Miloslav Klinger for ZBS, Citrine and Neodymium Colour Change Sommerso Vase, 1960s-70s, Czech, Rare
Regular price£93.00
Save £-93.00
This beautifully biomorphic and handblown piece was designed Czech art glass designer Miloslav Klinger (b. 1922 - d. 1999) for Bohemian glassworks Zelezny Brod Sklo (ZBS). This particular piece is particularly rare as it combines Neodymium and Citrine glass using the Sommerso 'Submerged' technique.
This work is not only special in the abstract, organic form that creates elegant refractions - it also has the ability to colour change. The colour changing ability comes from Neodymium, an element incorporated into the glass during the crafting process. Under daylight, the Neodymium glass presents as a pale lilac colour however, under indoor fluorescent household lighting, the element becomes a pale blue. Neodymium glass is often known as Alexandrite glass.
The contemporary form of this piece is composed of a clear central chamber that is cradled as well as complemented by 3 Neodymium trails. The clear chamber is submerged into a Pale Lemon Citrine base and the work is finished with an accent of 'pulling' at the rim.
CONDITION Excellent, no chips or cracks or repairs. There is very mild surface wear that is commensurate with the age of the piece and most evident in movement marks on the underside of the base. Please refer to photos as they form part of the condition report.
MEASUREMENTS Height c. 10.6" / 26.8 cm x c. 4.5" / 11.5 cm in width (across the widest point). Rim measurements: c. 3.3" / 8.4 cm x c. 1.8" / 4.6 cm. Base measurements: c. 3.4" / 8.7 cm x c. 3.7" / 9.3 cm. Unpackaged weight: 1.3 kg / 1,280 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Miloslav Klinger (b. 1922 - d. 1999) Miloslav Klinger was born in Hrubá Horka near Železný Brod. After a year of apprenticeship in glass chandeliers with Josef Kleinert, Klinger studied at the Glass School in Železný Brod under the guidance of prof. Jaroslav Brychta and master Jan Stuchlík. After graduating, Klinger worked in Kleiert's company as a designer for two years. After completing his studies, Klinger returns to Železný Brod as a designer, where, apart from his brief career as director of the Glass School in Železný Brod, he remained throughout his life.
Zelezny Brod Glassworks Železný Brod is an old glass-producing town founded in the eleventh century. It was originally known as Brod ("ford") or Brodek ("little ford"). Železný ("iron") was added to its name in the fourteenth century, alluding to the town's steelworks. The town's main industry is represented by producers of blow-moulded glass, as well as that of jewellers. The Železný Brod (ZBS) glassworks was created in 1948 as a result of nationalisation, at the time, this was made up of 9 glass factories in the town. ZBS being particularly well known for its free-form organic vases and bowls designed by Miroslav Klinger.
Duo of 1984 Bjorn Wiinblad, 4 Seasons: Spring and Autumn Figures in Green and Pink | Danish, Rare
Regular price£918.00
Save £-918.00
This elegantly whimsical duo of hand-painted and sculpted ceramic art is by celebrated Danish illustrator and glass, silver, ceramics designer Bjorn Wiinblad (b. 1918 - d. 2006). Wiinblad often designed for a number of big names as well as the pottery studios he owned, such as Vaerksted, Nymolle, and Det Blaa Hus. These studio works were crafted at his own Vaerksted [Workshop] studio, which Wiinblad established in 1952 in Copenhagen. Vaerksted pieces by Wiinblad show his painting skills at their best – conveying an emotion or feeling with just a few brushstrokes or marks.
Those familiar with Wiinblads illustrative work will be familiar with the exquisite level of detail his imagination goes to. This richness of detail is brought to life across many elements of this sculpture; such as the individually shaped, stylised decor resting in the figure's hat and the careful attention in the intricate hand-painted patterns decorating the piece and attention given even when illustrating eyelashes.
CONDITION Superb. - Forår/Spring/M20 Figure: There are 2 negligible chips to the birds at the base of the dress which do not affect the overall display quality. - Efterår/Fall/Autumn/M22 Figure: There is 1 negligible flake on the nose and minor repair behind the flower under the chin which do not affect the overall display quality.
Please refer to photographs as they form part of the condition report. The underside of each piece bears Wiinblad's 'BW' monogram, the model numbers of 'M20' and 'M22', dated with '84' and finally, denoted with 'Forår' and 'Efterår'.
MEASUREMENTS - Forår M20 Height: c. 13.8" / 35 cm tall (from base to tallest point, including hat) x c. 3.7" / 9.5 cm diameter (across widest point). Base diameter: c. 3.2" / 8.2 cm (from front to back). - Efterår M22 Height: c. 12.6" / 32 cm tall (from base to tallest point, including hat) x c. 4.5" / 11.5 cm diameter (across widest point). Base diameter: c. 3.3" / 8.3 cm (from front to back). - Unpackaged weight [Pair]: c. 1.3 kg / 1,335 g
NOTES Sculptures will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Born in 1918 in Copenhagen, Bjorn Wiinblad began his training and path to success in 1935. Wiinblad sought the path to his first passion of art and enrolled in graphic school at the Royal Academy of Fine Arts, debuting in 1945 with an extensive exhibition in Palægade, Copenhagen. He met and became firm friends Jacob E. Bang around this time, who engaged him to work for Nymølle Pottery.
From the beginnings at Nymolle, Wiinblad received multiple commissions, from designing textile and embroidery patterns to drawing posters, book and magazine illustrations. Wiinblad drew for the United Nations in Paris and designed costumes and stages for several theatrical performances. His fame grew in Denmark but soon would extend to Norway and Sweden and in 1950 his ceramics were exhibited at Bonnier's in New York, which specialised in Scandinavian design.
Wiinblad's recognition and acclaim would continue to grow, bringing him a silver medal at the first international ceramics festival in 1955 in Cannes, France and appointment as artistic director for Rosenthal in 1960. During the 1960s, Wiinblad would become owner to a number of ceramic studios including Vaerksted, Nymolle and Det Blaa Hus. He would make Det Blaa Hus his workshop and home until his death in 2006.
Wiinblad's successes did not stop in the Sixties, his continued achievements and international success were extensively documented and celebrated on the dedicated website: https://www.bjornwiinblad-denmark.dk/om-bjoern-wiinblad
Mari Simmulson for Upsala Ekeby, 1953-56 Salix Series, Iconic White and Yellow Dot Textured 14" Vase
Regular price£448.00
Save £-448.00
This joyful work of iconically Swedish Mid Century design is by Mari Simmulson (b. 1911- d. 2000) for Upsala Ekeby. Simmulson was a celebrated Swedish ceramics designer and ceramicist, known for many series she designed at Upsala Ekeby which went on to become classics. This hand-thrown and hand-glazed work comes from Simmulson's well-known Salix series, these earthenware works were designed in 1953.
The series is characterised by the delightfully simple form, like that of an abstract 60s pinafore dress, the glossy glaze is a palette of Chocolate brown, with 'dot' discs of Pineapple yellow on Milk white. The form of this piece and palette is undeniably exuberant, striking and vivacious, combined with the size - makes this a particularly rare find.
CONDITION Excellent - there are no chips or repairs. There is a single hairline crack on the interior of the rim that does not appear on the exterior of the vase. There is age commensurate wear in the form on crazing on the interior of the vase. The underside of the base is inscribed with Upsala Ekebys 'UE Sweden' and Simmulson's 'ms' monogram as well as the model number '4130'.
MEASUREMENTS Height: c.14" / 35.2 cm tall (from base to rim). Rim measurements: c. 3.7" / 9.5 cm x c. 3.1" / 8 cm. Diameter: c. 5" / 12.6 cm (across widest point). Base measurements: c. 5" / 12.6 cm. Unpackaged weight: c. 1.7 kg / 1,715 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Mari Peterson Särgava, ceramicist and textile artist (b. 1911- d. 2000) began her career with an internship with Arabia in Finland and it was during this time she married Gustaf Simmulson.
Simmulson moved to Sweden in 1944 and began working with Wilhelm Kåge at Gustavsbergs, staying until 1949. Her career took her to Uppsala Ekeby in 1949, where she designed vases, figures, reliefs and wall paintings, many of them noted as unique pieces. She became a leading designer at Uppsala Ekeby where she remained until the early 1970s. Simmulson also received commissions for public pieces including at Luleå Kol, Upplandsbanken and Pharmacia.
This elegant work of Swedish Mid Century Modern design is by Hjördis Oldfors (b. 1920 - d. 2014) for Upsala Ekeby. Oldfors was a celebrated Swedish ceramicist, painting, and textile artist, known for many series she designed at Upsala Ekeby which went on to become classics.
This hand-thrown and hand-glazed work comes from Oldfors popular Kokos series, for which there are ten works of earthenware bowls and vases designed in 1954. The series is characterised by the clean-lined, swelling forms and the deliciously tactile decor. The decor is an arrangement of sgraffito bands of glossy Dandelion yellow glaze alternating with the unglazed Dark Chocolate earthenware. The combination of the silky smooth glaze bands and the unglazed elements present a striking and tactile contrast.
The form of this piece and of the series is undeniably Modernist in design, highlighting the seamless harmony of function, form, and the raw materials
CONDITION Excellent - there are no chips, cracks or repairs. There is mild and age-commensurate wear to the body and faint movement marks on the underside of the base. The underside of the base is inscribed with Upsala Ekebys 'UE' and Oldfors 'HJ' monogram and the model number '5080'.
MEASUREMENTS Height: c. 5.5" / 14 cm tall (from base to rim). Rim measurements: c. 4.3" / 11 cm x c. 2.8" / 7 cm. Diameter: c. 5.7" / 14.6 cm (across widest point). Base measurements: c. 1.9" / 4.7 cm. Unpackaged weight: c. 0.8 kg / 795 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Hjördis Hanna Maria Oldfors (b. 1920 - d. 2014) was a celebrated Swedish ceramicist, painting, and textile artist. Oldfors is known for many series she designed at Upsala Ekeby which went on to become classics; including Poäng (Points), Kokos (Coconut), Trio (Trio), Palma (Palma), and Granit (Granite). Oldfors is represented at a number of museums including; National Museum (Sweden), Röhsska Museum, and at the Nordenfjeldske Konstindustrimuseum.
Though Oldfors was a late arrival to her ceramics career, beginning her studies in 1947 in Gothenburg, she became incredibly successful. Her career at Upsala Ekeby began in 1950 when she was 30 and she would go on to set up her own studio 'Bränd Form' with a number of exhibitions representing Upsala Ekeby and her own studio. The curators of the day are notably known to have said "She has an astonishing certainty in the abstract decor and its adaptation to the form. In this area, she does not have many competitors in our ceramics."
Mari Simmulson for Upsala Ekeby, 1965 Ringo Series, Chocolate Cookie Palette Modernist Vase
Regular price£135.00
Save £-135.00
This delicious work of Swedish Mid Century Modern design is by Mari Simmulson (b. 1911- d. 2000) for Upsala Ekeby. Simmulson was a celebrated Swedish ceramics designer and ceramicist, known for many series she designed at Upsala Ekeby which went on to become classics.
This hand-thrown and hand-glazed work comes from Simmulson's well-known Ringo series, there are eighteen works of earthenware bowls and vases that were designed in 1965. The series is characterised by the delightfully textured Chocolate Cookies unglazed earthenware body that is overlaid with the Dark Chocolate striped bands of semi matte glaze. The silky Dark Chocolate glaze is also beautifully featured on the neck, shoulders and underside of the vase, juxtaposing the earthenware. This particular piece is finished with a circle of semi-matte Pale Lemon dots, an iconic accent to the series. The form of this piece and of the series is undeniably Modernist in design, highlighting the seamless harmony of function, form and the raw materials.
CONDITION Excellent - there are no chips, cracks or repairs. There is age commensurate wear in the form of faint movement marks on the underside of the base. The underside of the base is inscribed with Upsala Ekebys 'UE Sweden' and Simmulson's 'ms' monogram as well as the model number '5059M'.
MEASUREMENTS Height: c. 5,1" / 13 cm tall (from base to rim). Rim measurements: c. 2.6" / 6.7 cm. Diameter: c. 4.3" / 11 cm (across widest point). Base measurements: c. 3.5" / 8.8 cm. Unpackaged weight: c. 0.6 kg / 615 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Mari Peterson Särgava, ceramicist and textile artist (b. 1911- d. 2000) began her career with an internship with Arabia in Finland and it was during this time she married Gustaf Simmulson.
Simmulson moved to Sweden in 1944 and began working with Wilhelm Kåge at Gustavsbergs, staying until 1949. Her career took her to Uppsala Ekeby in 1949, where she designed vases, figures, reliefs and wall paintings, many of them noted as unique pieces. She became a leading designer at Uppsala Ekeby where she remained until the early 1970s. Simmulson also received commissions for public pieces including at Luleå Kol, Upplandsbanken and Pharmacia.
Pair of SylvaC Mid Century Flare Bottle Vases, Rainbow Sherbert Palette Foam Glaze, British, 1950s
Regular price£43.00
Save £-43.00
These charming works of Mid Century British design are by SylvaC Pottery.
Reflecting the Modernist design influences of its time, these pieces are a simple celebration of organic form and function with light-giving paler colours.
The abstract bottle forms each bear a mildly flaring rim, are even and well balanced. The glossy foam glaze is a rich graduating blend that starts with a Warm pink at the rim that progresses to a deeper Coral orange before ending with a Powdered Pine green at the base. The application of the glaze is in a dappled, foam manner.
CONDITION Excellent. There are no chips, cracks, or repairs. There is mild use wear on the interior and the underside of the base that is commensurable with the age of the pieces. Please refer to photos as they form part of the condition report. The underside of the base is stamped with Sylvac's mark in use around the 1950s of 'SYLVAC, MADE IN ENGLAND', and the model number '2446' and 'B'.
MEASUREMENTS Height: c. 6.3" / 16 cm x c. 3.1" / 8 cm rim diameter. Width: c. 4.3" / 11 cm (across widest point). Base diameter: c. 3.2" / 8.2 cm. Unpackaged weight [both vases]: c. 0.8 kg / 840 g
A BIT OF HISTORY SylvaC (with a deliberate capital C at the end) was founded in 1894 by William Copestake and William Shaw, originally named Shaw & Copestake. It would be 1937 till a merging of companies formed under the name of Sylvac. Central to its history were figurines of animals, and rabbits in particular, and the company was known for its relatively inexpensive and widely available tableware and decorative works. SylvaC continued its production until the early 1980s.
NOTES Vases will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.