Bertil Vallien for Boda Glassworks, Handblown Iridescent Sandblast Art Glass Bowl, Unique, 1960s-71
Regular price£735.00
Save £-735.00
This striking handblown work of Swedish art glass design is by Bertil Vallien (b. 1938 - ), celebrated glass artist, sculptor, ceramist, and designer. Vallien's career in glass began at Boda Glassworks in 1963, upon his return to Sweden from his studies in art and ceramics, both in Sweden and the US. Vallien's experimentation with sand-casting glass techniques would eventually bring him fame and this fascination is evident even in this exploratory piece.
The exterior surface of this piece is undulating, uneven, and with a base colour of pearlescent green. The next layer is a dappling in rich Inky Indigo which encircles the bowl interspersed with what appears to be a Powdered Peach tone. The iridescence is underpinned with lava-rock-like texture and the whole piece is finished with a dusted Peridot-toned 'pebble'. The interior of the bowl is a smooth, semi-matte and frosted layer of glass overlaid in iridescence.
The overall effect is quite spectacular, giving the air of a delicate bowl carved from an extraterrestrial iridescent geode of quartz crystal and lava.
This particular piece is numbered and marked as 'Unik', indicating that it is a unique piece and when combined with the design, craftsmanship and condition, makes this piece a rare find.
CONDITION Excellent, no chips, cracks or repairs. Age-commensurate wear, most prominently on the underside of the bowl, please refer to photos as they form part of the condition report. The bowl is inscribed with 'BODA UNIK 3645 B.VALLIEN. The exterior also bears the silver label 'Handmade Boda Sweden'.
MEASUREMENTS Height: c. 3.2" / 8.2 cm x c. 4.1" / 10.4 cm diameter (across widest point). Base diameter: c. 2" / 5cm. Unpackaged weight: c. 0.3 kg / 275 g.
NOTES Bowl will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Born in 1938, Bertil Vallien was only 15 when he left home, drawn by the allure of the big city. After a series of occasional jobs, as a window-dresser at one of the main department stores in Stockholm, and as an apprentice in his father's decorating firm, Vallien would eventually decide to become an artist which would lead him into the world of ceramics. The guidance he received in his early career included that of Stig Lindberg - one of Sweden's foremost designers of ceramic art and one of the leading designers for Rörstrand in the 1970s.
Today, Vallien is one of the most well-known representatives of 20th-century Swedish ceramic and art glass design and is represented at the Swedish National Museum of Art and Design as well as abroad at the Everson Museum of Art of New York.
Vallien's works have only become more collectable over the years with sculptures from his Head and Journey (Boat) series fetching up to $20,000 USD.
Vicke Lindstrand 'Colora' series for Kosta, Modernist Lapis and Cobalt Blue Vase, 1950s
Regular price£300.00
Save £-300.00
This sleek work of Scandinavian Modern art glass is by Vicke Lindstrand (b. 1904 - d. 1983). Lindstrand is considered one of the most influential 20th-century glass artists and a glass art pioneer. His prolific career held many design highlights, including his ability to excel at a technique called Sommerso in which a vividly coloured or patterned section of glass is surrounded by and seemingly floats within a clear crystal body.
This particular piece comes from the Colora series, named after the technique pioneered by Lindstrand. The technique applied to this piece involved carefully layering the Cobalt, Lapis coloured glass, reheating and manipulating the layered glass to form the final shape before encasing it in the clear, crystal casing and magnifying the underlying pattern. The piece is finished with a bevelled around the rim and base, giving the effect of a polished gem.
The design of this work embodies the tenets of simplicity, minimalism and functionality influences of the Scandinavian Modern design movement.
CONDITION Excellent. No chips, cracks, or repairs. There is negligible surface wear and movement marks on the underside of the base that are commensurable with the age of the piece - please see photos as part of the condition report. The underside of the base is signed with the inscription 'Kosta' and the model number: '06085'
MEASUREMENTS Height: c. 6.6" / 16.7 cm (from base to rim) x c. 3.4" / 8.6 cm in diameter (across widest point). Base measurements: c. 3.4" / 8.6 cm. Unpackaged weight: c. 1.5 kg / 1,500 g
A BIT OF HISTORY This sleek work of Scandinavian Modern art glass is by Vicke Lindstrand (b. 1904 - d. 1983). Lindstrand is considered one of the most influential 20th-century glass artists and a glass art pioneer. Lindstrand, together with his peer Edvin Öhström, pioneered a new glass-colouring process called the Ariel technique.
Lindstrand's prolific career began in commercial illustration before finding employment at the glass manufactory Orrefors. He would join Kosta Boda 1950, remaining there until 1973. Beyond his commercial work, he also produced several massive public sculptures around the world. Today, his works are in many museum collections, such as the Victoria and Albert Museum in London, the Museum of Fine Arts in Houston, and The Museum of Modern Art in New York.
Kosta Boda, Sweden’s oldest glass company, was founded in 1742 and would only begin making art glass — that is, unique and limited edition pieces — with the hiring of the painter Gunnar Wennerberg in 1898. Kosta Boda enjoys a reputation as the country’s most artistic and experimental glassworks, featuring artists and sculptors. Two post-war Kosta Boda designers stand foremost in the minds of collectors, one is Vicke Lindstrand, who excelled at a technique of 'Sommerso', or cased glass. The other is Erik Höglund, who had an almost artisanal eye for glass shapes, and liked to produce glass that had a textured, warped look.
Bertil Vallien for Kosta Boda, Att. Silver Boat Series, Sand Cast Art Glass Sculpture, Limited Edition
Regular price£1,800.00
Save £-1,800.00
This striking work of Swedish art glass design is by Bertil Vallien (b. 1938 - ), a celebrated glass artist, sculptor, ceramist, and designer. This piece is attributed as a variation of the Columbus series which Vallien created for Kosta Boda and is 1 of 100 pieces.
Suspended inside the sculpture are symbols through which Vallien communicates, icons, and mythological expression. This boat tells the journey from yesterday to tomorrow. The ship forms an encapsulated timeline where the stern is the past, and the bow is what is to come. The center of the boat bears the passenger, ladder, and a celestial body. The bow is clear, as the future is unwritten and hopeful. The piece is finished with solid clear interior created by the pouring of molten glass and silver plating on the exterior.
Vallien's sand casting technique has brought him worldwide acclaim. Using wooden models, he creates a hollow in the sand which is then filled with various powdered oxides giving finishings from textures to frosted patterns of colour. The 'story' is created by Vallien with the placement of the symbols and icons before molten glass is poured into the sand moulds.
CONDITION Excellent, no chips, cracks or repairs. Age-commensurate wear, most prominently on the exterior silver plating, please refer to photos as they form part of the condition report. The sculpture is inscribed with '7520114 Kosta Boda, Lim. ['Limited Edition'] B Vallien ' and labelled on the exterior with the 'KOSTA BODA, Sweden 1742' label.
MEASUREMENTS Height: c. 2.3" / 5.8 cm x c. 9.8" / 25 cm in length x c. 2.6" / 6.5 cm width. Unpackaged weight: c. 1.2 kg / 1,205 g
NOTES Sculpture will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Born in 1938, Bertil Vallien was only 15 when he left home, drawn by the allure of the big city. After a series of occasional jobs, as a window-dresser at one of the main department stores in Stockholm, and as an apprentice in his father's decorating firm, Vallien would eventually decide to become an artist which would lead him into the world of ceramics. The guidance he received in his early career included that of Stig Lindberg - one of Sweden's foremost designers of ceramic art and one of the leading designers for Rörstrand in the 1970s.
Today, Vallien is one of the most well-known representatives of 20th-century Swedish ceramic and art glass design and is represented at the Swedish National Museum of Art and Design as well as abroad at the Everson Museum of Art of New York.
Vallien's works have only become more collectable over the years with sculptures from his Head and Journey (Boat) series fetching up to $20,000 USD.
Tajima Glass, Watermelon Tourmaline Palette, Sculpted Handkerchief Dish, 1960s-70s, Japanese
Regular price£45.00
Save £-45.00
This striking and romantically joyful work of handblown Japanese mid-century art glass is by the glassworks Tajima, who was known to have produced art glass under the label of Best Art Glass.
Elegant and graceful, the curves that shape the 3 lobed 'petals' creates an organic 'unfurling' from the centre. The palette is a striped arrangement of Sakura pink followed by Cobalt blue and Emerald green, handblown into a swirling pattern to create the main featured colouring of the piece. The gem-like tones vary in intensity and finish with an accent of clear glass at the base.
CONDITION Excellent. There are no chips or cracks, only mild wear on the surface that is commensurable with age. Please refer to the photos as they form part of the condition report. The underside of the base has a concave pontil that is a known finishing touch of Japanese art glass.
MEASUREMENTS Height: c. 3.1" / 7.8 cm (base to rim) Diameter: c. 7.4" / 18.8 cm (across widest point). Base diameter: c. 3.1" / 8 cm. Unpackaged weight: c. 1 kg / 970 g
NOTES Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items
A BIT OF HISTORY Tajima Glassworks Unfortunately, little is known about Tajima Glass. However, it is known that the glass studio was founded in 1956, in Tokyo, Japan, by Matsutaro Tatsuta. They are known for coloured, textured and often mould-blown or hot-worked art glass. Tajima Glass are still operating today. The quality and style of their work are similar to other Japanese glassworks, rivalling and often mistaken for Italian Murano glass and Czech glass from the same period.
This vibrant handblown work of mid-century Japanese 'Fazzoletto' art glass is by Hokuyo Glassworks. Glass collectors familiar with the Murano technique Fazzoletto (translation 'handkerchief) will know that this is the art of crafting glass to mimic the elegant flowing folds of fabric.
Elegant and graceful, the curves that shape the 6 lobed 'petals' rise and fall asymmetrically to create an organic 'unfurling'. The Hokuyo interpretation of the Fazzoletto technique, the exterior of this piece has the palette of rich Scarlet red with light swathes of Charcoal ending in a clear casing at the base. The interior is a sumptuous Milk-white strikingly offsetting the red exterior.
Amongst collectors, the skill and quality applied in creating Japanese art glass is very much known to rival its Western counterparts and can often be more difficult to find.
CONDITION Excellent. There are faint movement marks that are on the underside of the base. All wear is commensurable with age. Please refer to the photos as they form part of the condition report. The underside of the base has a concave pontil, a known finishing touch of many Japanese glassworks.
MEASUREMENTS Height: c. 8.5" / 21.5 cm (base to rim). Width: c. 7.1" / 18 cm (across widest point). Base measurement: c. 3.3" / 8.3 cm (across widest point). Unpackaged weight: c. 1.6 kg / 1,555 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Hokuyo Glassworks Founded in 1949 in the prefecture of Aomori in Japan, Hokuyo built a reputation for producing glass floats for fishing and eventually became known as a top producer by the early 1970s. Around this time, the glassworks also became known for producing Tsugaru Bidoro (Tsugaru glass) and experimenting with vibrant art glass.
Tsugaru Bidoro is created by a 'free-blown' technique of glass-blowing originating in the 1st Century BC. Over the years, Hokuyo has continued to experiment with molding technology and coloured glass that today, emphasises the four seasons with colour as well as the 'creator's feelings and passion'.
This vivid work of mid-century handblown Japanese art glass design is by Iwatsu Hineri glassworks. Glass collectors familiar with the Murano technique Sommerso (translation 'submerged) will know that this is the art of capturing segments of solid colour in clear glass.
The graceful, extending corners with one flourishing curl are a classic to Hineri interpretation of mid-century art glass, just as the capturing of the Scarlet red, Tangelo orange and Violet within the clear cased triangular base is a rival to the Sommerso technique. The interior of the dish enables a view of the swirling colours as they whirl outwards into varying intensities of colour into the extended corners.
Amongst collectors, the skill and quality applied in creating Japanese art glass is very much known to rival its Western counterparts and can often be more difficult to find. Hineri vases and 4-petalled dishes in this palette are common but the tricorn form of this piece makes it a particularly rare find.
CONDITION Very good. No chips and cracks to the exterior. There is negligible surface wear and a micro bruise on the underside of the base that is commensurable with age. Please refer to photos as they form part of the condition report. The concave pontil on the underside of the base is a known finishing touch of Iwatsu.
MEASUREMENTS Height: c. 4.6" / 11.8 cm (base to rim). Width: c. 10" / 25.5 cm (across widest point). Base measurements: c. 3.7" / 9.4 cm (across widest point). Unpackaged weight: c. 1.3 kg / 1,315 g
NOTES Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Hineri Iwatsu Glassworks Unfortunately, little is known about Hineri Iwatsu despite being one of the largest glassmakers in Japan, the commonly cited and understood reason is due to language barriers. However, Iwatsu is deemed to have produced art glass under the Hineri and Art Glass labels before closing in the 1990s. Iwatsu were known to have been based in Osaka in Japan, producing colourful art glass during the 1970s. The quality and style of their work rivalled and is often mistaken for, Italian Murano glass and Czech glass from the same period.
Josef Cvrcek and Miloslav Klinger for Zelezny Brod Sklo, Statement Neodymium Vase, 1960s-70s, Rare
Regular price£575.00
Save £-575.00
This beautifully biomorphic and handblown work of Czech Modernist art glass was designed by Josef Cvrcek (b. 1931 - d. 2010) and Miloslav Klinger (b. 1922 - d. 1999) for Bohemian glassworks Zelezny Brod Sklo (ZBS). This piece is a rare-to-market work standing at an imposing 15" in height and crafted from Neodymium (Alexandrite) glass into the organically tactile, twin-chambered form. The rarity of this piece comes from this particular piece's form being crafted from Neodymium, the condition, and this statement size.
The contemporary form of this piece is composed of a central chamber that is echoed by a smaller, asymmetrical chamber, both of which are firmly cradled by the main body of the solid crystal glass.
This work is not only special in the abstract, organic form that creates elegant refractions but it also has the ability to colour change. The colour-changing ability comes from Neodymium, an element incorporated into the glass during the crafting process. Under daylight, the Neodymium glass presents a pale lilac colour however, under indoor and fluorescent lighting, the element becomes a pale blue.
CONDITION Excellent, no chips or cracks or repairs. There is very mild surface wear that is commensurate with the age of the piece and most evident in movement marks on the underside of the base. Please refer to the photos as they form part of the condition report.
MEASUREMENTS Height c. 15.3" / 38.5 cm x c. 7.9" / 20 cm in width (across the widest point). Depth (Thickest point) measurements: c. 2.6" / 6.5 cm. Rim measurement: c. 1.6" / 4 cm x c. 1" / 2.3 cm. Base measurements: c. 5" / 12.6 cm x c. 2.6" / 6.5 cm. Unpackaged weight: 4.5 kg / 4,470 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Josef Cvrcek (b. 1931 - d. 2010) Josef Cvrcek began his career as a glassblower in 1945. He started working at the Zelezny Brod Sklo Glassworks in 1951 and quickly gained recognition for his innovative glass designs. Cvrcek was known for his ability to manipulate glass in ways that were previously thought impossible, such as creating thin, delicate structures that appeared to defy gravity. His work often featured organic forms and abstract shapes, and he frequently incorporated color and texture into his designs. Cvrcek's work can be found in museums and private collections around the world.
Miloslav Klinger (b. 1922 - d. 1999) Miloslav Klinger was born in Hrubá Horka near Železný Brod. After a year of apprenticeship in glass chandeliers with Josef Kleinert, Klinger studied at the Glass School in Železný Brod under the guidance of prof. Jaroslav Brychta and master Jan Stuchlík. After graduating, Klinger worked in Kleiert's company as a designer for two years. After completing his studies, Klinger returns to Železný Brod as a designer, where, apart from his brief career as director of the Glass School in Železný Brod, he remained throughout his life.
Zelezny Brod Glassworks Železný Brod is an old glass-producing town founded in the eleventh century. It was originally known as Brod ("ford") or Brodek ("little ford"). Železný ("iron") was added to its name in the fourteenth century, alluding to the town's steelworks. The town's main industry is represented by producers of blow-moulded glass, as well as that of jewellers. The Železný Brod (ZBS) glassworks was created in 1948 as a result of nationalisation, at the time, this was made up of 9 glass factories in the town. ZBS being particularly well known for its free-form organic vases and bowls designed by Miroslav Klinger.
This striking and romantically joyful work of handblown Japanese mid-century art glass is by the glassworks Tajima, who was known to have produced art glass under the label of Best Art Glass.
Elegant and graceful, the curves that shape the 5 lobed 'petals' creates an organic 'unfurling' from the centre. The palette is a striped arrangement of Sakura pink followed by Cobalt blue and Emerald green, handblown into a swirling pattern to create the main featured colouring of the piece. The gem-like tones vary in intensity as they trace every fold and curve of the lobes and finish with an accent of clear glass at the base.
This excellent piece is stylistically timeless making it suitable for standalone display as a centrepiece or functional use.
CONDITION Excellent. There are no chips or cracks, only mild wear on the surface that is commensurable with age. Please refer to the photos as they form part of the condition report. The underside of the base has a concave pontil that is a known finishing touch of Japanese art glass and bears the original label 'Best Art Glass, Foreign' with the 'Foreign' being an indicator of glass imported into the UK during this period.
MEASUREMENTS Height: c. 8.3" / 21 cm (base to rim) Diameter: c. 5.7" / 14.5 cm (across widest point). Base diameter: c. 2.8" / 7 cm. Unpackaged weight: c. 1.3 kg / 1,275 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items
A BIT OF HISTORY Tajima Glassworks Unfortunately, little is known about Tajima Glass. However, it is known that the glass studio was founded in 1956, in Tokyo, Japan, by Matsutaro Tatsuta. They are known for coloured, textured and often mould-blown or hot-worked art glass. Tajima Glass are still operating today. The quality and style of their work are similar to other Japanese glassworks, rivalling and often mistaken for Italian Murano glass and Czech glass from the same period.
Kjell Engman 'Bon Bon' series, Kosta Boda, Candied Sapphire and Coquelicot Vase, Sweden, Signed
Regular price£498.00
Save £-498.00
This delicious handblown work of Post Modern art glass is by leading Swedish glass artist Kjell Engman (b. 1946 -), accoladed with the name 'Glass Wizard' for his unlimited imagination with art glass.
This piece is from the popular series named Bon Bon, designed by Engman in 1989. It's easy to see why this series was named Bon Bon, with the candy-coloured pieces ranging from pairing Lavender lilac with Lemon yellow to Marmalade orange with Sky blue.
The central part of this particular piece is spheroid shaped, beautifully curved, and toned in a Candied Sapphire blue. Fused into the spheroid is the pitcher stem in striped tones of Coquelicot and Coral orange, the mergng between the two colours is finished with light sand texture. This work is further accented with an organically shaped Lemon yellow handle and finished with a disc of clear glass for the base.
The overall composition of this work is of great harmony, demonstrated in the stunning blending of colour with form and size, makes this a statement piece.
CONDITION Excellent. No chips, cracks, or repair. There is negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece - please see photos as they form part of the condition report. The underside of the base is signed, denoting 'Kosta Boda, K Engman, 89066'
MEASUREMENTS Height: c. 14" / 36 cm tall (from base to rim) x c. 8.1" / 20.5 cm in width (across widest point). Depth: c. 3.7" / 9.5 cm. Rim: c. 2.3" / 5.8 cm. Base: c. 3.9" / 10 cm. Unpackaged weight: 1.9 kg / 1,880 g
NOTES Pitcher vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Kjell Engman (b. 1946 -), accoladed with the name 'Glass Wizard' for his unlimited imagination with art glass and known for being one of ten highly talented artists. Since joining Kosta Boda in 1978, Engman has designed a number of iconic series, drawing inspiration from diverse sources such as the animal kingdom, the world of music and entertainment.
Engman's style is distinctive and immediately recognisable. Common characteristics to his work include being bold, bright and colourful, ranging from the playful to the delicate to the sensuous. It could almost be described as Dali-esque and does not conform to preconceptions of simple, minimalist Swedish design.
Engman has often been commissioned at home in Sweden and abroad, designing works for public display and even famous pieces such as the 2008 Eurovision Song Contest trophy. Engman's latest works and installations can be found at his dedicated website: http://www.kjellengman.com/
Iwatsu Hineri, Sculpted Apricot, Scarlet and Azure Striped Twist Vase, 1960s-70s, Japanese
Regular price£118.00
Save £-118.00
This striking and vibrant work of mid-century handblown art glass is of Japanese art glass design and by the glassworks Iwatsu, who were also known to have produced art glass under the labels of Hineri and Art Glass.
Graceful and organic, the central twist to the vase creates ripples that are highly tactile and invite touch. The colours of Apricot, Scarlet red and Azure blue swirl gloriously from the centre of the vase and outwards in alternating bands. The red and blue tones are translucent, creating stunning refractions when placed in the path of bright light. The work is finished with a clear glass 'Sommerso' casing at the base.
Stylistically timeless and majestic in size, there is an air of vivacious vitality to this work that remains constant whatever the season.
CONDITION Very Good. There are no cracks, only mild wear on the surface of this piece and age-related fleabites at the base and underside of the vase that is commensurable with the age. Please refer to the photos as they form part of the condition report. The underside of the base has a concave pontil that is a known finishing touch of Iwatsu.
MEASUREMENTS Height: c. 11.4" / 29 cm (base to rim) Diameter: c. 4.8" / 12.3 cm (across widest point). Base diameter: c. 3.4" / 8.6 cm. Unpackaged weight: c. 2.1 kg / 2,120 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Iwatsu Glassworks Unfortunately, little is known about Iwatsu despite being one of the largest glassmakers in Japan, the commonly cited and understood reason is due to language barriers. However, Iwatsu is deemed to have produced art glass under the Hineri and Art Glass labels before closing in the 1990s. Iwatsu were known to have been based in Osaka in Japan, producing colourful art glass during the 1970s. The quality and style of their work rivalled and is often mistaken for, Italian Murano glass and Czech glass from the same period.
Murano Vetro Artistico Veneziano Candy Apple and Silver Avventurine Cased Sculptural Dish, 1960s-70s
Regular price£63.00
Save £-63.00
This striking and vivid work of handblown, hot worked of mid-century art glass is by Murano, Vetro Artistico Veneziano. This piece brings with it a beautiful demonstration of the Avventurina technique. Avventurina [tr. Aventurine] is one of many popular and widely recognised Murano technique and as its name suggests, is glass decorated with aventitius surface effects resembling the shimmering flecks of natural quartz. The decoration revives a 17th century technique pioneered in the Murano (Venice) glasshouse of the Miotto family.
This particular piece brings together a bold Candy Apple red with an exterior of silver floating shimmers that is cased in clear glass and worked into the organic, tricorn form. The clear casing is finished with 3 pulled rims, each supporting one of the three folded tips.
Highly tactile, the form invites touch and the timeless style is suitable for standalone display or functional use.
CONDITION Excellent. There is very light use wear, most prominently on the underside of the base that is commensurable with the age of the piece. Please refer to photos as they form part of the condition report. The piece is additionally marked with most of the Vetro Artistico Veneziano label on the underside of the base.
MEASUREMENTS Height: c. 2.8" / 7 cm (base to rim) x c. 5.4" / 13.6 cm width (across widest point) Base: c. 1.2" / 3 cm. Unpackaged weight: c. 0.5 kg / 490 g.
NOTES Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Kosta Boda in the style of Dreutler, Sculpted Optical Art Netted Teardrop Vase, Swedish, Rare
Regular price£788.00
Save £-788.00
This majestic and highly skilled work of Swedish design is a sculpted Op Art art glass vase that has been created in the style of Hanne Dreutler (b. 1942 - d. 2009), glass artist and silversmith for Kosta Boda glassworks. Dreutler's career included an important contribution to the art glass field in the excelling at a technique called Graal glass. There are a number of glass artists from Kosta Boda who have been fond of the Double-Threading technique that is featured on this vase, such as Bertil Vallien, Ulrica Hyd-Vallien and Kjell Engman. However, this style of this piece has close similarities to Dreutler's works, e.g. https://anyesattic.com/products/studio-ahus-sweden-by-hanne-dreutler-optical-art-sculpted-art-glass-bowl-signed-and-dated
This particular piece bears vivid threads of Vermilion red edged in with varying tones of Cornflower blue that are woven and looped together into the cross-hatch pattern and blown into the final teardrop form. The visual overlapping of the lines creates the Op Art illusion and crosshatch effect. This net-like effect is suspended in a curved and clear glass form.
This refined piece is stylistically timeless and yet also prominently of the Swedish Modernist art glass design. The combination of the form, striking size with the colour palette and its condition makes it a rare find.
CONDITION Excellent. No chips, cracks or repairs. There is negligible surface wear that is most prominent on the underside of the base. Please refer to photos as they form part of the description. The vase is labelled with Kosta Boda's 'Kosta Boda, Sweden 1742'.
MEASUREMENTS Height: c. 18.1" / 46 cm tall (from base to rim). Rim c. 2.1" / 5.3 cm. Width: c. 7.9" / 20 cm (across widest point). Depth: c. 3.9" / 10 cm (across deepest point). Base: c. 3" / 7.5 cm x c. 2.3" / 5.8 cm. Unpackaged weight: 5.8 kg / 5,790 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Hanne Dreutler (b. 1942 - d. 2009) / Studio Ahus Hanne ( Hannelore ) Margarete Dreutler was a recognised German-Swedish glass artist and silversmith. Dreutler trained as an industrial designer and silversmith began her career as an independent silversmith in Stockholm. She would go on to work for the Målerås and Flygsfors glassworks from 1968.
Dreutler moved to Kosta glassworks in 1971 where she would meet Arthur Zirnsack, and both would worked under Vicke Lindstrand. Dreutler and Zirnsack married and the couple started their own glassworks, Studio Åhus in 1977, one year after Kosta became Kosta Boda. Studio Åhus specialised in the famous traditions of Scandinavian glass art and Lindstrand worked at Ahus after he retired from Kosta Boda.
Dreutler's career included an important contribution to the art glass field and that was in the excelling at a technique called Graal glass. Graal glass is the cutting and engraving to reveal different colours of a blown glass bubble that consists of one or more layers of coloured glass overlaid on clear glass. The bubble is reheated and re-blown to the final shape of the object. The invention of this difficult technique was considered the 'holy grail' of glassblowing - hence the name ('graal' is Swedish for grail).
Dreutler's achievements include representation at the Stockholm National Museum, the granting of Studio Ahus' appointment to the King of Sweden in 1993 and in 1999, the awarding of the Kristianstad Municipality's cultural prize.
This stunning, handblown work of Swedish Modernist design art glass is by Vicke Lindstrand (b. 1904 - d. 1983), who was considered as one of the most influential 20th-century glass artists and a pioneer of glass art. This particular piece comes from a series of 5 objects designed by Lindstrand between 1955-1956 for Kosta (Boda) glassworks. Similar to Wirkkala's Kantarelli (Chantarelle) series that was released around the same time, Lindstrand's series focuses on the gentle exaggeration and stylisation of organic curves and stripes. But whilst Wirkkala chose to create physically grooved stripes on his works, Lindstrand chose to embed feathering threads of Deep Espresso into the body of his series.
These beautiful threads are in fact individual and separate but the prismatic quality that is typically found in Swedish crystal magnifies the bands to create a rolling effect in the stem. This magnificent piece stays true to the roots of Modernist design through the beautiful simplicity of form that speaks to an honest expression of the natural material.
CONDITION Excellent. No chips, cracks or repair. There is negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base is signed with Lindstrand's initials and model number "LH1210" and further impressed with Lindstrand's acid edged stamp.
MEASUREMENTS Height: c. 7.2" / 18.3 cm tall (from base to rim) x c. 6.5" / 16.5 cm in width (across widest point). Base measurements: 2.4" / 6.1 cm. Unpackaged weight: 1.2 kg / 1,185 g
NOTES Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Vicke Lindstrand (b. 1904 - d. 1983) is considered as one of the most influential 20th-century glass artists and a pioneer of glass art. Lindstrand's prolific career included many design highlights, including his ability to excel at a technique called Cased Glass (known to many glass collectors as 'Sommerso'), in which a vividly coloured or patterned section of glass is surrounded by and seems to float within a clear crystal body.
Lindstrand's career began in commercial illustration before finding employment at the glass manufactory Orrefors. He would join Kosta Boda in 1950, remaining there until 1973. Beyond his commercial work, he also produced several massive public sculptures around the world. Today, his works are in many museum collections, such as the Victoria and Albert Museum in London, the Museum of Fine Arts in Houston, and The Museum of Modern Art in New York.
Kosta Boda is Sweden’s oldest glass company, founded in 1742 and began making art glass — that is, unique and limited edition pieces — with the hiring of the painter Gunnar Wennerberg in 1898. Kosta Boda enjoys a reputation as the country’s most artistic and experimental glassworks, featuring artists and sculptors.
There are few Kosta Boda designers who stand foremost in the minds of collectors, one is Vicke Lindstrand, who excelled at a technique of 'Sommerso', or cased glass.
