice Cliff and Mabel Leigh designed for Shorter and Son from 1933 to 1935.

Sadly, in the early 1960s, the company faced the death of director Arthur Colley Shorter as well as the loss of a factory in Copeland Street to a road development scheme. Finally, there were significant expenses to convert to smokeless firing to conform with the Clean Air Act. These factors resulted in a decision to accept an offer from S. Fielding & Co. Ltd the owners of Crown Devon around 1964.

This stylised work of British art pottery piece is of English late-Art Deco design from the 1930s and is by the pottery Empire Ware.

Beautifully sculptural and seemingly simple, this piece is a manifestation of the significant technique needed to result in its evenly hand-formed body. The Art Deco accents appear most prominently in the softly geometric, diamond form. The hand-painted, silky, semi-matte glaze décor on the interior is a beautifully dappled blending of Iced/Powdered Turquoise that graduates into the Iced Peach Tea tones. The exterior décor is a reflection of the interior with the same tones.

This piece has a gracefully elegant presence, an embodiment of English Art Deco design from c. 85 years ago. The combination of its form, colour palette and condition makes it a particularly rare find.

CONDITION
Superb. There are no chips, cracks or repairs. There is mild age-wear in the form of movement marks on the underside of the base and faint crazing all over that is commensurate with the age of the piece. Please refer to photographs as they form part of the condition report. The underside of the base is marked with Empire Ware's stamp.

MEASUREMENTS
Height: c. 3.5" / 9 cm by c. 12.4" / 31.5 cm length (across longest point). Width c. 8" / 20.2 cm (across widest point). Base measurements: c. 3" / 7.5 cm. Weight: c. 0.6 kg / 600 g

NOTES
Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Empire Ware began life as Empire Works, producing earthenware and porcelain in 1896 in Stoke-on-Trent. The company lasted through the decades reinventing themselves a few times until the works became too difficult to modernise and led to their closure in 1967. In more recent times, the mark 'Empire Ware Made in Portugal' appeared on the market however, pieces from this company are known as a tribute and reproductions of the original company.

These elegant works of Art Deco design are by the British Pottery Crown Devon. The carved pitcher jug is Crown Devon's 'London' jug form with the '371' Caisson form vase. Both works are in a matching 'Polished Orange Jasper' glaze and are highly tactile; particularly the London jug with its most standout feature of the vase body swelling around the carved lines, making each section exquisitely touch inviting. The Caisson vase bears subtle geometric and mirroring Art Deco accents of raised stripes and handles.

The semi-matte Polished Orange Jasper silk glaze décor is a blending of Pale Peach dappled with Cinnamon and Espresso Coffee brown. The sumptuous glaze creates the effect of Polished Orange Jasper chalcedony gems. Both pieces are stylistically timeless and the combination of the designs, colour palette as well as the excellent condition makes them a rare find.

CONDITION
Excellent. There are no chips or repairs. There are mild and negligible movement marks on the underside of the base that is commensurate with the age of the pieces. Please refer to photos as they form part of the condition report. The underside of the bases are unmarked but the London jug vase is inscribed with 'London' and the other vase is inscribed with the model number '371'. 

MEASUREMENTS
- London Jug Height: c. 5" / 12.6 cm (from base to rim) x c. 5.1" / 13 cm width (handle to spout). Rim diameter: c. 1.9" / 4.7 cm. Base diameter: c. 2.2" / 5.5 cm.
- Caisson 371 Vase Height: c. 5" / 12.8 cm (from base to rim) x c. 3.5" / 8.8 cm diameter. Width: c. 4.7" / 12 cm (handle to handle). Base diameter: c. 2.8" / 7 cm.
Unpackaged weight [Pair]: c. 0.9 kg / 855 g

NOTES
Vases will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Crown Devon Fieldings (1870 - 1982)
The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.

This striking work of 1930s Bauhaus Art Deco design is by Carstens Uffrecht Pottery and attributed to the then lead designer Hildegard Delius (b. 1896 - d. 1955).

The geometric Bauhaus influence is very evident in the evenly-arched, stylised architectural form and further accentuated through subtle plays of cross-hatching within the glaze décor. The sumptuous hand-painted glaze is a base of Vanilla cream that is overlaid with a palette of orange shades, including Apricot, Marmalade, Amber, and Ochre, and further elevated through deeper Coffee brown tones.

Whether on display or used around the home, this work is timelessly stylish in design yet also an excellent representation of the Bauhaus Art Deco movement. 

CONDITION
Excellent. No chips or repairs. There is a single hairline stress crazing that is very faintly visible to the naked eye but commensurable with the age of the piece, please refer to photos as they form part of the condition report. The underside of the dish is marked with Carsten Uffrecht's stamp denoting 'DEK18' and model number '444'.

MEASUREMENTS
Height: c. 2.6" /  6.5 cm tall (from base to rim) x c. 11.8" / 30 cm in length (across longest point). Width: c. 9.6" / 24.5 cm (across widest point) Base measurements: c." 6.4 / 16.2 cm x c. 5.9" / 15 cm. Unpackaged weight: c. 1.0 kg / 980 g

NOTES
Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Carstens Uffrecht that was founded in 1845 by Jacob Uffrecht. After the Second World War, the Carstens family lost their ceramics and porcelain factories in East German territory. In 1945, Carstens Uffrecht became the East German vases maker VEB Haldensleben. VEB stands for the German “Volkseigener Betrieb”, meaning a people-owned enterprise and related to state-owned workplaces in the GDR.

Hildegard Delius (1896-1955) and her husband Klaus Delius were the known designers from the mid-1920s to mid-1930s at Carstens Uffrecht, echoing the architectural vision of Bauhaus founder Walter Gropius.

VEB Haldensleben mainly concentrated on making vases of high quality. Like the vases of Strehla, the colours are more subdued than the vases from West Germany. Often there is at least one metallic glaze on the vases. When Germany was reunited in 1990, the former East German factory was again owned by the Carstens family and the name was changed to Carstens Keramik Rheinsberg.

This elegant work of Art Deco design is by the British Pottery Crown Devon. The pitcher jug form is seemingly simple but there are actually a number of subtle Art Deco design nuances incorporated into the design. The body is accentuated by the gently exaggerated curves at the belly and handle, with a finishing accent of a lightly fluted rim and spout. The most standout feature is obviously the carved detail and the way the body of the vase swells around the carved lines, making each section exquisitely tactile. 

The semi-matte silk glaze décor is a blending of Sandstone beige, dappled with dashes of pale Golden Sand, this graduates into a wash of Marigold amber. This refined piece is stylistically timeless and the combination of the design, colour palette, size as well as excellent condition makes it a particularly rare find.

CONDITION
Excellent. There are no chips or repairs. There is mild and negligible crazing all over that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base bears Crown Devon's stamp denoting 'Crown Devon, Made in England' and a further indistinct stamp with the series name 'Harlem'. 

MEASUREMENTS
Height: c. 5.7" / 14.5 cm (from base to rim) x c. 3.1" / 8 cm rim (across widest point). Diameter: c. 4.3" / 11 cm (across widest point). Base diameter: c. 2.2" / 5.6 cm. Unpackaged weight: c. 0.5 kg / 465 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Crown Devon Fieldings (1870 - 1982)
The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.

This elegant work of Art Deco design is by ceramics designer Charlotte Rhead (b. 1885 - d. 1947) for the English pottery Crown Ducal.  

The form is mildly ridged and graduates outwards, creating a well balanced bowl. The softly geometric and pointed bronzed ridges, complemented by the tactile dots and band around the base makes the form cleanly sophisticated and classically Art Deco. 

This excellent work of Rhead's iconic design makes for an stylish, edgy vessel to hold displays such as a planter for a succulents arrangement. 

CONDITION
Excellent. No chips, cracks or repairs. There is however, natural and mild staining on the interior as well as light wear to the bronze elements that is commensurate with age. The underside of the dish is stamped with Crown Ducal's mark. 

MEASUREMENTS
Height: c. 2.6" / 6.5 cm tall (from rim to base) x c. 6.3" / 16 cm wide (across widest point). Base measurements: c. 3.7" / 9.3 cm. Weight: c. 0.6 kg / 635 g

NOTES
Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Charlotte Rhead (b. 1885 - d. 1947) was an English ceramics designer active in the 1920s and the 1930s in the Potteries area of Staffordshire. Rhead came from an artistic family and from the beginning of the 20th century, Charlotte began working for Wardle & Co. a pottery in the nearby town of Hanley. Though she did not stay long, it gave her the opportunity to learn the skill of tube-lining, which became a technique that would become characteristic to her career as a designer. 

She secured her first engagement as a designer in the early 1900s at T&R Boote before joining her father at Wood & Sons. Rhead is well known for her association with Burgess & Leigh, where she was a designer from 1926 to 1931 and also her work at Crown Ducal from 1931 onwards.

This stylised work of British art pottery piece is of English late-Art Deco design from the 1930s, with a colour palette similar to that of Monet's 'Wisteria' Impressionist painting.

Beautifully sculptural and seemingly simple, this piece is a manifestation of the significant technique needed to result in its evenly hand-formed body. The Art Deco accents appear most prominently in the softly geometric, diamond form. The hand-painted, silky, semi-matte glaze décor on the interior is a beautifully dappled blending of Azure blue tones with Golden Sand, Teal Green and Chocolate Brown. The exterior décor is a reflection of the interior with the same tones that is edged at the base with the Chocolate Brown. 

This piece has a gracefully elegant presence, an embodiment of English Art Deco design from c. 85 years ago. The combination of its form, colour palette and condition makes it a particularly rare find.

CONDITION
Superb. There are no chips, cracks or repairs. There mild age-wear in the form of movement marks on the underside of the base that is commensurate with the age of the piece. Please refer to photographs as they form part of the condition report. The underside of the base is unmarked. 

MEASUREMENTS
Height: c. 3.5" / 9 cm by c. 12.4" / 31.5 cm length (across longest point). Width c. 8.3" / 21 cm (across widest point). Base measurements: c. 6.1" / 15.5 cm x  3.9" / 10 cm. Weight: c. 0.6 kg / 600 g

NOTES
Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

Wadeheath Ceramics 1867 - present
Wadeheath Ceramics was originally founded in 1867, in Burslem, England, a collective of different pottery companies that specialised in earthenware and porcelain.

The original companies were:

• Wade & Myatt (later became George Wade & Son, which made industrial ceramics and Wade Whimsies). Established 1867.
• John Wade & Co (later Wade Heath & Co, which made decorative ware, particularly Art Deco vases in the 1930s). Established 1867.
• J & W Wade (later AJ Wade Ltd, which made tiles, notably the original tiles for the London Underground). Established 1891.

Wade made its way into history with beautiful ceramic art ware known as Flaxman Ware in the Art Deco style by Wade Heath & Co and its figure collection known as Wade Whimsies that became hugely popular in the UK and America in the 1950s.

This exceptional and rare work of Art Nouveau, Art Deco art glass is by Bohemian glassworks Kralik. The decor of this piece is the well documented 'Draped', which as the name suggests, has the effect of draped fabric. The textured, 'draped' surface effect is combined with the gold-toned iridescence of the art glass gives the effect of draped Cranberry pink satin.

The piece is finished with a silver collar accent (hallmarked to Birmingham Assay Office 1903-1904), which complements its elegant bottle form and was common to art glass design during the Art Nouveau period.

BIT OF HISTORY
The Kralik glassworks, full name Wilhelm Kralik Sohne, was originally founded by Josef Meyr in 1815, in Bohemia. The factory was originally called Adolfshutte. When Josef died, his son Jan took over the company. By this time, the company owned four glass factories. Jan died in 1841, and his two nephews Josef Taschek and Wilhelm Kralik became the owners. The company name was changed to J. Meyr's Neffen, and when Josef died in 1862, the name changed to J. Meyr's Neffe.

Wilhelm Kralik died in 1877, and left the company to his 4 sons. The company was split in two - Heinrich and Johann took the name Wilhelm Kralik Sohne, Hugo and Karl used the name Meyr's Neffe. Meyr's Neffe merged with Moser in 1922. Wilhelm Kralik Sohne continued to produce glassware until World War II.

CONDITION
Superb. There are no chips, cracks or repair to the glass, there is the mild sanding at the rim that is visible as a result of the wear to the silver collar and is from the production process. There is a single bubbling measuring c. 0.2 mm which is from the production process and has been mentioned for completeness. There is significant and visible wear to the silver collar which can be left untouched for its antique charm or replaced if preferred. Please see photos as they form part of the condition report. The silver collar is hallmarked to the Birmingham Assay Office, 1903-1904, the silversmith mark is unclear but has been attributed as 'AHD', Alfred Horatio Darby who was active from 1895 to 1933.

MEASUREMENTS
Height: c. 7.3" / 18.5 cm (from base to rim) x max diameter: c. 2.9" / 7.5 cm. Rim diameter: c. 1" / 2.7 cm. Base diameter: c. 1.8" / 4.5 cm. Unpackaged weight: c. 0.2 kg / 228 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

This piece is a beautiful design of Art Deco from the iconic Rubin series by Gefle Upsala Ekeby's renowned artistic director, Arthur Percy.

Percy combined the gentle curves in the form of this piece, the colour and stylised floral gold gilding into a modernised statement of Scandinavian influenced chinoiserie. The design overall, is seamless blend of the luxury, glamour and exuberance of which the Art Deco design movement represented.

CONDITION
Superb. No chips or cracks, there is age-wear present in the form of mild wear to the gold gilding which is commensurable with age of the piece. The base bears the Upsala-Ekeby Gefle stamp, 'Rubin', the numbers '252', '19' and the inscribed initials of 'DP'.

MEASUREMENTS
Height: c. 3.9" / 10 cm tall (from base to rim) x 4.1" / 10.5 cm in diameter (rim). Base diameter: c. 2.4" / 6 cm. Unpackaged weight: 0.3 kg / 345 g

NOTES
Vase will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

A BIT OF HISTORY
Carl Arthur Carlsson-Percy, a ceramist and artist, born in Vickleby on August 10, 1886, son of sailor Nils Petter Carlsson and Johanna (Hanna) Sofia Andersson, married to Kerstin Beckman from 1911.

Percy traveled to Stockholm during the early 20th century to train himself as a decorative painters. In 1905 he went to the school of artistic association and in 1908 he traveled to Paris for studies at Académie Collarossi and Matisse Painting School. He would go on to become artistic director in 1923 at Gefle Porslinsfabrik(which became part of Upsala Ekeby in 1936). In 1942 he became artistic director at Karlskrona Porslinsfabrik until 1946.

His early work was characterised by items with soft decorations of flowers and birds, he was also inspired by Italian 14th and 16th centuries, which was also reflected in his work. During the 1920s, his renowned work includes the series "Gefle", "Vinranka", "Floating Blue", "Iris", "Three Flowers", "Silversties" and "Christina". During the 1930's and 40's came "Suecia", "Exotica" and his perhaps most famous décor "Rubin".

Percys art is represented in a large number of Swedish and foreign museums, including National Museum and Modern Museum, Prince Eugens Waldemarsudde, Art Museum in Gothenburg, and museums in Malmö, Norrköping, Lindköping, Västerås, Borås, Jönköping, Kalmar, Karlstad, Gävle and Östersund, etc. Abroad, one can find his art at the Sévres Museum in Paris, the Musée des Beaux-Arts in Pau, the Victoria and Albert Museum in London, the Metropolian Museum in New York and the Lubeck Museum in Germany and others.

This elegant and charming work of 1930s Art Deco design is by Swedish sculptor and ceramist Maggie Wibom (b.1899 - d.1961).

The gentle exaggeration in the stylised curves of this horse, both in the stance and muscles are recognised characteristics of Wibom's technique. This horse figure, in particular, is known to have been designed and created during the year Wibom was guest designer at Gefle Ceramics. The semi-matte and opaque white glaze has been used to highlight the sculpted and flowing curves of the ceramic, adding an extra dimension of personality and character to the sculpture.

CONDITION
Excellent. No chips, cracks or repairs. There is mild use wear, predominantly in the form of movement marks on the underside of the figure's base and which is commensurable with the age of the piece. The underside of the base bears Wibom's stamp and Wiboms initial's 'MW' are inscribed into one hind leg.

MEASUREMENTS
Height: c. 5.9" / 15 cm tall (from base to rim) x 8.3" / 21 cm in length. Depth: c. 3.9" / 10cm (across widest point). Unpackaged weight: c. 0.7 kg / 722 g

NOTES
Figure will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Jonny Margareta (Maggie) Wibom (b.1899 - d.1961) was a Swedish ceramist and sculptor. Wibom studied at the Higher Art Industrial School until 1924 and was employed at Boberg's Fajansfabriek in Gävle in 1925. She designed bowls, dishes and pots often with motives in relief. In 1933-1934 she was a guest designer for Gefle Porslinsfabrik with figures and animals in stoneware. In 1936 she started at St. Eriks Lervarufabriker in Uppsala. In 1938, she started her own workshop, Stockholm's Ceramics in Stockholm, which she ran until 1950.

Her work was often composed in ceramic and she created decor such as glazed ceramic tiles with figurative compositions.

In her lifetime, she exhibited her works in a number of art galleries and museums both in Sweden and internationally. Her public works include ceramic decorations for the People's House in Gävle, a wall fountain at the cinema Aveny in Stockholm, and ceramic reliefs and wall tiles for Staffan's church in Gävle.

Other examples of Wibom's work is represented in multiple museums in Sweden such as the National Museum of Stockholm, Gävleborg County Museum, Uppland Museum as well as abroad in Trondheim Museum, Norway and Museum of Fine Arts in Boston.