Ingrid Atterberg for Upsala Ekeby, 1957 'Chamotte' Series Sculptural Modernist Floor Vase, Sweden
Regular price£1,295.00
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his statement work of Mid Century Modern design is by Ingrid Atterberg, (b. 1920 - d. 2008) a celebrated epitome for illustrious 20th century Swedish ceramic design. Atterberg was also a leading designer for Upsala Ekeby for whom she designed this vase.
This hand-thrown and hand-glazed piece comes from Atterberg's Chamotte series designed in 1957, the series would go on to be very well known during this time. The series was comprised of 13 earthenware bowls and vases characterised by textured earthenware in juxtaposed gloss glaze and matte glaze.
This particular piece is elegantly lengthy, providing an excellent canvas for the hand-glazed decor. The colour palette is a composition of Powdered Mint Green, Stone whites, and Electric blue with bold geometric accents in Jet black. A stunning piece that is majestic in size with excellent condition and in a Modernist design that is classic of its time yet also contemporarily timeless.
CONDITION Excellent. There is mild wear to the underside of the vase that is commensurable with the age of the piece. The base is further protected by 4 protective felt pads. Please refer to the photographs as they form part of the condition report. The underside is inscribed and stamped with 'UE, 2316 and Atterberg's 'Abg' initials.
MEASUREMENTS Height: c. 15.7" / 40 cm tall (from base to rim) x c. 2" / 5 cm x c. 1.8" / 4.5 cm rim diameter. Diameter: c. 5.5" / 14 cm (across widest point. Base diameter: c. 3.2" / 8.2 cm. Unpackaged weight: c. 2.8 kg / 2,810 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Ingrid Magdalena Atterberg-Göransson (b. 1920 - d. 2008) was a celebrated epitome of illustrious Swedish ceramic design of the 20th century and a leading designer for Upsala Ekeby in the 1950s and 1960s. Atterberg is represented at the Swedish National Museum of Art and Design.
In 1944, she was employed at Upsala Ekeby, where appreciation for her works as a ceramicistcontinued to growover the years. She was known for using 'manganese clay' in the 1940s and chamotte in the 1950s, and successfully developed her own glazes. In the late 1940s, her own collection called "Ekeby Verkstad" was born with a numbered series that began at 100.
During her career, Atterberg had several exhibitions and received a gold medal for her work in Italy as well as completing a number of public commissions.
Gunnar Nylund for Rorstrand, Chamotte 'Hedgehog' Series, Sculpted Topaz Vase, 1940s-50s, Swedish
Regular price£795.00
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This viviacious work of Swedish Modernist design is the 'Igelkott' ('Hedgehog') vase that comes from the larger 'Chamott' (Chamotte) series designed between 1936 to 1948. The series was designed by the celebrated Swedish ceramicist and designer Gunnar Nylund (b.1904 - d.1997) for Rörstrand.
The vases were made in 5 colours (Emerald, Topaz, (Mustard), Turquoise, White, and Yellow) with 3 different forms to the vases. This Topaz piece comes from the 'Al' form and is the medium size of the 3 available sizes at 16 cm in height (small 12cm, medium 16cm, large 21cm). Nylund became well known for his Chamotte sculptures, designing the series during his time as artistic director at Rörstrand.
Handworked, the rugged yet polished décor makes this an exceptionally tactile piece and the highly textured surface with the glossily glazed décor is a fabulous juxtaposition. Stylistically timeless and contemporary, this work is an outstanding example of Scandinavian mid-century Modern design.
CONDITION Very Good. There is light use wear to the underside of the base and the glaze décor that is commensurable with the age of the piece. The underside is stamp-inscribed with "Rorstrand, Sverige, Chamotte, Nylund".
MEASUREMENTS Height: c. 6.3" / 16 cm (from base to rim). Width: c. 4.9" / 12.5 cm (across widest point). Rim diameter: c. 2" / 5 cm. Base diameter: c. 2.4" / 6.2 cm. Unpackaged weight: c. 1.4 kg / 1,350 g
A BIT OF HISTORY Gunnar Nylund (b. 1904 – d.1997) Nylund was a Swedish ceramic designer since the 1930s and is perhaps best known as the artistic director of Rörstrand and was already a well-established ceramic artist in Denmark - first at the Bing & Grøndahl Porcelain factory in Copenhagen and later at Saxbo.
Nylund was resident at Rörstrand from 1931–1955 and for the majority of this time, as artistic director. He became well known for his new matte feldspar glazed stoneware in hare’s fur and crystal glazes and for his stoneware animal sculptures. Over five decades, Nylund crafted some 30 reliefs and sculptures commissioned for public spaces, including Europe’s largest stoneware fountain the “Scanisarius” in Bromölla, Sweden.
Most of Nylund’s original sculptures in stoneware chamotte ended up in museums, as did much of his other work. Sculptures such as the “Lion Head” is found at the National Museum in Stockholm, “Blue Bird” is at the Sèvres museum in Paris, his antelope head “Abyssinian mountain nyala”, is at the Röhsska museet in Gothenburg and the “Hamadryas Baboon” is at the Malmö Museum.
His piece “Bulls head in oxblood” was bought by the Ateneum museum in Helsinki. And a lot of his other work can be found at other museums around the world.
Georgia Jacob, Corolle Series Sculptural Modernist Handkerchief Lamp Base, 1980s-90s, French
Regular price£595.00
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This majestically sculptural lamp is of French design by Georgia Jacob's company (1988 - 2012). This particular piece comes from the Corolle series, one of many series where Jacob explored shape and form exclusively through the arrangement of drape.
The overall composition is characterised by exceptionally tactile and organic qualities, with a core arrangement of 16 folds that are encircled by an outer band of 19 ruffles made of the Saffron Mango toned resin. This piece is finished with an elegant resin marble base, further accentuating the subtle luxury of the design.
Standing at half a metre tall, this stunning statement piece brings sophisticated Minimalism to its surroundings.
CONDITION Excellent. No chips, cracks, or repairs. There is faint wear to the surface that is commensurate with the age of the piece, please see photographs as they form part of the condition report. The underside of the base is labeled with the original label. Lamp takes a 40w candle screw bulb with the length of the cord being c. 6 ft / 183 cm.
MEASUREMENTS Height: c. 21" / 53 cm high. Width c. 9.8" / 25 cm (across the widest point). Base measurements: c. 5.1" / 13 cm diameter. Weight: c. 1.4 kg / 1,395 g. Lamp takes a 40w candle screw bulb with the length of the cord being c. 6 ft / 183 cm.
A BIT OF HISTORY Georgia Jacob International (1988 - 2012) Georgia Jacob International was founded in 1988 in Wasselonne, a small commune in the north of France, c. 26 km from Strasbourg. Jacob only produced handkerchief and flaming torch design lamps made of resin (polyester), fibreglass or acrylic with several different bases made in marble, brass, metal, wood, or resin. Lamp series included the Corolle, Kali, Athena, Ella, Ophélie, Fruit d’Ange (angel fruit). Sadly not much more is known about the company and records trace the company as discontinuing in 2012 due to insufficient assets.
NOTES Lamp will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Iwatsu Hineri, Sculpted Apricot, Scarlet and Azure Striped Twist Vase, 1960s-70s, Japanese
Regular price£118.00
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This striking and vibrant work of mid-century handblown art glass is of Japanese art glass design and by the glassworks Iwatsu, who were also known to have produced art glass under the labels of Hineri and Art Glass.
Graceful and organic, the central twist to the vase creates ripples that are highly tactile and invite touch. The colours of Apricot, Scarlet red and Azure blue swirl gloriously from the centre of the vase and outwards in alternating bands. The red and blue tones are translucent, creating stunning refractions when placed in the path of bright light. The work is finished with a clear glass 'Sommerso' casing at the base.
Stylistically timeless and majestic in size, there is an air of vivacious vitality to this work that remains constant whatever the season.
CONDITION Very Good. There are no cracks, only mild wear on the surface of this piece and age-related fleabites at the base and underside of the vase that is commensurable with the age. Please refer to the photos as they form part of the condition report. The underside of the base has a concave pontil that is a known finishing touch of Iwatsu.
MEASUREMENTS Height: c. 11.4" / 29 cm (base to rim) Diameter: c. 4.8" / 12.3 cm (across widest point). Base diameter: c. 3.4" / 8.6 cm. Unpackaged weight: c. 2.1 kg / 2,120 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Iwatsu Glassworks Unfortunately, little is known about Iwatsu despite being one of the largest glassmakers in Japan, the commonly cited and understood reason is due to language barriers. However, Iwatsu is deemed to have produced art glass under the Hineri and Art Glass labels before closing in the 1990s. Iwatsu were known to have been based in Osaka in Japan, producing colourful art glass during the 1970s. The quality and style of their work rivalled and is often mistaken for, Italian Murano glass and Czech glass from the same period.
