Erwin Eisch for Eisch Glashütte 1983 Iridescent Pulled Feather Matte Grape Purple Art Glass Vase
Regular price£88.00
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THE ITEM This tall and graceful work of handblown art glass is by Erwin Eisch, German glass artist and painter.
The form of this piece is beautifully balanced with Art Nouveau and Loetz, Kralik influences yet still retaining the artistic creativity of Eisch. Lightly organic, this piece is finished with an undulating rim. The purple glass has finely 'pulled feather' detail within it that shows off fine bands of turquoise and apricot. The crackled gold iridescence begins at the rim, moves down from the neck and fans out around the body of the vase.
CONDITION Excellent. No chips, cracks or repairs. There is negligible surface wear that is commensurate with the age of the piece - please refer to photos as part of the condition report. The underside of the base is inscribed with Eisch's signature of 'Eisch' and dated with '1983'.
MEASUREMENTS Height: c. 18" / 46 cm x c. 5.6" / 15 cm diameter (across widest point). Unpackaged weight: c. 1.6 kg / 1,560 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY The glass-making tradition of the Eisch family has been traced back to Mathias Alesch, born in the Bohemian Forest in 1689 and listed among the employees of a small glassworks there. In December 1952 the first glass was smelted in what was at the time the latest and smallest glassworks in Bavaria. In spite of initial difficulties, by 1956 Eisch glassworks had expanded to a 12-pot furnace.
The full name - Glashütte Eisch, lies at the heart of the Bavarian Forest, it is here that the Eisch family has been producing hand-made glass for over 60 years. Erwin Eisch has been regarded as the founder of the international studio glass movement since the 1960s, with Harvey Littleton as one of the first artists to use glass as a medium of artistic expression.
Kjell Engman 'Bon Bon' series, Kosta Boda, Candied Sapphire and Coquelicot Vase, Sweden, Signed
Regular price£498.00
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This delicious handblown work of Post Modern art glass is by leading Swedish glass artist Kjell Engman (b. 1946 -), accoladed with the name 'Glass Wizard' for his unlimited imagination with art glass.
This piece is from the popular series named Bon Bon, designed by Engman in 1989. It's easy to see why this series was named Bon Bon, with the candy-coloured pieces ranging from pairing Lavender lilac with Lemon yellow to Marmalade orange with Sky blue.
The central part of this particular piece is spheroid shaped, beautifully curved, and toned in a Candied Sapphire blue. Fused into the spheroid is the pitcher stem in striped tones of Coquelicot and Coral orange, the mergng between the two colours is finished with light sand texture. This work is further accented with an organically shaped Lemon yellow handle and finished with a disc of clear glass for the base.
The overall composition of this work is of great harmony, demonstrated in the stunning blending of colour with form and size, makes this a statement piece.
CONDITION Excellent. No chips, cracks, or repair. There is negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece - please see photos as they form part of the condition report. The underside of the base is signed, denoting 'Kosta Boda, K Engman, 89066'
MEASUREMENTS Height: c. 14" / 36 cm tall (from base to rim) x c. 8.1" / 20.5 cm in width (across widest point). Depth: c. 3.7" / 9.5 cm. Rim: c. 2.3" / 5.8 cm. Base: c. 3.9" / 10 cm. Unpackaged weight: 1.9 kg / 1,880 g
NOTES Pitcher vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Kjell Engman (b. 1946 -), accoladed with the name 'Glass Wizard' for his unlimited imagination with art glass and known for being one of ten highly talented artists. Since joining Kosta Boda in 1978, Engman has designed a number of iconic series, drawing inspiration from diverse sources such as the animal kingdom, the world of music and entertainment.
Engman's style is distinctive and immediately recognisable. Common characteristics to his work include being bold, bright and colourful, ranging from the playful to the delicate to the sensuous. It could almost be described as Dali-esque and does not conform to preconceptions of simple, minimalist Swedish design.
Engman has often been commissioned at home in Sweden and abroad, designing works for public display and even famous pieces such as the 2008 Eurovision Song Contest trophy. Engman's latest works and installations can be found at his dedicated website: http://www.kjellengman.com/
Georgia Jacob, Corolle Series Sculptural Modernist Handkerchief Lamp Base, 1980s-90s, French
Regular price£595.00
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This majestically sculptural lamp is of French design by Georgia Jacob's company (1988 - 2012). This particular piece comes from the Corolle series, one of many series where Jacob explored shape and form exclusively through the arrangement of drape.
The overall composition is characterised by exceptionally tactile and organic qualities, with a core arrangement of 16 folds that are encircled by an outer band of 19 ruffles made of the Saffron Mango toned resin. This piece is finished with an elegant resin marble base, further accentuating the subtle luxury of the design.
Standing at half a metre tall, this stunning statement piece brings sophisticated Minimalism to its surroundings.
CONDITION Excellent. No chips, cracks, or repairs. There is faint wear to the surface that is commensurate with the age of the piece, please see photographs as they form part of the condition report. The underside of the base is labeled with the original label. Lamp takes a 40w candle screw bulb with the length of the cord being c. 6 ft / 183 cm.
MEASUREMENTS Height: c. 21" / 53 cm high. Width c. 9.8" / 25 cm (across the widest point). Base measurements: c. 5.1" / 13 cm diameter. Weight: c. 1.4 kg / 1,395 g. Lamp takes a 40w candle screw bulb with the length of the cord being c. 6 ft / 183 cm.
A BIT OF HISTORY Georgia Jacob International (1988 - 2012) Georgia Jacob International was founded in 1988 in Wasselonne, a small commune in the north of France, c. 26 km from Strasbourg. Jacob only produced handkerchief and flaming torch design lamps made of resin (polyester), fibreglass or acrylic with several different bases made in marble, brass, metal, wood, or resin. Lamp series included the Corolle, Kali, Athena, Ella, Ophélie, Fruit d’Ange (angel fruit). Sadly not much more is known about the company and records trace the company as discontinuing in 2012 due to insufficient assets.
NOTES Lamp will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
This exceptionally sculptural work of Italian mid-century Modern design by theBertoncello Ceramiche D'Arte (estd. c.1956 - c.1999). The form is that of a 3D crescent moon partially embedded into the surface the piece rests upon. Further elevating this piece is the richly silky glaze that invites touch, this glaze is one of two Bertoncello signature glazes called the Screziato. This particular shade is the Screziato Tabacco, a sumptuously glaze that is silky to touch, visually, it presents as a refined blending of rich, Golden Ochre, tinged with Sienna which gives added depth. Take a step back to view this piece as a whole and the glaze effect resembles leather or marbled stone.
Like many other Italian potteries that were popular during the mid-century period, little is known about the pottery but the exceptional quality of design undeniably speaks for itself.
This work would suit a space with Modernist, Minimalist and Mid Century décor, either as a standalone work of art ceramic or functionally as a vase or planter. The majestic size, refined form and overall condition of this piece makes it a rare find.
CONDITION Excellent. No chips, cracks, or repairs. Most notable wear are the movement marks on the underside of the base that is commensurable with the age of the piece. Please refer to photographs as they form part of the condition report. The base bears model number '972'.
MEASUREMENTS Height: c. 10.2" / 26 cm. Length c. 11.4" / 29 cm (across body's longest point). Depth: c. 4.7" / 12 cm. Base measurements: c. 6" / 15.2 cm x c. 3" / 7.7 cm. Unpackaged weight: c. 1.3 kg / 1,250 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Bertoncello Ceramiche D'Arte was founded in Schiavon, Italy around 1956 and was first known as LBP, an acronym created with the first letters of the founders surnames Mr Lini, Giovanni Bertoncello and Mr Pizzato.
For many years it was run solely by Giovanni Bertoncello (b. 1930 - d. 2011) and his brother Felice after Mr Lini left the company a few years after the pottery's founding. By the 1970s the pottery had grown to a staff of around 30 with Giovanni being the creative driving force behind the forms and glazes. In the early years Giovanni benefited from some support by a Venetian teacher, Mr. Boatto. Sadly not a lot is known about the company as all its catalogues and archives were destroyed when the company closed in 1999, however, the legacy of Bertoncello's design is undeniable in the history of Italian mid century art ceramics.
Bertoncello's signature designs are often very sculptural, with echoes from geometricism and modern architecture. Dramatic curves, rounded edges and corners, pierced forms and an organic feel are recurring features.
Lisa Larson Phoenix (Fenix) series for K-studion, Trio of Fingal, Gottfrid and Tekla Sculptures
Regular price£636.00
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This trio of sweetly adorable and hand-decorated bird sculptures is by leading Swedish ceramicist and designer Lisa Larson (b. 1931 - ) designed in the early 1990s. Originally designed for Larson's exhibition, the production of the figures were by Larsons pottery studio Keramikstudion Gustavsberg. Larson is famous for her Modernistic animal sculpture designs that has created many popular series such as Stora (Large Zoo), Lilla (Little Zoo), and Skansen (Nordic Zoo) for Gustavsberg Ceramics.
The elegantly rounded yet sleek forms with inquisitive expressions really bring these works to life. The trio's Modernistic forms are beautifully complimented by the silky smooth, semi-matte Warm Sand glaze with the bare minimum of detail depicted in the hand painted eyes or dustings of shadow. These sculptures are further elevated by the gold glaze detail. There are 4 Fenix designs in total, ranging from: Fingal (tallest), Gottfrid (roundest), Ossian and Tekla (smallest). These sculptures have been decorated in different colours including the Warm Sand of this trio, Cobalt blue and Charcoal black. Beautifully modern and charming, these works bring elevated simplicity and warmth to their surroundings.
CONDITION Excellent. No chips, cracks or repair. There is mild wear of movement marks on the underside of the base for the figures, please refer to photos as they form part of the condition report. The underside of the bases are signed with Larson's "LISA L" with the Gottfrid's wooden base bearing the full 'K-studion Gustavberg' signature
MEASUREMENTS - Fingal (Tallest) - Height: c. 7.6" / 19.2 cm tall (from base to tallest point ). Width c. 3.7" / 9.5 cm (across widest point). Base c. 2.8" / 7 cm (across widest point). - Gottfrid (Roundest) - Height: c. 7.5" / 19 cm tall (from wood base to tallest point ). Width: c. 4.6" / 11.6 cm (across widest point). Base c. 2.7" / 6.8 cm. - Tekla (Smallest) - Height: c. 4.5" / 11.5 cm tall (from base to tallest point ). Width: c. 3.5" / 9 cm (across widest point). Base c. 2.1" / 5.3 cm depth. Unpackaged weight [Trio]: c. 1.3 kg / 1,250 g
NOTES Sculptures will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Lisa Larson (b.1931) is a Swedish ceramicist and designer. She is well known for many sculptures series including Stora (Large Zoo), Lilla (Little Zoo), and Skansen (Nordic Zoo), 'ABC-girls', 'Africa' and 'Children of the World'. Larson is well known for her warm-hearted, humorous, sometimes subtly ironic design and is represented at the Swedish National Museum of Art and Design.
Park Rose Pottery, Postmodern Ombre Cotton Candy Palette Textured Wave Planter, 1980s, British
Regular price£86.00
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This striking and joyful work of 1980s Postmodern design is by British pottery Park Rose. Postmodern art and design are known for directly or indirectly borrowing from a range of design styles from the past. The form of this planter is a streamlined, Modern, and gently inverted lozenge shape that is an excellent canvas for the décor that echoes mid-century Op Art and Psy Art influences. The base glaze is a glossy white and juxtaposing this is the two, textured faces decorated in a cotton candy palette. The palette of Powdered Apple green, Lemon yellow, and Marshmallow pink is applied in an Ombre manner, where the textured wave pattern leads the colours to fade into one another:
This charming piece is stylistically contemporary and yet also prominently of its time, this piece works excellently for bright and joyful functional use.
CONDITION Excellent. There are no chips or repairs. The most significant wear is movement marks that is on the underside of the base and mild crazing all over that are commensurable with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base bears the stamp 'Park Rose, Bridlington, England'.
MEASUREMENTS Height: c. 5.2" / 13.3 cm. Width: c. 11.9" / 30.2 cm (across widest point). Depth: c. 5.8" / 14.7 cm. Base measurements: c. 9.2" / 23.3 cm x c. 9.8" / 9.8 cm. Unpackaged weight: c. 1.6 kg / 1,630 g
NOTES Planter will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Park Rose Pottery 1982 - 2012 The Park Rose Pottery was founded by Anthony Kusmirek and Noel Rawson in 1982 with the original range consisting of vases, plant pot holders and ceramic lamp bases. The pottery went on to produce and sell a successful range of designer ware in their own right. Sadly, Park Rose Pottery ceased to trade in 2012 and it is unclear as to the reasons behind the closure.
Park Rose Pottery, Postmodern Ombre Cotton Candy Palette Textured Wave Vase, 1980s, British
Regular price£66.00
Save £-66.00
This vivid work of 1980s Postmodern design is by British pottery Park Rose. Postmodern art and design are known for directly or indirectly borrowing from a range of design styles from the past. The form of this vase is a streamlined, Modern, and gently inverted tube shape that is an excellent canvas for the décor that echoes mid-century Op Art and Psy Art influences. The base glaze is a glossy white and juxtaposing this is the two, textured faces decorated in a cotton candy palette. The palette of Powdered Apple green, Lemon yellow, and Marshmallow pink is applied in an Ombre manner, where the textured wave pattern leads the colours to fade into one another:
This charming piece is stylistically contemporary and yet also prominently of its time, this piece works excellently for standalone display and for functional use.
CONDITION Excellent. There are no chips or repairs. The most significant wear is movement marks that is on the underside of the base and mild crazing all over that are commensurable with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base bears the stamp 'Park Rose, Bridlington, England'.
MEASUREMENTS Height: c. 8" / 20.3 cm. Width: c. 5.1" / 13.1 cm (across widest point). Rim measurements: c. 5.1" / 13.1 cm x c. 3.5" / 9 cm. Depth: c. 3.5" / 9 cm. Base measurements: c. 3.1" / 8 cm x c. 2.4" / 6 cm. Unpackaged weight: c. 1.0 kg / 960 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Park Rose Pottery 1982 - 2012 The Park Rose Pottery was founded by Anthony Kusmirek and Noel Rawson in 1982 with the original range consisting of vases, plant pot holders and ceramic lamp bases. The pottery went on to produce and sell a successful range of designer ware in their own right. Sadly, Park Rose Pottery ceased to trade in 2012 and it is unclear as to the reasons behind the closure.
