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Bjorn Wiinblad
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Bjorn Wiinblad (b.1918 - d. 2006)
Wiinblad was born in 1918 in Copenhagen to Otto and Ebba Wiinblad and it would1935 until he began his training, he would go on to graduate five years later in 1940. Once graduated, Wiinblad sought the path to his first passion of art and enrolled in graphic school at the Royal Academy of Fine Arts. In1943, fellow student Lars Syberg would invite him to his ceramics workshop and Wiinblad would find his first creative outlet. In 1945, Wiinblad debuted with an extensive exhibition in Palægade in Copenhagen with a collection of ceramics, drawings and posters. Wiinblad would become firm friends Jacob E. Bang around this time, who engaged him to work for Nymølle.
From the beginnings at Nymolle, Wiinblad received multiple commissions, from designing textile and embroidery patterns for the Håndværkdets Fremme to drawing posters, book and magazine illustrations. Wiinblad drew for the United Nations in Paris as well as costume and stage design for several theatrical performances. His fame grew at home in Denmark but soon it would extend to Norway and Sweden and in 1950 his ceramics were exhibited at Bonnier's in New York, which specialised in Scandinavian design.
Wiinblad's recognition and acclaim would continue to grow, bringing him a silver medal at the first international ceramics festival in 1955 in Cannes, France and appointment as artistic director for Rosenthal in 1960. Wiinblad's successes, however, would not stop there, his continued achievements have been extensively documented and celebrated on the dedicated website: https://www.bjornwiinblad-denmark.dk/om-bjoern-wiinblad
This magnificently hand-built and illustrated work of art ceramic is by celebrated Danish illustrator and glass, silver, textiles, ceramics designer Bjorn Wiinblad (b. 1918 - d. 2006). This particular piece was created for the prestigious Illums Bolighus [Denmark's first concept department store] 1 year after Wiinblad became the first artist to exhibit there.
The form of this piece is the bust of Titania, Queen of Fairies from the Midsummer Night's Dream series. Highly romantic, Wiinblad applied his exceptional creativity and imagination to tactile details beyond facial anatomy. Individual rosettes and leaves are elegantly placed to bring to life Titania's high floral crown with an exquisitely curved tapering that creates a leaf shape of its own for the rim of the vase.
Handpainted onto the form is the illustrated design, seamlessly applied to the crown and the upper torso, creating the visual effect that blurs the separation between flora and foliage and Titania herself.
The combination of the statement size, palette, and excellent condition of this piece makes it a noteworthy find of Wiinblad's early work.
CONDITION Excellent. There is negligible use wear, most evident in the form of movement marks on the underside of the vase and mild crazing to the handpainted glaze all over that are commensurable with the age of the piece. The underside bears Wiinblad's 'BW' monogram, the 'V21' model number and '63' denoting the year of production. The underside also bears the original Illums Bolighus label.
MEASUREMENTS Height c. 14.8" / 37.7 cm (from base to rim) x width c. 6.5" / 16.5 cm (across widest point). Depth: c. 5.5" / 14 cm (shallowest). Base: c. 3.5" / 9 cm. Unpackaged weight: c. 1.5 kg / 1,490 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Bjorn Wiinblad (b. 1918 - d. 2006) Born in 1918 in Copenhagen, Bjorn Wiinblad began his training and path to success in 1935. Wiinblad sought the path to his first passion of art and enrolled in graphic school at the Royal Academy of Fine Arts, debuting in 1945 with an extensive exhibition in Palægade, Copenhagen. He met and became firm friends with Jacob E. Bang around this time, who engaged him to work for Nymølle Pottery.
From the beginnings at Nymolle, Wiinblad received multiple commissions, from designing textile and embroidery patterns to drawing posters, book, and magazine illustrations. Wiinblad drew for the United Nations in Paris and designed costumes and stages for several theatrical performances. His fame grew in Denmark but soon would extend to Norway and Sweden and in 1950 his ceramics were exhibited at Bonnier's in New York, which specialised in Scandinavian design.
Wiinblad's recognition and acclaim would continue to grow, bringing him a silver medal at the first international ceramics festival in 1955 in Cannes, France, and appointment as artistic director for Rosenthal in 1960. During the 1960s, Wiinblad would become the owner of a number of ceramic studios including Vaerksted, Nymolle, and Det Blaa Hus. He would make Det Blaa Hus his workshop and home until his death in 2006.
Wiinblad's successes did not stop in the Sixties, his continued achievements and international success were extensively documented and celebrated: https://www.rosendahl.com/en/intl/bjoern-wiinblad/stories/about-bjorn-wiinblad
This exquisitely illustrated work of art porcelain is by celebrated Danish illustrator and glass, silver, textiles, ceramics designer Bjorn Wiinblad (b. 1918 - d. 2006) who designed them for Rosenthal in the 1960s.
The illustrated design is from the Samuramat or Sammuramat series, inspired by the tales of the powerful queen of the Babylonian Empire c. 850 BC. The form is sleek, elegant, and simplistic, which is often referred to as a pillow vase that is an excellent canvas' to showcase the incredible detail of the Goldfire glaze. Applied to this is the iridescent glaze to Wiinblad's illustrated design. Wiinblad's unmistakable style with its romantic, charming, and fantastical characteristics is very much evident in these collectible pieces.
CONDITION Excellent. There is negligible use wear, most evident in the form of movement marks on the underside of both vases. The undersides bear Rosenthal's Studio Line stamp with logo, model number and Wiinblad's printed signature. Wiinblad's signature underscores the front-facing illustration.
MEASUREMENTS - Pillow Vase - Height c. 8.5" / 21.6 cm (from base to rim) x length c. 8.5" / 21.6 cm (across longest point). Depth: c. 3" / 7.7 cm. Base: c. 4.9" / 12.5 cm x c. 2.4" / 6cm. Unpackaged weight: c. 0.9 kg / 910 g
A BIT OF HISTORY Born in 1918 in Copenhagen, Bjorn Wiinblad began his training and path to success in 1935. Wiinblad sought the path to his first passion of art and enrolled in graphic school at the Royal Academy of Fine Arts, debuting in 1945 with an extensive exhibition in Palægade, Copenhagen. He met and became firm friends Jacob E. Bang around this time, who engaged him to work for Nymølle Pottery.
From the beginnings at Nymolle, Wiinblad received multiple commissions, from designing textile and embroidery patterns to drawing posters, book and magazine illustrations. Wiinblad drew for the United Nations in Paris and designed costumes and stages for several theatrical performances. His fame grew in Denmark but soon would extend to Norway and Sweden and in 1950 his ceramics were exhibited at Bonnier's in New York, which specialised in Scandinavian design.
Wiinblad's recognition and acclaim would continue to grow, bringing him a silver medal at the first international ceramics festival in 1955 in Cannes, France and appointment as artistic director for Rosenthal in 1960. During the 1960s, Wiinblad would become owner to a number of ceramic studios including Vaerksted, Nymolle and Det Blaa Hus. He would make Det Blaa Hus his workshop and home until his death in 2006.
Wiinblad's successes did not stop in the Sixties, his continued achievements and international success were extensively documented and celebrated on the dedicated website: https://www.bjornwiinblad-denmark.dk/om-bjoern-wiinblad
Bjorn Wiinblad for Rosenthal, Duo of Samuramat Series, Porcelain Noire Gold Gilding Vases, 1970s
Regular price£298.00
Save £-298.00
This exquisitely illustrated pair of porcelain noire art is by celebrated Danish illustrator and glass, silver, textiles, ceramics designer Bjorn Wiinblad (b. 1918 - d. 2006) who designed them for Rosenthal in the 1960s.
Both pieces are from The Samuramat or Sammuramat series, inspired by the tales of the powerful queen of the Babylonian Empire c. 850 BC. The forms are sleekly elegant and simplistic; one is of a pillow vase and the other a oval cylinder, which are excellent canvas' to showcase the incredible detail of the gold gilding. Wiinblad's unmistakable style with its romantic, charming and fantastical characteristics is very much evident in these collectable pieces.
CONDITION Excellent. There is negligible use wear, primarily in the form of movement marks on the underside of both vases. The undersides bear Rosenthal's Studio Line stamp with logo and model number. Wiinblad's signature underscore the front facing illustrations.
MEASUREMENTS - Oval Cylinder Vase - Height c. 8.3" / 21.2 cm (from base to rim) x Width c. 3.1" / 8 cm (across widest points). Depth: c. 2" / 5 cm. - Pillow Vase- Height c. 4.5" / 11.5 cm (from base to rim) x Width c. 5" / 12.8 cm (across widest point). Depth: c. 2.4" / 6 cm. Unpackaged weight [pair]: c. 0.7 kg / 740 g
NOTES Vases will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Born in 1918 in Copenhagen, Bjorn Wiinblad began his training and path to success in 1935. Wiinblad sought the path to his first passion of art and enrolled in graphic school at the Royal Academy of Fine Arts, debuting in 1945 with an extensive exhibition in Palægade, Copenhagen. He met and became firm friends Jacob E. Bang around this time, who engaged him to work for Nymølle Pottery.
From the beginnings at Nymolle, Wiinblad received multiple commissions, from designing textile and embroidery patterns to drawing posters, book and magazine illustrations. Wiinblad drew for the United Nations in Paris and designed costumes and stages for several theatrical performances. His fame grew in Denmark but soon would extend to Norway and Sweden and in 1950 his ceramics were exhibited at Bonnier's in New York, which specialised in Scandinavian design.
Wiinblad's recognition and acclaim would continue to grow, bringing him a silver medal at the first international ceramics festival in 1955 in Cannes, France and appointment as artistic director for Rosenthal in 1960. During the 1960s, Wiinblad would become owner to a number of ceramic studios including Vaerksted, Nymolle and Det Blaa Hus. He would make Det Blaa Hus his workshop and home until his death in 2006.
Wiinblad's successes did not stop in the Sixties, his continued achievements and international success were extensively documented and celebrated on the dedicated website: https://www.bjornwiinblad-denmark.dk/om-bjoern-wiinblad
Duo of 1984 Bjorn Wiinblad, 4 Seasons: Spring and Autumn Figures in Green and Pink | Danish, Rare
Regular price£918.00
Save £-918.00
This elegantly whimsical duo of hand-painted and sculpted ceramic art is by celebrated Danish illustrator and glass, silver, ceramics designer Bjorn Wiinblad (b. 1918 - d. 2006). Wiinblad often designed for a number of big names as well as the pottery studios he owned, such as Vaerksted, Nymolle, and Det Blaa Hus. These studio works were crafted at his own Vaerksted [Workshop] studio, which Wiinblad established in 1952 in Copenhagen. Vaerksted pieces by Wiinblad show his painting skills at their best – conveying an emotion or feeling with just a few brushstrokes or marks.
Those familiar with Wiinblads illustrative work will be familiar with the exquisite level of detail his imagination goes to. This richness of detail is brought to life across many elements of this sculpture; such as the individually shaped, stylised decor resting in the figure's hat and the careful attention in the intricate hand-painted patterns decorating the piece and attention given even when illustrating eyelashes.
CONDITION Superb. - Forår/Spring/M20 Figure: There are 2 negligible chips to the birds at the base of the dress which do not affect the overall display quality. - Efterår/Fall/Autumn/M22 Figure: There is 1 negligible flake on the nose and minor repair behind the flower under the chin which do not affect the overall display quality.
Please refer to photographs as they form part of the condition report. The underside of each piece bears Wiinblad's 'BW' monogram, the model numbers of 'M20' and 'M22', dated with '84' and finally, denoted with 'Forår' and 'Efterår'.
MEASUREMENTS - Forår M20 Height: c. 13.8" / 35 cm tall (from base to tallest point, including hat) x c. 3.7" / 9.5 cm diameter (across widest point). Base diameter: c. 3.2" / 8.2 cm (from front to back). - Efterår M22 Height: c. 12.6" / 32 cm tall (from base to tallest point, including hat) x c. 4.5" / 11.5 cm diameter (across widest point). Base diameter: c. 3.3" / 8.3 cm (from front to back). - Unpackaged weight [Pair]: c. 1.3 kg / 1,335 g
NOTES Sculptures will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Born in 1918 in Copenhagen, Bjorn Wiinblad began his training and path to success in 1935. Wiinblad sought the path to his first passion of art and enrolled in graphic school at the Royal Academy of Fine Arts, debuting in 1945 with an extensive exhibition in Palægade, Copenhagen. He met and became firm friends Jacob E. Bang around this time, who engaged him to work for Nymølle Pottery.
From the beginnings at Nymolle, Wiinblad received multiple commissions, from designing textile and embroidery patterns to drawing posters, book and magazine illustrations. Wiinblad drew for the United Nations in Paris and designed costumes and stages for several theatrical performances. His fame grew in Denmark but soon would extend to Norway and Sweden and in 1950 his ceramics were exhibited at Bonnier's in New York, which specialised in Scandinavian design.
Wiinblad's recognition and acclaim would continue to grow, bringing him a silver medal at the first international ceramics festival in 1955 in Cannes, France and appointment as artistic director for Rosenthal in 1960. During the 1960s, Wiinblad would become owner to a number of ceramic studios including Vaerksted, Nymolle and Det Blaa Hus. He would make Det Blaa Hus his workshop and home until his death in 2006.
Wiinblad's successes did not stop in the Sixties, his continued achievements and international success were extensively documented and celebrated on the dedicated website: https://www.bjornwiinblad-denmark.dk/om-bjoern-wiinblad
Kintsugi |1977 Bjorn Wiinblad, Lady with Songbirds, Red on White Ceramic Sculpture | Danish, Rare
Regular price£655.00
Save £-655.00
This elegant, whimsical and exceptional sculpture is by celebrated Danish illustrator and glass, silver, ceramics designer Bjorn Wiinblad (b. 1918 - d. 2006). Wiinblad often designed for a number of big names as well as the pottery studios he owned, such as Vaerksted, Nymolle and Det Blaa Hus. The dating and style of this sculpture places it as a handpainted studio work that was crafted at his own Vaerksted [Workshop] studio, which Wiinblad established in 1952 in Copenhagen. Vaerksted pieces by Wiinblad show his graphic skills at their best – where he was able to convey an emotion or feeling with just a few brushstrokes or marks.
Those familiar with Wiinblads illustrative work will be familiar with the exquisite level of detail his imagination goes to. This richness of detail is brought to life across many elements of this sculpture; such as the individually shaped, stylised leaves and flowers resting in the figure's hat, the tiny birds resting on the figure's arms and knees, and the flowing, draped folds of the dress. Further careful attention is evident in intricate handpainted patterns decorating the dress and the care taken even when illustrating eyelashes.
This piece additionally features golden Kintsugi bonding, following careful repairing and highlighting, the bonding has been predominantly applied to the candleholder extension cup (top section of hat). The Kintsugi technique is modern and has been applied in a tactile manner, a gentle yet striking compliment to the sculpture's tones of red and white.
CONDITION Excellent. The separate candleholder extension cup (top section of hat) has been carefully repaired using a robust water-resistant and durable golden resin. The resin has also been applied to three minor spots on the body. Please refer to photographs as they form part of the condition report. The underside of the piece bears Wiinblad's signature, dated with '77' and finally, denoted with 'DANMARK'.
MEASUREMENTS Height: c. 12.6" / 32 cm tall (from base to tallest point, including hat/candleholder extension) x . 5.5" / 14 cm width (across widest point). Depth: c. 6.3" / 16 cm (from front to back). Unpackaged weight: c. 1.3 kg / 1,345 g
NOTES Sculpture will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Born in 1918 in Copenhagen, Bjorn Wiinblad began his training and path to success in 1935. Wiinblad sought the path to his first passion of art and enrolled in graphic school at the Royal Academy of Fine Arts, debuting in 1945 with an extensive exhibition in Palægade, Copenhagen. He met and became firm friends Jacob E. Bang around this time, who engaged him to work for Nymølle Pottery.
From the beginnings at Nymolle, Wiinblad received multiple commissions, from designing textile and embroidery patterns to drawing posters, book and magazine illustrations. Wiinblad drew for the United Nations in Paris and designed costumes and stages for several theatrical performances. His fame grew in Denmark but soon would extend to Norway and Sweden and in 1950 his ceramics were exhibited at Bonnier's in New York, which specialised in Scandinavian design.
Wiinblad's recognition and acclaim would continue to grow, bringing him a silver medal at the first international ceramics festival in 1955 in Cannes, France and appointment as artistic director for Rosenthal in 1960. During the 1960s, Wiinblad would become owner to a number of ceramic studios including Vaerksted, Nymolle and Det Blaa Hus. He would make Det Blaa Hus his workshop and home until his death in 2006.
Wiinblad's successes did not stop in the Sixties, his continued achievements and international success were extensively documented and celebrated on the dedicated website: https://www.bjornwiinblad-denmark.dk/om-bjoern-wiinblad
Kintsugi is a Japanese philosophy with similarities to the philosophy of Wabi-Sabi, which includes ideas surrounding the embracing of the flawed or imperfect. The art of Kintsugi ("golden joinery") is the repairing of broken pottery with lacquer dusted or mixed with powdered gold, silver, or platinum. The aesthetics of this philosophy values breakage and repair as part of the history of an object, rather than something to disguise.
