Kintsugi | Bitossi by Aldo Londi, Modernist Rimini Series, Gold-Brown Horse Sculpture | 60s, Italian

This hand-built and exquisitely illustrated work is by celebrated Danish illustrator and glass, silver, textiles, ceramics designer Bjorn Wiinblad (b. 1918 - d. 2006). We know that this piece was personally handled by Wiinblad as it is signed with both Wiinblad's signature and his artist caricuture icon. Per the dating of the piece, it is attributed to have been made for Wiinblad's very first ceramic workshop 'Værksted' in Copenhagen Denmark. 

The carefully crafted form of this piece is that of a centaur and from the botanical adornments, a dryad sits astride the centaurs back. Highly romantic, Wiinblad applied his exceptional creativity and imagination to both the tactile as well as the expressive line details all over both figures.

From the mildly rounded eyes to the raised leaf crowns and prominent centaur horns, attention is given right down to the pink tipped beak, crested head and tail of the small bird held between the hands of the two figures.

Handpainted onto the form is the slate-grey, blue design with complimented beautifully by intricate detailing of tiny pink rosettes, tendrils, and leaf detail. 

Stylistically timeless, the combination of the design and exceptional condition of this piece as well as Wiinblad's full signature with the beret-wearing artist caricature makes it a particularly rare and noteworthy find of Wiinblad's early work. 

CONDITION
Excellent. No chips, cracks, or repairs. There is mild wear that is most evident in the form of faint movement marks on the underside that is commensurable with the age of the piece. The underside bears the signature 'Bjorn Wiinblad, 59 [year of production], 363 [design number], DANMARK' and artist caricature.

MEASUREMENTS
Height c. 11.4" / 29 cm (from base to rim) x width c. 4.9" / 12.5 cm (across widest point). Length: c. 8.9" / 22.5 cm (longest point). Unpackaged weight: c. 1.3 kg / 1,255 g

NOTES
Sculpture will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Bjorn Wiinblad (b. 1918 - d. 2006) Born in 1918 in Copenhagen, Bjorn Wiinblad began his training and path to success in 1935. Wiinblad sought the path to his first passion of art and enrolled in graphic school at the Royal Academy of Fine Arts, debuting in 1945 with an extensive exhibition in Palægade, Copenhagen. He met and became firm friends with Jacob E. Bang around this time, who engaged him to work for Nymølle Pottery.

From the beginnings at Nymolle, Wiinblad received multiple commissions, from designing textile and embroidery patterns to drawing posters, books, and magazine illustrations. Wiinblad drew for the United Nations in Paris and designed costumes and stages for several theatrical performances. His fame grew in Denmark but soon would extend to Norway and Sweden and in 1950 his ceramics were exhibited at Bonnier's in New York, which specialised in Scandinavian design.

Wiinblad's recognition and acclaim would continue to grow, bringing him a silver medal at the first international ceramics festival in 1955 in Cannes, France, and appointment as artistic director for Rosenthal in 1960. During the 1960s, Wiinblad would become the owner of a number of ceramic studios including Vaerksted, Nymolle, and Det Blaa Hus. He would make Det Blaa Hus his workshop and home until his death in 2006.

Wiinblad's successes did not stop in the Sixties, his continued achievements and international success were extensively documented and celebrated.

This beautifully elegant work of mid-century Modernist stoneware was designed by Aldo Londi (b. 1911 - d. 2003) for Bitossi Ceramiche. Inspiration for the glaze is said to be taken from the Adriatic Sea, off the coast of Rimini in Italy, and hence the series name Rimini Blu.

The glaze and the series that subsequently grew from it, has become iconic and the most highly collectable of Aldo Londis' work. The form of this particular piece has been crafted with superb almost-sentience and character, the stance captured is one of mid-feint and with curiosity.

Accentuating the work is the geometric and highly tactile 'Sgraffito' decor, with shapes and lines being embossed into the clay during the crafting process. The glaze displays strokes of green, Persiano and deep blue, the great blend of glossy smooth glaze is interspersed with coarse grit in the clay.

CONDITION
Excellent, no chips, cracks or repairs. There is natural wear that is commensurable with age, please refer to photos as they form part of the condition report. The underside of the sculpture is marked with the model number '42120/628' and 'ITALY'. 

MEASUREMENTS
c. 6.5" / 16.5 cm tall (arch of back to base) x c. 12.8" / 32.5 cm long (horns to tail) x c. 6" / 15.2 cm wide (across widest point of front hooves). Unpackaged weight: c. 2 kg / 2,115 g

NOTES
Sculpture will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
After World War II, master ceramist Aldo Londi (b. 1911 - d. 2003) became the creative director of Bitossi Ceramiche, a position he held for more than 50 years. Londi apprenticed in ceramics at the young age of 11 and brought deep expertise in traditional ceramics production to Bitossi.

He’s best known for his 1950s-era collection, this Rimini Blu. This iconic mid-century modern series contains over 150 designs, including bowls, vases, jugs and animal figurines, all glazed in a vibrant blue hue and embossed with abstract motifs and shapes.

Londi created the first piece glazed in Persiano Blue, the Ball Vase in 1955. Shortly after 1959, he began to create more pieces in this proprietary glaze. The collection holds historical importance because it helped to bring handcrafted and expressive works into the modernist design conversation in Italy.

Though blue was not the only colour Bitossi favoured, it has become closely associated with the brand’s identity. The collection is still in production today and widely collected by ceramics enthusiasts.

This striking and sculptural work of mid-century Swedish Modernistic design is by Lillemor Mannerheim (b. 1927 - d. 1994). Mannerheim was a countess, ceramicist, and illustrator who designed this Labrynt (Labryinth) vase in 1954 for Gefle Keramiks, together with a number of her other well-known series such as Kulisaner, Dixie, Mambo, Singoalla and Pärlor.

This elegant Labrynt vase features Mannerheim's gentle swelling design characteristic which tapers into fluted rim to create the flask form. This form is overlaid with the rich, semi-matte Onyx black glaze called Mangania that was a feature of many of Mannerheim's most popular series. The piece is finished with the hand-glazed gloss swirling in Powdered Lime tone on both sides to further elevate the piece. 

The combination of the form, glaze and Modernistic accents gives the overall piece a stylistically timeless presence. And yet the design of this piece is completely suited to the Atomic Design period that it's from, when space exploration and futuristic influences were at the forefront of world news.

CONDITION
Excellent. No chips, cracks, or repairs. There is mild use wear, predominantly in the form of movement marks on the underside of the base that is commensurable with the age of the piece. The underside of the base bears 'Gefle' and 'Lillemor' stamp and inscribed with the model number 'M43' and 'Labrynt'. 

MEASUREMENTS
Height: c. 11.4" / 29 cm tall (from base to rim) x c. 3.9" / 10 cm diameter (across widest point). Rim measurements: c. 4.6" / 11.7 cm x c. 1.6" / 4 cm. Base Measurements: c. 2" / 5.2 cm x c. 2.2" / 5.7 cm. Unpackaged weight: c. 0.6 kg / 630 g

A BIT OF HISTORY
Lillemor Mannerheim (b. 1927 - d. 1994) Ingeborg Aina Sophie Constance "Lillemor" Mannerheim-Klingspor was a countess, a ceramicist and illustrator who began her studies into art and design in 1945, at the end of WWII. Mannerheim began her career at Gefle in 1949, designing a number of popular series such as Kulisaner, Dixie, Labyrint, Mambo, Pärlor, Föl, Solros and Singoalla. She also designed a number of figurines and sculptures during her time at Gefle where she remained until 1957. 

Mannerheim spent time studying in Italy and France at the end of the 1950s before taking her career to the next step at Rorstrand in 1960. Her art is represented in a number of museums in France, Sweden and Finland. 

This striking and sculptural work of mid-century Swedish Modernistic design is by Lillemor Mannerheim (b. 1927 - d. 1994). Mannerheim was a countess, ceramicist, and illustrator who designed this Dixie vase in 1957 for Gefle Keramiks, together with a number of her other well-known series such as Kulisaner, Labyrint, Mambo, Singoalla and Pärlor.

This elegant Dixie vase features Mannerheim's gentle swelling design characteristic which tapers into fluted rim to create the flask form. This form is overlaid with the rich, semi-matte Onyx black glaze called Mangania that was a feature of many of Mannerheim's most popular series. The piece is finished with hand glazed gold angular and linear accents serves to further elevate the piece. 

The combination of the form, glaze and Modernistic accents gives the overall piece a stylistically timeless presence. And yet the design of this piece is completely suited to the Atomic Design period that it's from, when space exploration and futuristic influences were at the forefront of world news.

CONDITION
Excellent. No chips, cracks, or repairs. There is mild use wear, predominantly in the form of movement marks on the underside of the base that is commensurable with the age of the piece. The underside of the base bears 'Gefle' and 'Lillemor' stamp and inscribed with the model number 'M43'. 

MEASUREMENTS
Height: c. 11.4" / 29 cm tall (from base to rim) x c. 3.9" / 10 cm diameter (across widest point). Rim measurements: c. 4.6" / 11.7 cm x c. 1.6" / 4 cm. Base Measurements: c. 2" / 5.2 cm x c. 2.2" / 5.7 cm. Unpackaged weight: c. 0.6 kg / 630 g

A BIT OF HISTORY
Lillemor Mannerheim (b. 1927 - d. 1994) Ingeborg Aina Sophie Constance "Lillemor" Mannerheim-Klingspor was a countess, a ceramicist and illustrator who began her studies into art and design in 1945, at the end of WWII. Mannerheim began her career at Gefle in 1949, designing a number of popular series such as Kulisaner, Dixie, Labyrint, Mambo, Pärlor, Föl, Solros and Singoalla. She also designed a number of figurines and sculptures during her time at Gefle where she remained until 1957. 

Mannerheim spent time studying in Italy and France at the end of the 1950s before taking her career to the next step at Rorstrand in 1960. Her art is represented in a number of museums in France, Sweden and Finland. 

Currently held on consignment at Andrews Oakville

This evocatively elegant work of Swedish contemporary design is by Alf Ekberg (b.1945-d. 2016) for his art pottery studio Källna. Ekberg worked with sculptures in stoneware, bronze, and glass and over the course of his career, had exhibitions in Denmark and Germany as well as in a large number of galleries around Sweden.

This particular piece is a stunning Charcoal hued stoneware sculpture of the Damson fruit that presents his popular juxtaposition with the gold crackle gilt glaze. Ekberg's signature combination of pairing matte and unpolished stone textures with luxuriant metals is very much evident in this piece. 

This stunning piece actualises many key principles of Minimalist and Modernist design influences, with a focus on bringing forth the beauty in the base materials. 

CONDITION
Excellent. There is faint wear to the surface of the glaze that is commensurate with the age of the piece. Please see the photographs as they form part of the condition report. The reverse of the sculpture bears Ekberg's sculpture as does the wooden plinth. 

MEASUREMENTS
Height: c. 11.4" / 29 cm. Width c. 7.7" / 19.6 cm (across the widest point) x depth: c. 3.9" / 10 cm. Base measurements: c. 7.1" / 18 cm x c. 3.5" / 9 cm. Weight: c. 4.1 kg / 4,140 g.

A BIT OF HISTORY
Alf Ekberg (b.1945 - d.2016), Källna Studio Pottery 
Alf Roland Kenneth Ekberg, sculptor, ceramist and artist was born in Skåne on April 13, 1945. Ekberg founded his own workshop in Källna in 1972 and created art through sculptures in stoneware, bronze and glass. During his early career, he received Cultural scholarship recipient in 1983 and the Kristianstad county cultural scholarship in 1988. 

During his career, he exhibited in Denmark, Germany, and a large number of galleries around Sweden. In 1997 Ekberg sculpted in ice for the Ice Hotel in Jukkasjärvi and was commissioned for several public sculptures in southern and central Sweden.

This beautiful work of Modernist art glass has been crafted using the Murano technique of Filigrana and has been shaped into the form commonly known as the 'Love Knot'. The association of knots with the symbolism of love, friendship and affection dates back to antiquity.

The technique Filigrana (Literal translation 'Filigree glass' in Italian) often features white coloured canes but sometimes multicolour too, as it is in this instance. The Filigrana style originated on the island of Murano in the 16th century and spread rapidly to other parts of Europe where façon de Venise glass was produced. Manufacture on Murano continued until the 18th century, and it was revived in the 20th century.

Though the Filigrana technique can be in applied using multicoloured canes, it has not been possible to trace another example of Filigrana applied into the Love Knot form. There are a few inclusions (bubbles) in the creation of this piece but despite this, the overall execution of the piece is beautifully balanced and an excellent canvas for light refraction. The colour palette bears a vibrant Cerulean blue, Scarlet red, Lemon yellow and Snow white.

CONDITION
Excellent. There is negligible wear in the form of movement marks on the underside of the base that is commensurable with the age of the piece, please refer to the photos as they form part of the condition report.

MEASUREMENTS
Height: c. 12" / 31 cm tall (from base to rim) x c. 5.1" / 13 cm in width (across widest point). Base measurements: c. 3" / 7.6 cm x c. 3" / 7.6 cm. Unpackaged weight: c. 1.2 kg / 1,155 g

NOTES
Sculpture will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.