This mid-century, hand-built, and glazed studio pottery piece is of British Modernist design and is by Tremaen Pottery (1965 - 1988). Beautifully sculptural, tactile, and seemingly simple, this piece would have been constructed and glazed with unconventional techniques, as was the style of Peter Ellery who founded Tremaen.
The form is exceptionally tactile and organic, shaped like a stone smoothed by the ocean tide revealing the layers of its inner strata. The glaze décor is equally as tactile; the palette is a base of warm, speckled Pale Fudge brown overlaid with different bands of tactile browns in Chocolate, Caramel, Umber, and a final band of glossy Espresso towards the base.
This stunning piece actualises many key principles of Modernist design influence, including a focus on combining function with bringing forth the beauty in the natural material.
CONDITION
Excellent. No cracks or repairs. There is faint wear on the underside of the base that is commensurate with the age of the piece. Please see photographs as they form part of the condition report.
MEASUREMENTS
Height: c. 8.3" / 21 cm high by c. 6.3" / 16 cm width (across the widest point) x depth: c. 3.3" / 8.5 cm. Base measurements: c. 5.9" / 15 cm x c. 3.3" / 8.5 cm. Weight: c. 1.0 kg / 1,015 g
NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY
Peter Ellery, Tremaen Pottery (1965 - 1988)
Tremaen pottery was first set up by Peter Ellery in Marazion, UK in 1965, typically creating large scale pieces using unconventional techniques in both construction and glazing. His work quickly gained appreciation and popularity, and within 2 years Tremaen pottery moved to a larger premises in Newlyn with the workforce expanding to twelve to cope with demand.
Although work continued to be by hand, the range of pieces produced by Tremaen expanded to include smaller scale and figural pieces. Tremaen's work maintained its popularity but sadly, the recession of the early 1980s created increasing economic difficulties. Ellery sustained Tremaen's production until 1988 where he made the decision to close the pottery.
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This elegantly sculptural, hand-built, and glazed studio art ceramic lamp is of British Modernist design by Peter Ellery for his Cornish pottery studio Tremaen Pottery (1965 - 1988). Ellery's work is heavily influenced by the Cornish environment where the Tremaen studio was based. Influences such as sea-washed pebbles, rocks, and boulder-shaped forms, and Cow Parsley from abundant hedgerows inspired the décor, as are traces of rough-hewn stone harbour walls and whitewashed fishermen's cottages. Many pieces have an organic feel, being deliberately weathered or textured.
This particular piece comes from the 'Gwarra' series. 'Gwarra' is the Cornish word for 'higher' and is believed to relate to the Cornish coastal feature 'Pol Gwarra' or 'Pol Gwartha' [tr. 'Higher Pool']. The decor of this lamp reflects the influences and textural references from the Cornish coastal and countryside landscape. The overall composition is characterised by the tactile, organic qualities with the lamp body shaped like a pebble worn smooth by the ocean tide and the textured decor resembling trails in the wet sand. The glaze is silky and touch-inviting, with the colour palette comprising of rich, semi-matte Dark Chocolate, Mocha browns blended with Cappuccino Foam and Creams.
This stunning piece brings to life many key principles of Modernist design, with a focus on combining function with bringing forth the beauty in the natural material.
CONDITION
Excellent. No chips, cracks, or repairs. There is faint wear to the protective felting on the underside of the base that is commensurate with the age of the piece. Please see photographs as they form part of the condition report. The underside of the base is fitted with protective felting and also bears Tremaen's original label. The lamp takes standard European A-series Bayonet bulb.
MEASUREMENTS
Height: c. 7.9" / 20 cm high (excluding bulb holder) c. 9.8" / 25 cm (including bulb holder). Width c. 4.5" / 11.5 cm (across the widest point) x depth: c. 3.1" / 8 cm. Base measurements: c. 4.9" / 12.5 cm x c. 3.3" / 8.5 cm. Weight: c. 1 kg / 970 g. The lamp takes a standard A-series Bayonet bulb with a British plug fitting.
A BIT OF HISTORY
Peter Ellery, Tremaen Pottery (1965 - 1988)
Tremaen Pottery was founded by Peter Ellery in Marazion, UK in 1965, typically creating large-scale pieces using unconventional techniques in both construction and glazing. His work quickly gained appreciation and popularity, and within 2 years Tremaen Pottery moved to larger premises in Newlyn with the workforce expanding to twelve to cope with demand.
Although work continued to be by hand, the range of pieces produced by Tremaen expanded to include smaller-scale and figural pieces. Tremaen's work maintained its popularity but sadly, the recession of the early 1980s created increasing economic difficulties. Ellery sustained Tremaen's production until 1988 when he made the decision to close the pottery.
This elegantly sculptural, hand-built, and glazed studio art ceramic lamp is of British Modernist design by Peter Ellery for his Cornish pottery studio Tremaen Pottery (1965 - 1988). Ellery's work features a heavy influence from the Cornish environment where the Tremaen studio was based. Influences such as sea-washed pebbles, rocks, and boulder-shaped forms, and Cow Parsley from abundant hedgerows inspired the décor, as are traces of rough-hewn stone harbour walls and whitewashed fishermen's cottages. Many pieces have an organic feel, being deliberately weathered or textured.
This particular piece comes from the Cow Parsley series, reflecting the influences and textural references from the Cornish coastal and countryside landscape. The overall composition is characterised by its exceptionally tactile and organic qualities, shaped like a pebble worn smooth by the ocean tide to reveal the Cow Parsley fossil impression. The glaze is silky and touch-inviting, with the colour palette comprising of a rich, semi-matte Dark Chocolate, Mocha browns blended with Cappuccino, Flat White creams.
This stunning piece brings to life many key principles of Modernist design, with a focus on combining function with bringing forth the beauty in the natural material.
CONDITION
Excellent. No chips, cracks, or repairs. There is faint wear to the protective felting on the underside of the base that is commensurate with the age of the piece. Please see photographs as they form part of the condition report. The underside of the base is fitted with protective felting and also bears Tremaen's original label. The lamp takes standard A-series Bayonet bulb.
MEASUREMENTS
Height: c. 7.9" / 20 cm high (excluding bulb holder) c. 9.8" / 25 cm (including bulb holder). Width c. 4.5" / 11.5 cm (across the widest point) x depth: c. 3.1" / 8 cm. Base measurements: c. 4.9" / 12.5 cm x c. 3.3" / 8.5 cm. Weight: c. 1 kg / 970 g. The lamp takes a standard A-series Bayonet bulb with a British plug fitting.
A BIT OF HISTORY
Peter Ellery, Tremaen Pottery (1965 - 1988)
Tremaen Pottery was founded by Peter Ellery in Marazion, UK in 1965, typically creating large-scale pieces using unconventional techniques in both construction and glazing. His work quickly gained appreciation and popularity, and within 2 years Tremaen Pottery moved to larger premises in Newlyn with the workforce expanding to twelve to cope with demand.
Although work continued to be by hand, the range of pieces produced by Tremaen expanded to include smaller-scale and figural pieces. Tremaen's work maintained its popularity but sadly, the recession of the early 1980s created increasing economic difficulties. Ellery sustained Tremaen's production until 1988 when he made the decision to close the pottery.
This majestically sculptural lamp is of French design by Georgia Jacob's company (1988 - 2012). This particular piece comes from the Corolle series, one of many series where Jacob explored shape and form exclusively through the arrangement of drape.
The overall composition is characterised by exceptionally tactile and organic qualities, with a core arrangement of 16 folds that are encircled by an outer band of 19 ruffles made of the Saffron Mango toned resin. This piece is finished with an elegant resin marble base, further accentuating the subtle luxury of the design.
Standing at half a metre tall, this stunning statement piece brings sophisticated Minimalism to its surroundings.
CONDITION
Excellent. No chips, cracks, or repairs. There is faint wear to the surface that is commensurate with the age of the piece, please see photographs as they form part of the condition report. The underside of the base is labeled with the original label. Lamp takes a 40w candle screw bulb with the length of the cord being c. 6 ft / 183 cm.
MEASUREMENTS
Height: c. 21" / 53 cm high. Width c. 9.8" / 25 cm (across the widest point). Base measurements: c. 5.1" / 13 cm diameter. Weight: c. 1.4 kg / 1,395 g. Lamp takes a 40w candle screw bulb with the length of the cord being c. 6 ft / 183 cm.
A BIT OF HISTORY
Georgia Jacob International (1988 - 2012)
Georgia Jacob International was founded in 1988 in Wasselonne, a small commune in the north of France, c. 26 km from Strasbourg. Jacob only produced handkerchief and flaming torch design lamps made of resin (polyester), fibreglass or acrylic with several different bases made in marble, brass, metal, wood, or resin. Lamp series included the Corolle, Kali, Athena, Ella, Ophélie, Fruit d’Ange (angel fruit).
Sadly not much more is known about the company and records trace the company as discontinuing in 2012 due to insufficient assets.
NOTES
Lamp will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Currently held on consignment at Andrews Oakville
This elegantly sculptural, hand-built, and glazed studio art ceramic lamp is of British Modernist design by Peter Ellery for his Cornish pottery studio Tremaen Pottery (1965 - 1988). Ellery's work features a heavy influence from the Cornish environment where the Tremaen studio was based. Influences such as sea-washed pebbles, rocks, and boulder-shaped forms, and Cow Parsley from abundant hedgerows inspired the décor, as are traces of rough-hewn stone harbour walls and whitewashed fishermen's cottages. Many pieces have an organic feel, being deliberately weathered or textured.
This particular piece comes from the Zennor series, Zennor is the Cornish village made famous by the medieval carving of a mermaid inside the parish church of St Senara and one of the last places where residents spoke traditional Cornish). The design reflects the echoes of Celtic influences as well as textural references to the Cornish coastal landscape in its sea-smoothed pebble form, texture, and palette. As with Ellery's other works, this piece would have been constructed as well as glazed with unconventional techniques, as was Ellery's style. The overall composition is characterised by its exceptionally tactile and organic qualities, shaped like a stone carving smoothed by the ocean tide revealing the layers of its inner strata. The glazing is textured and touch inviting, the palette begins with a base of natural stoneware clay in matte Sand that is then elevated with the silky swathes of semi-matte glaze in tones of Warm Honey, Milk White, and Caramel brown.
This stunning piece actualises many key principles of Modernist design influence, with a focus on combining function with bringing forth the beauty in the natural material.
The design, palette, and condition of this piece make it an exceptional and rare find.
CONDITION
Excellent. No chips, cracks, or repairs. There is faint wear to the protective felting on the underside of the base that is commensurate with the age of the piece. Please see photographs as they form part of the condition report. The underside of the base is fitted with protective felting and also bears Tremaen's original label. Lamp takes standard A-series Bayonet bulb.
MEASUREMENTS
Height: c. 10.2" / 26 cm high (excluding bulbholder) c. 12" / 30.3 cm (including bulbholder). Width c. 7.9" / 20 cm (across the widest point) x depth: c. 4.7" / 12 cm. Base measurements: c. 4.7" / 12 cm x c. 7.9" / 20 cm. Weight: c. 2.0 kg / 1,970 g. Lamp takes standard A-series Bayonet bulb with a European plug fitting.
A BIT OF HISTORY
Peter Ellery, Tremaen Pottery (1965 - 1988)
Tremaen pottery was first set up by Peter Ellery in Marazion, UK in 1965, typically creating large-scale pieces using unconventional techniques in both construction and glazing. His work quickly gained appreciation and popularity, and within 2 years Tremaen pottery moved to larger premises in Newlyn with the workforce expanding to twelve to cope with demand.
Although work continued to be by hand, the range of pieces produced by Tremaen expanded to include smaller scale and figural pieces. Tremaen's work maintained its popularity but sadly, the recession of the early 1980s created increasing economic difficulties. Ellery sustained Tremaen's production until 1988 when he made the decision to close the pottery.
This elegantly sculptural, hand-built, and glazed studio pottery piece is of British Modernist design and by Peter Ellery for his Cornish pottery studio Tremaen Pottery (1965 - 1988). Ellery's work features a heavy influence of the Cornish environment that the Tremaen studio was based in. Sea-washed pebbles, rocks, and boulders shaped form, and Cow Parsley from abundant hedgerows inspired décor, as are traces of rough-hewn stone harbour walls and whitewashed fishermen's cottages. Many pieces have an organic feel, being deliberately weathered or textured.
This particular piece comes from the Nanceddan (Cornish for 'Valley of the Birds') series, reflecting the influences of the Cornish coastal landscape in its sea-smoothed pebble form, texture and palette. As with Ellery's other works, this piece would have been constructed as well as glazed with unconventional techniques, as was Ellery's style. The overall composition is characterised by its exceptionally tactile and organic qualities, shaped like a stone smoothed by the ocean tide revealing the layers of its inner strata. The glazing is textured and touch inviting, the palette begins with a base of the natural stoneware clay in matte Sand that is then elevated with the silky bands of semi-matte glaze in tones of Warm Honey and Caramel brown.
This stunning piece actualises many key principles of Modernist design influence, with a focus on combining function with bringing forth the beauty in the natural material.
CONDITION
Excellent. No chips, cracks, or repairs. There is faint wear to the protective felting on the underside of the base that is commensurate with the age of the piece. Please see photographs as they form part of the condition report. The underside of the base is fitted with protective felting and also bears Tremaen's original label.
MEASUREMENTS
Height: c. 11.4" / 29 cm high (excluding bulbholder) c. 14.2" / 36 cm (including bulbholder). Width c. 6.7" / 17 cm (across the widest point) x depth: c. 4.7" / 12 cm. Base measurements: c. 5.9" / 15 cm x c. 4.2" / 10.6 cm. Weight: c. 1.6 kg / 1,620 g. Length of cord: c. 83.5" / 212 cm. Lamp takes standard A-series Bayonet bulb.
NOTES
Lamp will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY
Peter Ellery, Tremaen Pottery (1965 - 1988)
Tremaen pottery was first set up by Peter Ellery in Marazion, UK in 1965, typically creating large scale pieces using unconventional techniques in both construction and glazing. His work quickly gained appreciation and popularity, and within 2 years Tremaen pottery moved to a larger premises in Newlyn with the workforce expanding to twelve to cope with demand.
Although work continued to be by hand, the range of pieces produced by Tremaen expanded to include smaller scale and figural pieces. Tremaen's work maintained its popularity but sadly, the recession of the early 1980s created increasing economic difficulties. Ellery sustained Tremaen's production until 1988 where he made the decision to close the pottery.
This elegantly sculptural, hand-built, and glazed studio pottery piece is of British Modernist design and by Peter Ellery for his Cornish pottery studio Tremaen Pottery (1965 - 1988). Ellery's work features a heavy influence of the Cornish environment that the Tremaen studio was based in. Sea-washed pebbles, rocks, and boulders shaped form, and Cow Parsley from abundant hedgerows inspired décor, as are traces of rough hewn stone harbour walls and whitewashed fishermen's cottages. Many pieces have an organic feel, being deliberately weathered or textured.
This particular piece comes from Gwarra series, reflecting the influences of the Gwarra's (Porthgwarra beach) Cornish landscape in its sea-smoothed pebble form, texture and palette. As with Ellery's other works, this piece would have been constructed as well as glazed with unconventional techniques, as was Ellery's style. The overall composition is characterised by its exceptionally tactile and organic qualities. The glazing is textured and touch inviting, the palette begins with a base of the natural stoneware clay in matte Pale Sand that is then elevated with the blended swathes of semi-matte glaze in tones of Warm Honey, Demerara Sugar, Stone, and Powdered Smoky Blue.
This stunning piece actualises many key principles of Modernist design influence, with a focus on combining function with bringing forth the beauty in the natural material.
CONDITION
Excellent. No cracks or repairs. There is faint wear to the protective felting on the underside of the base that is commensurate with the age of the piece. Please see photographs as they form part of the condition report.
MEASUREMENTS
Height: c. 11.6" / 29.5 cm high (excluding bulbholder) c. 14" / 35.5 cm (including bulbholder). Width c. 7.1" / 17.8 cm (across the widest point) x depth: c. 5.1" / 13 cm. Base measurements: c. 5.9" / 15 cm x c. 4.3" / 11 cm. Weight: c. 1.5 kg / 1,545 g. Length of cord: c. 95" / 241 cm. Lamp takes standard A-series Bayonet bulb.
NOTES
Lamp will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY
Peter Ellery, Tremaen Pottery (1965 - 1988)
Tremaen pottery was first set up by Peter Ellery in Marazion, UK in 1965, typically creating large scale pieces using unconventional techniques in both construction and glazing. His work quickly gained appreciation and popularity, and within 2 years Tremaen pottery moved to a larger premises in Newlyn with the workforce expanding to twelve to cope with demand.
Although work continued to be by hand, the range of pieces produced by Tremaen expanded to include smaller scale and figural pieces. Tremaen's work maintained its popularity but sadly, the recession of the early 1980s created increasing economic difficulties. Ellery sustained Tremaen's production until 1988 where he made the decision to close the pottery.