Beswick Pottery, Ciro Series, Art Deco Ruskin-Style Dimpled Vase with Stylised Flora Decor, 1930s
Regular price£45.00
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This gorgeous work of original Art Deco design is by the British company Beswick Pottery. From the softly geometric, chasing triangles in raised relief decor to the classic ginger urn form with the twist of added depressions of 'dimples', the form of this piece is clean and elegant and classically Art Deco. The excellent form is complimented by a semi-matte Pale-Grey dappled on Stone base glaze complimented by the handpainted, stylised flora decor in powdered tones of Teal, Buttercup, Cornflower and Lilac.
CONDITION Excellent. No chips, cracks or repairs. There is natural and mild crazing all over and light use wear on the interior of the vase that is commensurate with the age of this piece. The underside of the base is inscribed with 'Beswick Ware, MADE IN ENGLAND' and the impressed model number '70'.
MEASUREMENTS Height: c. 7" / 18 cm tall (from rim to base) x c. 5.3" / 13.5 cm wide (across widest point). Base diameter: c. 3.5" / 9 cm. Weight: c. 0.8 kg / 750 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY The Beswick firm was founded around the 1890s by John Beswick in Staffordshire, UK. His son James would take over upon his death, introducing a new range of jugs, bowls and vases decorated with new matt glazes. Responding to the modernist influence in design, many of these highly distinctive shapes were designed by Mr Symcox and decorated in 'satin matt' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000s.
Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in these Art Deco pieces as they survive in very good condition.
This beautiful set is of Italian mid-century Modernist design by Kristal, Italy. Clearly, an Italian interpretation of the iconic Finnish Ultima Thule design for Iitala by Tapio Wirrkala in 1968 but this set brings with it its own design nuances.
Instead of resting on melting icicles like that of the Ultima Thule, each piece of this set rests on polished-angle 'ice cubes' and resting centrally within the base of each ice cube, is a single bubble.
This set is not only iconic with its tactile Modernist surface which create elegant refractions when in the path of light but it also has the ability to colour change. The colour-changing ability comes from Neodymium, an element incorporated into the glass during the crafting process. Under daylight, the Neodymium glass presents a pale lilac colour however, under indoor and fluorescent lighting, the element becomes a pale blue.
The contemporary statement design is stylistically timeless and very functional, whether as dessert dishes or cocktail tumblers.
CONDITION Excellent, no chips or cracks or repairs. There is very mild surface wear that is commensurate with the age of each piece and most evident in subtle movement marks on the underside of the base. Please refer to the photos as they form part of the condition report. The jorum bears part of the original Kristal label.
MEASUREMENTS Jorum Height c. 4.3" / 11 cm. Width (widest point) measurements: c. 7.3" / 18.5 cm. Depth: c. 3.5" / 9 cm. Base measurements: c. 3" / 7.5 cm x c. 3" / 7.5cm.
Tumbler Dish Height c. 3.1" / 8 cm. Width (widest point) measurements: c. 3.7" / 9.3 cm. Depth: c. 2.4" / 6cm. Base measurements: c. 2" / 5.2 cm x c. 2" / 5.2 cm.
Unpackaged weight [Full Set]: c. 2.9 kg / 2,940 g
Pair of Kurt Tschörner for Ruscha Keramik, Sculptural Abstract 321 Jug Vases, 1960s-70s, WGP
Regular price£675.00
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These sleek and chic works of iconic mid-century Modern art pottery are by celebrated and prominent designer Kurt Tschörner (b. 1912 - d. 1987) for the influential West German Pottery studio of Ruscha Keramik (1905 - 1996).
The form features gently exaggerated curves and arches all over, reminiscent of popular works of Italian art potteries such as Bertoncello Ceramiche and Roberto Rigon with echoes of architectural geometricism worked into the design. The form is an excellent canvas for the semi-matte and textured lava glaze with similarly bold, hand-painted curves, delineation, charming florals, and colour palette.
With the seamlessly blended echoes of Italian mid-century art pottery design and earlier Art Deco and Picasso-Cubist-esque influences to the form, it's easy to see why this form is sought after.
The combination of the form, condition, sizes, and palette makes this duo an even rarer find. These statement works are excellent for stand-alone display.
CONDITION Excellent. No chips, cracks, or repair. There is negligible surface wear and movement marks on the underside of the bases that is commensurable with the age of the pieces - please see photos as part of the condition report. The underside of the bases are signed - the taller: '321/4, Ruscha, Handgemalt (Handmade) M' and the smaller '321/3, Ruscha, Handgemalt (Handmade) Ed'.
MEASUREMENTS 321/4 Height: c. 9.6" / 24.3 cm (from base to rim) x c. 6.5" / 16.5 cm in length (across longest point). Width: c. 4.3" / 11 cm. Base measurements: c. 3.5" / 9 cm.
321/3 Height: c. 7.9" / 20 cm (from base to rim) x c. 5.1" / 13 cm in length (across longest point). Width: c. 3.9" / 10 cm. Base measurements: c. 2.9" / 7.3 cm. Unpackaged weight [Pair]: c. 1.2 kg / 1,215 g
A BIT OF HISTORY Ruscha (established 1906 - 1996) Originally founded in Rheinbach by Georg Schardt, it was known as Klein & Schardt until 1948. Rudolf Schardt would take over the company and rename it to Ruscha, the name created from the first letters of his fore and surname. As Ruscha entered the ceramics boom in the 1950s, the pottery was joined by art pottery director Cili Wörsdörfer who made her handpainted designs for series such as Milano and Zebra wildly popular. Otto Gerharz was the production director, designing innovative glazes such as Vulkano.
Ruscha would later add to its success with Kurt Tschörner joining in the 1960s, designing whimsical and daring forms such as the 313 and 321 jug vase that became and remain sought-after hits.
Other greats who joined Ruscha included Ernst Borens, Hans Welling and Adele Bolz. Unfortunately, the pottery's success came to an end in the 1990s, when it finally closed its doors in 1996, selling its name and many designs to Scheurich who produced vintage-inspired designs under the 'Ruscha Art' brand.
This sleek and chic work of iconic mid-century Modern art pottery is by influential West German Pottery studio of Ruscha Keramik (1905 - 1996).
The form features gently exaggerated curves inward becoming an excellent canvas for the semi-matte and textured lava glaze with bold, hand-painted curves, round-angled shapes, charming blue and yellow florals. The colour palette is whimsical, carrying echoes of the 1960s-70s Flower Power period during which the piece was created.
The combination of the form, condition, size, and palette makes it a rare find. This work makes it an excellent statement piece for stand-alone display.
CONDITION Excellent. No chips, cracks, or repairs. There is negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece - please see photos as part of the condition report. The underside of the base is signed with '708 2, Ruscha, Handgemalt (Handmade) BW'.
MEASUREMENTS Height: c. 2.8" / 7 cm (from base to rim) x c. 12.7" / 32.3 cm in width (across widest point). Base measurements: c. 3.9" / 9.9 cm. Unpackaged weight: c. 1.2 kg / 1,190 g
A BIT OF HISTORY Ruscha (established 1906 - 1996) Originally founded in Rheinbach by Georg Schardt, it was known as Klein & Schardt until 1948. Rudolf Schardt would take over the company and rename it to Ruscha, the name created from the first letters of his fore and surname. As Ruscha entered the ceramics boom in the 1950s, the pottery was joined by art pottery director Cili Wörsdörfer who made her handpainted designs for series such as Milano and Zebra wildly popular. Otto Gerharz was the production director, designing innovative glazes such as Vulkano.
Ruscha would later add to its success with Kurt Tschörner joining in the 1960s, designing whimsical and daring forms such as the 313 and 321 jug vase that became and remain sought-after hits.
Other greats who joined Ruscha included Ernst Borens, Hans Welling and Adele Bolz. Unfortunately, the pottery's success came to an end in the 1990s, when it finally closed its doors in 1996, selling its name and many designs to Scheurich who produced vintage-inspired designs under the 'Ruscha Art' brand.
Josef Cvrcek and Miloslav Klinger for Zelezny Brod Sklo, Statement Neodymium Vase, 1960s-70s, Rare
Regular price£575.00
Save £-575.00
This beautifully biomorphic and handblown work of Czech Modernist art glass was designed by Josef Cvrcek (b. 1931 - d. 2010) and Miloslav Klinger (b. 1922 - d. 1999) for Bohemian glassworks Zelezny Brod Sklo (ZBS). This piece is a rare-to-market work standing at an imposing 15" in height and crafted from Neodymium (Alexandrite) glass into the organically tactile, twin-chambered form. The rarity of this piece comes from this particular piece's form being crafted from Neodymium, the condition, and this statement size.
The contemporary form of this piece is composed of a central chamber that is echoed by a smaller, asymmetrical chamber, both of which are firmly cradled by the main body of the solid crystal glass.
This work is not only special in the abstract, organic form that creates elegant refractions but it also has the ability to colour change. The colour-changing ability comes from Neodymium, an element incorporated into the glass during the crafting process. Under daylight, the Neodymium glass presents a pale lilac colour however, under indoor and fluorescent lighting, the element becomes a pale blue.
CONDITION Excellent, no chips or cracks or repairs. There is very mild surface wear that is commensurate with the age of the piece and most evident in movement marks on the underside of the base. Please refer to the photos as they form part of the condition report.
MEASUREMENTS Height c. 15.3" / 38.5 cm x c. 7.9" / 20 cm in width (across the widest point). Depth (Thickest point) measurements: c. 2.6" / 6.5 cm. Rim measurement: c. 1.6" / 4 cm x c. 1" / 2.3 cm. Base measurements: c. 5" / 12.6 cm x c. 2.6" / 6.5 cm. Unpackaged weight: 4.5 kg / 4,470 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Josef Cvrcek (b. 1931 - d. 2010) Josef Cvrcek began his career as a glassblower in 1945. He started working at the Zelezny Brod Sklo Glassworks in 1951 and quickly gained recognition for his innovative glass designs. Cvrcek was known for his ability to manipulate glass in ways that were previously thought impossible, such as creating thin, delicate structures that appeared to defy gravity. His work often featured organic forms and abstract shapes, and he frequently incorporated color and texture into his designs. Cvrcek's work can be found in museums and private collections around the world.
Miloslav Klinger (b. 1922 - d. 1999) Miloslav Klinger was born in Hrubá Horka near Železný Brod. After a year of apprenticeship in glass chandeliers with Josef Kleinert, Klinger studied at the Glass School in Železný Brod under the guidance of prof. Jaroslav Brychta and master Jan Stuchlík. After graduating, Klinger worked in Kleiert's company as a designer for two years. After completing his studies, Klinger returns to Železný Brod as a designer, where, apart from his brief career as director of the Glass School in Železný Brod, he remained throughout his life.
Zelezny Brod Glassworks Železný Brod is an old glass-producing town founded in the eleventh century. It was originally known as Brod ("ford") or Brodek ("little ford"). Železný ("iron") was added to its name in the fourteenth century, alluding to the town's steelworks. The town's main industry is represented by producers of blow-moulded glass, as well as that of jewellers. The Železný Brod (ZBS) glassworks was created in 1948 as a result of nationalisation, at the time, this was made up of 9 glass factories in the town. ZBS being particularly well known for its free-form organic vases and bowls designed by Miroslav Klinger.
This striking and romantically joyful work of handblown Japanese mid-century art glass is by the glassworks Tajima, who was known to have produced art glass under the label of Best Art Glass.
Elegant and graceful, the curves that shape the 5 lobed 'petals' creates an organic 'unfurling' from the centre. The palette is a striped arrangement of Sakura pink followed by Cobalt blue and Emerald green, handblown into a swirling pattern to create the main featured colouring of the piece. The gem-like tones vary in intensity as they trace every fold and curve of the lobes and finish with an accent of clear glass at the base.
This excellent piece is stylistically timeless making it suitable for standalone display as a centrepiece or functional use.
CONDITION Excellent. There are no chips or cracks, only mild wear on the surface that is commensurable with age. Please refer to the photos as they form part of the condition report. The underside of the base has a concave pontil that is a known finishing touch of Japanese art glass and bears the original label 'Best Art Glass, Foreign' with the 'Foreign' being an indicator of glass imported into the UK during this period.
MEASUREMENTS Height: c. 8.3" / 21 cm (base to rim) Diameter: c. 5.7" / 14.5 cm (across widest point). Base diameter: c. 2.8" / 7 cm. Unpackaged weight: c. 1.3 kg / 1,275 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items
A BIT OF HISTORY Tajima Glassworks Unfortunately, little is known about Tajima Glass. However, it is known that the glass studio was founded in 1956, in Tokyo, Japan, by Matsutaro Tatsuta. They are known for coloured, textured and often mould-blown or hot-worked art glass. Tajima Glass are still operating today. The quality and style of their work are similar to other Japanese glassworks, rivalling and often mistaken for Italian Murano glass and Czech glass from the same period.
Hjordis Oldfors for Upsala Ekeby, 1958-61 City Series, Duo of Bauhaus Geometric Décor Vase and Dish
Regular price£525.00
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These stunning works of Swedish mid-century Modernist design are by Hjördis Oldfors (b. 1920 - d. 2014) for Upsala Ekeby. Oldfors was a celebrated Swedish ceramicist, painting, and textile artist, known for the many series she designed at Upsala Ekeby which went on to become classics.
Designed and in production between 1958 to 1961, this hand crafted work of art pottery comes from Oldfors' City series, for which there are 5 works of vases and dishes.
The City series is characterised by its highly tactile décor. The base is a rich and matte chocolate-toned earthenware, upon which is incised the interlocking geometric pattern. Reminiscent of stylised city plan blueprints, the incised ‘paths’ are highlighted with the glossy Pale Pistachio green glaze. The work is further complimented by a vivid, glossy Sunshine yellow on the interior.
Timeless in aesthetic style yet very representative of the mid-century Swedish Modernist design movement, both works are in excellent condition with the vase being a particularly rare find.
CONDITION Excellent, there are no chips, cracks or repairs. There is mild surface wear that is commensurate with age. The reverse of the dish is stamped with Upsala Ekebys 'UE' and Oldfors 'HJ' monogram and the model number '5174'. The underside of the vase is stamped with Upsala Ekebys 'UE' and Oldfors 'HJ' monogram and the model number '5176'.
MEASUREMENTS - Dish: Height: c. 2" / 5.2 cm (from base to rim). Rim measurements: c. 6.5" / 16.5 cm x c. 9.2" / 23.4 cm. Depth: c. 1.9" / 4.8 cm. Base diameter measurements: c. 6" / 15.3 cm x c. 3.4" / 8.6 cm.
- Vase: Height: c. 9.1" / 23 cm tall (from base to tallest point). Rim diameter: c. 1.3" / 3.3 cm. Diameter (across widest point): c. 3.5" / 8.8 cm. Base measurements: c. 2.4" / 6 cm x c. 2" / 5 cm.
Unpackaged weight [Combined]: c. 1.1 kg / 1,125 g
NOTES Duo will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Hjördis Hanna Maria Oldfors (b. 1920 - d. 2014) was a celebrated Swedish ceramicist, painting, and textile artist. Oldfors is known for many series she designed at Upsala Ekeby which went on to become classics; including Poäng (Points), Kokos (Coconut), Trio (Trio), Palma (Palma), and Granit (Granite). Oldfors is represented at a number of museums including; National Museum (Sweden), Röhsska Museum, and at the Nordenfjeldske Konstindustrimuseum.
Though Oldfors was a late arrival to her ceramics career, beginning her studies in 1947 in Gothenburg, she became incredibly successful. Her career at Upsala Ekeby began in 1950 when she was 30 and she would go on to set up her own studio 'Bränd Form' with a number of exhibitions representing Upsala Ekeby and her own studio. The curators of the day are notably known to have said "She has an astonishing certainty in the abstract decor and its adaptation to the form. In this area, she does not have many competitors in our ceramics."
Lillemor Mannerheim for Gefle Keramik, 1954 Labrynt, Mangania Series Sculptural Flask Vase, Sweden
Regular price£295.00
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This striking and sculptural work of mid-century Swedish Modernistic design is by Lillemor Mannerheim (b. 1927 - d. 1994). Mannerheim was a countess, ceramicist, and illustrator who designed this Labrynt (Labryinth) vase in 1954 for Gefle Keramiks, together with a number of her other well-known series such as Kulisaner, Dixie, Mambo, Singoalla and Pärlor.
This elegant Labrynt vase features Mannerheim's gentle swelling design characteristic which tapers into fluted rim to create the flask form. This form is overlaid with the rich, semi-matte Onyx black glaze called Mangania that was a feature of many of Mannerheim's most popular series. The piece is finished with the hand-glazed gloss swirling in Powdered Lime tone on both sides to further elevate the piece.
The combination of the form, glaze and Modernistic accents gives the overall piece a stylistically timeless presence. And yet the design of this piece is completely suited to the Atomic Design period that it's from, when space exploration and futuristic influences were at the forefront of world news.
CONDITION Excellent. No chips, cracks, or repairs. There is mild use wear, predominantly in the form of movement marks on the underside of the base that is commensurable with the age of the piece. The underside of the base bears 'Gefle' and 'Lillemor' stamp and inscribed with the model number 'M43' and 'Labrynt'.
MEASUREMENTS Height: c. 11.4" / 29 cm tall (from base to rim) x c. 3.9" / 10 cm diameter (across widest point). Rim measurements: c. 4.6" / 11.7 cm x c. 1.6" / 4 cm. Base Measurements: c. 2" / 5.2 cm x c. 2.2" / 5.7 cm. Unpackaged weight: c. 0.6 kg / 630 g
A BIT OF HISTORY Lillemor Mannerheim (b. 1927 - d. 1994) Ingeborg Aina Sophie Constance "Lillemor" Mannerheim-Klingspor was a countess, a ceramicist and illustrator who began her studies into art and design in 1945, at the end of WWII. Mannerheim began her career at Gefle in 1949, designing a number of popular series such as Kulisaner, Dixie, Labyrint, Mambo, Pärlor, Föl, Solros and Singoalla. She also designed a number of figurines and sculptures during her time at Gefle where she remained until 1957.
Mannerheim spent time studying in Italy and France at the end of the 1950s before taking her career to the next step at Rorstrand in 1960. Her art is represented in a number of museums in France, Sweden and Finland.
Lillemor Mannerheim for Gefle Keramik, Dixie, Mangania Series Sculptural Flask Vase, 1957
Regular price£295.00
Save £-295.00
This striking and sculptural work of mid-century Swedish Modernistic design is by Lillemor Mannerheim (b. 1927 - d. 1994). Mannerheim was a countess, ceramicist, and illustrator who designed this Dixie vase in 1957 for Gefle Keramiks, together with a number of her other well-known series such as Kulisaner, Labyrint, Mambo, Singoalla and Pärlor.
This elegant Dixie vase features Mannerheim's gentle swelling design characteristic which tapers into fluted rim to create the flask form. This form is overlaid with the rich, semi-matte Onyx black glaze called Mangania that was a feature of many of Mannerheim's most popular series. The piece is finished with hand glazed gold angular and linear accents serves to further elevate the piece.
The combination of the form, glaze and Modernistic accents gives the overall piece a stylistically timeless presence. And yet the design of this piece is completely suited to the Atomic Design period that it's from, when space exploration and futuristic influences were at the forefront of world news.
CONDITION Excellent. No chips, cracks, or repairs. There is mild use wear, predominantly in the form of movement marks on the underside of the base that is commensurable with the age of the piece. The underside of the base bears 'Gefle' and 'Lillemor' stamp and inscribed with the model number 'M43'.
MEASUREMENTS Height: c. 11.4" / 29 cm tall (from base to rim) x c. 3.9" / 10 cm diameter (across widest point). Rim measurements: c. 4.6" / 11.7 cm x c. 1.6" / 4 cm. Base Measurements: c. 2" / 5.2 cm x c. 2.2" / 5.7 cm. Unpackaged weight: c. 0.6 kg / 630 g
A BIT OF HISTORY Lillemor Mannerheim (b. 1927 - d. 1994) Ingeborg Aina Sophie Constance "Lillemor" Mannerheim-Klingspor was a countess, a ceramicist and illustrator who began her studies into art and design in 1945, at the end of WWII. Mannerheim began her career at Gefle in 1949, designing a number of popular series such as Kulisaner, Dixie, Labyrint, Mambo, Pärlor, Föl, Solros and Singoalla. She also designed a number of figurines and sculptures during her time at Gefle where she remained until 1957.
Mannerheim spent time studying in Italy and France at the end of the 1950s before taking her career to the next step at Rorstrand in 1960. Her art is represented in a number of museums in France, Sweden and Finland.
Ingrid Atterberg for Upsala Ekeby, 1957 'Chamotte' Series Sculptural Modernist Centrepiece Bowl
Regular price£795.00
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This statement work of Mid Century Modern design is by Ingrid Atterberg, (b. 1920 - d. 2008) a celebrated epitome for illustrious 20th century Swedish ceramic design. Atterberg was also a leading designer for Upsala Ekeby for whom she designed this centrepiece.
This hand-thrown and hand-glazed piece comes from Atterberg's Chamotte series designed in 1957, the series would go on to be very well known during this time. The series was comprised of 13 earthenware bowls and vases characterised by textured earthenware in juxtaposed gloss glaze and matte glaze.
This particular piece is elegantly lengthy, providing an excellent canvas for the hand-glazed decor. The colour palette is a composition of muted Ink and Midnight navy, Stone whites, Powdered Mint green, and Electric blue that is offset against the matte Mocha brown. The glaze is overlaid with bold geometric accents in Jet black as is the exterior of the bowl.
A stunning piece that is majestic in size with excellent condition and in a Modernist design that is classic of its time yet also contemporarily timeless.
CONDITION Excellent. No chips, cracks, or repairs. There is mild wear to the exterior of the bowl that is commensurable with the age of the piece. Please refer to the photographs as they form part of the condition report. The underside is inscribed and stamped with 'UE, 2308 and Atterberg's 'Abg' initials. The interior of the dish also bears the original Upsala Ekeby label.
MEASUREMENTS Height: c. 3.1" / 8 cm tall (from base to rim) x c. 7.5" / 19 cm width x c. 16.5" / 42 cm length (across widest and longest points) Depth c. 3" / 7.5 cm Base: c. 5.9" / 15 cm x c. " 2.6 / 6.5 cm. Unpackaged weight: c. 1.4 kg / 1,395 g
NOTES Bowl will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Ingrid Magdalena Atterberg-Göransson (b. 1920 - d. 2008) was a celebrated epitome of illustrious Swedish ceramic design of the 20th century and a leading designer for Upsala Ekeby in the 1950s and 1960s. Atterberg is represented at the Swedish National Museum of Art and Design.
In 1944, she was employed at Upsala Ekeby, where appreciation for her works as a ceramicistcontinued to growover the years. She was known for using 'manganese clay' in the 1940s and chamotte in the 1950s, and successfully developed her own glazes. In the late 1940s, her own collection called "Ekeby Verkstad" was born with a numbered series that began at 100.
During her career, Atterberg had several exhibitions and received a gold medal for her work in Italy as well as completing a number of public commissions.
Ingrid Atterberg for Upsala Ekeby, 1957 'Chamotte' Series Sculptural Modernist Floor Vase, Sweden
Regular price£1,295.00
Save £-1,295.00
his statement work of Mid Century Modern design is by Ingrid Atterberg, (b. 1920 - d. 2008) a celebrated epitome for illustrious 20th century Swedish ceramic design. Atterberg was also a leading designer for Upsala Ekeby for whom she designed this vase.
This hand-thrown and hand-glazed piece comes from Atterberg's Chamotte series designed in 1957, the series would go on to be very well known during this time. The series was comprised of 13 earthenware bowls and vases characterised by textured earthenware in juxtaposed gloss glaze and matte glaze.
This particular piece is elegantly lengthy, providing an excellent canvas for the hand-glazed decor. The colour palette is a composition of Powdered Mint Green, Stone whites, and Electric blue with bold geometric accents in Jet black. A stunning piece that is majestic in size with excellent condition and in a Modernist design that is classic of its time yet also contemporarily timeless.
CONDITION Excellent. There is mild wear to the underside of the vase that is commensurable with the age of the piece. The base is further protected by 4 protective felt pads. Please refer to the photographs as they form part of the condition report. The underside is inscribed and stamped with 'UE, 2316 and Atterberg's 'Abg' initials.
MEASUREMENTS Height: c. 15.7" / 40 cm tall (from base to rim) x c. 2" / 5 cm x c. 1.8" / 4.5 cm rim diameter. Diameter: c. 5.5" / 14 cm (across widest point. Base diameter: c. 3.2" / 8.2 cm. Unpackaged weight: c. 2.8 kg / 2,810 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Ingrid Magdalena Atterberg-Göransson (b. 1920 - d. 2008) was a celebrated epitome of illustrious Swedish ceramic design of the 20th century and a leading designer for Upsala Ekeby in the 1950s and 1960s. Atterberg is represented at the Swedish National Museum of Art and Design.
In 1944, she was employed at Upsala Ekeby, where appreciation for her works as a ceramicistcontinued to growover the years. She was known for using 'manganese clay' in the 1940s and chamotte in the 1950s, and successfully developed her own glazes. In the late 1940s, her own collection called "Ekeby Verkstad" was born with a numbered series that began at 100.
During her career, Atterberg had several exhibitions and received a gold medal for her work in Italy as well as completing a number of public commissions.
Gunnar Nylund for Rorstrand, Chamotte 'Hedgehog' Series, Sculpted Topaz Vase, 1940s-50s, Swedish
Regular price£795.00
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This viviacious work of Swedish Modernist design is the 'Igelkott' ('Hedgehog') vase that comes from the larger 'Chamott' (Chamotte) series designed between 1936 to 1948. The series was designed by the celebrated Swedish ceramicist and designer Gunnar Nylund (b.1904 - d.1997) for Rörstrand.
The vases were made in 5 colours (Emerald, Topaz, (Mustard), Turquoise, White, and Yellow) with 3 different forms to the vases. This Topaz piece comes from the 'Al' form and is the medium size of the 3 available sizes at 16 cm in height (small 12cm, medium 16cm, large 21cm). Nylund became well known for his Chamotte sculptures, designing the series during his time as artistic director at Rörstrand.
Handworked, the rugged yet polished décor makes this an exceptionally tactile piece and the highly textured surface with the glossily glazed décor is a fabulous juxtaposition. Stylistically timeless and contemporary, this work is an outstanding example of Scandinavian mid-century Modern design.
CONDITION Very Good. There is light use wear to the underside of the base and the glaze décor that is commensurable with the age of the piece. The underside is stamp-inscribed with "Rorstrand, Sverige, Chamotte, Nylund".
MEASUREMENTS Height: c. 6.3" / 16 cm (from base to rim). Width: c. 4.9" / 12.5 cm (across widest point). Rim diameter: c. 2" / 5 cm. Base diameter: c. 2.4" / 6.2 cm. Unpackaged weight: c. 1.4 kg / 1,350 g
A BIT OF HISTORY Gunnar Nylund (b. 1904 – d.1997) Nylund was a Swedish ceramic designer since the 1930s and is perhaps best known as the artistic director of Rörstrand and was already a well-established ceramic artist in Denmark - first at the Bing & Grøndahl Porcelain factory in Copenhagen and later at Saxbo.
Nylund was resident at Rörstrand from 1931–1955 and for the majority of this time, as artistic director. He became well known for his new matte feldspar glazed stoneware in hare’s fur and crystal glazes and for his stoneware animal sculptures. Over five decades, Nylund crafted some 30 reliefs and sculptures commissioned for public spaces, including Europe’s largest stoneware fountain the “Scanisarius” in Bromölla, Sweden.
Most of Nylund’s original sculptures in stoneware chamotte ended up in museums, as did much of his other work. Sculptures such as the “Lion Head” is found at the National Museum in Stockholm, “Blue Bird” is at the Sèvres museum in Paris, his antelope head “Abyssinian mountain nyala”, is at the Röhsska museet in Gothenburg and the “Hamadryas Baboon” is at the Malmö Museum.
His piece “Bulls head in oxblood” was bought by the Ateneum museum in Helsinki. And a lot of his other work can be found at other museums around the world.