Pair of SylvaC Mid Century Flare Bottle Vases, Rainbow Sherbert Palette Foam Glaze, British, 1950s
Regular price£43.00
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These charming works of Mid Century British design are by SylvaC Pottery.
Reflecting the Modernist design influences of its time, these pieces are a simple celebration of organic form and function with light-giving paler colours.
The abstract bottle forms each bear a mildly flaring rim, are even and well balanced. The glossy foam glaze is a rich graduating blend that starts with a Warm pink at the rim that progresses to a deeper Coral orange before ending with a Powdered Pine green at the base. The application of the glaze is in a dappled, foam manner.
CONDITION Excellent. There are no chips, cracks, or repairs. There is mild use wear on the interior and the underside of the base that is commensurable with the age of the pieces. Please refer to photos as they form part of the condition report. The underside of the base is stamped with Sylvac's mark in use around the 1950s of 'SYLVAC, MADE IN ENGLAND', and the model number '2446' and 'B'.
MEASUREMENTS Height: c. 6.3" / 16 cm x c. 3.1" / 8 cm rim diameter. Width: c. 4.3" / 11 cm (across widest point). Base diameter: c. 3.2" / 8.2 cm. Unpackaged weight [both vases]: c. 0.8 kg / 840 g
A BIT OF HISTORY SylvaC (with a deliberate capital C at the end) was founded in 1894 by William Copestake and William Shaw, originally named Shaw & Copestake. It would be 1937 till a merging of companies formed under the name of Sylvac. Central to its history were figurines of animals, and rabbits in particular, and the company was known for its relatively inexpensive and widely available tableware and decorative works. SylvaC continued its production until the early 1980s.
NOTES Vases will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Reiner Gehrig, Grünstadt Studio, Matte Cedar, Sand and Blue Running Glaze Bottle Vase | 1980s
Regular price£289.00
Save £-289.00
This exquisite work of 70s Modernist studio art ceramic is by master ceramist Reiner Gehrig (b. 1938 - ) Grünstadt Studio. Gehrig owned Grünstadt, enjoying a long and successful career before retiring in 2013.
This brilliantly executed work is a shining example of Gehrig's signature style, a fusion of a sculpted, lightly geometric, polished form combined with a touch-inviting, sumptuous running glaze.
The deceptively simple bottle form is crafted with inflection points which create the three softly geometric segments and is finished with an elegantly tapered neck. The base glaze to this piece is a rich hares fur glaze of matte brown tones from deep Umber to tones of warm Cedar, Cinnamon and Coffee. Overlaid onto the base glaze is resplendent running blue glaze in tones of Azure, Cobalt, Aegean and Indigo which intersperses with earthy hues of Cedar and Blonde.
CONDITION Excellent- no chips, cracks or repairs. There is mild wear on the underside of the base that is commensurate with the age of the piece. Mentioned for completeness: there is the polishing on the underside of the base that is from the production process and is not damage. Please see photos as they form part of the condition report. The underside also bears Gehrig's signature 'g' pottery mark.
MEASUREMENTS Height: c. 7.5" / 19 cm tall by c. 4.9" / 12.5 cm wide (across the body's widest point). Base diameter: c. 1.9" / 4.8 cm. Rim diameter: c. 0.6" / 1.6 cm. Unpackaged weight: c. 0.6 kg / 630 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Gehrig began apprenticing with ceramics in 1954, at the age of 16. He would work his way through apprenticeship to journeyman until he attended and graduated in 1961 from the master class with Hubert Griemert (b. 1905 - d. 1990) in Höhr-Grenzhause. Griemert was an important figure in the German studio pottery world, a professor, master potter who often designed for KPM Berlin.
After graduating, Gehrig spent some years working for recognised names such as JLKnödgen, Van Daalen, Ulmer Keramik, Steingutfabrik Grünstadt before establishing his own studio in 1974.
Gehrig is known for having quickly and confidently developed his own style, becoming particularly proficient with turning difficult forms. He was known to work in ceramic, porcelain, stoneware and developing a rich range of glazes, from running to salt glaze.
In his long career, Gehrig was awarded the Palatinate Prize for arts and crafts and his work features in collections at the Deidesheim, Museum of Modern Ceramics, Höhr-Grenzhausen, and the Ceramic Museum Westerwald Mainz, Ministry of Culture.
Regular price
£268.00Sale price£182.00
Save £86.00
THE ITEM This stunning work is of Modernist art glass is a celebration of the highly skilled Murano Sommerso technique. Sommerso is one of the most famous Murano techniques, ['Sommerso' translation: 'submerged']. Sommerso is used to create several layers of glass (usually with different contrasting colours) inside a single object, giving the illusion of immersed' colours without mixing. This technique is easily recognisable; characterised by an outer 'casing' of clear glass and the thick 'bands' of coloured glass inside it.
This particular piece has the sought after triple-layer Sommerso, beginning with a core of Apple green, the next layer is vibrant Ocean blue and the final layer is a graduating Magenta pink. The work is finished with the wings of Azure blue which flourish with a flare at the rim.
The cased layers are arranged in an abstract pitcher shape with a gently exaggerated rim. The effect of each colour is similar to freezing the moment in time when a paintbrush is dipped into water and the colour ripples outwards.
This exceptional piece is unique as it features Kintsugi golden seams following a careful repair and highlighting process and even rarer as Kintsugi is typically applied to repairing ceramics rather than glass. The Kintsugi technique used is modern and has been applied in a tactile manner, a striking compliment to the colour palette of this piece.
CONDITION Excellent. This piece has been carefully repaired using a robust water-resistant and durable resin. There is natural and very mild surface wear that is commensurate with the age of the piece.
MEASUREMENTS Height: c. 7.8" / 20 cm tall by c. 4.3" / 11 cm width (across body's widest point). Base diameter: c. 1.8" / 4.5 cm. Depth: c. 2.4" / 6 cm. Unpackaged weight: c. 1.1 kg / 1,135 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Kintsugi is a Japanese philosophy with similarities to the philosophy of Wabi-Sabi, which includes ideas surrounding the embracing of the flawed or imperfect. The art of Kintsugi ("golden joinery") is typically the repairing of broken pottery with lacquer dusted or mixed with powdered gold, silver, or platinum. The aesthetics of this philosophy values breakage and repair as part of the history of an object, rather than something to disguise.
