1950s Vicke Lindstrand att. for Kosta (Boda), Modernist Red Gerbera Pattern Charger, Swedish, Rare

This sleek work of Scandinavian Modern art glass is by Vicke Lindstrand (b. 1904 - d. 1983). Lindstrand is considered one of the most influential 20th-century glass artists and a glass art pioneer. His prolific career held many design highlights, including his ability to excel at a technique called Sommerso in which a vividly coloured or patterned section of glass is surrounded by and seemingly floats within a clear crystal body.

This particular piece comes from the Colora series, named after the technique pioneered by Lindstrand. The technique applied to this piece involved carefully layering the Cobalt, Lapis coloured glass, reheating and manipulating the layered glass to form the final shape before encasing it in the clear, crystal casing and magnifying the underlying pattern. The piece is finished with a bevelled around the rim and base, giving the effect of a polished gem.

The design of this work embodies the tenets of simplicity, minimalism and functionality influences of the Scandinavian Modern design movement. 

CONDITION
Excellent. No chips, cracks, or repairs. There is negligible surface wear and movement marks on the underside of the base that are commensurable with the age of the piece - please see photos as part of the condition report. The underside of the base is signed with the inscription 'Kosta' and the model number: '06085'

MEASUREMENTS
Height: c. 6.6" / 16.7 cm (from base to rim) x c. 3.4" / 8.6 cm in diameter (across widest point). Base measurements: c. 3.4" / 8.6 cm. Unpackaged weight: c. 1.5 kg / 1,500 g

A BIT OF HISTORY
This sleek work of Scandinavian Modern art glass is by Vicke Lindstrand (b. 1904 - d. 1983). Lindstrand is considered one of the most influential 20th-century glass artists and a glass art pioneer. Lindstrand, together with his peer Edvin Öhström, pioneered a new glass-colouring process called the Ariel technique.

Lindstrand's prolific career began in commercial illustration before finding employment at the glass manufactory Orrefors. He would join Kosta Boda 1950, remaining there until 1973. Beyond his commercial work, he also produced several massive public sculptures around the world. Today, his works are in many museum collections, such as the Victoria and Albert Museum in London, the Museum of Fine Arts in Houston, and The Museum of Modern Art in New York.

Kosta Boda, Sweden’s oldest glass company, was founded in 1742 and would only begin making art glass — that is, unique and limited edition pieces — with the hiring of the painter Gunnar Wennerberg in 1898. Kosta Boda enjoys a reputation as the country’s most artistic and experimental glassworks, featuring artists and sculptors.
Two post-war Kosta Boda designers stand foremost in the minds of collectors, one is Vicke Lindstrand, who excelled at a technique of 'Sommerso', or cased glass. The other is Erik Höglund, who had an almost artisanal eye for glass shapes, and liked to produce glass that had a textured, warped look.

Currently held on consignment at Andrews Oakville

This sleek, handblown work of iconic Scandinavian Modern art glass is by Vicke Lindstrand (b. 1904 - d. 1983). Lindstrand was a Swedish textile and ceramic designer and painter, and is considered one of the most influential 20th-century glass artists and a pioneer of glass art.

Lindstrand's prolific career included many design highlights, including his ability to excel at a technique called cased glass (known to Murano collectors as 'Sommerso'), in which a vividly coloured or patterned section of glass is surrounded by and seems to float within a clear crystal body.

This particular piece is a rare shape of the Zebra series and very much embodies Lindstrand's expertise in the Sommerso technique. It also embodies the tenets of simplicity, minimalism and functionality influences of the Scandinavian Modern design movement. The form, size, and condition of this stunning work make it a particularly rare find. 

The core of rich, gradient Merlot red around the central chamber is surrounded by visual overlapping of the white ribbons of glass. Depending on the angle, you can see the space between the white ribbons and the red core, that the white ribbons are in fact a separate layer. All of this is suspended in the thick-walled, curved and clear crystal glass form that is characteristic of Scandinavian art glass. Such is Lindstrand's skill in creating this piece and in the beauty of the final piece became the cover feature for Martin Miller's book 'The complete guide to 20th Century Antiques'.

CONDITION
Excellent. No chips, cracks, or repair. There is negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece - please see photos as part of the condition report. The underside of the base is signed with Lindstrand's Kosta initials of 'LH ['Lindstrand Hyttarbete'] 1115'

MEASUREMENTS
Height: c. 6.3" / 16 cm (from base to rim) x c. 4.9" / 12.5 cm in width (across widest point). Depth: c. 3.9" / 10 cm. Base measurements: c. 2.2" / 5.5 cm x c. 2" / 5 cm. Unpackaged weight: c. 2.4 kg / 2,405 g

A BIT OF HISTORY
Vicke Lindstrand (b. 1904 - d. 1983) was a Swedish textile and ceramic designer and painter. He is considered as one of the most influential 20th-century glass artists and a pioneer of glass art. Lindstrand along with his peer Edvin Öhström, pioneered a new glass-colouring process called the Ariel technique.
Lindstrand's prolific career began in commercial illustration before finding employment at the glass manufactory Orrefors. He would join Kosta Boda 1950, remaining there until 1973. Beyond his commercial work, he also produced several massive public sculptures around the world. Today, his works are in many museum collections, such as the Victoria and Albert Museum in London, the Museum of Fine Arts in Houston, and The Museum of Modern Art in New York.

Kosta Boda, Sweden’s oldest glass company, was founded in 1742 and would only begin making art glass — that is, unique and limited edition pieces — with the hiring of the painter Gunnar Wennerberg in 1898. Kosta Boda enjoys a reputation as the country’s most artistic and experimental glassworks, featuring artists and sculptors.
Two post-war Kosta Boda designers stand foremost in the minds of collectors, one is Vicke Lindstrand, who excelled at a technique of 'Sommerso', or cased glass. The other is Erik Höglund, who had an almost artisanal eye for glass shapes, and liked to produce glass that had a textured, warped look.

This stunning, handblown work of Swedish Modernist design art glass is by Vicke Lindstrand (b. 1904 - d. 1983), who was considered as one of the most influential 20th-century glass artists and a pioneer of glass art. This particular piece comes from a series of 5 objects designed by Lindstrand between 1955-1956 for Kosta (Boda) glassworks. Similar to Wirkkala's Kantarelli (Chantarelle) series that was released around the same time, Lindstrand's series focuses on the gentle exaggeration and stylisation of organic curves and stripes. But whilst Wirkkala chose to create physically grooved stripes on his works, Lindstrand chose to embed feathering threads of Deep Espresso into the body of his series. 

These beautiful threads are in fact individual and separate but the prismatic quality that is typically found in Swedish crystal magnifies the bands to create a rolling effect in the stem. This magnificent piece stays true to the roots of Modernist design through the beautiful simplicity of form that speaks to an honest expression of the natural material.

CONDITION
Excellent. No chips, cracks or repair. There is negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the base is signed with Lindstrand's initials and model number "LH1210" and further impressed with Lindstrand's acid edged stamp. 

MEASUREMENTS
Height: c. 7.2" / 18.3 cm tall (from base to rim) x c. 6.5" / 16.5 cm in width (across widest point). Base measurements: 2.4" / 6.1 cm. Unpackaged weight: 1.2 kg / 1,185 g

NOTES
Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Vicke Lindstrand (b. 1904 - d. 1983) is considered as one of the most influential 20th-century glass artists and a pioneer of glass art. Lindstrand's prolific career included many design highlights, including his ability to excel at a technique called Cased Glass (known to many glass collectors as 'Sommerso'), in which a vividly coloured or patterned section of glass is surrounded by and seems to float within a clear crystal body.

Lindstrand's career began in commercial illustration before finding employment at the glass manufactory Orrefors. He would join Kosta Boda in 1950, remaining there until 1973. Beyond his commercial work, he also produced several massive public sculptures around the world. Today, his works are in many museum collections, such as the Victoria and Albert Museum in London, the Museum of Fine Arts in Houston, and The Museum of Modern Art in New York.

Kosta Boda is Sweden’s oldest glass company, founded in 1742 and began making art glass — that is, unique and limited edition pieces — with the hiring of the painter Gunnar Wennerberg in 1898. Kosta Boda enjoys a reputation as the country’s most artistic and experimental glassworks, featuring artists and sculptors.

There are few Kosta Boda designers who stand foremost in the minds of collectors, one is Vicke Lindstrand, who excelled at a technique of 'Sommerso', or cased glass.

This sleek, handblown work of iconic Scandinavian Modern design is by Vicke Lindstrand (b. 1904 - d. 1983) for Kosta (Boda) of Sweden. Lindstrand is considered as one of the most influential 20th-century glass artists and a pioneer of glass art. Lindstrand's prolific career included many design highlights, including his ability to excel at a technique called Cased Glass (known to many glass collectors as 'Sommerso'), in which a vividly coloured or patterned section of glass is surrounded by and seems to float within a clear crystal body.

This particular piece is a rare work from the Zebra series, with the encased ribbons of white glass delicately cradling the vibrant red core very much embodying Lindstrand's expertise in the Sommerso technique. The careful separation of layers between the white ribbons and the Cherry Red colour is evident towards the base of the dish and gives a 'deconstructed striped candy' effect. This effect is captured and suspended in the thick-walled, curved, and clear crystal glass form that is characteristic of Scandinavian art glass.

The mesmerising nature of this crystal art glass piece is further amplified by the stunning striped refractions that are brought forth when the piece is placed in the path of sunlight or a direct light source.

CONDITION
Excellent. No chips, cracks, or repair. There are negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece - please see photos as they form part of the condition report. The underside of the base is signed with Lindstrand's Kosta initials of 'LH ['Lindstrand Hyttarbete'] 1058' as well as the acid stamp denoting 'LIND-STRAND KOSTA''

MEASUREMENTS
Height: c. 3.3" / 8.5 cm tall (from base to rim) x c. 4.7" / 12 cm in length x c. 3.2" / 8.1 cm width (across widest point). Base diameter: c. 1.3" / 3.2 cm. Unpackaged weight: c. 0.6 kg / 645 g

NOTES
Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Vicke Lindstrand (b. 1904 - d. 1983) is considered as one of the most influential 20th-century glass artists and a pioneer of glass art. Lindstrand along with his peer Edvin Öhström, pioneered a new glass-colouring process called the Ariel technique.

Lindstrand's prolific career began in commercial illustration before finding employment at the glass manufactory Orrefors. He would join Kosta Boda 1950, remaining there until 1973. Beyond his commercial work, he also produced several massive public sculptures around the world. Today, his works are in many museum collections, such as the Victoria and Albert Museum in London, the Museum of Fine Arts in Houston, and The Museum of Modern Art in New York.

Kosta Boda, Sweden’s oldest glass company, was founded as 'Kosta' in 1742 and began making art glass — that is, unique and limited edition pieces — with the hiring of the painter Gunnar Wennerberg in 1898. Kosta has a strong history for many well-known glass artists such as Ewald Dahlskog, Vicke Lindstrand, Erik Höglund, Bertil Vallien and more. 

Kosta Boda was formed in 1976 when the merger of Kosta, Boda and Åfors glass communities took place. Kosta Boda enjoys a reputation as Sweden's most artistic and experimental glassworks, featuring artists and sculptors.

Currently held on consignment at Andrews Oakville

This stunning, handblown work of Swedish Modern design art glass is by Vicke Lindstrand (b. 1904 - d. 1983), considered as one of the most influential 20th-century glass artists and a pioneer of glass art. This particular piece is a rare and early work, 'LC1' from the Colora series, which first appeared in the Kosta catalogue in 1955, featured 11 designs and was produced during 1955 to 1956.

The elegant, flowing and deceptively simple form is in fact the coalescing of multiple layers. The innermost layer is a graduating Cerulean blue that pales into a glow at the lower body and which is overlaid with exquisite threads of Espresso brown. The threads gracefully shape themselves to the contours of the vase's body, from hairline thickness at the neck and dilating as it wraps around the lower body. The piece is finished with a layer of clear casing glass.

The refined delineation of the threads from the core blue creates a visual effect of the threads gently hovering over the body, adding fascinating depth and dimension to the visual effect. This successful delineation is not always possible as is the nature of handblown pieces. 

In November 1953, Lindstrand presented Colora at the exhibition Artiums Exposé Gothenburg. Described by the press at the time: "Colora is thus the very latest. This glass has never before been exhibited to the public. The pieces are also unique in the sense that no two objects in this exhibition are the same. The play of light in the bowls, small or large, triggers the effect. It will shimmer, it will glow, it plays - and then you have in your hand a glass object that lives, whimsical but intense.” 

CONDITION
Excellent. No chips, cracks or repair. There are internal water marks, negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece. There are also small inclusions in the body that are from the glassblowing process and is not damage, please refer to photos as they form part of the condition report. The underside of the base is signed with Lindstrand's initials for the Colora series of 'LC1'.

MEASUREMENTS
Height: c. 12.1" / 30.8 cm tall (from base to rim) x c. 3.9" / 10 cm in width (across widest point). Depth: c. 2.8" / 7 cm. Base measurements: 2.6" / 6.5 cm x 2.2" / 5.6 cm. Rim: 2" / 5 cm (across widest point) Unpackaged weight: 1.0 kg / 970 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Vicke Lindstrand (b. 1904 - d. 1983) is considered as one of the most influential 20th-century glass artists and a pioneer of glass art. Lindstrand's prolific career included many design highlights, including his ability to excel at a technique called Cased Glass (known to many glass collectors as 'Sommerso'), in which a vividly coloured or patterned section of glass is surrounded by and seems to float within a clear crystal body.

Lindstrand's career began in commercial illustration before finding employment at the glass manufactory Orrefors. He would join Kosta Boda in 1950, remaining there until 1973. Beyond his commercial work, he also produced several massive public sculptures around the world. Today, his works are in many museum collections, such as the Victoria and Albert Museum in London, the Museum of Fine Arts in Houston, and The Museum of Modern Art in New York.

Kosta Boda is Sweden’s oldest glass company, founded in 1742 and began making art glass — that is, unique and limited edition pieces — with the hiring of the painter Gunnar Wennerberg in 1898. Kosta Boda enjoys a reputation as the country’s most artistic and experimental glassworks, featuring artists and sculptors.

There are few Kosta Boda designers who stand foremost in the minds of collectors, one is Vicke Lindstrand, who excelled at a technique of 'Sommerso', or cased glass.