Ceramics

This stunning West German Pottery vase is crafted by Amano, a renowned brand associated with Scheurich, a prominent West German pottery company. 

The Charcoal grey glaze covering the torpedo form is matte, providing a fantastic offset to the abstract handpainted hoops in high-gloss Oxblood red.  

This particular piece is a testament to design excellence, blending functionality with aesthetic appeal and at an impressive 16 inches, making it a striking centerpiece for any room.

CONDITION
Excellent. No chips, cracks, or repairs. There is negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece - please see photos as part of the condition report. The underside of the base is stamped with Amano symbol, 'AMANO, 629-40, Made in Germany'

MEASUREMENTS
Height: c. 16" / 40.6 cm (from base to rim) x c. 5.3" / 13.5 cm in width (across widest point). Base measurements: c. 4" / 10.2 cm. Unpackaged weight: c. 1,540 kg / 1.5 g

A BIT OF HISTORY
The history of Amano by Scheurich is not extensively documented however, it is known that Scheurich produced ceramics under Amano. Particularly in the context of mid-century modern designs, such as the oxblood red vases, which were popular during the 1950s to 1970s.

Scheurich itself was founded in 1928 and began producing ceramics in 1948. The company became well-known for its high-quality ceramics, often featuring distinctive glazes which remain highly sought after today. 

Discover the intersection of art and design with this Japanese studio work. On prominent display are echoes of Toyo Ito's visionary design ethos, and the evident appreciation for innovative structural and construction approaches. A seamless blend of Postmodern and Brutalist design, the central feature appearing on both sides of the vase is the highly tactile graduated steps in hues of gloss Charcoal overlaid onto the base of pale Sandstone tone. The layout of the steps carries design whispers of Escher and an almost Bionic quality. This is offset and complimented by an equally organic semi-matte Cyberpunk net in the ethereal golden tones resting on the opposing shoulder of the vase. 

A firm statement piece in excellent condition. 

CONDITION
Excellent. No chips or repairs. There are faint movement marks on the underside of the base commensurable with the age of the piece. Please refer to the photos as they form part of the condition report. The body of the vase bears the artist's mark that has yet to be identified. 

MEASUREMENTS
Height: c. 8.8" / 22.3 cm tall x c. 11" / 28 cm length (across widest point). Depth: c. 3.9" / 10 cm.  Unpackaged weight: c. 1.3 kg / 1,330 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

This striking work of Swedish Mid-Century Modernist design the signed work of Marian Zawadski (b. 1912 - d. 1978) a professor, artist, and ceramist who became artistic director for Tilgmans Keramik of Gothenburg, Sweden during the 1950s. 

Zawadski's experimentation with the Sgraffito technique brought great popularity and appreciation for Tilgman's ceramics and his work became exemplary for Tilgmans. 

Zawadski's stylised use of the Sgraffito technique is a significant feature in this piece, with deep incisions creating the heavily arched, angular, and textured décor. True to the roots of Modernist design, the simple bottle form with boldly geometric décor overlaid onto the base material speaks to an honest expression of the natural earthenware. From the incised décor to the glaze to the earthenware, all aspects are highly tactile. The unglazed sections create a confident contrast against the individually glazed sections of boldly geometric, Sgraffito décor. The vase is finished with an interior of gloss glaze that is coloured in Powdered Duck Egg tone. 

This Swedish Modernist work is stylistically bold and timeless, making it suitable as a statement feature for its surrounding space.

CONDITION
Superb. No cracks or repairs. There are minor, negligible chips on the exterior which are commensurate with the age of the piece, and mild use wear on the interior. Please refer to the photos as they form part of the condition report. The base of the body is incised with Zawadski's signature 'A.M.Z' and dated '1966'. The underside of the base of the vase is stamped with 'Tilgmans Keramik' and 'Made in Sweden' stamp and model number '620'. 

MEASUREMENTS
Height: c. 22.2" / 56.5 cm tall (from base to rim) x c. 4.5" / 11.5 cm rim diameter. Base diameter: c. 6.1" / 15.5 cm. Unpackaged weight: c. 5.8 kg / 5,800 g.

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Marian Zawadski (b. 1912 - d. 1978)
Antoni Marian Zawadski (sometimes known as 'Zawadzki' or 'Zawadsky') was an associate professor, artist, and ceramist, was born in Poland in 1912 who, as a refugee, moved to Gothenburg in Sweden in 1953. In Gothenburg, he worked as an artistic director at Tilgmans Keramik. Zawadski is best known for his richly decorated objects in the Sgraffito technique.

His works included lamp bases, vases, bowls, urns and wall plates and he would receive commissions for public, municipal, and private buildings. Zawadski would leave Tilgman's Ceramics in 1970, moving to Vallda outside Kungsbacka where he opened his own workshop, Vallda Keramik. The production in his own workshop is very similar to his work at Tilgmans.

This elegant work of Swedish Mid Century Modern design is by Hjördis Oldfors (b. 1920 - d. 2014) for Upsala Ekeby. Oldfors was a celebrated Swedish ceramicist, painting, and textile artist, known for many series she designed at Upsala Ekeby which went on to become classics.

This hand-glazed work comes from Oldfors popular Kokos series, for which there are ten works of earthenware dishes, bowls and vases designed in 1954 and in production until 1958. The series is characterised by the clean-lined, swelling forms and the deliciously tactile decor. The decor is an arrangement of sgraffito bands of glossy Dandelion yellow glaze alternating with the unglazed Dark Chocolate earthenware. The combination of the silky smooth glaze bands and the unglazed elements present a striking and tactile contrast.

The form of this piece and of the series is undeniably Modernist in design, highlighting the seamless harmony of function, form, and raw materials

CONDITION
Excellent - there are no chips, cracks or repairs. There is mild and age-commensurate surface wear to the exterior. The underside of the base is inscribed with Upsala Ekebys 'UE' and Oldfors 'HJ' monogram and the model number '5026'.

MEASUREMENTS
Height: c. 3.3" / 8.5 cm tall (from base to rim). Rim measurements: c. 6" / 15.3 cm x c. 5.8" / 14.8 cm. Base diameter measurements: c. 2" / 5 cm. Unpackaged weight: c. 0.3 kg / 315 g

NOTES
Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Hjördis Hanna Maria Oldfors (b. 1920 - d. 2014) was a celebrated Swedish ceramicist, painting, and textile artist. Oldfors is known for many series she designed at Upsala Ekeby which went on to become classics; including Poäng (Points), Kokos (Coconut), Trio (Trio), Palma (Palma), and Granit (Granite). Oldfors is represented at a number of museums including; National Museum (Sweden), Röhsska Museum, and at the Nordenfjeldske Konstindustrimuseum.

Though Oldfors was a late arrival to her ceramics career, beginning her studies in 1947 in Gothenburg, she became incredibly successful. Her career at Upsala Ekeby began in 1950 when she was 30 and she would go on to set up her own studio 'Bränd Form' with a number of exhibitions representing Upsala Ekeby and her own studio. The curators of the day are notably known to have said "She has an astonishing certainty in the abstract decor and its adaptation to the form. In this area, she does not have many competitors in our ceramics."

This elegantly glamourous work of Art Deco design is by the British Pottery Crown Devon. Like much of Art Deco design, there is a focus on shape and absence of extravagance, however, the form of this piece also carries strong echoes of the Art Deco Odeon style.

Art Deco Odeon style references the revolution in British style brought about by the c.260 Odeon cinemas that sprung up across the UK from the late 1920s. Over 13 years, Oscar Deutsch created a circuit of cinemas where the buildings celebrated Art Deco Modernism with sweeping, simple yet strongly defined lines.

The central feature of the vase is the plinthed conical form that is complimented by the strongly defined straight and curved 'struts' on either side. The glaze across the entire palette of Powdered Verdigris, Latte and Slate-Blue is semi-matte, giving understated refinement to the stylised leaf design.

Timeless in style and when combined with the featured design; the size and overall condition of this piece make this a rare find. 

CONDITION
Excellent. There are no chips or repairs. There is mild surface wear to movement marks on the underside of the base that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base bears Crown Devon's stamp and the model number '2406'.

MEASUREMENTS
Height: c. 7.6" / 19.3 cm (from base to rim) x c. 5.5" / 14 cm diameter (across widest point). Base diameter: c. 4.1" / 10.5 cm. Unpackaged weight: c. 0.7 kg / 725 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items. 

A BIT OF HISTORY

Crown Devon Fieldings (1870 - 1982) The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.

This subtly bold work of Modernist design is British pottery Beswick. Strong curves arch asymmetrically to form the handles on either side of the central vent defining the overall form as a superb backdrop for the contrasting glaze decor.

The base tone of the glaze is the high-quality semi-matte glaze in Buttermilk cream. Overlaid onto the base glaze are handpainted geometric delineations in tones of Dark Chocolate, Apricot, Mint, and Powdered Violet. 

The various elements in the design bring sleek sophistication and elegance suiting a room with decor inspired by Modernist, Art Deco, or Contemporary design influences. 

CONDITION
Excellent, no chips or cracks. There is light wear that is most evident on the underside of and interior that is commensurable with the age of the piece, please see photos as part of the condition report. The underside bears the stamp 'BESWICK, MADE IN ENGLAND' and faintly imprinted the model number '190'.

MEASUREMENTS
Height: c. 7.5" / 19 cm tall (from base to rim) x c. 4.8" / 12.3 cm in length (across the widest point). Unpackaged weight: c. 0.7 kg / 700 g

A BIT OF HISTORY
Beswick Pottery
The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tablewares and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.

Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox . These works were often decorated in 'satin matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000's.

Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in their Art Deco pieces as they survive in very good condition. They also justify Beswick's annoucement in a 1930's advertisement of "a sound body, with a brilliant, non-crazing glaze fashioned in hundreds of shapes".

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

This subtly bold work of Art Deco design is British pottery Beswick. With strong curves that infer Streamline Moderne, the international style of Art Deco that emerged in the 1930s was inspired by aerodynamic design. The elevated and sharp overlapping fins that form the triangular mouth of this piece capture attention with its presence. The overall form is a superb backdrop for the contrasting glaze decor.

The interior of the mouth is a striking Mint green which beautifully compliments the semi-matte drip glaze composition of Cobalt Blue, Flax Yellow that is finished with an accent of Sienna brown. The flow of the glaze beautifully contrasts against the strongly defined geometric lines of the piece.

The various elements in the design bring sleek sophistication and elegance suiting a room with decor inspired by Modernist, Art Deco, or Contemporary design influences. The excellent condition, model and palette of this work are a rare find.

CONDITION
Excellent, no chips or cracks. There is mild crazing to the glaze and light wear that is most evident on the underside of the feet which is commensurable with the age of the piece, please see photos as part of the condition report. The underside of the feet is faintly embossed with 'BESWICK ENGLAND' and only the belly underside, the model number '178'.

MEASUREMENTS
Height: c. 7.5" / 19 cm tall (from base to rim) x c. 7.1" / 18 cm in length (across the widest point). Unpackaged weight: c. 1.0 kg / 980 g

A BIT OF HISTORY
Beswick Pottery
The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tablewares and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.

Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox . These works were often decorated in 'satin matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000's.

Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in their Art Deco pieces as they survive in very good condition. They also justify Beswick's annoucement in a 1930's advertisement of "a sound body, with a brilliant, non-crazing glaze fashioned in hundreds of shapes".

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

This subtly bold work of Modernist design influence is by designer and modeller Albert Hallam. The elevated and sharp Right Triangle form of this piece captures attention with its presence and difficult to avoid wherever it is displayed. The form is a superb backdrop for the contrasting glaze decor.

The interior decor is a glossy golden mustard that is not particularly loud on its own. However, when paired with the matte yet iridescent black lustre glaze on the exterior, it becomes a necessity for emphasising the sharply geometric form of the piece.

The various elements in the design bring sleek sophistication and elegance suiting a room with decor inspired by Modernist, Retro, Contemporary, or Industrial design influences. The excellent condition and design of this work are a rare find.

CONDITION
Excellent, no chips or cracks. There is mild use wear that is most evident on the underside of the feet that is commensurable with the age of the piece, please see photos as part of the condition report. The underside of the dish is debossed with 'BESWICK ENGLAND' and the model number '1985' with production period dated to between 1964 to 1972.

MEASUREMENTS
Height: c. 3.9" / 10 cm tall (from base to rim) x c. 14.6" / 37 cm in length x c. 9" / 23 cm in width. Unpackaged weight: c. 1.1 kg / 1,071 g

A BIT OF HISTORY
Albert Hallam (b. 1912 - d. 1975/76)
Albert Hallam joined Beswick in 1926 at the age of fourteen as apprentice mould maker and in due course became the head of mould making and an important modeller in his own right. The growth of his influence followed the retirement of Arthur Gredington and Hallam was instrumental in maintaining Beswick’s high standard of modelling and figure creation.

Beswick Pottery
The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tablewares and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.

Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox . These works were often decorated in 'satin matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000's.

Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in their Art Deco pieces as they survive in very good condition. They also justify Beswick's annoucement in a 1930's advertisement of "a sound body, with a brilliant, non-crazing glaze fashioned in hundreds of shapes".

NOTES
Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

This elegantly sculptural, hand-built, and glazed studio art ceramic lamp is of British Modernist design by Peter Ellery for his Cornish pottery studio Tremaen Pottery (1965 - 1988). Ellery's work is heavily influenced by the Cornish environment where the Tremaen studio was based. Influences such as sea-washed pebbles, rocks, and boulder-shaped forms, and Cow Parsley from abundant hedgerows inspired the décor, as are traces of rough-hewn stone harbour walls and whitewashed fishermen's cottages. Many pieces have an organic feel, being deliberately weathered or textured.

This particular piece comes from the 'Gwarra' series. 'Gwarra' is the Cornish word for 'higher' and is believed to relate to the Cornish coastal feature 'Pol Gwarra' or 'Pol Gwartha' [tr. 'Higher Pool']. The decor of this lamp reflects the influences and textural references from the Cornish coastal and countryside landscape. The overall composition is characterised by the tactile, organic qualities with the lamp body shaped like a pebble worn smooth by the ocean tide and the textured decor resembling trails in the wet sand. The glaze is silky and touch-inviting, with the colour palette comprising of rich, semi-matte Dark Chocolate, Mocha browns blended with Cappuccino Foam and Creams. 

This stunning piece brings to life many key principles of Modernist design, with a focus on combining function with bringing forth the beauty in the natural material. 

CONDITION
Excellent. No chips, cracks, or repairs. There is faint wear to the protective felting on the underside of the base that is commensurate with the age of the piece. Please see photographs as they form part of the condition report. The underside of the base is fitted with protective felting and also bears Tremaen's original label. The lamp takes standard European A-series Bayonet bulb.

MEASUREMENTS
Height: c. 7.9" / 20 cm high (excluding bulb holder) c. 9.8" / 25 cm (including bulb holder). Width c. 4.5" / 11.5 cm (across the widest point) x depth: c. 3.1" / 8 cm. Base measurements: c. 4.9" / 12.5 cm x c. 3.3" / 8.5 cm. Weight: c. 1 kg / 970 g. The lamp takes a standard A-series Bayonet bulb with a British plug fitting. 

A BIT OF HISTORY
Peter Ellery, Tremaen Pottery (1965 - 1988)
Tremaen Pottery was founded by Peter Ellery in Marazion, UK in 1965, typically creating large-scale pieces using unconventional techniques in both construction and glazing. His work quickly gained appreciation and popularity, and within 2 years Tremaen Pottery moved to larger premises in Newlyn with the workforce expanding to twelve to cope with demand.

Although work continued to be by hand, the range of pieces produced by Tremaen expanded to include smaller-scale and figural pieces. Tremaen's work maintained its popularity but sadly, the recession of the early 1980s created increasing economic difficulties. Ellery sustained Tremaen's production until 1988 when he made the decision to close the pottery.

This awesome work of Mid-Century Modern design is by Ingrid Atterberg, (b. 1920 - d. 2008) a celebrated epitome for illustrious 20th-century Swedish ceramic design. Atterberg was also a leading designer for Upsala Ekeby for whom she designed this vase. 

This hand-thrown and hand-glazed piece comes from Atterberg's Chamotte series designed in 1957 and in production between 1957-1959. The series would go on to be very well-known during this time. The series is comprised of earthenware bowls and vases, characterised by raw textured earthenware juxtaposing the gloss and matte glaze.

This particular piece is beautifully rounded, an excellent canvas for the hand-glazed decor. The chamotte earthenware is incised with sgraffito bands that are filled with the Milk white glaze and a wash all over the bottle form creates the semi-gloss glaze dapple effect. The piece is finished with a band of gloss Iris purple around the belly of the vase as well as the neck.

A Modernist design piece that is classic of its time yet also contemporarily timeless.  

CONDITION
Excellent. No chips, cracks, or repairs. There is mild wear to the underside of the vase that is commensurable with the age of the piece. Please refer to the photographs as they form part of the condition report. The underside is inscribed and stamped with 'UE, 3030 and '547'.

MEASUREMENTS
Height: c. 7.5" / 19 cm tall (from base to rim) x c. 1.2" / 3 cm rim diameter. Diameter: c. 4.9" /  12.5 cm (across widest point. Base diameter: c. 4.7" / 12 cm. Unpackaged weight: c. 0.7 kg / 720 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Ingrid Magdalena Atterberg-Göransson (b. 1920 - d. 2008) was a celebrated epitome of illustrious Swedish ceramic design of the 20th century and a leading designer for Upsala Ekeby in the 1950s and 1960s. Atterberg is represented at the Swedish National Museum of Art and Design.

In 1944, she was employed at Upsala Ekeby, where appreciation for her works as a ceramicist continued to grow over the years. She was known for using 'manganese clay' in the 1940s and chamotte in the 1950s and successfully developed her own glazes. In the late 1940s, her own collection called "Ekeby Verkstad" was born with a numbered series that began at 100.

During her career, Atterberg had several exhibitions and received a gold medal for her work in Italy as well as completing a number of public commissions. 

This gorgeous work of original Art Deco design is by the British company Beswick Pottery. From the softly geometric, chasing triangles in raised relief decor to the classic ginger urn form with the twist of added depressions of 'dimples', the form of this piece is clean and elegant and classically Art Deco. The excellent form is complimented by a semi-matte Pale-Grey dappled on Stone base glaze complimented by the handpainted, stylised flora decor in powdered tones of Teal, Buttercup, Cornflower and Lilac.

CONDITION
Excellent. No chips, cracks or repairs. There is natural and mild crazing all over and light use wear on the interior of the vase that is commensurate with the age of this piece. The underside of the base is inscribed with 'Beswick Ware, MADE IN ENGLAND' and the impressed model number '70'.

MEASUREMENTS
Height: c. 7" / 18 cm tall (from rim to base) x c. 5.3" / 13.5 cm wide (across widest point). Base diameter: c. 3.5" / 9 cm. Weight: c. 0.8 kg / 750 g

NOTES
Vase will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

A BIT OF HISTORY
The Beswick firm was founded around the 1890s by John Beswick in Staffordshire, UK. His son James would take over upon his death, introducing a new range of jugs, bowls and vases decorated with new matt glazes. Responding to the modernist influence in design, many of these highly distinctive shapes were designed by Mr Symcox and decorated in 'satin matt' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000s.

Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in these Art Deco pieces as they survive in very good condition.

These sleek and chic works of iconic mid-century Modern art pottery are by celebrated and prominent designer Kurt Tschörner (b. 1912 - d. 1987) for the influential West German Pottery studio of Ruscha Keramik (1905 - 1996). 

The form features gently exaggerated curves and arches all over, reminiscent of popular works of Italian art potteries such as Bertoncello Ceramiche and Roberto Rigon with echoes of architectural geometricism worked into the design. The form is an excellent canvas for the semi-matte and textured lava glaze with similarly bold, hand-painted curves, delineation, charming florals, and colour palette. 

With the seamlessly blended echoes of Italian mid-century art pottery design and earlier Art Deco and Picasso-Cubist-esque influences to the form, it's easy to see why this form is sought after. 

The combination of the form, condition, sizes, and palette makes this duo an even rarer find. These statement works are excellent for stand-alone display.

CONDITION
Excellent. No chips, cracks, or repair. There is negligible surface wear and movement marks on the underside of the bases that is commensurable with the age of the pieces - please see photos as part of the condition report. The underside of the bases are signed - the taller: '321/4, Ruscha, Handgemalt (Handmade) M' and the smaller '321/3, Ruscha, Handgemalt (Handmade) Ed'. 

MEASUREMENTS
321/4 Height: c. 9.6" / 24.3 cm (from base to rim) x c.  6.5" / 16.5 cm in length (across longest point). Width: c.  4.3" / 11  cm. Base measurements: c.  3.5" /  9 cm. 

321/3 Height: c. 7.9" / 20 cm (from base to rim) x c.  5.1" / 13 cm in length (across longest point). Width: c.  3.9" / 10 cm. Base measurements: c.  2.9" /  7.3 cm. Unpackaged weight [Pair]: c. 1.2 kg / 1,215 g

A BIT OF HISTORY
Ruscha (established 1906 - 1996) Originally founded in Rheinbach by Georg Schardt, it was known as Klein & Schardt until 1948. Rudolf Schardt would take over the company and rename it to Ruscha, the name created from the first letters of his fore and surname. As Ruscha entered the ceramics boom in the 1950s, the pottery was joined by art pottery director Cili Wörsdörfer who made her handpainted designs for series such as Milano and Zebra wildly popular. Otto Gerharz was the production director, designing innovative glazes such as Vulkano. 

Ruscha would later add to its success with Kurt Tschörner joining in the 1960s, designing whimsical and daring forms such as the 313 and 321 jug vase that became and remain sought-after hits. 

Other greats who joined Ruscha included Ernst Borens, Hans Welling and Adele Bolz. Unfortunately, the pottery's success came to an end in the 1990s, when it finally closed its doors in 1996, selling its name and many designs to Scheurich who produced vintage-inspired designs under the 'Ruscha Art' brand. 

This sleek and chic work of iconic mid-century Modern art pottery is by influential West German Pottery studio of Ruscha Keramik (1905 - 1996). 

The form features gently exaggerated curves inward becoming an excellent canvas for the semi-matte and textured lava glaze with bold, hand-painted curves, round-angled shapes, charming blue and yellow florals. The colour palette is whimsical, carrying echoes of the 1960s-70s Flower Power period during which the piece was created.

The combination of the form, condition, size, and palette makes it a rare find. This work makes it an excellent statement piece for stand-alone display.

CONDITION
Excellent. No chips, cracks, or repairs. There is negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece - please see photos as part of the condition report. The underside of the base is signed with '708 2, Ruscha, Handgemalt (Handmade) BW'. 

MEASUREMENTS
Height: c. 2.8" / 7 cm (from base to rim) x c. 12.7" / 32.3 cm in width (across widest point). Base measurements: c.  3.9" / 9.9 cm. Unpackaged weight: c. 1.2 kg / 1,190 g

A BIT OF HISTORY
Ruscha (established 1906 - 1996) Originally founded in Rheinbach by Georg Schardt, it was known as Klein & Schardt until 1948. Rudolf Schardt would take over the company and rename it to Ruscha, the name created from the first letters of his fore and surname. As Ruscha entered the ceramics boom in the 1950s, the pottery was joined by art pottery director Cili Wörsdörfer who made her handpainted designs for series such as Milano and Zebra wildly popular. Otto Gerharz was the production director, designing innovative glazes such as Vulkano. 

Ruscha would later add to its success with Kurt Tschörner joining in the 1960s, designing whimsical and daring forms such as the 313 and 321 jug vase that became and remain sought-after hits. 

Other greats who joined Ruscha included Ernst Borens, Hans Welling and Adele Bolz. Unfortunately, the pottery's success came to an end in the 1990s, when it finally closed its doors in 1996, selling its name and many designs to Scheurich who produced vintage-inspired designs under the 'Ruscha Art' brand. 

This rare and stunning work of Italian mid-century Modern art pottery is by Fratelli Fanciullacci (1862-1988) from the stylised Town series that was designed and in production between the 1950s to 1960s, during the Italian ceramics boom.

The Town series* is characterised by its highly tactile Sgraffito on raw clay décor that is beautifully juxtaposed against the gloss, semi-matte and lava glaze techniques. The base is a rich and matte Cookie-toned earthenware, upon which is incised the geometric town buildings and landscape silhouettes. The vibrant colour palette of Lime green, Tomato Red and Dandelion yellow is boldly offset against the tones of Chocolate, Cookie browns and Milk white. The interior is further gloss glazed in white which enables this to be used functionally. 

Timeless in aesthetic style yet very representative of the mid-century Italian Modern design movement, this piece is in excellent condition with the design and form being particularly rare find.

*Reference: Page: 121, Alla Moda, Italian Ceramics of 1950s-70s, Mark Hill, Published 2012 

CONDITION
Excellent, there are no cracks, or repairs. There is mild surface wear to the glaze that is commensurate with age. The underside of the vase is noted with the model number '7852'. 

MEASUREMENTS
Height: c. 8.4" / 21.3 cm tall (from base to tallest point). Rim diameter: c. 3.2" / 8.2 cm. Diameter (across widest point): c. 5.9" / 15 cm. Base measurements: c. 4" /  10.2 cm. Unpackaged weight: c. 1.0 kg / 985 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Fratelli Fanciullacci (f. 1862 - c. 1988) came from an illustrious lineage with family members having worked for the Ginori porcelain company since the 1700s. Founded as Ceramich Capraia by Raffaello Fanciullacci, it would be the late 1870s before being renamed as Fratelli Fanciullacci.

As early as the 1910s, Fanciullacci became the single largest employer in Montelupo Fiorentino offering over 1,000 different forms and a plethora of patterns and glazes by 1914. During the 1920s-30s, the team included Aldo Londi (who would go on to found Bitossi). Fanciullacci was known for reflecting public desires and contemporary taste in their work. Modern design was introduced shortly after WWII with inspiration taken from Modern art offering a profusion of clean-lined, geometrically influenced forms in a vivacious rainbow of colours. During the mid-century period, over 90% of Fanciullacci's production was exported abroad. 

Sadly, the natural disaster of the River Arno flooding in November 1966 meant widespread destruction, forced closure and redundancies for over a year. Though Fanciullacci rallied in the 1970s, cheaper production abroad resulted in loss of market share and after a number of falterings, Fanciullacci would eventually close in 1988. 

These stunning works of Swedish mid-century Modernist design are by Hjördis Oldfors (b. 1920 - d. 2014) for Upsala Ekeby. Oldfors was a celebrated Swedish ceramicist, painting, and textile artist, known for the many series she designed at Upsala Ekeby which went on to become classics. 

Designed and in production between 1958 to 1961, this hand crafted work of art pottery comes from Oldfors' City series, for which there are 5 works of vases and dishes. 

The City series is characterised by its highly tactile décor. The base is a rich and matte chocolate-toned earthenware, upon which is incised the interlocking geometric pattern. Reminiscent of stylised city plan blueprints, the incised ‘paths’ are highlighted with the glossy Pale Pistachio green glaze. The work is further complimented by a vivid, glossy Sunshine yellow on the interior. 

Timeless in aesthetic style yet very representative of the mid-century Swedish Modernist design movement, both works are in excellent condition with the vase being a particularly rare find.

CONDITION
Excellent, there are no chips, cracks or repairs. There is mild surface wear that is commensurate with age. The reverse of the dish is stamped with Upsala Ekebys 'UE' and Oldfors 'HJ' monogram and the model number '5174'. The underside of the vase is stamped with Upsala Ekebys 'UE' and Oldfors 'HJ' monogram and the model number '5176'. 

MEASUREMENTS
- Dish: Height: c. 2" / 5.2 cm (from base to rim). Rim measurements: c. 6.5" / 16.5 cm x c. 9.2" / 23.4 cm. Depth: c. 1.9" / 4.8 cm. Base diameter measurements: c. 6" / 15.3 cm x c. 3.4" / 8.6 cm. 

- Vase: Height: c. 9.1" / 23 cm tall (from base to tallest point). Rim diameter: c. 1.3" / 3.3 cm. Diameter (across widest point): c. 3.5" / 8.8 cm. Base measurements: c. 2.4" / 6 cm x c. 2" / 5 cm. 

Unpackaged weight [Combined]: c. 1.1 kg / 1,125 g

NOTES
Duo will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Hjördis Hanna Maria Oldfors (b. 1920 - d. 2014) was a celebrated Swedish ceramicist, painting, and textile artist. Oldfors is known for many series she designed at Upsala Ekeby which went on to become classics; including Poäng (Points), Kokos (Coconut), Trio (Trio), Palma (Palma), and Granit (Granite). Oldfors is represented at a number of museums including; National Museum (Sweden), Röhsska Museum, and at the Nordenfjeldske Konstindustrimuseum.

Though Oldfors was a late arrival to her ceramics career, beginning her studies in 1947 in Gothenburg, she became incredibly successful. Her career at Upsala Ekeby began in 1950 when she was 30 and she would go on to set up her own studio 'Bränd Form' with a number of exhibitions representing Upsala Ekeby and her own studio. The curators of the day are notably known to have said "She has an astonishing certainty in the abstract decor and its adaptation to the form. In this area, she does not have many competitors in our ceramics."

This statement work of Mid Century Modern design is by Ingrid Atterberg, (b. 1920 - d. 2008) a celebrated epitome for illustrious 20th century Swedish ceramic design. Atterberg was also a leading designer for Upsala Ekeby for whom she designed this centrepiece. 

This hand-thrown and hand-glazed piece comes from Atterberg's Chamotte series designed in 1957, the series would go on to be very well known during this time. The series was comprised of 13 earthenware bowls and vases characterised by textured earthenware in juxtaposed gloss glaze and matte glaze.

This particular piece is elegantly lengthy, providing an excellent canvas for the hand-glazed decor. The colour palette is a composition of muted Ink and Midnight navy, Stone whites, Powdered Mint green, and Electric blue that is offset against the matte Mocha brown. The glaze is overlaid with bold geometric accents in Jet black as is the exterior of the bowl. 

A stunning piece that is majestic in size with excellent condition and in a Modernist design that is classic of its time yet also contemporarily timeless.  

CONDITION
Excellent. No chips, cracks, or repairs. There is mild wear to the exterior of the bowl that is commensurable with the age of the piece. Please refer to the photographs as they form part of the condition report. The underside is inscribed and stamped with 'UE, 2308 and Atterberg's 'Abg' initials. The interior of the dish also bears the original Upsala Ekeby label. 

MEASUREMENTS
Height: c. 3.1" / 8 cm tall (from base to rim) x c. 7.5" / 19 cm width x c. 16.5" / 42 cm length (across widest and longest points) Depth c. 3" / 7.5 cm Base: c. 5.9" / 15 cm x c. " 2.6 / 6.5 cm. Unpackaged weight: c. 1.4 kg / 1,395 g

NOTES
Bowl will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Ingrid Magdalena Atterberg-Göransson (b. 1920 - d. 2008) was a celebrated epitome of illustrious Swedish ceramic design of the 20th century and a leading designer for Upsala Ekeby in the 1950s and 1960s. Atterberg is represented at the Swedish National Museum of Art and Design.

In 1944, she was employed at Upsala Ekeby, where appreciation for her works as a ceramicist continued to grow over the years. She was known for using 'manganese clay' in the 1940s and chamotte in the 1950s, and successfully developed her own glazes. In the late 1940s, her own collection called "Ekeby Verkstad" was born with a numbered series that began at 100.

During her career, Atterberg had several exhibitions and received a gold medal for her work in Italy as well as completing a number of public commissions. 

This viviacious work of Swedish Modernist design is the 'Igelkott' ('Hedgehog') vase that comes from the larger 'Chamott' (Chamotte) series designed between 1936 to 1948. The series was designed by the celebrated Swedish ceramicist and designer Gunnar Nylund (b.1904 - d.1997) for Rörstrand.

The vases were made in 5 colours (Emerald, Topaz, (Mustard), Turquoise, White, and Yellow) with 3 different forms to the vases. This Topaz piece comes from the 'Al' form and is the medium size of the 3 available sizes at 16 cm in height (small 12cm, medium 16cm, large 21cm). Nylund became well known for his Chamotte sculptures, designing the series during his time as artistic director at Rörstrand.

Handworked, the rugged yet polished décor makes this an exceptionally tactile piece and the highly textured surface with the glossily glazed décor is a fabulous juxtaposition. Stylistically timeless and contemporary, this work is an outstanding example of Scandinavian mid-century Modern design. 

CONDITION
Very Good. There is light use wear to the underside of the base and the glaze décor that is commensurable with the age of the piece. The underside is stamp-inscribed with "Rorstrand, Sverige, Chamotte, Nylund". 

MEASUREMENTS
Height: c. 6.3" / 16 cm (from base to rim). Width: c. 4.9" / 12.5 cm (across widest point). Rim diameter: c. 2" / 5 cm. Base diameter: c. 2.4" / 6.2 cm. Unpackaged weight: c. 1.4 kg / 1,350 g

A BIT OF HISTORY
Gunnar Nylund (b. 1904 – d.1997) Nylund was a Swedish ceramic designer since the 1930s and is perhaps best known as the artistic director of Rörstrand and was already a well-established ceramic artist in Denmark - first at the Bing & Grøndahl Porcelain factory in Copenhagen and later at Saxbo.

Nylund was resident at Rörstrand from 1931–1955 and for the majority of this time, as artistic director. He became well known for his new matte feldspar glazed stoneware in hare’s fur and crystal glazes and for his stoneware animal sculptures. Over five decades, Nylund crafted some 30 reliefs and sculptures commissioned for public spaces, including Europe’s largest stoneware fountain the “Scanisarius” in Bromölla, Sweden.

Most of Nylund’s original sculptures in stoneware chamotte ended up in museums, as did much of his other work. Sculptures such as the “Lion Head” is found at the National Museum in Stockholm, “Blue Bird” is at the Sèvres museum in Paris, his antelope head “Abyssinian mountain nyala”, is at the Röhsska museet in Gothenburg and the “Hamadryas Baboon” is at the Malmö Museum.

His piece “Bulls head in oxblood” was bought by the Ateneum museum in Helsinki. And a lot of his other work can be found at other museums around the world.

This striking work of Art Deco design is by the English pottery Shorter and Son (estd. c. 1900 - c. 1964). The sculpted and abstract jardiniere form firmly displays architectural influences of Art Deco Bauhaus geometricism. The overall shape is that of an oval slice that is an excellent canvas for the tactile décor.

The décor is an alternating pattern arranged with the triangular ridges. The horizontal ridges stagger in height as they wrap around the body and are further complimented by vertical ridges of staggered height. Further elevating this piece is the sumptuous glaze that is a blended flow of Cream, Caramel, Mocha brown tones which are offset by the Steel grey-blue. The glaze palette is similar to that of Raw Ocean Jasper. The visual appeal of this piece is timeless in style but also very much a piece of Art Deco history.

CONDITION
Very Good. No chips, cracks, or repairs. The most notable wear are mild marks on the interior of the planter and a minor flake to the glaze on the underside of the base that are commensurable with the age of the piece. Please refer to photographs as they form part of the condition report. The base bears Shorter and Son's stamp denoting 'Shorter and Son, Stoke on Trent, Made in England".

MEASUREMENTS
Height: c. 3.3" / 8.5 cm. Width: c. 7.1" / 17.8 cm (across widest point) x c. 6.1" / 15.6 cm (across deepest point). Unpackaged weight: c. 0.9 kg / 860 g

NOTES
Jardiniere planter will be securely packaged and shipping will be insured. Shipping will be combined for multiple items. 

A BIT OF HISTORY
Before the 1920s, Shorter and Son (c. 1900 - 1964) produced Edwardian Majolica ware, creating a broad range of domestic and ornamental ware such as jardinieres, umbrella holders, bowls and vases. From the 1920s onward, their range only broadened however, they would adapt their designs to the burgeoning influences of the period. The design of their tableware and accessories for example reflected the Art Deco influences of the greats such as Clarice Cliff and Mabel Leigh designed for Shorter and Son from 1933 to 1935. 

Sadly, in the early 1960s, the company faced the death of a director Arthur Colley Shorter as well as the loss of a factory in Copeland Street to a road development scheme. Finally, there were significant expenses to convert to smokeless firing to conform with the Clean Air Act. These factors resulted in a decision to accept an offer from S. Fielding & Co. Ltd the owners of Crown Devon around 1964.

This delicious work of Swedish Mid Century Modern design is by Mari Simmulson (b. 1911- d. 2000) for Upsala Ekeby. Simmulson was a celebrated Swedish ceramics designer and ceramicist, known for many series she designed at Upsala Ekeby which went on to become classics. This hand-thrown and hand-glazed work comes from Simmulson's Iris series, these earthenware works were designed around 1956 to 1957. The series is characterised by the delightfully organic blue and white stripes that are edged with Vanilla cream dots. There is firm delineation between the stripes and dots combined with the glossy glaze gives this piece a very touchable, tactile quality. The combination of the organic lines in black, the 'sprinkled' blue and pink speckled white glaze that is highlighted by the cheerful cream dots makes brings a joyful vibe to the overall piece.

This design is typically more difficult to source and the great condition this particular piece is in makes it an even rarer find. Stylistically, this work is timeless and is suitable for standalone display or functionally as a vase, a bowl or even as a tealight lantern. 

CONDITION
Excellent - there are no chips, cracks or repairs on the exterior of the vase. Mentioned for completeness: there is a single chip on the underside of the 'frog' (flowerholder) c. 1cm x 0.6cm that is not visible during display.   The underside of the base is inscribed with Upsala Ekebys 'Ekeby' and Simmulson's 'ms' monogram as well as the model number '328'.

MEASUREMENTS
Height: c. 4.3" / 11 cm tall (from base to rim). Rim measurements: c. 7.2" /  18.2 cm (across widest point). 'Frog' (flower holder) diameter: c. 3.1" /  7.8 cm Base measurements: c.  3.5" / 8.8 cm. Depth: c. 3.7" / 9.3 cm (from rim). Unpackaged weight: c. 0.8 kg / 760 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Mari Peterson Särgava, ceramicist and textile artist (b. 1911- d. 2000) began her career with an internship with Arabia in Finland and it was during this time she married Gustaf Simmulson.

Simmulson moved to Sweden in 1944 and began working with Wilhelm Kåge at Gustavsbergs, staying until 1949. Her career took her to Uppsala Ekeby in 1949, where she designed vases, figures, reliefs and wall paintings, many of them noted as unique pieces. She became a leading designer at Uppsala Ekeby where she remained until the early 1970s. Simmulson also received commissions for public pieces including at Luleå Kol, Upplandsbanken and Pharmacia.

This beautifully undulating work of Mid Century design is from Vallauris, France. Artistic ceramics began to emerge from Vallauris from the end of the 19th century and was elevated further by the arrival of Picasso from 1948.

The form of this particular piece is stylised, with the closest glass counterpart being the Splash bowl, examples of which have been made iconic by Murano. However, unlike a glass Splash bowl which mimics thinner liquids, this work more closely mimics melted chocolate. There are four crests to the 'splash', rising from the broadly rectangular form. The base glaze is a rich, smooth and glossy Milk Chocolate brown. Overlaid onto the base glaze is a interspersing and running glaze in tones of Cherry Red, Vanilla cream and varying tones of brown in Honeycomb, Fudge and Caramel. 

The majestic size with the subtly striking palette makes this piece suitable for standalone display or for functional use as a table centrepiece. 

CONDITION
Excellent. There are no chips, cracks or repairs. There is mild surface wear and movement marks on the underside of the base that is commensurable with the age of the piece. Please see photographs as they form part of the condition report. The underside of the vase bears the 'Vallauris' inscription.  

MEASUREMENTS
Height: c. 4.4" / 11.2 cm. Rim measurements: c. 12.2" / 31 cm x c. 8.3" / 21 cm (across longest/widest points). Depth: c. 2" / 5 cm. Base measurements: c. 7.2" / 18.3 cm x c. 2.8" / 7 cm. Unpackaged weight: c. 1.4 kg / 1,420 g

NOTES
Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Vallauris Pottery Ceramics have always been part of the Vallauris region, however, artistic ceramics began to emerge from Vallauris from the end of the 19th century notably thanks to the Massier family. Other famous names include Delphin and Jérôme introduced coloured enamels and metallic pigments into their ceramics. The region's reputation was elevated further by the arrival of Picasso from 1948.

This striking work of mid-century Modern design is by Roger Capron (b.1922 - d.2006) for his ceramic studio factory in Vallauris, France. Alongside names such as Picasso, Robert Picault and Jean Derval, Capron was a key contributing figure in the renaissance of ceramics in Vallauris.

The bold use of the hand-painted, strong Charcoal black lines to separate and organically shape the high-colour, gloss-glazed sections is characteristic of Capron's design style. The setting of the colour palette against the backdrop of the luxuriantly sumptuous, silky matt-white base glaze is yet another Capron design trait that is applied to the rounded square bottle form. The vivid colour palette for this particular piece consists of Charcoal black, Goldenrod Yellow, Navy Ink blue and Persimmon orange which is a beautiful juxtaposition to the otherwise simple form.

This piece is both subtle and distinct at the same time, with a timelessness to its design that is suitable for standalone display or functionally as a simple Ikebana vase.

CONDITION
Very Good. There is mild surface wear to the glaze and movement marks on the underside of the base that is commensurable with age. Mentioned for completeness: There is one chip present on the underside of the base that measures c. 1cm x 0.4cm that does not detract from display. Important: Please see photographs as they form part of the condition report. The underside of the base bears the signature and identifying marks of: 'CAPRON, Vallauris, F22'

MEASUREMENTS
Height: c. 9.6" / 24.5 cm. Rim: c. 1" / 2.6 cm diameter. Body dimensions: c. 3.2" / 8.2 cm x c. 3.3" / 8.5 cm. Base measurements: c. 3.2" / 8.2 cm x c. 3.1" / 8 cm. Unpackaged weight: c. 0.6 kg / 600 g

NOTES
Bottle vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Roger Capron (b. 1922 - d. 2006)
Capron was born in Vincennes, France in 1922 and became a student at the School of Applied Arts (École des Arts Appliqués à l'Industrie) in Paris at the age of 16, and by 1945, a professor at the same school. In 1946 and at the age of 24, Capron moved to Vallauris, setting up the 'l`Atelier Callis' workshop in collaboration with Robert Picault and Jean Derval. By 1952, he was ready to establish his own ceramic studio factory in Vallauris and within 5 years he'd developed a significant international reputation.

Capron work was known for its Modernistic emblematic forms with characteristics of his work represented in stylized branches, characters, geometrical suns that would functional works of art that made typically made a colourful and creative statement in the spaces they were displayed.

The studio factory sadly closed in 1982 due to the economic crisis but did not prevent the founding of Atelier Capron in 1983. In his lifetime, Capron won numerous design awards, enshrining him as a key contributing figure in ceramic design before his death in 2006.

This sculptural work brings with it a seamless blending of Atomic era and Modernist design and is by British Pottery Beswick, a firmly celebrated name in British ceramics design. The sleek form is reminiscent of the Chemosphere house that was so iconic to Space Age Atomic design. 

Complimenting the futuristic design is the silky semi-matte satin glaze décor applied in earthy graduating brown tones of Powdered Terracotta, Mocha Cream and Raw Umber for the central supporting pillar. This refined piece is stylistically timeless and yet also prominently of its era, the combination of the form with the colour palette makes it a rare find. This would suit a Minimalist inspired room as a standalone display piece or for functional use, such as a succulent planter. 

CONDITION
Excellent. There are no chips or repairs. The most significant wear is light use marks on the interior and movement marks on the underside of the base. Please refer to photos as they form part of the condition report. The underside of the base bears the inscription 'BESWICK, ENGLAND' and the model number '2337'.

MEASUREMENTS
Height: c. 8.3" / 21 cm. Width: c. 5.1" / 13 cm (across widest point). Rim opening: c. 3.7" / 9.5 cm Base measurements: c. 3.1" / 7.8 cm. Unpackaged weight: c. 0.6 kg / 615 g

NOTES
Planter vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Beswick Pottery 1892 - 2002
The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tableware and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.

Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox. These works were often decorated in 'satin-matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000s.

This deliciously tactile work of mid-century design by British company Beswick Pottery. The seemingly simple form is of stylised ripples like that of its art glass counterpart, the Fazzoletto handkerchief form.

The glaze décor is a satin, semi-matt gloss with a pale Butterscotch cream that is overlaid with variegated deep Chocolate brown that graduates into a base of deep Mint Grin. The combination of the form, colour palette, and condition makes this piece a rare find. This work would suit a vintage-inspired room as a standalone display piece or functionally as a succulent planter.

CONDITION
Superb. There is mild use wear on the underside of the base and interior of the planter that is commensurable with the age of the piece. The underside of the base is stamped with 'MADE IN ENGLAND' and Beswick's model number '808'. Please refer to photos as they form part of the condition report.

MEASUREMENTS
Height: c. 6.5" / 16.5 cm tall (from base to rim). Width c. 12.1" / 30.8 cm in width (across widest point) x depth: c. 5" / 12.6 cm. Base measurements: c. 4.8" / 12.3 cm x c. 3.5" / 9 cm. Unpackaged weight: 0.7 kg / 725 g

NOTES
Planter bowl will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Beswick Pottery 1892 - 2002
The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tableware and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.

Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox. These works were often decorated in 'satin-matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000s.

This elegantly stylised work of Art Deco design is by the English pottery Shorter and Son (est. c. 1900 - c. 1964). The sculpted and abstract jardiniere form firmly displays architectural influences of Art Deco geometricism and echoes from the Art Nouveau period. The overall shape is that of a tiered and asymmetrically rounded-rectangle that is an excellent canvas for the tactile décor.

The décor is a touch-inviting pattern of stylised geometric accents; from the rounded angular borders trimming the tiers to the scalloped borders and flower-like segments. Further elevating this piece is the sumptuous glaze that is a blended dappling of Powdered Peach, Mint green, and Pale Indigo blue tones. The visual appeal of this piece is timeless in style but yet also very much a piece of Art Deco history.

CONDITION
Very Good. No chips, cracks, or repairs. The most notable wear is a glaze-flaw, where the glaze was applied unevenly and subsequently created a wear. Please refer to photographs as they form part of the condition report. The base bears Shorter and Son's stamp denoting 'Shorter and Son Ltd, Stoke on Trent, Made in Great Britain".

MEASUREMENTS
Height: c. 3.7" / 9.5 cm. Width: c. 8.6" / 21.8 cm (across widest point) x c. 4.5" / 11.5 cm (into deepest point). Unpackaged weight: c. 0.6 kg / 615 g

NOTES
Jardiniere planter will be securely packaged and shipping will be insured. Shipping will be combined for multiple items. 

A BIT OF HISTORY
Before the 1920s, Shorter and Son (c. 1900 - 1964) produced Edwardian Majolica ware, creating a broad range of domestic and ornamental ware such as jardinieres, umbrella holders, bowls and vases. From the 1920s onward, their range only broadened however, they would adapt their designs to the burgeoning influences of the period. The design of their tableware and accessories, for example, reflected the Art Deco influences of the greats such as Clarice Cliff and Mabel Leigh designed for Shorter and Son from 1933 to 1935.

Sadly, in the early 1960s, the company faced the death of director Arthur Colley Shorter as well as the loss of a factory in Copeland Street to a road development scheme. Finally, there were significant expenses to convert to smokeless firing to conform with the Clean Air Act. These factors resulted in a decision to accept an offer from S. Fielding & Co. Ltd the owners of Crown Devon around 1964.

These elegant works of Art Deco design are by the British Pottery Crown Devon. The carved pitcher jug is Crown Devon's 'London' jug form with the '371' Caisson form vase. Both works are in a matching 'Polished Orange Jasper' glaze and are highly tactile; particularly the London jug with its most standout feature of the vase body swelling around the carved lines, making each section exquisitely touch inviting. The Caisson vase bears subtle geometric and mirroring Art Deco accents of raised stripes and handles.

The semi-matte Polished Orange Jasper silk glaze décor is a blending of Pale Peach dappled with Cinnamon and Espresso Coffee brown. The sumptuous glaze creates the effect of Polished Orange Jasper chalcedony gems. Both pieces are stylistically timeless and the combination of the designs, colour palette as well as the excellent condition makes them a rare find.

CONDITION
Excellent. There are no chips or repairs. There are mild and negligible movement marks on the underside of the base that is commensurate with the age of the pieces. Please refer to photos as they form part of the condition report. The underside of the bases are unmarked but the London jug vase is inscribed with 'London' and the other vase is inscribed with the model number '371'. 

MEASUREMENTS
- London Jug Height: c. 5" / 12.6 cm (from base to rim) x c. 5.1" / 13 cm width (handle to spout). Rim diameter: c. 1.9" / 4.7 cm. Base diameter: c. 2.2" / 5.5 cm.
- Caisson 371 Vase Height: c. 5" / 12.8 cm (from base to rim) x c. 3.5" / 8.8 cm diameter. Width: c. 4.7" / 12 cm (handle to handle). Base diameter: c. 2.8" / 7 cm.
Unpackaged weight [Pair]: c. 0.9 kg / 855 g

NOTES
Vases will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Crown Devon Fieldings (1870 - 1982)
The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.

This striking work of 1930s Bauhaus Art Deco design is by Carstens Uffrecht Pottery and attributed to the then lead designer Hildegard Delius (b. 1896 - d. 1955).

The geometric Bauhaus influence is very evident in the evenly-arched, stylised architectural form and further accentuated through subtle plays of cross-hatching within the glaze décor. The sumptuous hand-painted glaze is a base of Vanilla cream that is overlaid with a palette of orange shades, including Apricot, Marmalade, Amber, and Ochre, and further elevated through deeper Coffee brown tones.

Whether on display or used around the home, this work is timelessly stylish in design yet also an excellent representation of the Bauhaus Art Deco movement. 

CONDITION
Excellent. No chips or repairs. There is a single hairline stress crazing that is very faintly visible to the naked eye but commensurable with the age of the piece, please refer to photos as they form part of the condition report. The underside of the dish is marked with Carsten Uffrecht's stamp denoting 'DEK18' and model number '444'.

MEASUREMENTS
Height: c. 2.6" /  6.5 cm tall (from base to rim) x c. 11.8" / 30 cm in length (across longest point). Width: c. 9.6" / 24.5 cm (across widest point) Base measurements: c." 6.4 / 16.2 cm x c. 5.9" / 15 cm. Unpackaged weight: c. 1.0 kg / 980 g

NOTES
Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Carstens Uffrecht that was founded in 1845 by Jacob Uffrecht. After the Second World War, the Carstens family lost their ceramics and porcelain factories in East German territory. In 1945, Carstens Uffrecht became the East German vases maker VEB Haldensleben. VEB stands for the German “Volkseigener Betrieb”, meaning a people-owned enterprise and related to state-owned workplaces in the GDR.

Hildegard Delius (1896-1955) and her husband Klaus Delius were the known designers from the mid-1920s to mid-1930s at Carstens Uffrecht, echoing the architectural vision of Bauhaus founder Walter Gropius.

VEB Haldensleben mainly concentrated on making vases of high quality. Like the vases of Strehla, the colours are more subdued than the vases from West Germany. Often there is at least one metallic glaze on the vases. When Germany was reunited in 1990, the former East German factory was again owned by the Carstens family and the name was changed to Carstens Keramik Rheinsberg.

This work of beautifully understated elegance is of Scandinavian mid-century design and by Upsala Ekeby's renowned artistic director, Arthur Percy (b.1886 - d. 1976). In this piece, Percy combines the gentle curves of the classic bottle flask form with a touch-inviting décor. The décor is built on a base of semi-matte clear glaze that highlights the natural Pale Buttermilk cream clay, this is then overlaid with a tessellation of tactile smooth and glossy Daisy white dots of glaze. The piece is finished with a striking contrast of semi-matte Natural Indigo blue on the interior of the vase. 

The overall design is a seamless blend of simple sophistication, elevated elegance and Swedish mid century Modernist design.

CONDITION
Excellent. No chips, cracks or repairs. There are negligible movement marks to the underside of the base that is commensurate with the age of the piece as well as trivial flaws from the production process (e.g. a small number of white dots have picked up spots of the indigo pigment). The underside also Upsala-Ekeby stamp with the numbers '5062' and 'PERCY' as well as the inscribed initials of 'YW'. 

MEASUREMENTS
Height: c. 6.9" / 17.5 cm tall (from base to rim). Rim diameter: c. 1.2" / 3 cm. Body diameter: c. 4.1" / 10.5 cm (across widest point). Base diameter: c. 1.8" / 4.6 cm. Unpackaged weight: 0.3 kg / 300 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Carl Arthur Carlsson-Percy (b.1886 - d. 1976), a leading Swedish ceramist, artist and artistic director, born in Vickleby in 1886. During his early career, Percy travelled to Stockholm and Paris to develop his skills and techniques as a decorative painter, attending schools such as the Académie Collarossi and Matisse Painting School.

He would go on to become artistic director in 1923 at Gefle Porslinsfabrik (which became part of Upsala Ekeby in 1936) and in 1942 he became artistic director at Karlskrona Porslinsfabrik. His early work is characterised by items with soft decorations of flowers and birds and Italian 14th and 16th century inspiration.

During the 1920s, his renowned work includes the series "Gefle", "Vinranka", "Floating Blue", "Iris", "Three Flowers", "Silversties" and "Christina". During the 1930's and 40's came "Suecia", "Exotica" and his perhaps most famous décor "Rubin".

Percys art is represented in a large number of Swedish and foreign museums, including National Museum and Modern Museum, Prince Eugens Waldemarsudde, Art Museum in Gothenburg, and museums in Malmö, Norrköping, Lindköping, Västerås, Borås, Jönköping, Kalmar, Karlstad, Gävle and Östersund, etc. Abroad, one can find his art at the Sévres Museum in Paris, the Musée des Beaux-Arts in Pau, the Victoria and Albert Museum in London, the Metropolian Museum in New York and the Lubeck Museum in Germany and others.

This elegant work of Art Deco design is by the British Pottery Crown Devon. The pitcher jug form is seemingly simple but there are actually a number of subtle Art Deco design nuances incorporated into the design. The body is accentuated by the gently exaggerated curves at the belly and handle, with a finishing accent of a lightly fluted rim and spout. The most standout feature is obviously the carved detail and the way the body of the vase swells around the carved lines, making each section exquisitely tactile. 

The semi-matte silk glaze décor is a blending of Sandstone beige, dappled with dashes of pale Golden Sand, this graduates into a wash of Marigold amber. This refined piece is stylistically timeless and the combination of the design, colour palette, size as well as excellent condition makes it a particularly rare find.

CONDITION
Excellent. There are no chips or repairs. There is mild and negligible crazing all over that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base bears Crown Devon's stamp denoting 'Crown Devon, Made in England' and a further indistinct stamp with the series name 'Harlem'. 

MEASUREMENTS
Height: c. 5.7" / 14.5 cm (from base to rim) x c. 3.1" / 8 cm rim (across widest point). Diameter: c. 4.3" / 11 cm (across widest point). Base diameter: c. 2.2" / 5.6 cm. Unpackaged weight: c. 0.5 kg / 465 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Crown Devon Fieldings (1870 - 1982)
The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.