This stunning and very tactile work of Art Nouveau design is by Bohemian glassworks Loetz (1836 - 1947) who were best known for their trailing, iridescent art glass. The abstract bottle and form of this piece is a gentle undulating flow of smooth and soft curves, with rounded thorn-like tips that give the impression of a cactus translated into art glass. The base colour of the glass is a lush Forest green which is overlaid with the blue-leaning rainbow iridescence.
The piece is finished with a silver collar accent (hallmarked to London Assay Office c. 1920s) which complements the elegant form and was common a common finishing touch to art glass design during the Art Nouveau period.
CONDITION
Superb. There are no chips, cracks or repair to the glass, there is a mild sanding at the rim that is visible as a result of the wear to the silver collar and also from the production process. There is significant and visible wear to the silver collar which can be left untouched for its antique charm or replaced if preferred. Please see photos as they form part of the condition report. The silver collar is hallmarked to the London Assay Office, 'HP&S' (Henry Perkins & Sons) c. 1920s.
MEASUREMENTS
Height: c. 8.3" / 21 cm (from base to rim) x max diameter: c. 3.3" / 8.5 cm. Rim diameter: c. 1.2" / 3.1 cm. Base diameter: c. 3.3" / 8.5 cm. Unpackaged weight: c. 0.2 kg / 240 g
NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY
Loetz was originally founded as Klášterský Mlýn in the Southern Bohemian town of Klostermühl during 1836. It would be 1851 before the glassworks was purchased by Frank Gerstner, who transferred it to his wife Susanne Loetz shortly before his death in 1855. Susanne would go on to lead the glassworks to great success and expansion, setting it on the path of international fame and a reputation which persists even now.
Loetz is best known for their broad range of designs for iridescent, trailing art glass, created during the Art Nouveau period (c. 1890 - 1910). At times, designs were created in collaboration with well-known artists and designers of the time such as Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter).
Sadly, the transition into the Art Deco period (c. 1910 - 1940), the outbreak of World War I combined with The Great Depression in the late twenties and two significant fires set the glassworks on the road to decline. The final declaration of bankruptcy came in 1939, following the German invasion of Czechoslovakia with production fully ceasing in 1947.
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This touch-inviting work of art pottery is by the internationally famous English ceramic artist and Art Director of Newport Pottery, Clarice Cliff (b. 1899 - d.1972). This particular piece comes from the Waterlily series by Cliff in 1938 with the form and hand painted décor being inspired by the flower of the same name.
The exquisitely tactile design came during a time when taste was towards heavily modelled ware. Cliff reflected this preference into the curved and lightly gathered petals, the diminutive flower buds nestled on the lily pads which cushion the flower and floating reed leaves resting on the lake surface. This design also came during the time of Cliff's successful breakthrough into international fame, where she received unprecedented publicity and when the phrase 'career woman' did not exist.
This refined piece is an excellent representation of Cliff's innate ability to bring forth and elevate the unique qualities in something that is otherwise seemingly simple. Stylistically timeless, the combination of the design with the colour palette and its condition makes it a beautiful statement piece that is also a tangible piece of history.
CONDITION
Excellent. There are no chips or repairs. There is a single hairline rupture on the interior of the bowl that does not affect the display or functional qualities as well as crazing to the glaze that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the dish is stamped with Cliff's 'Clarice Cliff, NEWPORT POTTERY, ENGLAND'
MEASUREMENTS
Height: c. 4.7" / 12 cm (from base to rim) Width: c. 7.9" / 20cm cm x c. 6.1" / 15.5 cm. Base measurements:: c. 8.7" / 22.2 cm x c. 6.9" / 17.5 cm. Unpackaged weight: c. 1.1 kg / 1,080 g
NOTES
Bowl will be securely packaged and shipping insured. Shipping will be combined for multiple items.
A BIT OF HISTORY
Clarice Cliff (1899 - 1972)
Born in the city of Stoke on Trent that was made famous by its pottery in 1899, Cliff was working in one of the many factories by the time she was 13 and by the late 1920s she was designing the colourful pottery that would blossom her career. Her striking signature characteristics appeared in her use of colour, pattern and form design. Innovative and talented, she would go on to become Art Director for Newport Pottery in 1930.
Cliff became successful and internationally famous on an unprecedented level for a woman ceramic artist despite being known for being shy. Her colourful life and unmistakable skills in design are still being celebrated in modern day.
This elegant work of Art Deco design is by the British Pottery Crown Devon. The pitcher jug form is seemingly simple but there are actually a number of subtle Art Deco design nuances incorporated into the design. The body is accentuated by the gently exaggerated curves at the belly and handle, with a finishing accent of a lightly fluted rim and spout. The most standout feature is obviously the carved detail and the way the body of the vase swells around the carved lines, making each section exquisitely tactile.
The semi-matte silk glaze décor is a blending of Sky blue, dappled with dashes of pale Chartreuse, this graduates into a Dusted Cocoa brown. This refined piece is stylistically timeless and the combination of the design, colour palette, size as well as excellent condition makes it a particularly rare find.
CONDITION
Excellent. There are no chips or repairs. There is mild and negligible crazing all over that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base bears Crown Devon's stamp denoting 'Crown Devon, Made in England' and a further indistinct stamp with the series name 'Harlem'.
MEASUREMENTS
Height: c. 7.9" / 20 cm (from base to rim) x c. 4.3" / 11 cm rim (across widest point). Diameter: c. 5.9" / 15 cm (across widest point). Base diameter: c. 3" / 7.6 cm. Unpackaged weight: c. 1 kg / 1,025 g
NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY
Crown Devon Fieldings (1870 - 1982)
The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.
This beautifully sculptural work of Art Deco design is by British Pottery Beswick, a firmly celebrated name in British ceramics design. The sleek pitcher jug form showcases the highly tactile and sculpturally undulating bands that finishes in a flourish of very Art Deco accents of an accentuated rim and softly geometric handle.
The glaze decor is Beswick's popular semi-matte Satin glaze, with a base of sumptuous Powdered Cerulean blue that is interspersed with dapplings of white and dustings of Cocoa brown. The base glaze is overlaid with a hand-painted, stylised Daisies in Milk white, Butter and Bumblebee yellow.
This stylistically timeless and refined piece also proudly displays its Art Deco design influences of the 1920-30s, the combination of the form with the colour palette and condition makes it a rare find.
CONDITION
Excellent. There are no chips or repairs. The most significant wear is age-related crazing all over and water staining on the interior that is commensurable with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base bears the faint inscription 'MADE IN ENGLAND', the model number '162' and the Beswick stamp.
MEASUREMENTS
Height: c. 11" / 28 cm. Width: c. 8.3" / 21 cm (across widest point). Depth: c. 4.3" / 11 cm (across widest point). Base diameter: c. 3.9" / 10 cm. Unpackaged weight: c. 1.2 kg / 1,185g
NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY
Beswick Pottery 1892 - 2002
The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tableware and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.
Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox. These works were often decorated in 'satin-matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000s.
This majestic work of English studio art pottery piece is of English Art Deco design, with a colour palette of Monet's 'Sunset on the Seine at Lavacourt' oil painting.
Beautifully sculptural and seemingly simple, this piece is a manifestation of the significant technique needed to result in its evenly-formed body and iconically Art Deco handle. The Art Deco accents appear most prominently in softly geometric, arching yet organic handle, with a flow-through of the inscribed lines and the graduating body. The hand-painted, silky, semi-matte glaze décor is a beautiful blending of brown tones in Light Walnut, Bronze, Sepia, Sand with deeper brown tones of Raw Umber, Fig, Dark Sienna, and green tones of Powdered Sage, Pale Olive.
This piece has a gracefully elegant presence, is an embodiment of English Art Deco design from c. 90 years ago and its exceptional condition makes it a rare find.
CONDITION
Excellent. No chips, cracks or repairs. Mentioned for completeness; there is mild crazing all over that is consistent with the age of the piece. Please see photographs as they form part of the condition report. The underside of the base bears the inscriptions of the model number '258 L' and 'Rd No 788313' [Registered Number] that dates the piece to c. 1933.
MEASUREMENTS
Height: c. 13.2" / 33.5 cm by c. 2.6" / 6.6 cm rim diameter. Width c. 5.3" / 13.5 cm (across widest point) Base measurements: c. 4" / 10.1 cm diameter. Weight: c. 1.1 kg / 1,085 g
NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Wade Ceramics 1867 - present
Wade Ceramics was originally founded in 1867, in Burslem, England, a collective of different pottery companies that specialised in earthenware and porcelain.
The original companies were
- Wade & Myatt (later became George Wade & Son, which made industrial ceramics and Wade Whimsies). Established 1867.
- John Wade & Co (later Wade Heath & Co, which made decorative ware, particularly Art Deco vases in the 1930s). Established 1867.
- J & W Wade (later AJ Wade Ltd, which made tiles, notably the original tiles for the London Underground). Established 1891.
Wade made its way into history with its figure collection known as Wade Whimsies that became hugely popular in the UK and America in the 1950s.
This elegantly diminutive and subtly exquisite, handpainted work of late Art Deco design is by Enoch Boulton for the British Pottery Crown Devon. The baluster form is an excellent canvas for the semi-matt, satin glaze décor. The base glaze is a tone of Powdered Teal green, applied in the layered, overlapping scale manner characteristic of the Mattajade glaze technique pieces.
The handpainted featured decor is that of the Fairyland series, also sometimes known as the 'Fairycastle' series that Boulton designed. Mattajade Fairyland was a popular series during its time and the rarity of finding it now has since made it highly collectable. The scene-lets are of charming turreted buildings nestled in the fantastical fauna in tones of Powdered Teal green, Azure blue, Jet black, Coquelicot orange, yellow with stylised lineations of gold - all of which wake up the islands that rest on the stylized waves.
The overall piece is finished with a hand-painted flora and fauna border that wraps around the external rim. The border is an echo of the main flora, with gold-edged black leaf clusters graduating into a band of Cerulean blue and Coquelicot yellow, finished with dotted blooms in orange and Verdigris.
Timeless in style and when combined with the featured design; the size and overall condition of this piece make this an exceptionally rare find.
CONDITION
Excellent. There are no chips or repairs. There is mild surface wear to the gold and hand-painted décor and movement marks on the underside of the base that are commensurate with the age of the piece. Please refer to the photos as they form part of the condition report. The underside of the base bears Crown Devon's stamp and the model number '2406'.
MEASUREMENTS
Height: c. 6" / 15.3 cm (from base to rim) x c. 4.4" / 11.3 cm diameter (across widest point). Base diameter: c. 2.9" / 7.5 cm. Unpackaged weight: c. 0.6 kg / 560 g
NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY
Enoch Boulton (b. - d. unknown)
Little is known about the early years of the unsung hero that was Enoch Boulton, who has only now started to come into recognition for his contribution towards art deco design. Many accounts of his history begins with his apprentice years at the Grimwades factory and studying at the Burslem school of Art. Enoch, affectionately known as Ernie began to rise to significant fame when he became design chief in the early 1920s for Carlton Ware. A highly accomplished painter, Boulton is said to have created many of Carlton’s most collectible lines of the 1920s. The Tutankhamen ware is but one of his more notable contributions. The V & A Museum lauded Boulton's Carlton Ware Jazz patterns as the quintessence of British Art Deco design. The pattern 3352 is represented in the museum’s pottery collection and is dated by the museum as c1921-30.
Despite his success at Carlton, Boulton was said to have been lured to Crown Devon Fieldings in the late 1920s, and with him at the helm as design chief, designs were a harmonious yet contrarian merging of modernism with Sybaritic exuberance. Series after popular series of exquisiite were produced including Orient, Mattajade, Amazine and Mattitia adorning a myriad of geometric forms including ribbed bodies and mouldings that gave an asymmetrical look.
Crown Devon Fieldings (1870 - 1982) The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.
This elegantly glamourous work of Art Deco design is by the British Pottery Crown Devon. Like much of Art Deco design, there is a focus on shape and absence of extravagance, however, the form of this piece also carries strong echoes of the Art Deco Odeon style.
Art Deco Odeon style references the revolution in British style brought about by the c.260 Odeon cinemas that sprung up across the UK from the late 1920s. Over 13 years, Oscar Deutsch created a circuit of cinemas where the buildings celebrated Art Deco Modernism with sweeping, simple yet strongly defined lines.
The central feature of the vase is the plinthed conical form that is complimented by the strongly defined straight and curved 'struts' on either side. The glaze across the entire palette of Powdered Verdigris, Latte and Slate-Blue is semi-matte, giving understated refinement to the stylised leaf design.
Timeless in style and when combined with the featured design; the size and overall condition of this piece make this a rare find.
CONDITION
Excellent. There are no chips or repairs. There is mild surface wear to movement marks on the underside of the base that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base bears Crown Devon's stamp and the model number '2406'.
MEASUREMENTS
Height: c. 7.6" / 19.3 cm (from base to rim) x c. 5.5" / 14 cm diameter (across widest point). Base diameter: c. 4.1" / 10.5 cm. Unpackaged weight: c. 0.7 kg / 725 g
NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY
Crown Devon Fieldings (1870 - 1982) The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.