Daum 'Fleur de Coloquinte' French Art Nouveau Satin Cameo Glass Vase | c. 1900s, Antique

This hand-built and exquisitely illustrated work is by celebrated Danish illustrator and glass, silver, textiles, ceramics designer Bjorn Wiinblad (b. 1918 - d. 2006). We know that this piece was personally handled by Wiinblad as it is signed with both Wiinblad's signature and his artist caricuture icon. Per the dating of the piece, it is attributed to have been made for Wiinblad's very first ceramic workshop 'Værksted' in Copenhagen Denmark. 

The carefully crafted form of this piece is that of a centaur and from the botanical adornments, a dryad sits astride the centaurs back. Highly romantic, Wiinblad applied his exceptional creativity and imagination to both the tactile as well as the expressive line details all over both figures.

From the mildly rounded eyes to the raised leaf crowns and prominent centaur horns, attention is given right down to the pink tipped beak, crested head and tail of the small bird held between the hands of the two figures.

Handpainted onto the form is the slate-grey, blue design with complimented beautifully by intricate detailing of tiny pink rosettes, tendrils, and leaf detail. 

Stylistically timeless, the combination of the design and exceptional condition of this piece as well as Wiinblad's full signature with the beret-wearing artist caricature makes it a particularly rare and noteworthy find of Wiinblad's early work. 

CONDITION
Excellent. No chips, cracks, or repairs. There is mild wear that is most evident in the form of faint movement marks on the underside that is commensurable with the age of the piece. The underside bears the signature 'Bjorn Wiinblad, 59 [year of production], 363 [design number], DANMARK' and artist caricature.

MEASUREMENTS
Height c. 11.4" / 29 cm (from base to rim) x width c. 4.9" / 12.5 cm (across widest point). Length: c. 8.9" / 22.5 cm (longest point). Unpackaged weight: c. 1.3 kg / 1,255 g

NOTES
Sculpture will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Bjorn Wiinblad (b. 1918 - d. 2006) Born in 1918 in Copenhagen, Bjorn Wiinblad began his training and path to success in 1935. Wiinblad sought the path to his first passion of art and enrolled in graphic school at the Royal Academy of Fine Arts, debuting in 1945 with an extensive exhibition in Palægade, Copenhagen. He met and became firm friends with Jacob E. Bang around this time, who engaged him to work for Nymølle Pottery.

From the beginnings at Nymolle, Wiinblad received multiple commissions, from designing textile and embroidery patterns to drawing posters, books, and magazine illustrations. Wiinblad drew for the United Nations in Paris and designed costumes and stages for several theatrical performances. His fame grew in Denmark but soon would extend to Norway and Sweden and in 1950 his ceramics were exhibited at Bonnier's in New York, which specialised in Scandinavian design.

Wiinblad's recognition and acclaim would continue to grow, bringing him a silver medal at the first international ceramics festival in 1955 in Cannes, France, and appointment as artistic director for Rosenthal in 1960. During the 1960s, Wiinblad would become the owner of a number of ceramic studios including Vaerksted, Nymolle, and Det Blaa Hus. He would make Det Blaa Hus his workshop and home until his death in 2006.

Wiinblad's successes did not stop in the Sixties, his continued achievements and international success were extensively documented and celebrated.

This striking work of Swedish Mid-Century Modernist design the signed work of Marian Zawadski (b. 1912 - d. 1978) a professor, artist, and ceramist who became artistic director for Tilgmans Keramik of Gothenburg, Sweden during the 1950s. 

Zawadski's experimentation with the Sgraffito technique brought great popularity and appreciation for Tilgman's ceramics and his work became exemplary for Tilgmans. 

Zawadski's stylised use of the Sgraffito technique is a significant feature in this piece, with deep incisions creating the heavily arched, angular, and textured décor. True to the roots of Modernist design, the simple bottle form with boldly geometric décor overlaid onto the base material speaks to an honest expression of the natural earthenware. From the incised décor to the glaze to the earthenware, all aspects are highly tactile. The unglazed sections create a confident contrast against the individually glazed sections of boldly geometric, Sgraffito décor. The vase is finished with an interior of gloss glaze that is coloured in Powdered Duck Egg tone. 

This Swedish Modernist work is stylistically bold and timeless, making it suitable as a statement feature for its surrounding space.

CONDITION
Superb. No cracks or repairs. There are minor, negligible chips on the exterior which are commensurate with the age of the piece, and mild use wear on the interior. Please refer to the photos as they form part of the condition report. The base of the body is incised with Zawadski's signature 'A.M.Z' and dated '1966'. The underside of the base of the vase is stamped with 'Tilgmans Keramik' and 'Made in Sweden' stamp and model number '620'. 

MEASUREMENTS
Height: c. 22.2" / 56.5 cm tall (from base to rim) x c. 4.5" / 11.5 cm rim diameter. Base diameter: c. 6.1" / 15.5 cm. Unpackaged weight: c. 5.8 kg / 5,800 g.

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Marian Zawadski (b. 1912 - d. 1978)
Antoni Marian Zawadski (sometimes known as 'Zawadzki' or 'Zawadsky') was an associate professor, artist, and ceramist, was born in Poland in 1912 who, as a refugee, moved to Gothenburg in Sweden in 1953. In Gothenburg, he worked as an artistic director at Tilgmans Keramik. Zawadski is best known for his richly decorated objects in the Sgraffito technique.

His works included lamp bases, vases, bowls, urns and wall plates and he would receive commissions for public, municipal, and private buildings. Zawadski would leave Tilgman's Ceramics in 1970, moving to Vallda outside Kungsbacka where he opened his own workshop, Vallda Keramik. The production in his own workshop is very similar to his work at Tilgmans.

This striking handblown work of Swedish art glass design is by Bertil Vallien (b. 1938 - ), celebrated glass artist, sculptor, ceramist, and designer. Vallien's career in glass began at Boda Glassworks in 1963, upon his return to Sweden from his studies in art and ceramics, both in Sweden and the US. Vallien's experimentation with sand-casting glass techniques would eventually bring him fame and this fascination is evident even in this exploratory piece.

The exterior surface of this piece is undulating, uneven, and with a base colour of pearlescent green. The next layer is a dappling in rich Inky Indigo which encircles the bowl interspersed with what appears to be a Powdered Peach tone. The iridescence is underpinned with lava-rock-like texture and the whole piece is finished with a dusted Peridot-toned 'pebble'. The interior of the bowl is a smooth, semi-matte and frosted layer of glass overlaid in iridescence.

The overall effect is quite spectacular, giving the air of a delicate bowl carved from an extraterrestrial iridescent geode of quartz crystal and lava. 

This particular piece is numbered and marked as 'Unik', indicating that it is a unique piece and when combined with the design, craftsmanship and condition, makes this piece a rare find. 

CONDITION
Excellent, no chips, cracks or repairs. Age-commensurate wear, most prominently on the underside of the bowl, please refer to photos as they form part of the condition report. The bowl is inscribed with 'BODA UNIK 3645 B.VALLIEN. The exterior also bears the silver label 'Handmade Boda Sweden'.

MEASUREMENTS
Height: c. 3.2" /  8.2 cm x c. 4.1" / 10.4 cm diameter (across widest point). Base diameter: c. 2" / 5cm. Unpackaged weight: c. 0.3 kg / 275 g.

NOTES
Bowl will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Born in 1938, Bertil Vallien was only 15 when he left home, drawn by the allure of the big city. After a series of occasional jobs, as a window-dresser at one of the main department stores in Stockholm, and as an apprentice in his father's decorating firm, Vallien would eventually decide to become an artist which would lead him into the world of ceramics. The guidance he received in his early career included that of Stig Lindberg - one of Sweden's foremost designers of ceramic art and one of the leading designers for Rörstrand in the 1970s.

Today, Vallien is one of the most well-known representatives of 20th-century Swedish ceramic and art glass design and is represented at the Swedish National Museum of Art and Design as well as abroad at the Everson Museum of Art of New York.

Vallien's works have only become more collectable over the years with sculptures from his Head and Journey (Boat) series fetching up to $20,000 USD.

This striking work of Swedish art glass design is by Bertil Vallien (b. 1938 - ), a celebrated glass artist, sculptor, ceramist, and designer. This piece is attributed as a variation of the Columbus series which Vallien created for Kosta Boda and is 1 of 100 pieces. 

Suspended inside the sculpture are symbols through which Vallien communicates, icons, and mythological expression. This boat tells the journey from yesterday to tomorrow. The ship forms an encapsulated timeline where the stern is the past, and the bow is what is to come. The center of the boat bears the passenger, ladder, and a celestial body. The bow is clear, as the future is unwritten and hopeful. The piece is finished with solid clear interior created by the pouring of molten glass and silver plating on the exterior.

Vallien's sand casting technique has brought him worldwide acclaim. Using wooden models, he creates a hollow in the sand which is then filled with various powdered oxides giving finishings from textures to frosted patterns of colour. The 'story' is created by Vallien with the placement of the symbols and icons before molten glass is poured into the sand moulds.  

CONDITION
Excellent, no chips, cracks or repairs. Age-commensurate wear, most prominently on the exterior silver plating, please refer to photos as they form part of the condition report. The sculpture is inscribed with '7520114 Kosta Boda, Lim. ['Limited Edition'] B Vallien ' and labelled on the exterior with the 'KOSTA BODA, Sweden 1742' label.

MEASUREMENTS
Height: c. 2.3" / 5.8 cm x c. 9.8" / 25 cm in length x c. 2.6" / 6.5 cm width.  Unpackaged weight: c. 1.2 kg / 1,205 g

NOTES
Sculpture will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Born in 1938, Bertil Vallien was only 15 when he left home, drawn by the allure of the big city. After a series of occasional jobs, as a window-dresser at one of the main department stores in Stockholm, and as an apprentice in his father's decorating firm, Vallien would eventually decide to become an artist which would lead him into the world of ceramics. The guidance he received in his early career included that of Stig Lindberg - one of Sweden's foremost designers of ceramic art and one of the leading designers for Rörstrand in the 1970s.

Today, Vallien is one of the most well-known representatives of 20th-century Swedish ceramic and art glass design and is represented at the Swedish National Museum of Art and Design as well as abroad at the Everson Museum of Art of New York.

Vallien's works have only become more collectable over the years with sculptures from his Head and Journey (Boat) series fetching up to $20,000 USD.

This elegantly glamourous work of Art Deco design is by the British Pottery Crown Devon. Like much of Art Deco design, there is a focus on shape and absence of extravagance, however, the form of this piece also carries strong echoes of the Art Deco Odeon style.

Art Deco Odeon style references the revolution in British style brought about by the c.260 Odeon cinemas that sprung up across the UK from the late 1920s. Over 13 years, Oscar Deutsch created a circuit of cinemas where the buildings celebrated Art Deco Modernism with sweeping, simple yet strongly defined lines.

The central feature of the vase is the plinthed conical form that is complimented by the strongly defined straight and curved 'struts' on either side. The glaze across the entire palette of Powdered Verdigris, Latte and Slate-Blue is semi-matte, giving understated refinement to the stylised leaf design.

Timeless in style and when combined with the featured design; the size and overall condition of this piece make this a rare find. 

CONDITION
Excellent. There are no chips or repairs. There is mild surface wear to movement marks on the underside of the base that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base bears Crown Devon's stamp and the model number '2406'.

MEASUREMENTS
Height: c. 7.6" / 19.3 cm (from base to rim) x c. 5.5" / 14 cm diameter (across widest point). Base diameter: c. 4.1" / 10.5 cm. Unpackaged weight: c. 0.7 kg / 725 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items. 

A BIT OF HISTORY

Crown Devon Fieldings (1870 - 1982) The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.

This subtly bold work of Art Deco design is British pottery Beswick. With strong curves that infer Streamline Moderne, the international style of Art Deco that emerged in the 1930s was inspired by aerodynamic design. The elevated and sharp overlapping fins that form the triangular mouth of this piece capture attention with its presence. The overall form is a superb backdrop for the contrasting glaze decor.

The interior of the mouth is a striking Mint green which beautifully compliments the semi-matte drip glaze composition of Cobalt Blue, Flax Yellow that is finished with an accent of Sienna brown. The flow of the glaze beautifully contrasts against the strongly defined geometric lines of the piece.

The various elements in the design bring sleek sophistication and elegance suiting a room with decor inspired by Modernist, Art Deco, or Contemporary design influences. The excellent condition, model and palette of this work are a rare find.

CONDITION
Excellent, no chips or cracks. There is mild crazing to the glaze and light wear that is most evident on the underside of the feet which is commensurable with the age of the piece, please see photos as part of the condition report. The underside of the feet is faintly embossed with 'BESWICK ENGLAND' and only the belly underside, the model number '178'.

MEASUREMENTS
Height: c. 7.5" / 19 cm tall (from base to rim) x c. 7.1" / 18 cm in length (across the widest point). Unpackaged weight: c. 1.0 kg / 980 g

A BIT OF HISTORY
Beswick Pottery
The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tablewares and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.

Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox . These works were often decorated in 'satin matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000's.

Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in their Art Deco pieces as they survive in very good condition. They also justify Beswick's annoucement in a 1930's advertisement of "a sound body, with a brilliant, non-crazing glaze fashioned in hundreds of shapes".

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.