Shorter & Son, Art Deco Bauhaus Geometric Décor Raw Ocean Jasper Palette Planter, English, 1920s-30s
Regular price£77.00
Save £-77.00
This striking work of Art Deco design is by the English pottery Shorter and Son (estd. c. 1900 - c. 1964). The sculpted and abstract jardiniere form firmly displays architectural influences of Art Deco Bauhaus geometricism. The overall shape is that of an oval slice that is an excellent canvas for the tactile décor.
The décor is an alternating pattern arranged with the triangular ridges. The horizontal ridges stagger in height as they wrap around the body and are further complimented by vertical ridges of staggered height. Further elevating this piece is the sumptuous glaze that is a blended flow of Cream, Caramel, Mocha brown tones which are offset by the Steel grey-blue. The glaze palette is similar to that of Raw Ocean Jasper. The visual appeal of this piece is timeless in style but also very much a piece of Art Deco history.
CONDITION Very Good. No chips, cracks, or repairs. The most notable wear are mild marks on the interior of the planter and a minor flake to the glaze on the underside of the base that are commensurable with the age of the piece. Please refer to photographs as they form part of the condition report. The base bears Shorter and Son's stamp denoting 'Shorter and Son, Stoke on Trent, Made in England".
MEASUREMENTS Height: c. 3.3" / 8.5 cm. Width: c. 7.1" / 17.8 cm (across widest point) x c. 6.1" / 15.6 cm (across deepest point). Unpackaged weight: c. 0.9 kg / 860 g
NOTES Jardiniere planter will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Before the 1920s, Shorter and Son (c. 1900 - 1964) produced Edwardian Majolica ware, creating a broad range of domestic and ornamental ware such as jardinieres, umbrella holders, bowls and vases. From the 1920s onward, their range only broadened however, they would adapt their designs to the burgeoning influences of the period. The design of their tableware and accessories for example reflected the Art Deco influences of the greats such as Clarice Cliff and Mabel Leigh designed for Shorter and Son from 1933 to 1935.
Sadly, in the early 1960s, the company faced the death of a director Arthur Colley Shorter as well as the loss of a factory in Copeland Street to a road development scheme. Finally, there were significant expenses to convert to smokeless firing to conform with the Clean Air Act. These factors resulted in a decision to accept an offer from S. Fielding & Co. Ltd the owners of Crown Devon around 1964.
Mari Simmulson for Upsala Ekeby, 1956-57 Iris Series, Blue and White Stripe Polka, Wide Brim Vase
Regular price£216.00
Save £-216.00
This delicious work of Swedish Mid Century Modern design is by Mari Simmulson (b. 1911- d. 2000) for Upsala Ekeby. Simmulson was a celebrated Swedish ceramics designer and ceramicist, known for many series she designed at Upsala Ekeby which went on to become classics. This hand-thrown and hand-glazed work comes from Simmulson's Iris series, these earthenware works were designed around 1956 to 1957. The series is characterised by the delightfully organic blue and white stripes that are edged with Vanilla cream dots. There is firm delineation between the stripes and dots combined with the glossy glaze gives this piece a very touchable, tactile quality. The combination of the organic lines in black, the 'sprinkled' blue and pink speckled white glaze that is highlighted by the cheerful cream dots makes brings a joyful vibe to the overall piece.
This design is typically more difficult to source and the great condition this particular piece is in makes it an even rarer find. Stylistically, this work is timeless and is suitable for standalone display or functionally as a vase, a bowl or even as a tealight lantern.
CONDITION Excellent - there are no chips, cracks or repairs on the exterior of the vase. Mentioned for completeness: there is a single chip on the underside of the 'frog' (flowerholder) c. 1cm x 0.6cm that is not visible during display. The underside of the base is inscribed with Upsala Ekebys 'Ekeby' and Simmulson's 'ms' monogram as well as the model number '328'.
MEASUREMENTS Height: c. 4.3" / 11 cm tall (from base to rim). Rim measurements: c. 7.2" / 18.2 cm (across widest point). 'Frog' (flower holder) diameter: c. 3.1" / 7.8 cm Base measurements: c. 3.5" / 8.8 cm. Depth: c. 3.7" / 9.3 cm (from rim). Unpackaged weight: c. 0.8 kg / 760 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Mari Peterson Särgava, ceramicist and textile artist (b. 1911- d. 2000) began her career with an internship with Arabia in Finland and it was during this time she married Gustaf Simmulson.
Simmulson moved to Sweden in 1944 and began working with Wilhelm Kåge at Gustavsbergs, staying until 1949. Her career took her to Uppsala Ekeby in 1949, where she designed vases, figures, reliefs and wall paintings, many of them noted as unique pieces. She became a leading designer at Uppsala Ekeby where she remained until the early 1970s. Simmulson also received commissions for public pieces including at Luleå Kol, Upplandsbanken and Pharmacia.
Crown Devon, att. Ditmar Urbach, Art Deco Stylised Stitch Tree Décor Globe Lamp Base, 1920s-30s
Regular price£126.00
Save £-126.00
This beautifully stylised work of Art Deco design was made by English pottery Crown Devon. Designed and made during Clarice Cliff's Bizarre era. The stylised tree and landscape verdure décor in this piece echoes that of which appears in Cliff's iconic Orange Roof Cottage series. The décor is further elevated by the addition of the tube-lined and tactile dotted 'stitching'. The origin of design can be attributed to the Czechoslovakian pottery Ditmar Urbach, from which Crown Devon developed its own interpretation.
The subtly striking décor sits against the canvas of the spherical globe form, displaying its timeless style and carrying its c. 85 years of Art Deco history.
CONDITION Very Good. There are 3 negligible chips to the glaze and light use wear to the underside of the base. Mentioned for completeness: there mild crazing all over. The light wear is commensurable with the age of the piece, please refer to photos as they form part of the condition report. The base bears Crown Devon's stamp and model number 'M206'. Length of cord: c. 70" / 178 cm and is fitted with a British plug. Lamp takes a 'B22' light bulb.
MEASUREMENTS Height: c. 6.3" / 16 cm (excluding bulb holder) height: c. 9.3" / 23.5 cm (including bulb holder). Diameter: c . 6.3" / 16 cm (across widest point). Base diameter: c. 3" / 7.5 cm. Unpackaged weight: c. 0.9 kg / 945 g
NOTES Lamp will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Crown Devon Fieldings (1870 - 1982) The pottery was founded in 1870 by Simon Fieldings in Stoke on Trent but it would be 10 years later before they began to produce Majolica style pottery that was popular during the 1880s. Their product range began to expand in the 1890s, working with British United Clock company and they would continue to expand their product range as popularity flourished after successful world trade fairs in the 1900s. They sustained their success for over a century before sadly closing in 1982 at the time of the recession.
Edelstein Bavaria, Mid Century ‘Sunburst Supernova’ Textured Op Art White Porcelain Vase, 1960s-70s
Regular price£56.00
Save £-56.00
This elegant and charming work was designed and produced by Edelstein of Bavaria, Germany. Characteristic to mid-century Op Art or Pop Art design, the décor of this piece is very tactile and is likened to a stylised Sunburst or Supernova. The design is the feature on both sides of the vase, making this a double-faced piece. The form is also abstract to that of a traditional bottle form with the neck taking on mildly exaggerated curves to create a bevelled oval rim.
Stylistically timeless and subtle but yet very much of the Op Art movement, this piece is versatile enough to be displayed as a standalone piece or used functionally.
CONDITION Excellent. There are no chips, cracks or repairs. Mentioned for completeness, there is mild wear of movement marks on the underside of the base and also a spot where the glaze did not completely cover the vase that is not visible when the vase is upright. Please refer to photos as they form part of the condition report. The underside of the base bears Edelstein's stamp.
MEASUREMENTS Height: c. 6.8" / 17.3 cm tall (from base to rim). Rim measurements: c. 2.6" / 6.5 cm x c. 1.5" / 3.8 cm. Width: c. 5.9" / 15 cm (across widest point). Depth: c. 2.9" / 7.5 cm. Unpackaged weight: c. 0.6 kg / 555 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Edelstein Bavaria was founded by Julius Edelstein in 1919 who right from the start specialised in porcelain tableware and decorative pieces. Edelstein enjoyed great success and by the mid-1920s employed up to 600 people. Sadly and like many other companies of the time, suffered from the world war. Though the company recovered to employing around 400 people during the 1950s, it would only last for another 2 decades until it was finally closed down in the 1970s.
Vallauris France, Chocolate, Cherry and Honeycomb Palette Running Lava Splash Form Dish, 1950s-70s
Regular price£116.00
Save £-116.00
This beautifully undulating work of Mid Century design is from Vallauris, France. Artistic ceramics began to emerge from Vallauris from the end of the 19th century and was elevated further by the arrival of Picasso from 1948.
The form of this particular piece is stylised, with the closest glass counterpart being the Splash bowl, examples of which have been made iconic by Murano. However, unlike a glass Splash bowl which mimics thinner liquids, this work more closely mimics melted chocolate. There are four crests to the 'splash', rising from the broadly rectangular form. The base glaze is a rich, smooth and glossy Milk Chocolate brown. Overlaid onto the base glaze is a interspersing and running glaze in tones of Cherry Red, Vanilla cream and varying tones of brown in Honeycomb, Fudge and Caramel.
The majestic size with the subtly striking palette makes this piece suitable for standalone display or for functional use as a table centrepiece.
CONDITION Excellent. There are no chips, cracks or repairs. There is mild surface wear and movement marks on the underside of the base that is commensurable with the age of the piece. Please see photographs as they form part of the condition report. The underside of the vase bears the 'Vallauris' inscription.
MEASUREMENTS Height: c. 4.4" / 11.2 cm. Rim measurements: c. 12.2" / 31 cm x c. 8.3" / 21 cm (across longest/widest points). Depth: c. 2" / 5 cm. Base measurements: c. 7.2" / 18.3 cm x c. 2.8" / 7 cm. Unpackaged weight: c. 1.4 kg / 1,420 g
NOTES Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Vallauris Pottery Ceramics have always been part of the Vallauris region, however, artistic ceramics began to emerge from Vallauris from the end of the 19th century notably thanks to the Massier family. Other famous names include Delphin and Jérôme introduced coloured enamels and metallic pigments into their ceramics. The region's reputation was elevated further by the arrival of Picasso from 1948.
