Gunnar Nylund for Rorstrand, 'Hund' (Hound), Sculpted Mid Century Modernist Figure, 1950s, Swedish

This viviacious work of Swedish Modernist design is the 'Igelkott' ('Hedgehog') vase that comes from the larger 'Chamott' (Chamotte) series designed between 1936 to 1948. The series was designed by the celebrated Swedish ceramicist and designer Gunnar Nylund (b.1904 - d.1997) for Rörstrand.

The vases were made in 5 colours (Emerald, Topaz, (Mustard), Turquoise, White, and Yellow) with 3 different forms to the vases. This Topaz piece comes from the 'Al' form and is the medium size of the 3 available sizes at 16 cm in height (small 12cm, medium 16cm, large 21cm). Nylund became well known for his Chamotte sculptures, designing the series during his time as artistic director at Rörstrand.

Handworked, the rugged yet polished décor makes this an exceptionally tactile piece and the highly textured surface with the glossily glazed décor is a fabulous juxtaposition. Stylistically timeless and contemporary, this work is an outstanding example of Scandinavian mid-century Modern design. 

CONDITION
Very Good. There is light use wear to the underside of the base and the glaze décor that is commensurable with the age of the piece. The underside is stamp-inscribed with "Rorstrand, Sverige, Chamotte, Nylund". 

MEASUREMENTS
Height: c. 6.3" / 16 cm (from base to rim). Width: c. 4.9" / 12.5 cm (across widest point). Rim diameter: c. 2" / 5 cm. Base diameter: c. 2.4" / 6.2 cm. Unpackaged weight: c. 1.4 kg / 1,350 g

A BIT OF HISTORY
Gunnar Nylund (b. 1904 – d.1997) Nylund was a Swedish ceramic designer since the 1930s and is perhaps best known as the artistic director of Rörstrand and was already a well-established ceramic artist in Denmark - first at the Bing & Grøndahl Porcelain factory in Copenhagen and later at Saxbo.

Nylund was resident at Rörstrand from 1931–1955 and for the majority of this time, as artistic director. He became well known for his new matte feldspar glazed stoneware in hare’s fur and crystal glazes and for his stoneware animal sculptures. Over five decades, Nylund crafted some 30 reliefs and sculptures commissioned for public spaces, including Europe’s largest stoneware fountain the “Scanisarius” in Bromölla, Sweden.

Most of Nylund’s original sculptures in stoneware chamotte ended up in museums, as did much of his other work. Sculptures such as the “Lion Head” is found at the National Museum in Stockholm, “Blue Bird” is at the Sèvres museum in Paris, his antelope head “Abyssinian mountain nyala”, is at the Röhsska museet in Gothenburg and the “Hamadryas Baboon” is at the Malmö Museum.

His piece “Bulls head in oxblood” was bought by the Ateneum museum in Helsinki. And a lot of his other work can be found at other museums around the world.

Currently held on consignment at Andrews Oakville

This vivid work of Swedish Modernist design is the 'Igelkott' (Hedgehog) vase that comes from the larger 'Chamott' (Chamotte) series designed between 1936 to 1948. The series was designed by the celebrated Swedish ceramicist and designer Gunnar Nylund (b.1904 - d.1997) for Rörstrand.

The vases were made in 5 colours (Emerald, Topaz, (Mustard), Turquoise, White, and Yellow) with 3 different forms to the vases. This Turquoise piece is from the 'Al' form and is in the medium size of the 3 sizes at 16 cm in height (small 12cm, medium 16cm, large 21cm). Nylund became well known for his Chamotte sculptures, designing the series during his time as artistic director at Rörstrand.

Chamotte is also known as 'firesand', a raw ceramic material that has a high percentage of silica and alumina. It can be produced by firing selected fire clays to high temperatures before grinding and screening to specific particle sizes.

The décor makes this an exceptionally tactile piece, the highly textured, rough surface with the glossily glazed décor is a fabulous juxtaposition. Stylistically timeless and contemporary, this work is a outstanding example of Scandinavian mid-century Modern design. 

CONDITION
Excellent. There is light use wear to the underside of the base and the glaze décor that is commensurable with the age of the piece. The underside is stamp-inscribed with "Rorstrand, Sverige, Chamotte, Nylund". 

MEASUREMENTS
Height: c. 6.3" / 16 cm (from base to rim). Width: c. 4.9" / 12.5 cm (across widest point). Rim diameter: c. 2" / 5 cm. Base diameter: c. 2.4" / 6.2 cm. Unpackaged weight: c. 1.4 kg / 1,350 g

A BIT OF HISTORY
Gunnar Nylund (b. 1904 – d.1997) Nylund was a Swedish ceramic designer since the 1930s and is perhaps best known as the artistic director of Rörstrand and was already a well-established ceramic artist in Denmark - first at the Bing & Grøndahl Porcelain factory in Copenhagen and later at Saxbo.

Nylund was resident at Rörstrand from 1931–1955 and for the majority of this time, as artistic director. He became well known for his new matte feldspar glazed stoneware in hare’s fur and crystal glazes and for his stoneware animal sculptures. Over five decades, Nylund crafted some 30 reliefs and sculptures commissioned for public spaces, including Europe’s largest stoneware fountain the “Scanisarius” in Bromölla, Sweden.

Most of Nylund’s original sculptures in stoneware chamotte ended up in museums, as did much of his other work. Sculptures such as the “Lion Head” is found at the National Museum in Stockholm, “Blue Bird” is at the Sèvres museum in Paris, his antelope head “Abyssinian mountain nyala”, is at the Röhsska museet in Gothenburg and the “Hamadryas Baboon” is at the Malmö Museum.

His piece “Bulls head in oxblood” was bought by the Ateneum museum in Helsinki. And a lot of his other work can be found at other museums around the world.

Currently held on consignment at Andrews Oakville

This vivid work of Swedish Modernist design is the 'Igelkott' (Hedgehog) vase that comes from the larger 'Chamott' (Chamotte) series designed between 1936 to 1948. The series was designed by the celebrated Swedish ceramicist and designer Gunnar Nylund (b.1904 - d.1997) for Rörstrand.

The vases were made in 5 colours (Emerald, Topaz, (Mustard), Turquoise, White, and Yellow) with 3 different forms to the vases. This Turquoise piece is from the 'Al' form and is in the medium size of the 3 sizes at 16 cm in height (small 12cm, medium 16cm, large 21cm). Nylund became well known for his Chamotte sculptures, designing the series during his time as artistic director at Rörstrand.

Chamotte is also known as 'firesand', a raw ceramic material that has a high percentage of silica and alumina. It can be produced by firing selected fire clays to high temperatures before grinding and screening to specific particle sizes.

The décor makes this an exceptionally tactile piece, the highly textured, rough surface with the glossily glazed décor is a fabulous juxtaposition. Stylistically timeless and contemporary, this work is a outstanding example of Scandinavian mid-century Modern design. 

CONDITION
Excellent. There is light use wear to the underside of the base and the glaze décor that is commensurable with the age of the piece. The underside is stamp-inscribed with "Rorstrand, Sverige, Chamotte, Nylund". 

MEASUREMENTS
Height: c. 6.3" / 16 cm (from base to rim). Width: c. 4.9" / 12.5 cm (across widest point). Rim diameter: c. 2" / 5 cm. Base diameter: c. 2.4" / 6.2 cm. Unpackaged weight: c. 1.4 kg / 1,350 g

A BIT OF HISTORY
Gunnar Nylund (b. 1904 – d.1997) Nylund was a Swedish ceramic designer since the 1930s and is perhaps best known as the artistic director of Rörstrand and was already a well-established ceramic artist in Denmark - first at the Bing & Grøndahl Porcelain factory in Copenhagen and later at Saxbo.

Nylund was resident at Rörstrand from 1931–1955 and for the majority of this time, as artistic director. He became well known for his new matte feldspar glazed stoneware in hare’s fur and crystal glazes and for his stoneware animal sculptures. Over five decades, Nylund crafted some 30 reliefs and sculptures commissioned for public spaces, including Europe’s largest stoneware fountain the “Scanisarius” in Bromölla, Sweden.

Most of Nylund’s original sculptures in stoneware chamotte ended up in museums, as did much of his other work. Sculptures such as the “Lion Head” is found at the National Museum in Stockholm, “Blue Bird” is at the Sèvres museum in Paris, his antelope head “Abyssinian mountain nyala”, is at the Röhsska museet in Gothenburg and the “Hamadryas Baboon” is at the Malmö Museum.

His piece “Bulls head in oxblood” was bought by the Ateneum museum in Helsinki. And a lot of his other work can be found at other museums around the world.

Currently held on consignment at Andrews Oakville

This striking work of Swedish mid-century design is from the 'Hedgehog' vases that were part of the larger 'Chamott' (Chamotte) series designed between 1936 to 1948 by the celebrated Swedish ceramicist and designer Gunnar Nylund (b.1904 - d.1997). These vases were often made into lamps, as this piece is here and typically come in 5 colours (Emerald, Topaz (Mustard), Turquoise, White, and Yellow). There are 3 forms to the Hedgehog vases; this piece comes from the 'AI' form and is the largest of the 3 available sizes at 21 cm in height (small 12cm, medium 16cm, large 21cm). Nylund became well known for his Chamotte sculptures, designing the series during his time as artistic director at Rörstrand.

Personally, I see a resemblance to the thick shaggy fleece of a Scandinavian mountain sheep in the Hedgehog Chamotte décor. Chamotte is also known as 'firesand', a raw ceramic material that has a high percentage of silica and alumina. It can be produced by firing selected fire clays to high temperatures before grinding and screening to specific particle sizes.

The décor makes this an exceptionally tactile piece, the highly textured, rough surface with the glossily glazed décor is a fabulous juxtaposition. The size of this piece gives it extra presence and the finishing accent of stylised bulb holder collar in Antique gold-tone makes it a statement piece.

CONDITION
Excellent. There is light use wear to the underside of the base that is commensurable with the age of the piece. Mentioned for completeness: there is a minimal hairline crack on the underside of the base that is from production and not damage. Please refer to photos as they form part of the condition report. The base bears Rörstrand's stamp. Length of cord: c. 89.3" / 227 cm and is fitted with a European plug. Lamp takes standard A-series Screw bulb.

MEASUREMENTS
Height: c. 8.3" / 21 cm (excluding bulb holder) height: c. 11.8" / 30 cm (including bulb holder). Width: c.5.5" / 14 cm (across widest point). Base diameter: c. 3.3" / 8.5 cm. Unpackaged weight: c. 3.7 kg / 3,670 g


A BIT OF HISTORY
Gunnar Nylund (b. 1904 – d.1997) Nylund was a Swedish ceramic designer since the 1930s and is perhaps best known as the artistic director of Rörstrand and was already a well-established ceramic artist in Denmark - first at the Bing & Grøndahl Porcelain factory in Copenhagen and later at Saxbo.

Nylund was resident at Rörstrand from 1931–1955 and for the majority of this time, as artistic director. He became well known for his new matte feldspar glazed stoneware in hare’s fur and crystal glazes and for his stoneware animal sculptures. Over five decades, Nylund crafted some 30 reliefs and sculptures commissioned for public spaces, including Europe’s largest stoneware fountain the “Scanisarius” in Bromölla, Sweden.

Most of Nylund’s original sculptures in stoneware chamotte ended up in museums, as did much of his other work. Sculptures such as the “Lion Head” is found at the National Museum in Stockholm, “Blue Bird” is at the Sèvres museum in Paris, his antelope head “Abyssinian mountain nyala”, is at the Röhsska museet in Gothenburg and the “Hamadryas Baboon” is at the Malmö Museum.

His piece “Bulls head in oxblood” was bought by the Ateneum museum in Helsinki. And a lot of his other work can be found at other museums around the world.

THE ITEM
This remarkable work of mid-century Modernist design is by the renowned ceramic artist and designer Gunnar Nylund, (b.1904 - d.1997). Nylund became well known for his 'matte feldspar' glazed stoneware, crystal glazes and for his stoneware animal sculptures. This piece was designed during his time as artistic director at Rörstrand.

The form of this piece is crafted with beautifully soft, flowing and sculpted curves which subtly highlight the bear's peacefully observant posture. The piece is glazed with Nylund's distinctive semi-matte Hare's Fur running glaze, which is one variation of his famous matte feldspar glaze. This high-quality glaze is sumptuous and richly coloured in its varying tones of gold and brown, which finely striates and flows over the contours, mimicking that of a real bear's fur.

The silky-smooth glazed decor and form makes this a very tactile piece. This piece would be well suited to a room with decor inspired by Mid Mod, Modernist, Contemporary themes.

CONDITION
Excellent. No chips, cracks or repairs. There is mild wear, predominantly in the form of movement marks on the underside of the bear's feet. Please refer to photos as they form part of the condition report. The base bears the stamp that bears Rorstrand's logo and Nylund's initials 'GN'.

MEASUREMENTS
Height: c. 4.5" / 11.5 cm by length c. 5.4" / 13.8 cm (from ears to tail). Width c. 2.9" / 7.5 cm (across body's widest point). Unpackaged weight: 0.4 kg / 386 g

NOTES
Figure will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Gunnar Nylund (b. 1904 – d.1997) Nylund was a Swedish ceramic designer and is perhaps best known as the artistic director of Rörstrand. Nylund was first a well-established ceramic artist in Denmark, at the Bing & Grøndahl Porcelain factory in Copenhagen and later at Saxbo.

Nylund was resident at Rörstrand from 1931 until 1955 and for the majority of this time, as artistic director. He became well known for his new matte feldspar glazed stoneware in Hare’s Fur, crystal glazes and for his stoneware animal sculptures. Over five decades, Nylund crafted some 30 reliefs and sculptures commissioned for public spaces, including Europe’s largest stoneware fountain the “Scanisarius” in Bromölla, Sweden.

Most of Nylund’s original sculptures in stoneware Chamotte have ended up in museums, as did much of his other work. Sculptures such as the “Lion Head” is found at the National Museum in Stockholm, “Blue Bird” is at the Sèvres museum in Paris, his antelope head “Abyssinian mountain nyala”, is at the Röhsska museet in Gothenburg and the “Hamadryas Baboon” is at the Malmö Museum. His piece “Bulls head in oxblood” was bought by the Ateneum museum in Helsinki and a lot of his other work can be found at other museums around the world.