1996 Atelier MicMac by Bea Schröder, Striking Pictographic Abstract Painting in Red | Signed, Dated

This striking work of Swedish art glass design is by Bertil Vallien (b. 1938 - ), a celebrated glass artist, sculptor, ceramist, and designer. This piece is attributed as a variation of the Columbus series which Vallien created for Kosta Boda and is 1 of 100 pieces. 

Suspended inside the sculpture are symbols through which Vallien communicates, icons, and mythological expression. This boat tells the journey from yesterday to tomorrow. The ship forms an encapsulated timeline where the stern is the past, and the bow is what is to come. The center of the boat bears the passenger, ladder, and a celestial body. The bow is clear, as the future is unwritten and hopeful. The piece is finished with solid clear interior created by the pouring of molten glass and silver plating on the exterior.

Vallien's sand casting technique has brought him worldwide acclaim. Using wooden models, he creates a hollow in the sand which is then filled with various powdered oxides giving finishings from textures to frosted patterns of colour. The 'story' is created by Vallien with the placement of the symbols and icons before molten glass is poured into the sand moulds.  

CONDITION
Excellent, no chips, cracks or repairs. Age-commensurate wear, most prominently on the exterior silver plating, please refer to photos as they form part of the condition report. The sculpture is inscribed with '7520114 Kosta Boda, Lim. ['Limited Edition'] B Vallien ' and labelled on the exterior with the 'KOSTA BODA, Sweden 1742' label.

MEASUREMENTS
Height: c. 2.3" / 5.8 cm x c. 9.8" / 25 cm in length x c. 2.6" / 6.5 cm width.  Unpackaged weight: c. 1.2 kg / 1,205 g

NOTES
Sculpture will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Born in 1938, Bertil Vallien was only 15 when he left home, drawn by the allure of the big city. After a series of occasional jobs, as a window-dresser at one of the main department stores in Stockholm, and as an apprentice in his father's decorating firm, Vallien would eventually decide to become an artist which would lead him into the world of ceramics. The guidance he received in his early career included that of Stig Lindberg - one of Sweden's foremost designers of ceramic art and one of the leading designers for Rörstrand in the 1970s.

Today, Vallien is one of the most well-known representatives of 20th-century Swedish ceramic and art glass design and is represented at the Swedish National Museum of Art and Design as well as abroad at the Everson Museum of Art of New York.

Vallien's works have only become more collectable over the years with sculptures from his Head and Journey (Boat) series fetching up to $20,000 USD.

This awesome work of Mid-Century Modern design is by Ingrid Atterberg, (b. 1920 - d. 2008) a celebrated epitome for illustrious 20th-century Swedish ceramic design. Atterberg was also a leading designer for Upsala Ekeby for whom she designed this vase. 

This hand-thrown and hand-glazed piece comes from Atterberg's Chamotte series designed in 1957 and in production between 1957-1959. The series would go on to be very well-known during this time. The series is comprised of earthenware bowls and vases, characterised by raw textured earthenware juxtaposing the gloss and matte glaze.

This particular piece is beautifully rounded, an excellent canvas for the hand-glazed decor. The chamotte earthenware is incised with sgraffito bands that are filled with the Milk white glaze and a wash all over the bottle form creates the semi-gloss glaze dapple effect. The piece is finished with a band of gloss Iris purple around the belly of the vase as well as the neck.

A Modernist design piece that is classic of its time yet also contemporarily timeless.  

CONDITION
Excellent. No chips, cracks, or repairs. There is mild wear to the underside of the vase that is commensurable with the age of the piece. Please refer to the photographs as they form part of the condition report. The underside is inscribed and stamped with 'UE, 3030 and '547'.

MEASUREMENTS
Height: c. 7.5" / 19 cm tall (from base to rim) x c. 1.2" / 3 cm rim diameter. Diameter: c. 4.9" /  12.5 cm (across widest point. Base diameter: c. 4.7" / 12 cm. Unpackaged weight: c. 0.7 kg / 720 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Ingrid Magdalena Atterberg-Göransson (b. 1920 - d. 2008) was a celebrated epitome of illustrious Swedish ceramic design of the 20th century and a leading designer for Upsala Ekeby in the 1950s and 1960s. Atterberg is represented at the Swedish National Museum of Art and Design.

In 1944, she was employed at Upsala Ekeby, where appreciation for her works as a ceramicist continued to grow over the years. She was known for using 'manganese clay' in the 1940s and chamotte in the 1950s and successfully developed her own glazes. In the late 1940s, her own collection called "Ekeby Verkstad" was born with a numbered series that began at 100.

During her career, Atterberg had several exhibitions and received a gold medal for her work in Italy as well as completing a number of public commissions. 

This striking work of Swedish mid-century Modernist design is by Tilgmans Keramik of Gothenburg, Sweden, and was designed during the era of Marian Zawadzki (b. 1912 - d. 1978) a professor, artist, and ceramist who became artistic director for Tilgmans during the fifties. A bottle vase personally incised and signed by Zawadski in an aesthetically similar style can be seen in the photos. 

Zawadzki's experimentation with the Sgraffito technique brought great popularity and appreciation for Tilgman's ceramics and his work became exemplary for Tilgmans. 

Zawadzki's stylised use of the Sgraffito technique is a significant feature in this piece, with deep incisions creating the angular and textured décor. True to the roots of Modernist design, the simple bottle form and boldly geometric décor overlaid onto the base material speaks to an honest expression of the natural earthenware. From the incised décor to the glaze to the earthenware, all aspects are highly tactile. The unglazed sections creates confident contrast against the individually glazed sections of boldly geometric, Sgraffito décor. The vase is finished with an interior of gloss glaze that is coloured in a dappled brown on beige, a 'cookies and cream' effect. 

This Swedish Modernist work is stylistically bold and timeless, making it suitable as a statement feature for its surrounding space.

CONDITION
Superb. No cracks or repairs. There are minor, negligible chips on the exterior which are commensurate with the age of the piece, and mild use wear on the interior. Please refer to the photos as they form part of the condition report. The underside of the base of the vase is stamped with 'Tilgmans Keramik' and 'Made in Sweden' stamp and model number '619'. 

MEASUREMENTS
Height: c. 16.9" / 43 cm tall (from base to rim) x c. 3.5" / 8.8 cm rim. Base diameter: c. 5.1" / 13 cm. Unpackaged weight: c. 2.2 kg / 2,230 g.

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Marian Zawadzki (b. 1912 - d. 1978)
Antoni Marian Zawadzki (sometimes known as 'Zawadski' or 'Zawadsky') was an associate professor, artist and ceramist, was born in Poland in 1912 who, as a refugee, moved to Gothenburg in Sweden in 1953. In Gothenburg he worked as an artistic director at Tilgmans Keramik. Zawadzki's best known for his richly decorated objects in the Sgraffito technique.

His works included lamp bases, vases, bowls, urns and wall plates and he would receive commissions for public, municipal and private buildings. Zawadzki would leave Tilgman's Ceramics in 1970, moving to Vallda outside Kungsbacka where he opened his own workshop, Vallda Keramik. The production in his own workshop is very similar to his work at Tilgmans.

This beautiful set is of Italian mid-century Modernist design by Kristal, Italy. Clearly, an Italian interpretation of the iconic Finnish Ultima Thule design for Iitala by Tapio Wirrkala in 1968 but this set brings with it its own design nuances. 

Instead of resting on melting icicles like that of the Ultima Thule, each piece of this set rests on polished-angle 'ice cubes' and resting centrally within the base of each ice cube, is a single bubble.  

This set is not only iconic with its tactile Modernist surface which create elegant refractions when in the path of light but it also has the ability to colour change. The colour-changing ability comes from Neodymium, an element incorporated into the glass during the crafting process. Under daylight, the Neodymium glass presents a pale lilac colour however, under indoor and fluorescent lighting, the element becomes a pale blue. 

The contemporary statement design is stylistically timeless and very functional, whether as dessert dishes or cocktail tumblers. 

CONDITION
Excellent, no chips or cracks or repairs. There is very mild surface wear that is commensurate with the age of each piece and most evident in subtle movement marks on the underside of the base. Please refer to the photos as they form part of the condition report. The jorum bears part of the original Kristal label. 

MEASUREMENTS
Jorum Height c. 4.3" / 11 cm. Width (widest point) measurements: c. 7.3" / 18.5 cm. Depth: c. 3.5" / 9 cm. Base measurements: c. 3" / 7.5 cm x c. 3" / 7.5cm. 

Tumbler Dish Height c. 3.1" / 8 cm. Width (widest point) measurements: c. 3.7" / 9.3 cm. Depth: c. 2.4" / 6cm. Base measurements: c. 2" / 5.2 cm x c. 2" / 5.2 cm.

Unpackaged weight [Full Set]: c. 2.9 kg / 2,940 g

This statement work of Mid Century Modern design is by Ingrid Atterberg, (b. 1920 - d. 2008) a celebrated epitome for illustrious 20th century Swedish ceramic design. Atterberg was also a leading designer for Upsala Ekeby for whom she designed this centrepiece. 

This hand-thrown and hand-glazed piece comes from Atterberg's Chamotte series designed in 1957, the series would go on to be very well known during this time. The series was comprised of 13 earthenware bowls and vases characterised by textured earthenware in juxtaposed gloss glaze and matte glaze.

This particular piece is elegantly lengthy, providing an excellent canvas for the hand-glazed decor. The colour palette is a composition of muted Ink and Midnight navy, Stone whites, Powdered Mint green, and Electric blue that is offset against the matte Mocha brown. The glaze is overlaid with bold geometric accents in Jet black as is the exterior of the bowl. 

A stunning piece that is majestic in size with excellent condition and in a Modernist design that is classic of its time yet also contemporarily timeless.  

CONDITION
Excellent. No chips, cracks, or repairs. There is mild wear to the exterior of the bowl that is commensurable with the age of the piece. Please refer to the photographs as they form part of the condition report. The underside is inscribed and stamped with 'UE, 2308 and Atterberg's 'Abg' initials. The interior of the dish also bears the original Upsala Ekeby label. 

MEASUREMENTS
Height: c. 3.1" / 8 cm tall (from base to rim) x c. 7.5" / 19 cm width x c. 16.5" / 42 cm length (across widest and longest points) Depth c. 3" / 7.5 cm Base: c. 5.9" / 15 cm x c. " 2.6 / 6.5 cm. Unpackaged weight: c. 1.4 kg / 1,395 g

NOTES
Bowl will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Ingrid Magdalena Atterberg-Göransson (b. 1920 - d. 2008) was a celebrated epitome of illustrious Swedish ceramic design of the 20th century and a leading designer for Upsala Ekeby in the 1950s and 1960s. Atterberg is represented at the Swedish National Museum of Art and Design.

In 1944, she was employed at Upsala Ekeby, where appreciation for her works as a ceramicist continued to grow over the years. She was known for using 'manganese clay' in the 1940s and chamotte in the 1950s, and successfully developed her own glazes. In the late 1940s, her own collection called "Ekeby Verkstad" was born with a numbered series that began at 100.

During her career, Atterberg had several exhibitions and received a gold medal for her work in Italy as well as completing a number of public commissions. 

his statement work of Mid Century Modern design is by Ingrid Atterberg, (b. 1920 - d. 2008) a celebrated epitome for illustrious 20th century Swedish ceramic design. Atterberg was also a leading designer for Upsala Ekeby for whom she designed this vase. 

This hand-thrown and hand-glazed piece comes from Atterberg's Chamotte series designed in 1957, the series would go on to be very well known during this time. The series was comprised of 13 earthenware bowls and vases characterised by textured earthenware in juxtaposed gloss glaze and matte glaze.

This particular piece is elegantly lengthy, providing an excellent canvas for the hand-glazed decor. The colour palette is a composition of Powdered Mint Green, Stone whites, and Electric blue with bold geometric accents in Jet black.  A stunning piece that is majestic in size with excellent condition and in a Modernist design that is classic of its time yet also contemporarily timeless.  

CONDITION
Excellent. There is mild wear to the underside of the vase that is commensurable with the age of the piece. The base is further protected by 4 protective felt pads. Please refer to the photographs as they form part of the condition report. The underside is inscribed and stamped with 'UE, 2316 and Atterberg's 'Abg' initials.

MEASUREMENTS
Height: c. 15.7" / 40 cm tall (from base to rim) x c. 2" / 5 cm x c. 1.8" / 4.5 cm rim diameter. Diameter: c. 5.5" / 14 cm (across widest point. Base diameter: c. 3.2" / 8.2 cm. Unpackaged weight: c. 2.8 kg / 2,810 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Ingrid Magdalena Atterberg-Göransson (b. 1920 - d. 2008) was a celebrated epitome of illustrious Swedish ceramic design of the 20th century and a leading designer for Upsala Ekeby in the 1950s and 1960s. Atterberg is represented at the Swedish National Museum of Art and Design.

In 1944, she was employed at Upsala Ekeby, where appreciation for her works as a ceramicist continued to grow over the years. She was known for using 'manganese clay' in the 1940s and chamotte in the 1950s, and successfully developed her own glazes. In the late 1940s, her own collection called "Ekeby Verkstad" was born with a numbered series that began at 100.

During her career, Atterberg had several exhibitions and received a gold medal for her work in Italy as well as completing a number of public commissions.